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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 25 122 it is the complementary color RGB 72 230 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 25 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 183 25 122: RGB 188 25 117, RGB 205 43 136, RGB 222 61 155, RGB 239 79 174 and RGB 255 97 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 25 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 183 25 122: RGB 183 25 122, RGB 166 7 103, RGB 149 0 84, RGB 132 0 65 and RGB 115 0 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

Complementary color

CMYK 69 / 0 / 42 / 10

HEX #48E685

RGB 72 230 133

HSL 143.16, 0.76%, 0.59%

LAB 81.66, -61.86, 35.61

 

CMYK 0 / 87 / 38 / 26

HEX #BC1975

RGB 188 25 117

HSL 326.13, 0.77%, 0.42%

LAB 42.26, 66.2, -9.3

 

CMYK 0 / 79 / 34 / 20

HEX #CD2B88

RGB 205 43 136

HSL 325.56, 0.65%, 0.49%

LAB 47.6, 68.1, -12.59

 

CMYK 0 / 73 / 30 / 13

HEX #DE3D9B

RGB 222 61 155

HSL 324.97, 0.71%, 0.55%

LAB 53.2, 69.11, -15.19

 

CMYK 0 / 67 / 27 / 6

HEX #EF4FAE

RGB 239 79 174

HSL 324.38, 0.83%, 0.62%

LAB 58.97, 69.5, -17.28

 

CMYK 0 / 62 / 24 / 0

HEX #FF61C1

RGB 255 97 193

HSL 323.54, 1%, 0.69%

LAB 64.69, 69.2, -19.23

 

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

CMYK 0 / 96 / 38 / 35

HEX #A60767

RGB 166 7 103

HSL 323.77, 0.92%, 0.34%

LAB 36.44, 62.43, -9.69

 

CMYK 0 / 100 / 44 / 42

HEX #950054

RGB 149 0 84

HSL 326.17, 1%, 0.29%

LAB 31.87, 57.67, -4.6

 

CMYK 0 / 100 / 51 / 48

HEX #840041

RGB 132 0 65

HSL 330.45, 1%, 0.26%

LAB 27.54, 52.02, 1.27

 

CMYK 0 / 100 / 60 / 55

HEX #73002E

RGB 115 0 46

HSL 336, 1%, 0.23%

LAB 23.14, 46.34, 7.57

 

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

CMYK 0 / 86 / 48 / 28

HEX #B81960

RGB 184 25 96

HSL 333.21, 0.76%, 0.41%

LAB 40.78, 63.28, 1.59

 

CMYK 0 / 86 / 62 / 28

HEX #B81946

RGB 184 25 70

HSL 343.02, 0.76%, 0.41%

LAB 40.13, 61.4, 17.18

 

CMYK 0 / 86 / 77 / 28

HEX #B8192B

RGB 184 25 43

HSL 353.21, 0.76%, 0.41%

LAB 39.68, 60.09, 33.41

 

CMYK 0 / 82 / 86 / 28

HEX #B82119

RGB 184 33 25

HSL 3.02, 0.76%, 0.41%

LAB 40.16, 57.71, 43.79

 

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

CMYK 0 / 86 / 33 / 8

HEX #EA209C

RGB 234 32 156

HSL 323.17, 0.83%, 0.52%

LAB 52.87, 79.25, -16.09

 

CMYK 0 / 87 / 33 / 88

HEX #1E0414

RGB 30 4 20

HSL 323.08, 0.76%, 0.07%

LAB 3.73, 12.79, -3.64

 

CMYK 0 / 86 / 33 / 68

HEX #510B36

RGB 81 11 54

HSL 323.14, 0.76%, 0.18%

LAB 16.77, 35.21, -8.31

 

CMYK 0 / 86 / 33 / 48

HEX #841258

RGB 132 18 88

HSL 323.16, 0.76%, 0.29%

LAB 29.52, 51.05, -11.13

 

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

CMYK 0 / 36 / 86 / 28

HEX #B87519

RGB 184 117 25

HSL 34.72, 0.76%, 0.41%

LAB 55.05, 19.56, 56.19

 

CMYK 86 / 0 / 2 / 28

HEX #19B8B5

RGB 25 184 181

HSL 178.87, 0.76%, 0.41%

LAB 67.89, -37.51, -9.3

 

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

CMYK 33 / 0 / 86 / 28

HEX #7BB819

RGB 123 184 25

HSL 83.02, 0.76%, 0.41%

LAB 68.43, -41.52, 65.38

 

CMYK 86 / 33 / 0 / 28

HEX #197BB8

RGB 25 123 184

HSL 203.02, 0.76%, 0.41%

LAB 49.29, -4.58, -39.58

 

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

CMYK 0 / 36 / 86 / 28

HEX #B87519

RGB 184 117 25

HSL 34.72, 0.76%, 0.41%

LAB 55.05, 19.56, 56.19

 

CMYK 86 / 0 / 53 / 28

HEX #19B856

RGB 25 184 86

HSL 143.02, 0.76%, 0.41%

LAB 65.87, -59.42, 38.85

 

CMYK 86 / 51 / 0 / 28

HEX #195BB8

RGB 25 91 184

HSL 215.09, 0.76%, 0.41%

LAB 39.83, 15.59, -54.7

 

CMYK 0 / 86 / 33 / 28

HEX #B7197A

RGB 183 25 122

HSL 323.16, 0.76%, 0.41%

LAB 41.48, 65.56, -13.68

 

CMYK 0 / 10 / 86 / 28

HEX #B8A519

RGB 184 165 25

HSL 52.83, 0.76%, 0.41%

LAB 67.4, -6.68, 66.31

 

CMYK 86 / 0 / 53 / 28

HEX #19B856

RGB 25 184 86

HSL 143.02, 0.76%, 0.41%

LAB 65.87, -59.42, 38.85

 

CMYK 86 / 77 / 0 / 28

HEX #192BB8

RGB 25 43 184

HSL 233.21, 0.76%, 0.41%

LAB 27.83, 46.45, -74.35

 

Description

Color code: RGB 183 25 122 | qconv.com Color code: RGB 183 25 122 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 25 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 25 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 33 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 33% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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