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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 198.8 207 it is the complementary color RGB 70 56.2 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 198.8 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 198.8 207 shade: RGB 190 198.8 202, RGB 207 216.8 221, RGB 224 234.8 240, RGB 241 252.8 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 198.8 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 198.8 207 shade: RGB 185 198.8 207, RGB 168 180.8 188, RGB 151 162.8 169, RGB 134 144.8 150 and RGB 117 126.8 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 198.8 207 shade: RGB 185 199 207, RGB 185 193 207, RGB 185 187 207, RGB 189 185 207 and RGB 195 185 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 198.8 207 shade: RGB 185 199 207, RGB 185 193 207, RGB 185 187 207 and RGB 185 185 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 198.8 207 shade matches the following richer shades: RGB 185 199 207, RGB 176 202 217, RGB 166 204 226, RGB 157 206 236 and RGB 147 209 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 198.8 207 shade: RGB 185 199 207, RGB 195 197 198, RGB 204 194 189, RGB 214 192 179 and RGB 223 190 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 198.8 207 shade: RGB 185 207 204, RGB 185 205 207, RGB 185 199 207, RGB 185 193 207 and RGB 185 187 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 198.8 207 shade: RGB 136 160 174, RGB 161 180 191, RGB 185 199 207, RGB 210 219 224 and RGB 234 238 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 198.8 207 shade: RGB 185 198.8 207, RGB 198 185 207 and RGB 207 207 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 198.8 207 shade: RGB 185 198.8 207, RGB 207 185 199 and RGB 199 207 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 198.8 207 shade: RGB 185 198.8 207, RGB 198 185 207, RGB 207 193 185 and RGB 195 207 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 198.8 207 shade: RGB 185 198.8 207, RGB 205 185 207, RGB 207 193 185 and RGB 188 207 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 4 / 0 / 19

HEX #B9C6CF

RGB 185 198.8 207

HSL 202.36, 0.19%, 0.77%

LAB 79.37, -3.07, -5.71

 

Complementary color

CMYK 0 / 20 / 31 / 73

HEX #463830

RGB 70 56.2 48

HSL 22.36, 0.19%, 0.23%

LAB 24.84, 4.63, 7.42

 

CMYK 6 / 2 / 0 / 21

HEX #BEC6CA

RGB 190 198.8 202

HSL 196, 0.1%, 0.77%

LAB 79.59, -2.39, -2.65

 

CMYK 6 / 2 / 0 / 13

HEX #CFD8DD

RGB 207 216.8 221

HSL 198, 0.17%, 0.84%

LAB 86.01, -2.5, -3.21

 

CMYK 7 / 2 / 0 / 6

HEX #E0EAF0

RGB 224 234.8 240

HSL 199.5, 0.35%, 0.91%

LAB 92.33, -2.6, -3.76

 

CMYK 5 / 1 / 0 / 0

HEX #F1FCFF

RGB 241 252.8 255

HSL 189.43, 1%, 0.97%

LAB 98.45, -3.45, -2.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 4 / 0 / 19

HEX #B9C6CF

RGB 185 198.8 207

HSL 202.36, 0.19%, 0.77%

LAB 79.37, -3.07, -5.71

 

CMYK 11 / 4 / 0 / 26

HEX #A8B4BC

RGB 168 180.8 188

HSL 201.6, 0.13%, 0.7%

LAB 72.84, -2.98, -5.18

 

CMYK 11 / 4 / 0 / 34

HEX #97A2A9

RGB 151 162.8 169

HSL 200.67, 0.09%, 0.63%

LAB 66.19, -2.89, -4.65

 

CMYK 11 / 3 / 0 / 41

HEX #869096

RGB 134 144.8 150

HSL 199.5, 0.07%, 0.56%

LAB 59.4, -2.8, -4.09

 

CMYK 11 / 3 / 0 / 49

HEX #757E83

RGB 117 126.8 131

HSL 198, 0.06%, 0.49%

LAB 52.45, -2.71, -3.52

 

CMYK 11 / 4 / 0 / 19

HEX #B9C7CF

RGB 185 199 207

HSL 201.82, 0.19%, 0.77%

LAB 79.42, -3.17, -5.63

 

CMYK 11 / 7 / 0 / 19

HEX #B9C1CF

RGB 185 193 207

HSL 218.18, 0.19%, 0.77%

LAB 77.85, 0.01, -7.96

 

CMYK 11 / 10 / 0 / 19

HEX #B9BBCF

RGB 185 187 207

HSL 234.55, 0.19%, 0.77%

LAB 76.29, 3.23, -10.28

 

CMYK 9 / 11 / 0 / 19

HEX #BDB9CF

RGB 189 185 207

HSL 250.91, 0.19%, 0.77%

LAB 76.08, 5.63, -10.56

 

CMYK 6 / 11 / 0 / 19

HEX #C3B9CF

RGB 195 185 207

HSL 267.27, 0.19%, 0.77%

LAB 76.56, 7.64, -9.8

 

CMYK 11 / 4 / 0 / 19

HEX #B9C7CF

RGB 185 199 207

HSL 201.82, 0.19%, 0.77%

LAB 79.42, -3.17, -5.63

 

CMYK 11 / 7 / 0 / 19

HEX #B9C1CF

RGB 185 193 207

HSL 218.18, 0.19%, 0.77%

LAB 77.85, 0.01, -7.96

 

CMYK 11 / 10 / 0 / 19

HEX #B9BBCF

RGB 185 187 207

HSL 234.55, 0.19%, 0.77%

LAB 76.29, 3.23, -10.28

 

CMYK 11 / 11 / 0 / 19

HEX #B9B9CF

RGB 185 185 207

HSL 240, 0.19%, 0.77%

LAB 75.77, 4.31, -11.06

 

CMYK 11 / 4 / 0 / 19

HEX #B9C7CF

RGB 185 199 207

HSL 201.82, 0.19%, 0.77%

LAB 79.42, -3.17, -5.63

 

CMYK 19 / 7 / 0 / 15

HEX #B0CAD9

RGB 176 202 217

HSL 201.95, 0.35%, 0.77%

LAB 79.89, -5.55, -10.38

 

CMYK 27 / 10 / 0 / 11

HEX #A6CCE2

RGB 166 204 226

HSL 202, 0.51%, 0.77%

LAB 80.06, -7.62, -15.02

 

CMYK 33 / 13 / 0 / 7

HEX #9DCEEC

RGB 157 206 236

HSL 202.78, 0.68%, 0.77%

LAB 80.39, -8.85, -19.93

 

CMYK 40 / 15 / 0 / 4

HEX #93D1F5

RGB 147 209 245

HSL 202.04, 0.83%, 0.77%

LAB 80.96, -10.79, -23.91

 

CMYK 11 / 4 / 0 / 19

HEX #B9C7CF

RGB 185 199 207

HSL 201.82, 0.19%, 0.77%

LAB 79.42, -3.17, -5.63

 

CMYK 2 / 1 / 0 / 22

HEX #C3C5C6

RGB 195 197 198

HSL 200, 0.03%, 0.77%

LAB 79.39, -0.5, -0.75

 

CMYK 0 / 5 / 7 / 20

HEX #CCC2BD

RGB 204 194 189

HSL 20, 0.13%, 0.77%

LAB 79.1, 2.63, 3.75

 

CMYK 0 / 10 / 16 / 16

HEX #D6C0B3

RGB 214 192 179

HSL 22.29, 0.3%, 0.77%

LAB 79.19, 5.66, 9.37

 

CMYK 0 / 15 / 24 / 13

HEX #DFBEAA

RGB 223 190 170

HSL 22.64, 0.45%, 0.77%

LAB 79.28, 8.72, 14.46

 

CMYK 11 / 0 / 1 / 19

HEX #B9CFCC

RGB 185 207 204

HSL 171.82, 0.19%, 0.77%

LAB 81.46, -7.96, -1.04

 

CMYK 11 / 1 / 0 / 19

HEX #B9CDCF

RGB 185 205 207

HSL 185.45, 0.19%, 0.77%

LAB 81.01, -6.32, -3.3

 

CMYK 11 / 4 / 0 / 19

HEX #B9C7CF

RGB 185 199 207

HSL 201.82, 0.19%, 0.77%

LAB 79.42, -3.17, -5.63

 

CMYK 11 / 7 / 0 / 19

HEX #B9C1CF

RGB 185 193 207

HSL 218.18, 0.19%, 0.77%

LAB 77.85, 0.01, -7.96

 

CMYK 11 / 10 / 0 / 19

HEX #B9BBCF

RGB 185 187 207

HSL 234.55, 0.19%, 0.77%

LAB 76.29, 3.23, -10.28

 

CMYK 22 / 8 / 0 / 32

HEX #88A0AE

RGB 136 160 174

HSL 202.11, 0.19%, 0.61%

LAB 64.51, -5.22, -10.05

 

CMYK 16 / 6 / 0 / 25

HEX #A1B4BF

RGB 161 180 191

HSL 202, 0.19%, 0.69%

LAB 72.22, -4.23, -7.81

 

CMYK 11 / 4 / 0 / 19

HEX #B9C7CF

RGB 185 199 207

HSL 201.82, 0.19%, 0.77%

LAB 79.42, -3.17, -5.63

 

CMYK 6 / 2 / 0 / 12

HEX #D2DBE0

RGB 210 219 224

HSL 201.43, 0.18%, 0.85%

LAB 86.87, -2.08, -3.51

 

CMYK 3 / 1 / 0 / 5

HEX #EAEEF1

RGB 234 238 241

HSL 205.71, 0.2%, 0.93%

LAB 93.88, -0.78, -1.92

 

CMYK 11 / 4 / 0 / 19

HEX #B9C6CF

RGB 185 198.8 207

HSL 202.36, 0.19%, 0.77%

LAB 79.37, -3.07, -5.71

 

CMYK 4 / 11 / 0 / 19

HEX #C6B9CF

RGB 198 185 207

HSL 275.45, 0.19%, 0.77%

LAB 76.81, 8.65, -9.41

 

CMYK 0 / 0 / 11 / 19

HEX #CFCFB9

RGB 207 207 185

HSL 60, 0.19%, 0.77%

LAB 82.59, -3.8, 10.94

 

CMYK 11 / 4 / 0 / 19

HEX #B9C6CF

RGB 185 198.8 207

HSL 202.36, 0.19%, 0.77%

LAB 79.37, -3.07, -5.71

 

CMYK 0 / 11 / 4 / 19

HEX #CFB9C7

RGB 207 185 199

HSL 321.82, 0.19%, 0.77%

LAB 77.33, 10.25, -4.2

 

CMYK 4 / 0 / 11 / 19

HEX #C7CFB9

RGB 199 207 185

HSL 81.82, 0.19%, 0.77%

LAB 81.99, -6.65, 9.99

 

CMYK 11 / 4 / 0 / 19

HEX #B9C6CF

RGB 185 198.8 207

HSL 202.36, 0.19%, 0.77%

LAB 79.37, -3.07, -5.71

 

CMYK 4 / 11 / 0 / 19

HEX #C6B9CF

RGB 198 185 207

HSL 275.45, 0.19%, 0.77%

LAB 76.81, 8.65, -9.41

 

CMYK 0 / 7 / 11 / 19

HEX #CFC1B9

RGB 207 193 185

HSL 21.82, 0.19%, 0.77%

LAB 78.99, 3.55, 5.78

 

CMYK 6 / 0 / 11 / 19

HEX #C3CFB9

RGB 195 207 185

HSL 92.73, 0.19%, 0.77%

LAB 81.69, -8.06, 9.54

 

CMYK 11 / 4 / 0 / 19

HEX #B9C6CF

RGB 185 198.8 207

HSL 202.36, 0.19%, 0.77%

LAB 79.37, -3.07, -5.71

 

CMYK 1 / 11 / 0 / 19

HEX #CDB9CF

RGB 205 185 207

HSL 294.55, 0.19%, 0.77%

LAB 77.39, 11.03, -8.47

 

CMYK 0 / 7 / 11 / 19

HEX #CFC1B9

RGB 207 193 185

HSL 21.82, 0.19%, 0.77%

LAB 78.99, 3.55, 5.78

 

CMYK 9 / 0 / 11 / 19

HEX #BCCFB9

RGB 188 207 185

HSL 111.82, 0.19%, 0.77%

LAB 81.19, -10.5, 8.76

 

Description

Color code: RGB 185 198.8 207 | qconv.com Color code: RGB 185 198.8 207 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 198.8 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 198.8 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 4 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 4% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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