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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 14 205 it is the complementary color RGB 70 241 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 14 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 14 205 shade: RGB 190 14 200, RGB 207 32 219, RGB 224 50 238, RGB 241 68 255 and RGB 255 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 14 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 168 0 186, RGB 151 0 167, RGB 134 0 148 and RGB 117 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 205 14 173, RGB 205 14 122, RGB 205 14 70 and RGB 205 14 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 133 14 205, RGB 82 14 205, RGB 30 14 205 and RGB 14 14 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 14 205 shade matches the following richer shades: RGB 185 14 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 171 31 187, RGB 157 49 169, RGB 142 67 151 and RGB 128 85 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 14 205 shade: RGB 81 14 205, RGB 131 14 205, RGB 182 14 205, RGB 205 14 176 and RGB 205 14 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 14 205 shade: RGB 115 8 127, RGB 150 11 166, RGB 185 14 205, RGB 216 21 238 and RGB 222 60 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 205 30 14 and RGB 14 205 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 205 182 14 and RGB 14 205 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 205 30 14, RGB 36 205 14 and RGB 14 189 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 14 205 shade: RGB 185 14 205, RGB 205 87 14, RGB 36 205 14 and RGB 14 131 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

Complementary color

CMYK 71 / 0 / 79 / 5

HEX #46F132

RGB 70 241 50

HSL 113.72, 0.87%, 0.57%

LAB 84.2, -75.02, 72.69

 

CMYK 5 / 93 / 0 / 22

HEX #BE0EC8

RGB 190 14 200

HSL 296.77, 0.87%, 0.42%

LAB 46.22, 78.99, -52.91

 

CMYK 5 / 85 / 0 / 14

HEX #CF20DB

RGB 207 32 219

HSL 296.15, 0.75%, 0.49%

LAB 51.17, 82.14, -55.74

 

CMYK 6 / 79 / 0 / 7

HEX #E032EE

RGB 224 50 238

HSL 295.53, 0.85%, 0.56%

LAB 56.39, 84.25, -57.95

 

CMYK 5 / 73 / 0 / 0

HEX #F144FF

RGB 241 68 255

HSL 295.51, 1%, 0.63%

LAB 61.7, 85.22, -58.76

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 10 / 100 / 0 / 27

HEX #A800BA

RGB 168 0 186

HSL 294.19, 1%, 0.36%

LAB 41.01, 74.68, -53.32

 

CMYK 10 / 100 / 0 / 35

HEX #9700A7

RGB 151 0 167

HSL 294.25, 1%, 0.33%

LAB 36.69, 68.99, -49.14

 

CMYK 9 / 100 / 0 / 42

HEX #860094

RGB 134 0 148

HSL 294.32, 1%, 0.29%

LAB 32.27, 63.19, -44.87

 

CMYK 9 / 100 / 0 / 49

HEX #750081

RGB 117 0 129

HSL 294.42, 1%, 0.25%

LAB 27.76, 57.25, -40.5

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 0 / 93 / 16 / 20

HEX #CD0EAD

RGB 205 14 173

HSL 310.05, 0.87%, 0.43%

LAB 47.38, 77.8, -35.09

 

CMYK 0 / 93 / 40 / 20

HEX #CD0E7A

RGB 205 14 122

HSL 326.07, 0.87%, 0.43%

LAB 45.22, 72.14, -7.62

 

CMYK 0 / 93 / 66 / 20

HEX #CD0E46

RGB 205 14 70

HSL 342.41, 0.87%, 0.43%

LAB 43.85, 68.41, 22.87

 

CMYK 0 / 93 / 91 / 20

HEX #CD0E13

RGB 205 14 19

HSL 358.43, 0.87%, 0.43%

LAB 43.27, 66.8, 50.78

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 35 / 93 / 0 / 20

HEX #850ECD

RGB 133 14 205

HSL 277.38, 0.87%, 0.43%

LAB 37.31, 71.75, -70.7

 

CMYK 60 / 93 / 0 / 20

HEX #520ECD

RGB 82 14 205

HSL 261.36, 0.87%, 0.43%

LAB 30.68, 66.92, -81.87

 

CMYK 85 / 93 / 0 / 20

HEX #1E0ECD

RGB 30 14 205

HSL 245.03, 0.87%, 0.43%

LAB 26.73, 64.63, -88.55

 

CMYK 93 / 93 / 0 / 20

HEX #0E0ECD

RGB 14 14 205

HSL 240, 0.87%, 0.43%

LAB 26.2, 64.37, -89.45

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 9 / 83 / 0 / 27

HEX #AB1FBB

RGB 171 31 187

HSL 293.85, 0.72%, 0.43%

LAB 43.1, 70.88, -50.51

 

CMYK 7 / 71 / 0 / 34

HEX #9D31A9

RGB 157 49 169

HSL 294, 0.55%, 0.43%

LAB 41.58, 59.58, -42.43

 

CMYK 6 / 56 / 0 / 41

HEX #8E4397

RGB 142 67 151

HSL 293.57, 0.39%, 0.43%

LAB 41.22, 44.44, -32.37

 

CMYK 4 / 37 / 0 / 47

HEX #805586

RGB 128 85 134

HSL 292.65, 0.22%, 0.43%

LAB 42.47, 26.63, -20.27

 

CMYK 60 / 93 / 0 / 20

HEX #510ECD

RGB 81 14 205

HSL 261.05, 0.87%, 0.43%

LAB 30.57, 66.85, -82.05

 

CMYK 36 / 93 / 0 / 20

HEX #830ECD

RGB 131 14 205

HSL 276.75, 0.87%, 0.43%

LAB 37.02, 71.51, -71.2

 

CMYK 11 / 93 / 0 / 20

HEX #B60ECD

RGB 182 14 205

HSL 292.77, 0.87%, 0.43%

LAB 45.17, 78.51, -57.56

 

CMYK 0 / 93 / 14 / 20

HEX #CD0EB0

RGB 205 14 176

HSL 309.11, 0.87%, 0.43%

LAB 47.53, 78.19, -36.62

 

CMYK 0 / 93 / 39 / 20

HEX #CD0E7D

RGB 205 14 125

HSL 325.13, 0.87%, 0.43%

LAB 45.32, 72.42, -9.31

 

CMYK 9 / 94 / 0 / 50

HEX #73087F

RGB 115 8 127

HSL 293.95, 0.88%, 0.26%

LAB 27.71, 55.16, -39.32

 

CMYK 10 / 93 / 0 / 35

HEX #960BA6

RGB 150 11 166

HSL 293.81, 0.88%, 0.35%

LAB 36.89, 67.34, -48.22

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 9 / 91 / 0 / 7

HEX #D815EE

RGB 216 21 238

HSL 293.92, 0.86%, 0.51%

LAB 53.29, 88.2, -63.01

 

CMYK 8 / 75 / 0 / 5

HEX #DE3CF1

RGB 222 60 241

HSL 293.7, 0.87%, 0.59%

LAB 57.18, 81.66, -58.38

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 0 / 85 / 93 / 20

HEX #CD1E0E

RGB 205 30 14

HSL 5.03, 0.87%, 0.43%

LAB 44.15, 64.16, 53.22

 

CMYK 93 / 0 / 48 / 20

HEX #0ECD6A

RGB 14 205 106

HSL 148.9, 0.87%, 0.43%

LAB 72.76, -63.87, 37.5

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 0 / 11 / 93 / 20

HEX #CDB60E

RGB 205 182 14

HSL 52.77, 0.87%, 0.43%

LAB 73.85, -6.48, 74.14

 

CMYK 93 / 0 / 11 / 20

HEX #0ECDB6

RGB 14 205 182

HSL 172.77, 0.87%, 0.43%

LAB 74.28, -46.97, -0.43

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 0 / 85 / 93 / 20

HEX #CD1E0E

RGB 205 30 14

HSL 5.03, 0.87%, 0.43%

LAB 44.15, 64.16, 53.22

 

CMYK 82 / 0 / 93 / 20

HEX #24CD0E

RGB 36 205 14

HSL 113.09, 0.87%, 0.43%

LAB 72.27, -70.56, 69.39

 

CMYK 93 / 8 / 0 / 20

HEX #0EBDCD

RGB 14 189 205

HSL 185.03, 0.87%, 0.43%

LAB 70.1, -32.99, -19.17

 

CMYK 10 / 93 / 0 / 20

HEX #B90ECD

RGB 185 14 205

HSL 293.72, 0.87%, 0.43%

LAB 45.68, 78.98, -56.72

 

CMYK 0 / 58 / 93 / 20

HEX #CD570E

RGB 205 87 14

HSL 22.93, 0.87%, 0.43%

LAB 51.64, 43.75, 58.07

 

CMYK 82 / 0 / 93 / 20

HEX #24CD0E

RGB 36 205 14

HSL 113.09, 0.87%, 0.43%

LAB 72.27, -70.56, 69.39

 

CMYK 93 / 36 / 0 / 20

HEX #0E83CD

RGB 14 131 205

HSL 203.25, 0.87%, 0.43%

LAB 52.66, -1.96, -46.27

 

Description

Color code: RGB 185 14 205 | qconv.com Color code: RGB 185 14 205 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 14 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 14 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 93 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 93% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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