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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 162 93 it is the complementary color RGB 70 93 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 162 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 162 93 shade: RGB 190 162 88, RGB 207 180 107, RGB 224 198 126, RGB 241 216 145 and RGB 255 234 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 162 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 162 93 shade: RGB 185 162 93, RGB 168 144 74, RGB 151 126 55, RGB 134 108 36 and RGB 117 90 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 162 93 shade: RGB 186 163 94, RGB 186 138 94, RGB 186 114 94 and RGB 186 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 162 93 shade: RGB 186 163 94, RGB 184 186 94, RGB 160 186 94, RGB 135 186 94 and RGB 110 186 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 162 93 shade matches the following richer shades: RGB 186 163 94, RGB 205 172 76, RGB 223 182 57 and RGB 242 191 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 162 93 shade: RGB 186 163 94, RGB 168 154 113, RGB 149 145 131, RGB 130 135 150 and RGB 112 126 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 162 93 shade: RGB 186 114 94, RGB 186 139 94, RGB 186 163 94, RGB 185 186 94 and RGB 160 186 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 162 93 shade: RGB 139 119 59, RGB 167 144 72, RGB 186 163 94, RGB 199 180 123 and RGB 211 196 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 162 93 shade: RGB 185 162 93, RGB 99 186 94 and RGB 126 94 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 162 93 shade: RGB 185 162 93, RGB 94 186 163 and RGB 163 94 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 162 93 shade: RGB 185 162 93, RGB 99 186 94, RGB 94 117 186 and RGB 182 94 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 162 93 shade: RGB 185 162 93, RGB 94 186 117, RGB 94 117 186 and RGB 186 94 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 50 / 27

HEX #B9A25D

RGB 185 162 93

HSL 45, 0.4%, 0.55%

LAB 67.24, -0.72, 38.75

 

Complementary color

CMYK 57 / 43 / 0 / 36

HEX #465DA2

RGB 70 93 162

HSL 225, 0.4%, 0.45%

LAB 40.8, 12.54, -40.07

 

CMYK 0 / 15 / 54 / 25

HEX #BEA258

RGB 190 162 88

HSL 43.53, 0.44%, 0.55%

LAB 67.64, 0.95, 41.9

 

CMYK 0 / 13 / 48 / 19

HEX #CFB46B

RGB 207 180 107

HSL 43.8, 0.51%, 0.62%

LAB 74.17, 0.19, 40.61

 

CMYK 0 / 12 / 44 / 12

HEX #E0C67E

RGB 224 198 126

HSL 44.08, 0.61%, 0.69%

LAB 80.6, -0.46, 39.36

 

CMYK 0 / 10 / 40 / 5

HEX #F1D891

RGB 241 216 145

HSL 44.38, 0.77%, 0.76%

LAB 86.93, -1.01, 38.15

 

CMYK 0 / 8 / 36 / 0

HEX #FFEAA4

RGB 255 234 164

HSL 46.15, 1%, 0.82%

LAB 92.92, -2.64, 36.62

 

CMYK 0 / 12 / 50 / 27

HEX #B9A25D

RGB 185 162 93

HSL 45, 0.4%, 0.55%

LAB 67.24, -0.72, 38.75

 

CMYK 0 / 14 / 56 / 34

HEX #A8904A

RGB 168 144 74

HSL 44.68, 0.39%, 0.47%

LAB 60.57, 0.07, 40.05

 

CMYK 0 / 17 / 64 / 41

HEX #977E37

RGB 151 126 55

HSL 44.38, 0.47%, 0.4%

LAB 53.79, 1.04, 41.31

 

CMYK 0 / 19 / 73 / 47

HEX #866C24

RGB 134 108 36

HSL 44.08, 0.58%, 0.33%

LAB 46.87, 2.25, 42.33

 

CMYK 0 / 23 / 85 / 54

HEX #755A11

RGB 117 90 17

HSL 43.8, 0.75%, 0.26%

LAB 39.81, 3.81, 42.63

 

CMYK 0 / 12 / 49 / 27

HEX #BAA35E

RGB 186 163 94

HSL 45, 0.4%, 0.55%

LAB 67.61, -0.74, 38.71

 

CMYK 0 / 26 / 49 / 27

HEX #BA8A5E

RGB 186 138 94

HSL 28.7, 0.4%, 0.55%

LAB 61.15, 12.93, 30.62

 

CMYK 0 / 39 / 49 / 27

HEX #BA725E

RGB 186 114 94

HSL 13.04, 0.4%, 0.55%

LAB 55.36, 26.23, 23.08

 

CMYK 0 / 49 / 49 / 27

HEX #BA5E5E

RGB 186 94 94

HSL 0, 0.4%, 0.55%

LAB 50.98, 36.99, 17.2

 

CMYK 0 / 12 / 49 / 27

HEX #BAA35E

RGB 186 163 94

HSL 45, 0.4%, 0.55%

LAB 67.61, -0.74, 38.71

 

CMYK 1 / 0 / 49 / 27

HEX #B8BA5E

RGB 184 186 94

HSL 61.3, 0.4%, 0.55%

LAB 73.62, -13.65, 45.95

 

CMYK 14 / 0 / 49 / 27

HEX #A0BA5E

RGB 160 186 94

HSL 76.96, 0.4%, 0.55%

LAB 71.83, -23.36, 43.37

 

CMYK 27 / 0 / 49 / 27

HEX #87BA5E

RGB 135 186 94

HSL 93.26, 0.4%, 0.55%

LAB 70.23, -32.88, 41.06

 

CMYK 41 / 0 / 49 / 27

HEX #6EBA5E

RGB 110 186 94

HSL 109.57, 0.4%, 0.55%

LAB 68.93, -41.44, 39.17

 

CMYK 0 / 12 / 49 / 27

HEX #BAA35E

RGB 186 163 94

HSL 45, 0.4%, 0.55%

LAB 67.61, -0.74, 38.71

 

CMYK 0 / 16 / 63 / 20

HEX #CDAC4C

RGB 205 172 76

HSL 44.65, 0.56%, 0.55%

LAB 71.56, 1.1, 52.57

 

CMYK 0 / 18 / 74 / 13

HEX #DFB639

RGB 223 182 57

HSL 45.18, 0.72%, 0.55%

LAB 75.72, 2.53, 65.31

 

CMYK 0 / 21 / 84 / 5

HEX #F2BF27

RGB 242 191 39

HSL 44.93, 0.89%, 0.55%

LAB 79.78, 5.38, 75.34

 

CMYK 0 / 12 / 49 / 27

HEX #BAA35E

RGB 186 163 94

HSL 45, 0.4%, 0.55%

LAB 67.61, -0.74, 38.71

 

CMYK 0 / 8 / 33 / 34

HEX #A89A71

RGB 168 154 113

HSL 44.73, 0.24%, 0.55%

LAB 63.86, -1.22, 23.43

 

CMYK 0 / 3 / 12 / 42

HEX #959183

RGB 149 145 131

HSL 46.67, 0.08%, 0.55%

LAB 60.14, -1.07, 7.95

 

CMYK 13 / 10 / 0 / 41

HEX #828796

RGB 130 135 150

HSL 225, 0.09%, 0.55%

LAB 56.36, 1.35, -8.63

 

CMYK 34 / 25 / 0 / 34

HEX #707EA9

RGB 112 126 169

HSL 225.26, 0.25%, 0.55%

LAB 53.2, 5.44, -24.53

 

CMYK 0 / 39 / 49 / 27

HEX #BA725E

RGB 186 114 94

HSL 13.04, 0.4%, 0.55%

LAB 55.36, 26.23, 23.08

 

CMYK 0 / 25 / 49 / 27

HEX #BA8B5E

RGB 186 139 94

HSL 29.35, 0.4%, 0.55%

LAB 61.41, 12.38, 30.94

 

CMYK 0 / 12 / 49 / 27

HEX #BAA35E

RGB 186 163 94

HSL 45, 0.4%, 0.55%

LAB 67.61, -0.74, 38.71

 

CMYK 1 / 0 / 49 / 27

HEX #B9BA5E

RGB 185 186 94

HSL 60.65, 0.4%, 0.55%

LAB 73.7, -13.24, 46.07

 

CMYK 14 / 0 / 49 / 27

HEX #A0BA5E

RGB 160 186 94

HSL 76.96, 0.4%, 0.55%

LAB 71.83, -23.36, 43.37

 

CMYK 0 / 14 / 58 / 45

HEX #8B773B

RGB 139 119 59

HSL 45, 0.4%, 0.39%

LAB 50.69, -0.13, 35.41

 

CMYK 0 / 14 / 57 / 35

HEX #A79048

RGB 167 144 72

HSL 45.47, 0.4%, 0.47%

LAB 60.45, -0.54, 40.9

 

CMYK 0 / 12 / 49 / 27

HEX #BAA35E

RGB 186 163 94

HSL 45, 0.4%, 0.55%

LAB 67.61, -0.74, 38.71

 

CMYK 0 / 10 / 38 / 22

HEX #C7B47B

RGB 199 180 123

HSL 45, 0.4%, 0.63%

LAB 73.68, -1.4, 31.56

 

CMYK 0 / 7 / 28 / 17

HEX #D3C498

RGB 211 196 152

HSL 44.75, 0.4%, 0.71%

LAB 79.38, -1.49, 24.04

 

CMYK 0 / 12 / 50 / 27

HEX #B9A25D

RGB 185 162 93

HSL 45, 0.4%, 0.55%

LAB 67.24, -0.72, 38.75

 

CMYK 47 / 0 / 49 / 27

HEX #63BA5E

RGB 99 186 94

HSL 116.74, 0.4%, 0.55%

LAB 68.44, -44.81, 38.47

 

CMYK 32 / 49 / 0 / 27

HEX #7E5EBA

RGB 126 94 186

HSL 260.87, 0.4%, 0.55%

LAB 46.96, 33.15, -44.1

 

CMYK 0 / 12 / 50 / 27

HEX #B9A25D

RGB 185 162 93

HSL 45, 0.4%, 0.55%

LAB 67.24, -0.72, 38.75

 

CMYK 49 / 0 / 12 / 27

HEX #5EBAA3

RGB 94 186 163

HSL 165, 0.4%, 0.55%

LAB 69.57, -33.06, 3.25

 

CMYK 12 / 49 / 0 / 27

HEX #A35EBA

RGB 163 94 186

HSL 285, 0.4%, 0.55%

LAB 51.08, 43.44, -37.31

 

CMYK 0 / 12 / 50 / 27

HEX #B9A25D

RGB 185 162 93

HSL 45, 0.4%, 0.55%

LAB 67.24, -0.72, 38.75

 

CMYK 47 / 0 / 49 / 27

HEX #63BA5E

RGB 99 186 94

HSL 116.74, 0.4%, 0.55%

LAB 68.44, -44.81, 38.47

 

CMYK 49 / 37 / 0 / 27

HEX #5E75BA

RGB 94 117 186

HSL 225, 0.4%, 0.55%

LAB 50.27, 10.95, -39.01

 

CMYK 2 / 49 / 0 / 27

HEX #B65EBA

RGB 182 94 186

HSL 297.39, 0.4%, 0.55%

LAB 53.49, 48.89, -33.36

 

CMYK 0 / 12 / 50 / 27

HEX #B9A25D

RGB 185 162 93

HSL 45, 0.4%, 0.55%

LAB 67.24, -0.72, 38.75

 

CMYK 49 / 0 / 37 / 27

HEX #5EBA75

RGB 94 186 117

HSL 135, 0.4%, 0.55%

LAB 68.59, -42.63, 26.78

 

CMYK 49 / 37 / 0 / 27

HEX #5E75BA

RGB 94 117 186

HSL 225, 0.4%, 0.55%

LAB 50.27, 10.95, -39.01

 

CMYK 0 / 49 / 12 / 27

HEX #BA5EA3

RGB 186 94 163

HSL 315, 0.4%, 0.55%

LAB 53.05, 46.05, -20.64

 

Description

Color code: RGB 185 162 93 | qconv.com Color code: RGB 185 162 93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 162 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 162 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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