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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 14 198 it is the complementary color RGB 70 241 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 14 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 14 198 shade: RGB 190 14 193, RGB 207 32 212, RGB 224 50 231, RGB 241 68 250 and RGB 255 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 14 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 14 198 shade: RGB 185 14 198, RGB 168 0 179, RGB 151 0 160, RGB 134 0 141 and RGB 117 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 14 198 shade: RGB 187 13 200, RGB 200 13 163, RGB 200 13 112, RGB 200 13 62 and RGB 200 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 14 198 shade: RGB 187 13 200, RGB 136 13 200, RGB 86 13 200, RGB 36 13 200 and RGB 13 13 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 14 198 shade matches the following richer shades: RGB 187 13 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 14 198 shade: RGB 187 13 200, RGB 172 31 182, RGB 157 48 165, RGB 142 65 148 and RGB 127 83 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 14 198 shade: RGB 85 13 200, RGB 135 13 200, RGB 184 13 200, RGB 200 13 166 and RGB 200 13 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 14 198 shade: RGB 115 8 123, RGB 151 11 161, RGB 187 13 200, RGB 222 17 238 and RGB 228 55 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 14 198 shade: RGB 185 14 198, RGB 200 35 13 and RGB 13 200 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 14 198 shade: RGB 185 14 198, RGB 200 184 13 and RGB 13 200 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 14 198 shade: RGB 185 14 198, RGB 200 35 13, RGB 29 200 13 and RGB 13 178 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 14 198 shade: RGB 185 14 198, RGB 200 91 13, RGB 29 200 13 and RGB 13 122 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 93 / 0 / 22

HEX #B90EC6

RGB 185 14 198

HSL 295.76, 0.87%, 0.42%

LAB 45.23, 77.87, -53.39

 

Complementary color

CMYK 71 / 0 / 76 / 5

HEX #46F139

RGB 70 241 57

HSL 115.76, 0.87%, 0.58%

LAB 84.23, -74.6, 70.69

 

CMYK 2 / 93 / 0 / 24

HEX #BE0EC1

RGB 190 14 193

HSL 298.99, 0.86%, 0.41%

LAB 45.79, 77.92, -49.54

 

CMYK 2 / 85 / 0 / 17

HEX #CF20D4

RGB 207 32 212

HSL 298.33, 0.74%, 0.48%

LAB 50.75, 81.06, -52.41

 

CMYK 3 / 78 / 0 / 9

HEX #E032E7

RGB 224 50 231

HSL 297.68, 0.79%, 0.55%

LAB 55.99, 83.15, -54.67

 

CMYK 4 / 73 / 0 / 2

HEX #F144FA

RGB 241 68 250

HSL 297.03, 0.95%, 0.62%

LAB 61.43, 84.43, -56.44

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 7 / 93 / 0 / 22

HEX #B90EC6

RGB 185 14 198

HSL 295.76, 0.87%, 0.42%

LAB 45.23, 77.87, -53.39

 

CMYK 6 / 100 / 0 / 30

HEX #A800B3

RGB 168 0 179

HSL 296.31, 1%, 0.35%

LAB 40.54, 73.57, -49.93

 

CMYK 6 / 100 / 0 / 37

HEX #9700A0

RGB 151 0 160

HSL 296.63, 1%, 0.31%

LAB 36.21, 67.86, -45.68

 

CMYK 5 / 100 / 0 / 45

HEX #86008D

RGB 134 0 141

HSL 297.02, 1%, 0.28%

LAB 31.79, 62.04, -41.33

 

CMYK 4 / 100 / 0 / 52

HEX #75007A

RGB 117 0 122

HSL 297.54, 1%, 0.24%

LAB 27.26, 56.07, -36.86

 

CMYK 7 / 94 / 0 / 22

HEX #BB0DC8

RGB 187 13 200

HSL 295.83, 0.88%, 0.42%

LAB 45.67, 78.61, -53.83

 

CMYK 0 / 94 / 19 / 22

HEX #C80DA3

RGB 200 13 163

HSL 311.87, 0.88%, 0.42%

LAB 45.92, 75.68, -31.5

 

CMYK 0 / 94 / 44 / 22

HEX #C80D70

RGB 200 13 112

HSL 328.24, 0.88%, 0.42%

LAB 43.85, 70.24, -3.57

 

CMYK 0 / 94 / 69 / 22

HEX #C80D3E

RGB 200 13 62

HSL 344.28, 0.88%, 0.42%

LAB 42.63, 66.91, 26.1

 

CMYK 0 / 94 / 94 / 22

HEX #C80D0D

RGB 200 13 13

HSL 0, 0.88%, 0.42%

LAB 42.15, 65.55, 51.83

 

CMYK 7 / 94 / 0 / 22

HEX #BB0DC8

RGB 187 13 200

HSL 295.83, 0.88%, 0.42%

LAB 45.67, 78.61, -53.83

 

CMYK 32 / 94 / 0 / 22

HEX #880DC8

RGB 136 13 200

HSL 279.47, 0.88%, 0.42%

LAB 37.28, 71.26, -67.82

 

CMYK 57 / 94 / 0 / 22

HEX #560DC8

RGB 86 13 200

HSL 263.42, 0.88%, 0.42%

LAB 30.49, 66.21, -79.25

 

CMYK 82 / 94 / 0 / 22

HEX #240DC8

RGB 36 13 200

HSL 247.38, 0.88%, 0.42%

LAB 26.25, 63.71, -86.41

 

CMYK 94 / 94 / 0 / 22

HEX #0D0DC8

RGB 13 13 200

HSL 240, 0.88%, 0.42%

LAB 25.39, 63.27, -87.87

 

CMYK 7 / 94 / 0 / 22

HEX #BB0DC8

RGB 187 13 200

HSL 295.83, 0.88%, 0.42%

LAB 45.67, 78.61, -53.83

 

CMYK 7 / 94 / 0 / 22

HEX #BB0DC8

RGB 187 13 200

HSL 295.83, 0.88%, 0.42%

LAB 45.67, 78.61, -53.83

 

CMYK 5 / 83 / 0 / 29

HEX #AC1FB6

RGB 172 31 182

HSL 296.03, 0.71%, 0.42%

LAB 42.96, 70.23, -47.79

 

CMYK 5 / 71 / 0 / 35

HEX #9D30A5

RGB 157 48 165

HSL 295.9, 0.55%, 0.42%

LAB 41.21, 59.23, -40.63

 

CMYK 4 / 56 / 0 / 42

HEX #8E4194

RGB 142 65 148

HSL 295.66, 0.39%, 0.42%

LAB 40.69, 44.86, -31.39

 

CMYK 2 / 36 / 0 / 49

HEX #7F5382

RGB 127 83 130

HSL 296.17, 0.22%, 0.42%

LAB 41.71, 26.63, -19.03

 

CMYK 58 / 94 / 0 / 22

HEX #550DC8

RGB 85 13 200

HSL 263.1, 0.88%, 0.42%

LAB 30.37, 66.14, -79.44

 

CMYK 33 / 94 / 0 / 22

HEX #870DC8

RGB 135 13 200

HSL 279.14, 0.88%, 0.42%

LAB 37.13, 71.14, -68.07

 

CMYK 8 / 94 / 0 / 22

HEX #B80DC8

RGB 184 13 200

HSL 294.87, 0.88%, 0.42%

LAB 45.15, 78.13, -54.69

 

CMYK 0 / 94 / 17 / 22

HEX #C80DA6

RGB 200 13 166

HSL 310.91, 0.88%, 0.42%

LAB 46.07, 76.06, -33.06

 

CMYK 0 / 94 / 42 / 22

HEX #C80D74

RGB 200 13 116

HSL 326.95, 0.88%, 0.42%

LAB 43.99, 70.59, -5.86

 

CMYK 7 / 93 / 0 / 52

HEX #73087B

RGB 115 8 123

HSL 295.83, 0.88%, 0.26%

LAB 27.43, 54.46, -37.24

 

CMYK 6 / 93 / 0 / 37

HEX #970BA1

RGB 151 11 161

HSL 296, 0.87%, 0.34%

LAB 36.73, 66.69, -45.45

 

CMYK 7 / 94 / 0 / 22

HEX #BB0DC8

RGB 187 13 200

HSL 295.83, 0.88%, 0.42%

LAB 45.67, 78.61, -53.83

 

CMYK 7 / 93 / 0 / 7

HEX #DE11EE

RGB 222 17 238

HSL 295.66, 0.87%, 0.5%

LAB 54.14, 89.56, -61.59

 

CMYK 5 / 77 / 0 / 5

HEX #E437F1

RGB 228 55 241

HSL 295.81, 0.87%, 0.58%

LAB 57.63, 84.18, -57.6

 

CMYK 7 / 93 / 0 / 22

HEX #B90EC6

RGB 185 14 198

HSL 295.76, 0.87%, 0.42%

LAB 45.23, 77.87, -53.39

 

CMYK 0 / 83 / 94 / 22

HEX #C8230D

RGB 200 35 13

HSL 7.06, 0.88%, 0.42%

LAB 43.52, 61.62, 52.66

 

CMYK 94 / 0 / 45 / 22

HEX #0DC86E

RGB 13 200 110

HSL 151.12, 0.88%, 0.42%

LAB 71.23, -61.56, 33.55

 

CMYK 7 / 93 / 0 / 22

HEX #B90EC6

RGB 185 14 198

HSL 295.76, 0.87%, 0.42%

LAB 45.23, 77.87, -53.39

 

CMYK 0 / 8 / 94 / 22

HEX #C8B80D

RGB 200 184 13

HSL 54.87, 0.88%, 0.42%

LAB 73.93, -9.72, 74.13

 

CMYK 94 / 0 / 8 / 22

HEX #0DC8B8

RGB 13 200 184

HSL 174.87, 0.88%, 0.42%

LAB 72.8, -44.32, -3.69

 

CMYK 7 / 93 / 0 / 22

HEX #B90EC6

RGB 185 14 198

HSL 295.76, 0.87%, 0.42%

LAB 45.23, 77.87, -53.39

 

CMYK 0 / 83 / 94 / 22

HEX #C8230D

RGB 200 35 13

HSL 7.06, 0.88%, 0.42%

LAB 43.52, 61.62, 52.66

 

CMYK 86 / 0 / 94 / 22

HEX #1DC80D

RGB 29 200 13

HSL 114.87, 0.88%, 0.42%

LAB 70.59, -69.86, 68.08

 

CMYK 94 / 11 / 0 / 22

HEX #0DB2C8

RGB 13 178 200

HSL 187.06, 0.88%, 0.42%

LAB 66.59, -29.32, -21.76

 

CMYK 7 / 93 / 0 / 22

HEX #B90EC6

RGB 185 14 198

HSL 295.76, 0.87%, 0.42%

LAB 45.23, 77.87, -53.39

 

CMYK 0 / 55 / 94 / 22

HEX #C85B0D

RGB 200 91 13

HSL 25.03, 0.88%, 0.42%

LAB 51.6, 39.86, 57.91

 

CMYK 86 / 0 / 94 / 22

HEX #1DC80D

RGB 29 200 13

HSL 114.87, 0.88%, 0.42%

LAB 70.59, -69.86, 68.08

 

CMYK 94 / 39 / 0 / 22

HEX #0D7AC8

RGB 13 122 200

HSL 205.03, 0.88%, 0.42%

LAB 49.71, 1.5, -48.11

 

Description

Color code: RGB 185 14 198 | qconv.com Color code: RGB 185 14 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 14 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 14 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 93 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 93% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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