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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 136 80 it is the complementary color RGB 70 119 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 136 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 136 80 shade: RGB 190 136 75, RGB 207 154 94, RGB 224 172 113, RGB 241 190 132 and RGB 255 208 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 136 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 168 118 61, RGB 151 100 42, RGB 134 82 23 and RGB 117 64 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 185 108 80 and RGB 185 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 185 164 80, RGB 178 185 80, RGB 149 185 80 and RGB 121 185 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 136 80 shade matches the following richer shades: RGB 185 136 80, RGB 205 137 60, RGB 225 139 40 and RGB 245 140 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 165 135 100, RGB 146 133 120, RGB 126 132 139 and RGB 106 131 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 136 80 shade: RGB 185 80 80, RGB 185 108 80, RGB 185 136 80, RGB 185 164 80 and RGB 178 185 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 136 80 shade: RGB 131 94 52, RGB 160 115 64, RGB 185 136 80, RGB 197 156 109 and RGB 209 176 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 108 185 80 and RGB 94 80 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 80 185 136 and RGB 136 80 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 108 185 80, RGB 80 129 185 and RGB 157 80 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 136 80 shade: RGB 185 136 80, RGB 80 185 83, RGB 80 129 185 and RGB 185 80 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

Complementary color

CMYK 60 / 32 / 0 / 31

HEX #4677AF

RGB 70 119 175

HSL 212, 0.43%, 0.48%

LAB 49, 0.78, -34.75

 

CMYK 0 / 28 / 61 / 25

HEX #BE884B

RGB 190 136 75

HSL 31.83, 0.47%, 0.52%

LAB 60.84, 14.12, 40.43

 

CMYK 0 / 26 / 55 / 19

HEX #CF9A5E

RGB 207 154 94

HSL 31.86, 0.54%, 0.59%

LAB 67.42, 12.97, 38.95

 

CMYK 0 / 23 / 50 / 12

HEX #E0AC71

RGB 224 172 113

HSL 31.89, 0.64%, 0.66%

LAB 73.9, 11.99, 37.54

 

CMYK 0 / 21 / 45 / 5

HEX #F1BE84

RGB 241 190 132

HSL 31.93, 0.8%, 0.73%

LAB 80.29, 11.13, 36.21

 

CMYK 0 / 18 / 41 / 0

HEX #FFD097

RGB 255 208 151

HSL 32.88, 1%, 0.8%

LAB 86.31, 9.21, 34.52

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 0 / 30 / 64 / 34

HEX #A8763D

RGB 168 118 61

HSL 31.96, 0.47%, 0.45%

LAB 53.62, 13.6, 38.6

 

CMYK 0 / 34 / 72 / 41

HEX #97642A

RGB 151 100 42

HSL 31.93, 0.56%, 0.38%

LAB 46.79, 15.08, 40.06

 

CMYK 0 / 39 / 83 / 47

HEX #865217

RGB 134 82 23

HSL 31.89, 0.71%, 0.31%

LAB 39.86, 16.88, 41.18

 

CMYK 0 / 45 / 97 / 54

HEX #754004

RGB 117 64 4

HSL 31.86, 0.93%, 0.24%

LAB 32.83, 19.04, 41.35

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 0 / 42 / 57 / 27

HEX #B96C50

RGB 185 108 80

HSL 16, 0.43%, 0.52%

LAB 53.62, 27.86, 28.76

 

CMYK 0 / 57 / 57 / 27

HEX #B95050

RGB 185 80 80

HSL 0, 0.43%, 0.52%

LAB 47.79, 42.48, 21.23

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 0 / 11 / 57 / 27

HEX #B9A450

RGB 185 164 80

HSL 48, 0.43%, 0.52%

LAB 67.61, -2.92, 45.71

 

CMYK 4 / 0 / 57 / 27

HEX #B2B950

RGB 178 185 80

HSL 64, 0.43%, 0.52%

LAB 72.72, -16.82, 51.39

 

CMYK 19 / 0 / 57 / 27

HEX #95B950

RGB 149 185 80

HSL 80.57, 0.43%, 0.52%

LAB 70.64, -28.57, 48.46

 

CMYK 35 / 0 / 57 / 27

HEX #79B950

RGB 121 185 80

HSL 96.57, 0.43%, 0.52%

LAB 69, -38.98, 46.14

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 0 / 33 / 71 / 20

HEX #CD893C

RGB 205 137 60

HSL 31.86, 0.59%, 0.52%

LAB 62.67, 19.06, 50.32

 

CMYK 0 / 38 / 82 / 12

HEX #E18B28

RGB 225 139 40

HSL 32.11, 0.76%, 0.52%

LAB 65.46, 25.66, 62.09

 

CMYK 0 / 43 / 91 / 4

HEX #F58C15

RGB 245 140 21

HSL 31.88, 0.92%, 0.52%

LAB 68.18, 33, 70.76

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 0 / 18 / 39 / 35

HEX #A58764

RGB 165 135 100

HSL 32.31, 0.27%, 0.52%

LAB 58.27, 6.43, 23.12

 

CMYK 0 / 9 / 18 / 43

HEX #928578

RGB 146 133 120

HSL 30, 0.11%, 0.52%

LAB 56.33, 2.64, 8.78

 

CMYK 9 / 5 / 0 / 45

HEX #7E848B

RGB 126 132 139

HSL 212.31, 0.05%, 0.52%

LAB 54.87, -0.74, -4.53

 

CMYK 33 / 18 / 0 / 38

HEX #6A839F

RGB 106 131 159

HSL 211.7, 0.22%, 0.52%

LAB 53.81, -1.96, -17.85

 

CMYK 0 / 57 / 57 / 27

HEX #B95050

RGB 185 80 80

HSL 0, 0.43%, 0.52%

LAB 47.79, 42.48, 21.23

 

CMYK 0 / 42 / 57 / 27

HEX #B96C50

RGB 185 108 80

HSL 16, 0.43%, 0.52%

LAB 53.62, 27.86, 28.76

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 0 / 11 / 57 / 27

HEX #B9A450

RGB 185 164 80

HSL 48, 0.43%, 0.52%

LAB 67.61, -2.92, 45.71

 

CMYK 4 / 0 / 57 / 27

HEX #B2B950

RGB 178 185 80

HSL 64, 0.43%, 0.52%

LAB 72.72, -16.82, 51.39

 

CMYK 0 / 28 / 60 / 49

HEX #835E34

RGB 131 94 52

HSL 31.9, 0.43%, 0.36%

LAB 42.88, 10.15, 29.73

 

CMYK 0 / 28 / 60 / 37

HEX #A07340

RGB 160 115 64

HSL 31.88, 0.43%, 0.44%

LAB 51.96, 11.99, 34.84

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 0 / 21 / 45 / 23

HEX #C59C6D

RGB 197 156 109

HSL 32.05, 0.43%, 0.6%

LAB 67.09, 9.14, 30.38

 

CMYK 0 / 16 / 33 / 18

HEX #D1B08B

RGB 209 176 139

HSL 31.71, 0.43%, 0.68%

LAB 73.85, 6.64, 23.42

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 42 / 0 / 57 / 27

HEX #6CB950

RGB 108 185 80

HSL 104, 0.43%, 0.52%

LAB 68.36, -43.35, 45.24

 

CMYK 49 / 57 / 0 / 27

HEX #5E50B9

RGB 94 80 185

HSL 248, 0.43%, 0.52%

LAB 40.61, 33.47, -53.86

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 57 / 0 / 26 / 27

HEX #50B988

RGB 80 185 136

HSL 152, 0.43%, 0.52%

LAB 68.15, -41.94, 15.91

 

CMYK 26 / 57 / 0 / 27

HEX #8850B9

RGB 136 80 185

HSL 272, 0.43%, 0.52%

LAB 44.91, 43.44, -46.72

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 42 / 0 / 57 / 27

HEX #6CB950

RGB 108 185 80

HSL 104, 0.43%, 0.52%

LAB 68.36, -43.35, 45.24

 

CMYK 57 / 30 / 0 / 27

HEX #5081B9

RGB 80 129 185

HSL 212, 0.43%, 0.52%

LAB 52.85, 0.21, -34.44

 

CMYK 15 / 57 / 0 / 27

HEX #9D50B9

RGB 157 80 185

HSL 284, 0.43%, 0.52%

LAB 47.51, 48.88, -42.43

 

CMYK 0 / 26 / 57 / 27

HEX #B98850

RGB 185 136 80

HSL 32, 0.43%, 0.52%

LAB 60.34, 12.36, 37.09

 

CMYK 57 / 0 / 55 / 27

HEX #50B953

RGB 80 185 83

HSL 121.71, 0.43%, 0.52%

LAB 67.3, -51.03, 42.29

 

CMYK 57 / 30 / 0 / 27

HEX #5081B9

RGB 80 129 185

HSL 212, 0.43%, 0.52%

LAB 52.85, 0.21, -34.44

 

CMYK 0 / 57 / 2 / 27

HEX #B950B6

RGB 185 80 182

HSL 301.71, 0.43%, 0.52%

LAB 51.19, 55.76, -34.62

 

Description

Color code: RGB 185 136 80 | qconv.com Color code: RGB 185 136 80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 136 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 136 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 57 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 57% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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