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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 158 155 it is the complementary color RGB 72 97 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 158 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 158 155 shade: RGB 188 158 150, RGB 205 176 169, RGB 222 194 188, RGB 239 212 207 and RGB 255 230 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 158 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 158 155 shade: RGB 183 158 155, RGB 166 140 136, RGB 149 122 117, RGB 132 104 98 and RGB 115 86 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 158 155 shade: RGB 182 157 154 and RGB 182 154 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 158 155 shade: RGB 182 157 154, RGB 182 165 154, RGB 182 172 154, RGB 182 180 154 and RGB 177 182 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 158 155 shade matches the following richer shades: RGB 182 157 154, RGB 196 146 140, RGB 210 135 126, RGB 224 124 112 and RGB 238 113 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 158 155 shade: RGB 182 157 154, RGB 168 168 168, RGB 154 179 182, RGB 140 190 197 and RGB 126 201 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 158 155 shade: RGB 182 154 166, RGB 182 154 159, RGB 182 157 154, RGB 182 165 154 and RGB 182 172 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 158 155 shade: RGB 147 111 107, RGB 165 134 130, RGB 182 157 154, RGB 200 181 178 and RGB 217 204 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 158 155 shade: RGB 183 158 155, RGB 174 182 154 and RGB 154 163 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 158 155 shade: RGB 183 158 155, RGB 154 182 157 and RGB 157 154 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 158 155 shade: RGB 183 158 155, RGB 174 182 154, RGB 154 179 182 and RGB 163 154 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 158 155 shade: RGB 183 158 155, RGB 166 182 154, RGB 154 179 182 and RGB 171 154 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 15 / 28

HEX #B79E9B

RGB 183 158 155

HSL 6.43, 0.16%, 0.66%

LAB 67.19, 8.69, 4.95

 

Complementary color

CMYK 28 / 3 / 0 / 61

HEX #486164

RGB 72 97 100

HSL 186.43, 0.16%, 0.34%

LAB 39.32, -8.49, -4.75

 

CMYK 0 / 16 / 20 / 26

HEX #BC9E96

RGB 188 158 150

HSL 12.63, 0.22%, 0.66%

LAB 67.54, 9.79, 8.3

 

CMYK 0 / 14 / 18 / 20

HEX #CDB0A9

RGB 205 176 169

HSL 11.67, 0.26%, 0.73%

LAB 74.12, 9.34, 7.45

 

CMYK 0 / 13 / 15 / 13

HEX #DEC2BC

RGB 222 194 188

HSL 10.59, 0.34%, 0.8%

LAB 80.6, 8.93, 6.65

 

CMYK 0 / 11 / 13 / 6

HEX #EFD4CF

RGB 239 212 207

HSL 9.38, 0.5%, 0.87%

LAB 86.97, 8.57, 5.89

 

CMYK 0 / 10 / 11 / 0

HEX #FFE6E2

RGB 255 230 226

HSL 8.28, 1%, 0.94%

LAB 93.17, 7.88, 5.04

 

CMYK 0 / 14 / 15 / 28

HEX #B79E9B

RGB 183 158 155

HSL 6.43, 0.16%, 0.66%

LAB 67.19, 8.69, 4.95

 

CMYK 0 / 16 / 18 / 35

HEX #A68C88

RGB 166 140 136

HSL 8, 0.14%, 0.59%

LAB 60.46, 9.13, 5.78

 

CMYK 0 / 18 / 21 / 42

HEX #957A75

RGB 149 122 117

HSL 9.38, 0.13%, 0.52%

LAB 53.59, 9.63, 6.66

 

CMYK 0 / 21 / 26 / 48

HEX #846862

RGB 132 104 98

HSL 10.59, 0.15%, 0.45%

LAB 46.56, 10.22, 7.64

 

CMYK 0 / 25 / 31 / 55

HEX #73564F

RGB 115 86 79

HSL 11.67, 0.19%, 0.38%

LAB 39.35, 10.91, 8.73

 

CMYK 0 / 14 / 15 / 29

HEX #B69D9A

RGB 182 157 154

HSL 6.43, 0.16%, 0.66%

LAB 66.82, 8.7, 4.96

 

CMYK 0 / 15 / 15 / 29

HEX #B69A9A

RGB 182 154 154

HSL 0, 0.16%, 0.66%

LAB 66.05, 10.36, 3.85

 

CMYK 0 / 14 / 15 / 29

HEX #B69D9A

RGB 182 157 154

HSL 6.43, 0.16%, 0.66%

LAB 66.82, 8.7, 4.96

 

CMYK 0 / 9 / 15 / 29

HEX #B6A59A

RGB 182 165 154

HSL 23.57, 0.16%, 0.66%

LAB 68.89, 4.31, 7.93

 

CMYK 0 / 5 / 15 / 29

HEX #B6AC9A

RGB 182 172 154

HSL 38.57, 0.16%, 0.66%

LAB 70.72, 0.51, 10.54

 

CMYK 0 / 1 / 15 / 29

HEX #B6B49A

RGB 182 180 154

HSL 55.71, 0.16%, 0.66%

LAB 72.84, -3.78, 13.53

 

CMYK 3 / 0 / 15 / 29

HEX #B1B69A

RGB 177 182 154

HSL 70.71, 0.16%, 0.66%

LAB 72.98, -6.7, 13.68

 

CMYK 0 / 14 / 15 / 29

HEX #B69D9A

RGB 182 157 154

HSL 6.43, 0.16%, 0.66%

LAB 66.82, 8.7, 4.96

 

CMYK 0 / 26 / 29 / 23

HEX #C4928C

RGB 196 146 140

HSL 6.43, 0.32%, 0.66%

LAB 65.11, 18.01, 10.55

 

CMYK 0 / 36 / 40 / 18

HEX #D2877E

RGB 210 135 126

HSL 6.43, 0.48%, 0.66%

LAB 63.78, 27.68, 16.81

 

CMYK 0 / 45 / 50 / 12

HEX #E07C70

RGB 224 124 112

HSL 6.43, 0.64%, 0.66%

LAB 62.87, 37.44, 23.75

 

CMYK 0 / 53 / 59 / 7

HEX #EE7162

RGB 238 113 98

HSL 6.43, 0.8%, 0.66%

LAB 62.4, 47.02, 31.35

 

CMYK 0 / 14 / 15 / 29

HEX #B69D9A

RGB 182 157 154

HSL 6.43, 0.16%, 0.66%

LAB 66.82, 8.7, 4.96

 

CMYK 0 / 0 / 0 / 34

HEX #A8A8A8

RGB 168 168 168

HSL 0, 0%, 0.66%

LAB 68.87, 0, -0.01

 

CMYK 15 / 2 / 0 / 29

HEX #9AB3B6

RGB 154 179 182

HSL 186.43, 0.16%, 0.66%

LAB 71.21, -7.9, -4.42

 

CMYK 29 / 4 / 0 / 23

HEX #8CBEC5

RGB 140 190 197

HSL 187.37, 0.33%, 0.66%

LAB 73.83, -14.66, -8.84

 

CMYK 40 / 5 / 0 / 17

HEX #7EC9D3

RGB 126 201 211

HSL 187.06, 0.49%, 0.66%

LAB 76.63, -20.7, -12.32

 

CMYK 0 / 15 / 9 / 29

HEX #B69AA6

RGB 182 154 166

HSL 334.29, 0.16%, 0.66%

LAB 66.37, 12.41, -2.4

 

CMYK 0 / 15 / 13 / 29

HEX #B69A9F

RGB 182 154 159

HSL 349.29, 0.16%, 0.66%

LAB 66.18, 11.2, 1.24

 

CMYK 0 / 14 / 15 / 29

HEX #B69D9A

RGB 182 157 154

HSL 6.43, 0.16%, 0.66%

LAB 66.82, 8.7, 4.96

 

CMYK 0 / 9 / 15 / 29

HEX #B6A59A

RGB 182 165 154

HSL 23.57, 0.16%, 0.66%

LAB 68.89, 4.31, 7.93

 

CMYK 0 / 5 / 15 / 29

HEX #B6AC9A

RGB 182 172 154

HSL 38.57, 0.16%, 0.66%

LAB 70.72, 0.51, 10.54

 

CMYK 0 / 24 / 27 / 42

HEX #936F6B

RGB 147 111 107

HSL 6, 0.16%, 0.5%

LAB 50.26, 13.64, 7.75

 

CMYK 0 / 19 / 21 / 35

HEX #A58682

RGB 165 134 130

HSL 6.86, 0.16%, 0.58%

LAB 58.66, 11.17, 6.61

 

CMYK 0 / 14 / 15 / 29

HEX #B69D9A

RGB 182 157 154

HSL 6.43, 0.16%, 0.66%

LAB 66.82, 8.7, 4.96

 

CMYK 0 / 10 / 11 / 22

HEX #C8B5B2

RGB 200 181 178

HSL 8.18, 0.17%, 0.74%

LAB 75.17, 6.26, 3.98

 

CMYK 0 / 6 / 7 / 15

HEX #D9CCCA

RGB 217 204 202

HSL 8, 0.16%, 0.82%

LAB 83.02, 4.17, 2.6

 

CMYK 0 / 14 / 15 / 28

HEX #B79E9B

RGB 183 158 155

HSL 6.43, 0.16%, 0.66%

LAB 67.19, 8.69, 4.95

 

CMYK 4 / 0 / 15 / 29

HEX #AEB69A

RGB 174 182 154

HSL 77.14, 0.16%, 0.66%

LAB 72.75, -7.81, 13.32

 

CMYK 15 / 10 / 0 / 29

HEX #9AA3B6

RGB 154 163 182

HSL 220.71, 0.16%, 0.66%

LAB 66.86, 0.79, -10.88

 

CMYK 0 / 14 / 15 / 28

HEX #B79E9B

RGB 183 158 155

HSL 6.43, 0.16%, 0.66%

LAB 67.19, 8.69, 4.95

 

CMYK 15 / 0 / 14 / 29

HEX #9AB69D

RGB 154 182 157

HSL 126.43, 0.16%, 0.66%

LAB 71.39, -14.46, 9.56

 

CMYK 14 / 15 / 0 / 29

HEX #9D9AB6

RGB 157 154 182

HSL 246.43, 0.16%, 0.66%

LAB 64.69, 6.8, -14.11

 

CMYK 0 / 14 / 15 / 28

HEX #B79E9B

RGB 183 158 155

HSL 6.43, 0.16%, 0.66%

LAB 67.19, 8.69, 4.95

 

CMYK 4 / 0 / 15 / 29

HEX #AEB69A

RGB 174 182 154

HSL 77.14, 0.16%, 0.66%

LAB 72.75, -7.81, 13.32

 

CMYK 15 / 2 / 0 / 29

HEX #9AB3B6

RGB 154 179 182

HSL 186.43, 0.16%, 0.66%

LAB 71.21, -7.9, -4.42

 

CMYK 10 / 15 / 0 / 29

HEX #A39AB6

RGB 163 154 182

HSL 259.29, 0.16%, 0.66%

LAB 65.18, 8.82, -13.32

 

CMYK 0 / 14 / 15 / 28

HEX #B79E9B

RGB 183 158 155

HSL 6.43, 0.16%, 0.66%

LAB 67.19, 8.69, 4.95

 

CMYK 9 / 0 / 15 / 29

HEX #A6B69A

RGB 166 182 154

HSL 94.29, 0.16%, 0.66%

LAB 72.16, -10.73, 12.4

 

CMYK 15 / 2 / 0 / 29

HEX #9AB3B6

RGB 154 179 182

HSL 186.43, 0.16%, 0.66%

LAB 71.21, -7.9, -4.42

 

CMYK 6 / 15 / 0 / 29

HEX #AB9AB6

RGB 171 154 182

HSL 276.43, 0.16%, 0.66%

LAB 65.86, 11.55, -12.23

 

Description

Color code: RGB 183 158 155 | qconv.com Color code: RGB 183 158 155 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 158 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 158 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 15 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 15% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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