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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 53 214 it is the complementary color RGB 73 202 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 53 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 53 214 shade: RGB 187 53 209, RGB 204 71 228, RGB 221 89 247, RGB 238 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 53 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 53 214 shade: RGB 182 53 214, RGB 165 35 195, RGB 148 17 176, RGB 131 0 157 and RGB 114 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 53 214 shade: RGB 181 52 213, RGB 213 52 202, RGB 213 52 158, RGB 213 52 115 and RGB 213 52 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 53 214 shade: RGB 181 52 213, RGB 138 52 213, RGB 94 52 213 and RGB 52 52 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 53 214 shade matches the following richer shades: RGB 181 52 213, RGB 193 32 233 and RGB 205 12 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 53 214 shade: RGB 181 52 213, RGB 169 72 194, RGB 157 91 174, RGB 145 111 154 and RGB 134 131 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 53 214 shade: RGB 95 52 213, RGB 138 52 213, RGB 181 52 213, RGB 213 52 203 and RGB 213 52 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 53 214 shade: RGB 128 31 152, RGB 156 38 186, RGB 181 52 213, RGB 194 86 220 and RGB 206 120 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 53 214 shade: RGB 182 53 214, RGB 213 52 52 and RGB 52 213 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 53 214 shade: RGB 182 53 214, RGB 213 181 52 and RGB 52 213 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 53 214 shade: RGB 182 53 214, RGB 213 52 52, RGB 84 213 52 and RGB 52 213 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 53 214 shade: RGB 182 53 214, RGB 213 100 52, RGB 84 213 52 and RGB 52 165 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 75 / 0 / 16

HEX #B635D6

RGB 182 53 214

HSL 288.07, 0.66%, 0.52%

LAB 48.69, 71.51, -57.07

 

Complementary color

CMYK 64 / 0 / 80 / 21

HEX #49CA29

RGB 73 202 41

HSL 108.07, 0.66%, 0.48%

LAB 72.11, -62.57, 63.9

 

CMYK 11 / 75 / 0 / 18

HEX #BB35D1

RGB 187 53 209

HSL 291.54, 0.63%, 0.51%

LAB 49.15, 71.59, -53.43

 

CMYK 11 / 69 / 0 / 11

HEX #CC47E4

RGB 204 71 228

HSL 290.83, 0.74%, 0.59%

LAB 55.02, 72.17, -54.7

 

CMYK 11 / 64 / 0 / 3

HEX #DD59F7

RGB 221 89 247

HSL 290.13, 0.91%, 0.66%

LAB 60.99, 72.27, -55.65

 

CMYK 7 / 58 / 0 / 0

HEX #EE6BFF

RGB 238 107 255

HSL 293.11, 1%, 0.71%

LAB 66.45, 70.08, -51.24

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 15 / 75 / 0 / 16

HEX #B635D6

RGB 182 53 214

HSL 288.07, 0.66%, 0.52%

LAB 48.69, 71.51, -57.07

 

CMYK 15 / 82 / 0 / 24

HEX #A523C3

RGB 165 35 195

HSL 288.75, 0.7%, 0.45%

LAB 42.98, 70.24, -55.44

 

CMYK 16 / 90 / 0 / 31

HEX #9411B0

RGB 148 17 176

HSL 289.43, 0.82%, 0.38%

LAB 37.54, 67.86, -53.17

 

CMYK 17 / 100 / 0 / 38

HEX #83009D

RGB 131 0 157

HSL 290.06, 1%, 0.31%

LAB 32.39, 64.27, -50.21

 

CMYK 17 / 100 / 0 / 46

HEX #72008A

RGB 114 0 138

HSL 289.57, 1%, 0.27%

LAB 27.88, 58.36, -45.96

 

CMYK 15 / 76 / 0 / 16

HEX #B534D5

RGB 181 52 213

HSL 288.07, 0.66%, 0.52%

LAB 48.37, 71.46, -57.03

 

CMYK 0 / 76 / 5 / 16

HEX #D534CA

RGB 213 52 202

HSL 304.1, 0.66%, 0.52%

LAB 52.8, 76.02, -43.34

 

CMYK 0 / 76 / 26 / 16

HEX #D5349E

RGB 213 52 158

HSL 320.5, 0.66%, 0.52%

LAB 50.77, 70.03, -20.82

 

CMYK 0 / 76 / 46 / 16

HEX #D53473

RGB 213 52 115

HSL 336.52, 0.66%, 0.52%

LAB 49.3, 65.5, 2.85

 

CMYK 0 / 76 / 67 / 16

HEX #D53447

RGB 213 52 71

HSL 352.92, 0.66%, 0.52%

LAB 48.33, 62.4, 28.27

 

CMYK 15 / 76 / 0 / 16

HEX #B534D5

RGB 181 52 213

HSL 288.07, 0.66%, 0.52%

LAB 48.37, 71.46, -57.03

 

CMYK 35 / 76 / 0 / 16

HEX #8A34D5

RGB 138 52 213

HSL 272.05, 0.66%, 0.52%

LAB 42.25, 63.71, -67.23

 

CMYK 56 / 76 / 0 / 16

HEX #5E34D5

RGB 94 52 213

HSL 255.65, 0.66%, 0.52%

LAB 37.19, 57.1, -75.72

 

CMYK 76 / 76 / 0 / 16

HEX #3434D5

RGB 52 52 213

HSL 240, 0.66%, 0.52%

LAB 33.96, 52.76, -81.15

 

CMYK 15 / 76 / 0 / 16

HEX #B534D5

RGB 181 52 213

HSL 288.07, 0.66%, 0.52%

LAB 48.37, 71.46, -57.03

 

CMYK 17 / 86 / 0 / 9

HEX #C120E9

RGB 193 32 233

HSL 288.06, 0.82%, 0.52%

LAB 49.8, 82.16, -66

 

CMYK 19 / 95 / 0 / 1

HEX #CD0CFD

RGB 205 12 253

HSL 288.05, 0.98%, 0.52%

LAB 52.21, 89.93, -73.22

 

CMYK 15 / 76 / 0 / 16

HEX #B534D5

RGB 181 52 213

HSL 288.07, 0.66%, 0.52%

LAB 48.37, 71.46, -57.03

 

CMYK 13 / 63 / 0 / 24

HEX #A948C2

RGB 169 72 194

HSL 287.7, 0.5%, 0.52%

LAB 48.22, 57.55, -46.43

 

CMYK 10 / 48 / 0 / 32

HEX #9D5BAE

RGB 157 91 174

HSL 287.71, 0.34%, 0.52%

LAB 49.14, 40.81, -33.43

 

CMYK 6 / 28 / 0 / 40

HEX #916F9A

RGB 145 111 154

HSL 287.44, 0.18%, 0.52%

LAB 51.52, 21.41, -18.14

 

CMYK 0 / 2 / 0 / 47

HEX #868386

RGB 134 131 134

HSL 300, 0.01%, 0.52%

LAB 55.1, 1.71, -1.22

 

CMYK 55 / 76 / 0 / 16

HEX #5F34D5

RGB 95 52 213

HSL 256.02, 0.66%, 0.52%

LAB 37.29, 57.23, -75.55

 

CMYK 35 / 76 / 0 / 16

HEX #8A34D5

RGB 138 52 213

HSL 272.05, 0.66%, 0.52%

LAB 42.25, 63.71, -67.23

 

CMYK 15 / 76 / 0 / 16

HEX #B534D5

RGB 181 52 213

HSL 288.07, 0.66%, 0.52%

LAB 48.37, 71.46, -57.03

 

CMYK 0 / 76 / 5 / 16

HEX #D534CB

RGB 213 52 203

HSL 303.73, 0.66%, 0.52%

LAB 52.86, 76.17, -43.84

 

CMYK 0 / 76 / 25 / 16

HEX #D534A0

RGB 213 52 160

HSL 319.75, 0.66%, 0.52%

LAB 50.85, 70.28, -21.88

 

CMYK 16 / 80 / 0 / 40

HEX #801F98

RGB 128 31 152

HSL 288.1, 0.66%, 0.36%

LAB 33.64, 56.6, -45.17

 

CMYK 16 / 80 / 0 / 27

HEX #9C26BA

RGB 156 38 186

HSL 287.84, 0.66%, 0.44%

LAB 41.22, 66.16, -53.08

 

CMYK 15 / 76 / 0 / 16

HEX #B534D5

RGB 181 52 213

HSL 288.07, 0.66%, 0.52%

LAB 48.37, 71.46, -57.03

 

CMYK 12 / 61 / 0 / 14

HEX #C256DC

RGB 194 86 220

HSL 288.36, 0.66%, 0.6%

LAB 55.37, 62.29, -49.7

 

CMYK 9 / 47 / 0 / 11

HEX #CE78E3

RGB 206 120 227

HSL 288.22, 0.66%, 0.68%

LAB 63.43, 50.31, -40.81

 

CMYK 15 / 75 / 0 / 16

HEX #B635D6

RGB 182 53 214

HSL 288.07, 0.66%, 0.52%

LAB 48.69, 71.51, -57.07

 

CMYK 0 / 76 / 76 / 16

HEX #D53434

RGB 213 52 52

HSL 0, 0.66%, 0.52%

LAB 48.07, 61.55, 39.05

 

CMYK 76 / 0 / 46 / 16

HEX #34D574

RGB 52 213 116

HSL 143.85, 0.66%, 0.52%

LAB 75.81, -61.61, 36.49

 

CMYK 15 / 75 / 0 / 16

HEX #B635D6

RGB 182 53 214

HSL 288.07, 0.66%, 0.52%

LAB 48.69, 71.51, -57.07

 

CMYK 0 / 15 / 76 / 16

HEX #D5B534

RGB 213 181 52

HSL 48.07, 0.66%, 0.52%

LAB 74.47, -1.47, 65.58

 

CMYK 76 / 0 / 15 / 16

HEX #34D5B5

RGB 52 213 181

HSL 168.07, 0.66%, 0.52%

LAB 77.07, -47.81, 4.22

 

CMYK 15 / 75 / 0 / 16

HEX #B635D6

RGB 182 53 214

HSL 288.07, 0.66%, 0.52%

LAB 48.69, 71.51, -57.07

 

CMYK 0 / 76 / 76 / 16

HEX #D53434

RGB 213 52 52

HSL 0, 0.66%, 0.52%

LAB 48.07, 61.55, 39.05

 

CMYK 61 / 0 / 76 / 16

HEX #54D534

RGB 84 213 52

HSL 108.07, 0.66%, 0.52%

LAB 75.9, -63.14, 64.27

 

CMYK 76 / 0 / 0 / 16

HEX #34D5D5

RGB 52 213 213

HSL 180, 0.66%, 0.52%

LAB 77.95, -39.14, -11.65

 

CMYK 15 / 75 / 0 / 16

HEX #B635D6

RGB 182 53 214

HSL 288.07, 0.66%, 0.52%

LAB 48.69, 71.51, -57.07

 

CMYK 0 / 53 / 76 / 16

HEX #D56434

RGB 213 100 52

HSL 17.89, 0.66%, 0.52%

LAB 55.59, 41.47, 47.04

 

CMYK 61 / 0 / 76 / 16

HEX #54D534

RGB 84 213 52

HSL 108.07, 0.66%, 0.52%

LAB 75.9, -63.14, 64.27

 

CMYK 76 / 23 / 0 / 16

HEX #34A5D5

RGB 52 165 213

HSL 197.89, 0.66%, 0.52%

LAB 63.71, -15.37, -33.35

 

Description

Color code: RGB 182 53 214 | qconv.com Color code: RGB 182 53 214 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 53 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 53 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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