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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 53 200 it is the complementary color RGB 73 202 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 53 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 53 200 shade: RGB 187 53 195, RGB 204 71 214, RGB 221 89 233, RGB 238 107 252 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 53 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 53 200 shade: RGB 182 53 200, RGB 165 35 181, RGB 148 17 162, RGB 131 0 143 and RGB 114 0 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 53 200 shade: RGB 183 54 201, RGB 201 54 180, RGB 201 54 140, RGB 201 54 100 and RGB 201 54 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 53 200 shade: RGB 183 54 201, RGB 143 54 201, RGB 104 54 201, RGB 64 54 201 and RGB 54 54 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 53 200 shade matches the following richer shades: RGB 183 54 201, RGB 199 33 222 and RGB 214 12 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 53 200 shade: RGB 183 54 201, RGB 168 74 181, RGB 152 95 160, RGB 137 115 140 and RGB 121 136 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 53 200 shade: RGB 103 54 201, RGB 142 54 201, RGB 182 54 201, RGB 201 54 182 and RGB 201 54 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 53 200 shade: RGB 124 36 136, RGB 154 45 169, RGB 183 54 201, RGB 195 86 210 and RGB 207 119 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 53 200 shade: RGB 182 53 200, RGB 201 63 54 and RGB 54 201 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 53 200 shade: RGB 182 53 200, RGB 201 182 54 and RGB 54 201 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 53 200 shade: RGB 182 53 200, RGB 201 63 54, RGB 73 201 54 and RGB 54 192 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 53 200 shade: RGB 182 53 200, RGB 201 108 54, RGB 73 201 54 and RGB 54 147 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 74 / 0 / 22

HEX #B635C8

RGB 182 53 200

HSL 292.65, 0.58%, 0.5%

LAB 47.83, 69, -50.4

 

Complementary color

CMYK 64 / 0 / 73 / 21

HEX #49CA37

RGB 73 202 55

HSL 112.65, 0.58%, 0.5%

LAB 72.18, -61.64, 59.46

 

CMYK 4 / 73 / 0 / 24

HEX #BB35C3

RGB 187 53 195

HSL 296.62, 0.57%, 0.49%

LAB 48.32, 69.18, -46.67

 

CMYK 5 / 67 / 0 / 16

HEX #CC47D6

RGB 204 71 214

HSL 295.8, 0.64%, 0.56%

LAB 54.24, 69.73, -48.02

 

CMYK 5 / 62 / 0 / 9

HEX #DD59E9

RGB 221 89 233

HSL 295, 0.77%, 0.63%

LAB 60.25, 69.79, -49.04

 

CMYK 6 / 58 / 0 / 1

HEX #EE6BFC

RGB 238 107 252

HSL 294.21, 0.96%, 0.7%

LAB 66.31, 69.55, -49.82

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 9 / 74 / 0 / 22

HEX #B635C8

RGB 182 53 200

HSL 292.65, 0.58%, 0.5%

LAB 47.83, 69, -50.4

 

CMYK 9 / 81 / 0 / 29

HEX #A523B5

RGB 165 35 181

HSL 293.42, 0.68%, 0.42%

LAB 42.06, 67.78, -48.71

 

CMYK 9 / 90 / 0 / 36

HEX #9411A2

RGB 148 17 162

HSL 294.21, 0.81%, 0.35%

LAB 36.57, 65.44, -46.35

 

CMYK 8 / 100 / 0 / 44

HEX #83008F

RGB 131 0 143

HSL 294.97, 1%, 0.28%

LAB 31.37, 61.88, -43.28

 

CMYK 8 / 100 / 0 / 51

HEX #72007C

RGB 114 0 124

HSL 295.16, 1%, 0.24%

LAB 26.83, 55.9, -38.86

 

CMYK 9 / 73 / 0 / 21

HEX #B736C9

RGB 183 54 201

HSL 292.65, 0.58%, 0.5%

LAB 48.16, 69.05, -50.44

 

CMYK 0 / 73 / 10 / 21

HEX #C936B4

RGB 201 54 180

HSL 308.57, 0.58%, 0.5%

LAB 49.92, 69.56, -35.26

 

CMYK 0 / 73 / 30 / 21

HEX #C9368C

RGB 201 54 140

HSL 324.9, 0.58%, 0.5%

LAB 48.2, 64.25, -14.18

 

CMYK 0 / 73 / 50 / 21

HEX #C93664

RGB 201 54 100

HSL 341.22, 0.58%, 0.5%

LAB 46.94, 60.22, 8.35

 

CMYK 0 / 73 / 70 / 21

HEX #C9363C

RGB 201 54 60

HSL 357.55, 0.58%, 0.5%

LAB 46.15, 57.6, 31.64

 

CMYK 9 / 73 / 0 / 21

HEX #B736C9

RGB 183 54 201

HSL 292.65, 0.58%, 0.5%

LAB 48.16, 69.05, -50.44

 

CMYK 29 / 73 / 0 / 21

HEX #8F36C9

RGB 143 54 201

HSL 276.33, 0.58%, 0.5%

LAB 42.3, 61.14, -60.19

 

CMYK 48 / 73 / 0 / 21

HEX #6836C9

RGB 104 54 201

HSL 260.41, 0.58%, 0.5%

LAB 37.48, 54.32, -68.25

 

CMYK 68 / 73 / 0 / 21

HEX #4036C9

RGB 64 54 201

HSL 244.08, 0.58%, 0.5%

LAB 33.87, 48.96, -74.31

 

CMYK 73 / 73 / 0 / 21

HEX #3636C9

RGB 54 54 201

HSL 240, 0.58%, 0.5%

LAB 33.22, 47.96, -75.4

 

CMYK 9 / 73 / 0 / 21

HEX #B736C9

RGB 183 54 201

HSL 292.65, 0.58%, 0.5%

LAB 48.16, 69.05, -50.44

 

CMYK 10 / 85 / 0 / 13

HEX #C721DE

RGB 199 33 222

HSL 292.7, 0.74%, 0.5%

LAB 50.1, 81.09, -59.23

 

CMYK 12 / 95 / 0 / 5

HEX #D60CF3

RGB 214 12 243

HSL 292.47, 0.91%, 0.5%

LAB 52.98, 89.57, -66.32

 

CMYK 9 / 73 / 0 / 21

HEX #B736C9

RGB 183 54 201

HSL 292.65, 0.58%, 0.5%

LAB 48.16, 69.05, -50.44

 

CMYK 7 / 59 / 0 / 29

HEX #A84AB5

RGB 168 74 181

HSL 292.71, 0.42%, 0.5%

LAB 47.7, 53.87, -39.69

 

CMYK 5 / 41 / 0 / 37

HEX #985FA0

RGB 152 95 160

HSL 292.62, 0.25%, 0.5%

LAB 48.76, 34.19, -25.85

 

CMYK 2 / 18 / 0 / 45

HEX #89738C

RGB 137 115 140

HSL 292.8, 0.1%, 0.5%

LAB 51.24, 13.32, -10.43

 

CMYK 11 / 0 / 13 / 47

HEX #798877

RGB 121 136 119

HSL 112.94, 0.07%, 0.5%

LAB 55.08, -8.88, 7.29

 

CMYK 49 / 73 / 0 / 21

HEX #6736C9

RGB 103 54 201

HSL 260, 0.58%, 0.5%

LAB 37.37, 54.16, -68.43

 

CMYK 29 / 73 / 0 / 21

HEX #8E36C9

RGB 142 54 201

HSL 275.92, 0.58%, 0.5%

LAB 42.16, 60.95, -60.41

 

CMYK 9 / 73 / 0 / 21

HEX #B636C9

RGB 182 54 201

HSL 292.24, 0.58%, 0.5%

LAB 48.01, 68.84, -50.7

 

CMYK 0 / 73 / 9 / 21

HEX #C936B6

RGB 201 54 182

HSL 307.76, 0.58%, 0.5%

LAB 50.02, 69.86, -36.28

 

CMYK 0 / 73 / 29 / 21

HEX #C9368E

RGB 201 54 142

HSL 324.08, 0.58%, 0.5%

LAB 48.27, 64.49, -15.27

 

CMYK 9 / 74 / 0 / 47

HEX #7C2488

RGB 124 36 136

HSL 292.8, 0.58%, 0.34%

LAB 32.53, 50.95, -37.13

 

CMYK 9 / 73 / 0 / 34

HEX #9A2DA9

RGB 154 45 169

HSL 292.74, 0.58%, 0.42%

LAB 40.59, 60.37, -44.04

 

CMYK 9 / 73 / 0 / 21

HEX #B736C9

RGB 183 54 201

HSL 292.65, 0.58%, 0.5%

LAB 48.16, 69.05, -50.44

 

CMYK 7 / 59 / 0 / 18

HEX #C356D2

RGB 195 86 210

HSL 292.74, 0.58%, 0.58%

LAB 54.98, 60.66, -44.65

 

CMYK 5 / 46 / 0 / 14

HEX #CF77DB

RGB 207 119 219

HSL 292.8, 0.58%, 0.66%

LAB 62.99, 49.56, -37.03

 

CMYK 9 / 74 / 0 / 22

HEX #B635C8

RGB 182 53 200

HSL 292.65, 0.58%, 0.5%

LAB 47.83, 69, -50.4

 

CMYK 0 / 69 / 73 / 21

HEX #C93F36

RGB 201 63 54

HSL 3.67, 0.58%, 0.5%

LAB 47.29, 53.98, 36.43

 

CMYK 73 / 0 / 39 / 21

HEX #36C97B

RGB 54 201 123

HSL 148.16, 0.58%, 0.5%

LAB 72.22, -55.75, 28.25

 

CMYK 9 / 74 / 0 / 22

HEX #B635C8

RGB 182 53 200

HSL 292.65, 0.58%, 0.5%

LAB 47.83, 69, -50.4

 

CMYK 0 / 9 / 73 / 21

HEX #C9B636

RGB 201 182 54

HSL 52.24, 0.58%, 0.5%

LAB 73.64, -7.1, 63.68

 

CMYK 73 / 0 / 9 / 21

HEX #36C9B6

RGB 54 201 182

HSL 172.24, 0.58%, 0.5%

LAB 73.5, -42.17, -1.51

 

CMYK 9 / 74 / 0 / 22

HEX #B635C8

RGB 182 53 200

HSL 292.65, 0.58%, 0.5%

LAB 47.83, 69, -50.4

 

CMYK 0 / 69 / 73 / 21

HEX #C93F36

RGB 201 63 54

HSL 3.67, 0.58%, 0.5%

LAB 47.29, 53.98, 36.43

 

CMYK 64 / 0 / 73 / 21

HEX #49C936

RGB 73 201 54

HSL 112.24, 0.58%, 0.5%

LAB 71.86, -61.38, 59.49

 

CMYK 73 / 4 / 0 / 21

HEX #36C0C9

RGB 54 192 201

HSL 183.67, 0.58%, 0.5%

LAB 71.35, -32.66, -15.05

 

CMYK 9 / 74 / 0 / 22

HEX #B635C8

RGB 182 53 200

HSL 292.65, 0.58%, 0.5%

LAB 47.83, 69, -50.4

 

CMYK 0 / 46 / 73 / 21

HEX #C96C36

RGB 201 108 54

HSL 22.04, 0.58%, 0.5%

LAB 55.49, 32.72, 45.41

 

CMYK 64 / 0 / 73 / 21

HEX #49C936

RGB 73 201 54

HSL 112.24, 0.58%, 0.5%

LAB 71.86, -61.38, 59.49

 

CMYK 73 / 27 / 0 / 21

HEX #3693C9

RGB 54 147 201

HSL 202.04, 0.58%, 0.5%

LAB 57.91, -9.29, -35.68

 

Description

Color code: RGB 182 53 200 | qconv.com Color code: RGB 182 53 200 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 53 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 53 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 74 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 74% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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