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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 138 68 it is the complementary color RGB 70 117 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 138 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 138 68: RGB 190 138 63, RGB 207 156 82, RGB 224 174 101, RGB 241 192 120 and RGB 255 210 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 138 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 138 68: RGB 185 138 68, RGB 168 120 49, RGB 151 102 30, RGB 134 84 11 and RGB 117 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

Complementary color

CMYK 63 / 37 / 0 / 27

HEX #4675BB

RGB 70 117 187

HSL 215.9, 0.46%, 0.5%

LAB 49.02, 6.1, -41.65

 

CMYK 0 / 27 / 67 / 25

HEX #BE8A3F

RGB 190 138 63

HSL 35.43, 0.5%, 0.5%

LAB 61.21, 12.21, 46.81

 

CMYK 0 / 25 / 60 / 19

HEX #CF9C52

RGB 207 156 82

HSL 35.52, 0.57%, 0.57%

LAB 67.76, 10.95, 45.47

 

CMYK 0 / 22 / 55 / 12

HEX #E0AE65

RGB 224 174 101

HSL 35.61, 0.66%, 0.64%

LAB 74.23, 9.88, 44.09

 

CMYK 0 / 20 / 50 / 5

HEX #F1C078

RGB 241 192 120

HSL 35.7, 0.81%, 0.71%

LAB 80.6, 8.96, 42.74

 

CMYK 0 / 18 / 45 / 0

HEX #FFD28B

RGB 255 210 139

HSL 36.72, 1%, 0.77%

LAB 86.61, 6.97, 41.03

 

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

CMYK 0 / 29 / 71 / 34

HEX #A87831

RGB 168 120 49

HSL 35.8, 0.55%, 0.43%

LAB 54.01, 11.71, 44.96

 

CMYK 0 / 32 / 80 / 41

HEX #97661E

RGB 151 102 30

HSL 35.7, 0.67%, 0.35%

LAB 47.2, 13.35, 45.9

 

CMYK 0 / 37 / 92 / 47

HEX #86540B

RGB 134 84 11

HSL 35.61, 0.85%, 0.28%

LAB 40.3, 15.35, 45.79

 

CMYK 0 / 44 / 100 / 54

HEX #754200

RGB 117 66 0

HSL 33.85, 1%, 0.23%

LAB 33.3, 17.76, 43.22

 

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

CMYK 0 / 16 / 63 / 27

HEX #BA9C44

RGB 186 156 68

HSL 44.75, 0.46%, 0.5%

LAB 65.46, 0.93, 49.02

 

CMYK 0 / 5 / 63 / 27

HEX #BAB044

RGB 186 176 68

HSL 54.92, 0.46%, 0.5%

LAB 70.81, -9.68, 54.81

 

CMYK 5 / 0 / 63 / 27

HEX #B0BA44

RGB 176 186 68

HSL 65.08, 0.46%, 0.5%

LAB 72.74, -19.03, 56.61

 

CMYK 16 / 0 / 63 / 27

HEX #9CBA44

RGB 156 186 68

HSL 75.25, 0.46%, 0.5%

LAB 71.28, -27.26, 54.63

 

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

CMYK 0 / 25 / 63 / 7

HEX #ECB057

RGB 236 176 87

HSL 35.84, 0.8%, 0.63%

LAB 75.81, 12.8, 53.07

 

CMYK 0 / 25 / 63 / 87

HEX #20180C

RGB 32 24 12

HSL 36, 0.45%, 0.09%

LAB 8.88, 1.9, 8.36

 

CMYK 0 / 25 / 63 / 67

HEX #533E1F

RGB 83 62 31

HSL 35.77, 0.46%, 0.22%

LAB 27.8, 5.04, 22.37

 

CMYK 0 / 25 / 63 / 47

HEX #866431

RGB 134 100 49

HSL 36, 0.46%, 0.36%

LAB 44.81, 7.76, 33.71

 

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

CMYK 49 / 0 / 63 / 27

HEX #5EBA44

RGB 94 186 68

HSL 106.78, 0.46%, 0.5%

LAB 67.96, -49.33, 50.04

 

CMYK 52 / 63 / 0 / 27

HEX #5A44BA

RGB 90 68 186

HSL 251.19, 0.46%, 0.5%

LAB 37.58, 40.14, -59.37

 

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

CMYK 63 / 0 / 26 / 27

HEX #44BA89

RGB 68 186 137

HSL 155.08, 0.46%, 0.5%

LAB 68.13, -44.62, 15.29

 

CMYK 26 / 63 / 0 / 27

HEX #8944BA

RGB 137 68 186

HSL 275.08, 0.46%, 0.5%

LAB 42.76, 50.17, -50.74

 

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

CMYK 49 / 0 / 63 / 27

HEX #5EBA44

RGB 94 186 68

HSL 106.78, 0.46%, 0.5%

LAB 67.96, -49.33, 50.04

 

CMYK 63 / 37 / 0 / 27

HEX #4475BA

RGB 68 117 186

HSL 215.08, 0.46%, 0.5%

LAB 48.88, 5.38, -41.3

 

CMYK 14 / 63 / 0 / 27

HEX #A044BA

RGB 160 68 186

HSL 286.78, 0.46%, 0.5%

LAB 45.84, 55.61, -45.63

 

CMYK 0 / 25 / 63 / 27

HEX #B98A44

RGB 185 138 68

HSL 35.9, 0.46%, 0.5%

LAB 60.7, 10.35, 43.66

 

CMYK 63 / 0 / 58 / 27

HEX #44BA4E

RGB 68 186 78

HSL 125.08, 0.46%, 0.5%

LAB 67.2, -54.83, 44.45

 

CMYK 63 / 37 / 0 / 27

HEX #4475BA

RGB 68 117 186

HSL 215.08, 0.46%, 0.5%

LAB 48.88, 5.38, -41.3

 

CMYK 0 / 63 / 5 / 27

HEX #BA44B0

RGB 186 68 176

HSL 305.08, 0.46%, 0.5%

LAB 49.14, 60.24, -34.31

 

Description

Color code: RGB 185 138 68 | qconv.com Color code: RGB 185 138 68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 138 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 138 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 63 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 63% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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