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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 217 59 it is the complementary color RGB 71 38 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 217 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 217 59: RGB 189 217 54, RGB 206 235 73, RGB 223 253 92, RGB 240 255 111 and RGB 255 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 217 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 217 59: RGB 184 217 59, RGB 167 199 40, RGB 150 181 21, RGB 133 163 2 and RGB 116 145 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

Complementary color

CMYK 64 / 81 / 0 / 23

HEX #4726C4

RGB 71 38 196

HSL 252.53, 0.68%, 0.46%

LAB 31.14, 56.1, -75.87

 

CMYK 13 / 0 / 75 / 15

HEX #BDD936

RGB 189 217 54

HSL 70.31, 0.68%, 0.53%

LAB 82.22, -29.49, 71.48

 

CMYK 12 / 0 / 69 / 8

HEX #CEEB49

RGB 206 235 73

HSL 70.74, 0.8%, 0.6%

LAB 88.46, -30.17, 71.51

 

CMYK 12 / 0 / 64 / 1

HEX #DFFD5C

RGB 223 253 92

HSL 71.18, 0.98%, 0.68%

LAB 94.62, -30.72, 71.08

 

CMYK 6 / 0 / 56 / 0

HEX #F0FF6F

RGB 240 255 111

HSL 66.25, 1%, 0.72%

LAB 96.49, -23.73, 65.7

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

CMYK 16 / 0 / 80 / 22

HEX #A7C728

RGB 167 199 40

HSL 72.08, 0.67%, 0.47%

LAB 75.59, -30.53, 68.98

 

CMYK 17 / 0 / 88 / 29

HEX #96B515

RGB 150 181 21

HSL 71.63, 0.79%, 0.4%

LAB 69.17, -29.61, 67.46

 

CMYK 18 / 0 / 99 / 36

HEX #85A302

RGB 133 163 2

HSL 71.18, 0.98%, 0.32%

LAB 62.66, -28.48, 64.6

 

CMYK 20 / 0 / 100 / 43

HEX #749100

RGB 116 145 0

HSL 72, 1%, 0.28%

LAB 56.05, -27.05, 59.38

 

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

CMYK 27 / 0 / 74 / 15

HEX #9ED939

RGB 158 217 57

HSL 82.13, 0.68%, 0.54%

LAB 80.29, -41.42, 67.99

 

CMYK 39 / 0 / 74 / 15

HEX #84D939

RGB 132 217 57

HSL 91.88, 0.68%, 0.54%

LAB 78.94, -50.62, 66.22

 

CMYK 52 / 0 / 74 / 15

HEX #69D939

RGB 105 217 57

HSL 102, 0.68%, 0.54%

LAB 77.83, -58.88, 64.75

 

CMYK 64 / 0 / 74 / 15

HEX #4FD939

RGB 79 217 57

HSL 111.75, 0.68%, 0.54%

LAB 77.03, -65.26, 63.69

 

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

CMYK 15 / 0 / 69 / 95

HEX #0B0D04

RGB 11 13 4

HSL 73.33, 0.53%, 0.03%

LAB 3.32, -1.87, 3.3

 

CMYK 16 / 0 / 73 / 75

HEX #364011

RGB 54 64 17

HSL 72.77, 0.58%, 0.16%

LAB 25.23, -12.09, 26.4

 

CMYK 15 / 0 / 73 / 55

HEX #62731F

RGB 98 115 31

HSL 72.14, 0.58%, 0.29%

LAB 45.58, -18.72, 42.08

 

CMYK 15 / 0 / 73 / 35

HEX #8DA62D

RGB 141 166 45

HSL 72.4, 0.57%, 0.41%

LAB 64.26, -25.19, 56.2

 

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

CMYK 74 / 0 / 44 / 15

HEX #39D979

RGB 57 217 121

HSL 144, 0.68%, 0.54%

LAB 77.21, -61.5, 35.79

 

CMYK 15 / 74 / 0 / 15

HEX #B939D9

RGB 185 57 217

HSL 288, 0.68%, 0.54%

LAB 49.8, 71.31, -56.98

 

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

CMYK 74 / 15 / 0 / 15

HEX #39B9D9

RGB 57 185 217

HSL 192, 0.68%, 0.54%

LAB 69.88, -23.93, -26.03

 

CMYK 0 / 74 / 15 / 15

HEX #D939B9

RGB 217 57 185

HSL 312, 0.68%, 0.54%

LAB 53.15, 72.98, -32.93

 

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

CMYK 74 / 0 / 44 / 15

HEX #39D979

RGB 57 217 121

HSL 144, 0.68%, 0.54%

LAB 77.21, -61.5, 35.79

 

CMYK 59 / 74 / 0 / 15

HEX #5939D9

RGB 89 57 217

HSL 252, 0.68%, 0.54%

LAB 37.95, 55.16, -76.78

 

CMYK 0 / 74 / 29 / 15

HEX #D93999

RGB 217 57 153

HSL 324, 0.68%, 0.54%

LAB 51.81, 68.89, -16.2

 

CMYK 15 / 0 / 73 / 15

HEX #B8D93B

RGB 184 217 59

HSL 72.53, 0.68%, 0.54%

LAB 81.91, -31.26, 69.44

 

CMYK 74 / 0 / 22 / 15

HEX #39D9A9

RGB 57 217 169

HSL 162, 0.68%, 0.54%

LAB 78.09, -51.79, 12.08

 

CMYK 59 / 74 / 0 / 15

HEX #5939D9

RGB 89 57 217

HSL 252, 0.68%, 0.54%

LAB 37.95, 55.16, -76.78

 

CMYK 0 / 74 / 52 / 15

HEX #D93969

RGB 217 57 105

HSL 342, 0.68%, 0.54%

LAB 50.33, 64.18, 10.49

 

Description

Color code: RGB 184 217 59 | qconv.com Color code: RGB 184 217 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 217 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 217 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 73 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 73% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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