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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 145 116 it is the complementary color RGB 70 110 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 145 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 145 116: RGB 190 145 111, RGB 207 163 130, RGB 224 181 149, RGB 241 199 168 and RGB 255 217 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 145 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 145 116: RGB 185 145 116, RGB 168 127 97, RGB 151 109 78, RGB 134 91 59 and RGB 117 73 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

Complementary color

CMYK 50 / 21 / 0 / 45

HEX #466E8B

RGB 70 110 139

HSL 205.22, 0.33%, 0.41%

LAB 44.69, -5.54, -20.27

 

CMYK 0 / 24 / 42 / 25

HEX #BE916F

RGB 190 145 111

HSL 25.82, 0.38%, 0.59%

LAB 63.63, 12.51, 24.6

 

CMYK 0 / 21 / 37 / 19

HEX #CFA382

RGB 207 163 130

HSL 25.71, 0.45%, 0.66%

LAB 70.23, 11.75, 23.34

 

CMYK 0 / 19 / 33 / 12

HEX #E0B595

RGB 224 181 149

HSL 25.6, 0.55%, 0.73%

LAB 76.72, 11.09, 22.19

 

CMYK 0 / 17 / 30 / 5

HEX #F1C7A8

RGB 241 199 168

HSL 25.48, 0.72%, 0.8%

LAB 83.11, 10.5, 21.11

 

CMYK 0 / 15 / 27 / 0

HEX #FFD9BB

RGB 255 217 187

HSL 26.47, 1%, 0.87%

LAB 89.15, 8.87, 19.69

 

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

CMYK 0 / 24 / 42 / 34

HEX #A87F61

RGB 168 127 97

HSL 25.35, 0.29%, 0.52%

LAB 56.45, 11.84, 22.44

 

CMYK 0 / 28 / 48 / 41

HEX #976D4E

RGB 151 109 78

HSL 25.48, 0.32%, 0.45%

LAB 49.58, 12.77, 23.86

 

CMYK 0 / 32 / 56 / 47

HEX #865B3B

RGB 134 91 59

HSL 25.6, 0.39%, 0.38%

LAB 42.56, 13.9, 25.44

 

CMYK 0 / 38 / 66 / 54

HEX #754928

RGB 117 73 40

HSL 25.71, 0.49%, 0.31%

LAB 35.4, 15.29, 27.2

 

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

CMYK 0 / 15 / 38 / 28

HEX #B89C73

RGB 184 156 115

HSL 35.65, 0.33%, 0.59%

LAB 65.91, 4.48, 25.33

 

CMYK 0 / 9 / 38 / 28

HEX #B8A773

RGB 184 167 115

HSL 45.22, 0.33%, 0.59%

LAB 68.8, -1.48, 29.15

 

CMYK 0 / 3 / 38 / 28

HEX #B8B373

RGB 184 179 115

HSL 55.65, 0.33%, 0.59%

LAB 72.01, -7.85, 33.33

 

CMYK 3 / 0 / 38 / 28

HEX #B3B873

RGB 179 184 115

HSL 64.35, 0.33%, 0.59%

LAB 72.96, -12.46, 34.48

 

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

CMYK 0 / 22 / 37 / 7

HEX #ECB994

RGB 236 185 148

HSL 25.23, 0.7%, 0.75%

LAB 78.85, 13.51, 25.82

 

CMYK 0 / 22 / 38 / 87

HEX #201914

RGB 32 25 20

HSL 25, 0.23%, 0.1%

LAB 9.42, 2.46, 4.68

 

CMYK 0 / 22 / 37 / 67

HEX #534134

RGB 83 65 52

HSL 25.16, 0.23%, 0.26%

LAB 29.08, 5.65, 10.89

 

CMYK 0 / 22 / 37 / 47

HEX #866954

RGB 134 105 84

HSL 25.2, 0.23%, 0.43%

LAB 46.73, 8.46, 16.23

 

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

CMYK 23 / 0 / 38 / 28

HEX #8EB873

RGB 142 184 115

HSL 96.52, 0.33%, 0.59%

LAB 70.36, -26.65, 30.61

 

CMYK 36 / 38 / 0 / 28

HEX #7573B8

RGB 117 115 184

HSL 241.74, 0.33%, 0.59%

LAB 51.27, 17.58, -36.17

 

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

CMYK 38 / 0 / 22 / 28

HEX #73B890

RGB 115 184 144

HSL 145.22, 0.33%, 0.59%

LAB 69.43, -30.67, 13.55

 

CMYK 22 / 38 / 0 / 28

HEX #9073B8

RGB 144 115 184

HSL 265.22, 0.33%, 0.59%

LAB 53.66, 25.51, -32.27

 

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

CMYK 23 / 0 / 38 / 28

HEX #8EB873

RGB 142 184 115

HSL 96.52, 0.33%, 0.59%

LAB 70.36, -26.65, 30.61

 

CMYK 38 / 15 / 0 / 28

HEX #739CB8

RGB 115 156 184

HSL 204.35, 0.33%, 0.59%

LAB 62.41, -6.82, -18.96

 

CMYK 14 / 38 / 0 / 28

HEX #9E73B8

RGB 158 115 184

HSL 277.39, 0.33%, 0.59%

LAB 55.06, 29.85, -29.97

 

CMYK 0 / 22 / 37 / 27

HEX #B99174

RGB 185 145 116

HSL 25.22, 0.33%, 0.59%

LAB 63.2, 11.06, 21.16

 

CMYK 34 / 0 / 38 / 28

HEX #79B873

RGB 121 184 115

HSL 114.78, 0.33%, 0.59%

LAB 69.17, -33.95, 28.82

 

CMYK 38 / 15 / 0 / 28

HEX #739CB8

RGB 115 156 184

HSL 204.35, 0.33%, 0.59%

LAB 62.41, -6.82, -18.96

 

CMYK 3 / 38 / 0 / 28

HEX #B373B8

RGB 179 115 184

HSL 295.65, 0.33%, 0.59%

LAB 57.37, 36.48, -26.21

 

Description

Color code: RGB 185 145 116 | qconv.com Color code: RGB 185 145 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 145 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 145 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 37 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 37% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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