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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 147 74 it is the complementary color RGB 70 108 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 147 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 147 74 shade: RGB 190 147 69, RGB 207 165 88, RGB 224 183 107, RGB 241 201 126 and RGB 255 219 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 147 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 147 74 shade: RGB 185 147 74, RGB 168 129 55, RGB 151 111 36, RGB 134 93 17 and RGB 117 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 147 74 shade: RGB 185 147 75, RGB 185 117 75, RGB 185 88 75 and RGB 185 75 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 147 74 shade: RGB 185 147 75, RGB 185 177 75, RGB 163 185 75, RGB 133 185 75 and RGB 104 185 75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 147 74 shade matches the following richer shades: RGB 185 147 75, RGB 205 153 54, RGB 225 160 34 and RGB 245 166 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 147 74 shade: RGB 185 147 75, RGB 164 141 95, RGB 144 134 115, RGB 124 128 135 and RGB 104 121 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 147 74 shade: RGB 185 87 75, RGB 185 117 75, RGB 185 146 75, RGB 185 175 75 and RGB 164 185 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 147 74 shade: RGB 127 101 49, RGB 157 124 61, RGB 185 147 75, RGB 196 165 104 and RGB 208 182 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 147 74 shade: RGB 185 147 74, RGB 91 185 75 and RGB 102 75 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 147 74 shade: RGB 185 147 74, RGB 75 185 146 and RGB 146 75 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 147 74 shade: RGB 185 147 74, RGB 91 185 75, RGB 75 113 185 and RGB 168 75 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 147 74 shade: RGB 185 147 74, RGB 75 185 91, RGB 75 113 185 and RGB 185 75 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 60 / 27

HEX #B9934A

RGB 185 147 74

HSL 39.46, 0.44%, 0.51%

LAB 63.07, 5.82, 43.4

 

Complementary color

CMYK 61 / 40 / 0 / 29

HEX #466CB5

RGB 70 108 181

HSL 219.46, 0.44%, 0.49%

LAB 46.13, 9.59, -42.76

 

CMYK 0 / 23 / 64 / 25

HEX #BE9345

RGB 190 147 69

HSL 38.68, 0.48%, 0.51%

LAB 63.54, 7.64, 46.53

 

CMYK 0 / 20 / 57 / 19

HEX #CFA558

RGB 207 165 88

HSL 38.82, 0.55%, 0.58%

LAB 70.09, 6.55, 45.22

 

CMYK 0 / 18 / 52 / 12

HEX #E0B76B

RGB 224 183 107

HSL 38.97, 0.65%, 0.65%

LAB 76.54, 5.62, 43.9

 

CMYK 0 / 17 / 48 / 5

HEX #F1C97E

RGB 241 201 126

HSL 39.13, 0.8%, 0.72%

LAB 82.9, 4.81, 42.6

 

CMYK 0 / 14 / 43 / 0

HEX #FFDB91

RGB 255 219 145

HSL 40.36, 1%, 0.78%

LAB 88.91, 2.94, 40.95

 

CMYK 0 / 21 / 60 / 27

HEX #B9934A

RGB 185 147 74

HSL 39.46, 0.44%, 0.51%

LAB 63.07, 5.82, 43.4

 

CMYK 0 / 23 / 67 / 34

HEX #A88137

RGB 168 129 55

HSL 39.29, 0.51%, 0.44%

LAB 56.39, 7, 44.67

 

CMYK 0 / 26 / 76 / 41

HEX #976F24

RGB 151 111 36

HSL 39.13, 0.61%, 0.37%

LAB 49.59, 8.44, 45.67

 

CMYK 0 / 31 / 87 / 47

HEX #865D11

RGB 134 93 17

HSL 38.97, 0.77%, 0.3%

LAB 42.67, 10.21, 45.89

 

CMYK 0 / 36 / 100 / 54

HEX #754B00

RGB 117 75 0

HSL 38.46, 1%, 0.23%

LAB 35.62, 12.36, 44.72

 

CMYK 0 / 21 / 59 / 27

HEX #B9934B

RGB 185 147 75

HSL 39.27, 0.44%, 0.51%

LAB 63.09, 5.9, 42.92

 

CMYK 0 / 37 / 59 / 27

HEX #B9754B

RGB 185 117 75

HSL 22.91, 0.44%, 0.51%

LAB 55.63, 22.51, 34.04

 

CMYK 0 / 52 / 59 / 27

HEX #B9584B

RGB 185 88 75

HSL 7.09, 0.44%, 0.51%

LAB 49.25, 38.09, 26.08

 

CMYK 0 / 59 / 59 / 27

HEX #B94B4B

RGB 185 75 75

HSL 0, 0.44%, 0.51%

LAB 46.78, 44.51, 22.89

 

CMYK 0 / 21 / 59 / 27

HEX #B9934B

RGB 185 147 75

HSL 39.27, 0.44%, 0.51%

LAB 63.09, 5.9, 42.92

 

CMYK 0 / 4 / 59 / 27

HEX #B9B14B

RGB 185 177 75

HSL 55.64, 0.44%, 0.51%

LAB 71.05, -10.15, 51.95

 

CMYK 12 / 0 / 59 / 27

HEX #A3B94B

RGB 163 185 75

HSL 72, 0.44%, 0.51%

LAB 71.55, -23.4, 52.02

 

CMYK 28 / 0 / 59 / 27

HEX #85B94B

RGB 133 185 75

HSL 88.36, 0.44%, 0.51%

LAB 69.61, -35.15, 49.31

 

CMYK 44 / 0 / 59 / 27

HEX #68B94B

RGB 104 185 75

HSL 104.18, 0.44%, 0.51%

LAB 68.13, -45.17, 47.24

 

CMYK 0 / 21 / 59 / 27

HEX #B9934B

RGB 185 147 75

HSL 39.27, 0.44%, 0.51%

LAB 63.09, 5.9, 42.92

 

CMYK 0 / 25 / 74 / 20

HEX #CD9936

RGB 205 153 54

HSL 39.34, 0.6%, 0.51%

LAB 66.54, 10.07, 56.9

 

CMYK 0 / 29 / 85 / 12

HEX #E1A022

RGB 225 160 34

HSL 39.58, 0.76%, 0.51%

LAB 70.36, 14.28, 68.16

 

CMYK 0 / 32 / 94 / 4

HEX #F5A60E

RGB 245 166 14

HSL 39.48, 0.92%, 0.51%

LAB 74.01, 19.32, 76.13

 

CMYK 0 / 21 / 59 / 27

HEX #B9934B

RGB 185 147 75

HSL 39.27, 0.44%, 0.51%

LAB 63.09, 5.9, 42.92

 

CMYK 0 / 14 / 42 / 36

HEX #A48D5F

RGB 164 141 95

HSL 40, 0.27%, 0.51%

LAB 59.68, 2.08, 27.72

 

CMYK 0 / 7 / 20 / 44

HEX #908673

RGB 144 134 115

HSL 39.31, 0.12%, 0.51%

LAB 56.3, 0.47, 11.59

 

CMYK 8 / 5 / 0 / 47

HEX #7C8087

RGB 124 128 135

HSL 218.18, 0.04%, 0.51%

LAB 53.46, -0.02, -4.3

 

CMYK 33 / 22 / 0 / 39

HEX #68799B

RGB 104 121 155

HSL 220, 0.2%, 0.51%

LAB 50.67, 2.21, -20.34

 

CMYK 0 / 53 / 59 / 27

HEX #B9574B

RGB 185 87 75

HSL 6.55, 0.44%, 0.51%

LAB 49.05, 38.6, 25.82

 

CMYK 0 / 37 / 59 / 27

HEX #B9754B

RGB 185 117 75

HSL 22.91, 0.44%, 0.51%

LAB 55.63, 22.51, 34.04

 

CMYK 0 / 21 / 59 / 27

HEX #B9924B

RGB 185 146 75

HSL 38.73, 0.44%, 0.51%

LAB 62.83, 6.45, 42.62

 

CMYK 0 / 5 / 59 / 27

HEX #B9AF4B

RGB 185 175 75

HSL 54.55, 0.44%, 0.51%

LAB 70.51, -9.11, 51.35

 

CMYK 11 / 0 / 59 / 27

HEX #A4B94B

RGB 164 185 75

HSL 71.45, 0.44%, 0.51%

LAB 71.62, -22.99, 52.12

 

CMYK 0 / 20 / 61 / 50

HEX #7F6531

RGB 127 101 49

HSL 40, 0.44%, 0.35%

LAB 44.29, 3.93, 32.91

 

CMYK 0 / 21 / 61 / 38

HEX #9D7C3D

RGB 157 124 61

HSL 39.38, 0.44%, 0.43%

LAB 53.94, 5.31, 38.65

 

CMYK 0 / 21 / 59 / 27

HEX #B9934B

RGB 185 147 75

HSL 39.27, 0.44%, 0.51%

LAB 63.09, 5.9, 42.92

 

CMYK 0 / 16 / 47 / 23

HEX #C4A568

RGB 196 165 104

HSL 39.78, 0.44%, 0.59%

LAB 69.22, 3.34, 35.74

 

CMYK 0 / 13 / 36 / 18

HEX #D0B686

RGB 208 182 134

HSL 38.92, 0.44%, 0.67%

LAB 75.19, 2.43, 27.88

 

CMYK 0 / 21 / 60 / 27

HEX #B9934A

RGB 185 147 74

HSL 39.46, 0.44%, 0.51%

LAB 63.07, 5.82, 43.4

 

CMYK 51 / 0 / 59 / 27

HEX #5BB94B

RGB 91 185 75

HSL 111.27, 0.44%, 0.51%

LAB 67.6, -49.06, 46.49

 

CMYK 45 / 59 / 0 / 27

HEX #664BB9

RGB 102 75 185

HSL 254.73, 0.44%, 0.51%

LAB 40.18, 38.18, -54.51

 

CMYK 0 / 21 / 60 / 27

HEX #B9934A

RGB 185 147 74

HSL 39.46, 0.44%, 0.51%

LAB 63.07, 5.82, 43.4

 

CMYK 59 / 0 / 21 / 27

HEX #4BB992

RGB 75 185 146

HSL 158.73, 0.44%, 0.51%

LAB 68.22, -40.79, 10.54

 

CMYK 21 / 59 / 0 / 27

HEX #924BB9

RGB 146 75 185

HSL 278.73, 0.44%, 0.51%

LAB 45.15, 48.59, -46.27

 

CMYK 0 / 21 / 60 / 27

HEX #B9934A

RGB 185 147 74

HSL 39.46, 0.44%, 0.51%

LAB 63.07, 5.82, 43.4

 

CMYK 51 / 0 / 59 / 27

HEX #5BB94B

RGB 91 185 75

HSL 111.27, 0.44%, 0.51%

LAB 67.6, -49.06, 46.49

 

CMYK 59 / 39 / 0 / 27

HEX #4B71B9

RGB 75 113 185

HSL 219.27, 0.44%, 0.51%

LAB 48.02, 8.85, -42.07

 

CMYK 9 / 59 / 0 / 27

HEX #A84BB9

RGB 168 75 185

HSL 290.73, 0.44%, 0.51%

LAB 48.08, 54.17, -41.42

 

CMYK 0 / 21 / 60 / 27

HEX #B9934A

RGB 185 147 74

HSL 39.46, 0.44%, 0.51%

LAB 63.07, 5.82, 43.4

 

CMYK 59 / 0 / 51 / 27

HEX #4BB95B

RGB 75 185 91

HSL 128.73, 0.44%, 0.51%

LAB 67.24, -51.15, 38.28

 

CMYK 59 / 39 / 0 / 27

HEX #4B71B9

RGB 75 113 185

HSL 219.27, 0.44%, 0.51%

LAB 48.02, 8.85, -42.07

 

CMYK 0 / 59 / 9 / 27

HEX #B94BA8

RGB 185 75 168

HSL 309.27, 0.44%, 0.51%

LAB 49.71, 55.66, -28.74

 

Description

Color code: RGB 185 147 74 | qconv.com Color code: RGB 185 147 74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 147 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 147 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 60 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 60% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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