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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 23 221 it is the complementary color RGB 73 232 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 23 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 23 221 shade: RGB 187 23 216, RGB 204 41 235, RGB 221 59 254, RGB 238 77 255 and RGB 255 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 23 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 165 5 202, RGB 148 0 183, RGB 131 0 164 and RGB 114 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 221 23 207, RGB 221 23 153, RGB 221 23 100 and RGB 221 23 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 129 23 221, RGB 75 23 221 and RGB 23 23 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 23 221 shade matches the following richer shades: RGB 182 23 221 and RGB 194 3 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 170 43 201, RGB 158 62 181, RGB 146 82 162 and RGB 134 102 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 23 221 shade: RGB 76 23 221, RGB 129 23 221, RGB 181 23 221, RGB 221 23 208 and RGB 221 23 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 23 221 shade: RGB 120 15 146, RGB 151 19 184, RGB 182 23 221, RGB 197 52 233 and RGB 208 89 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 221 23 23 and RGB 23 221 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 221 181 23 and RGB 23 221 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 221 23 23, RGB 62 221 23 and RGB 23 221 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 23 221 shade: RGB 182 23 221, RGB 221 82 23, RGB 62 221 23 and RGB 23 162 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

Complementary color

CMYK 69 / 0 / 85 / 9

HEX #49E822

RGB 73 232 34

HSL 108.18, 0.81%, 0.52%

LAB 81.43, -72.49, 74.08

 

CMYK 13 / 89 / 0 / 15

HEX #BB17D8

RGB 187 23 216

HSL 290.98, 0.81%, 0.47%

LAB 47.15, 79.91, -60.66

 

CMYK 13 / 83 / 0 / 8

HEX #CC29EB

RGB 204 41 235

HSL 290.41, 0.83%, 0.54%

LAB 52.31, 82.4, -62.99

 

CMYK 13 / 77 / 0 / 0

HEX #DD3BFE

RGB 221 59 254

HSL 289.85, 0.99%, 0.61%

LAB 57.71, 83.95, -64.77

 

CMYK 7 / 70 / 0 / 0

HEX #EE4DFF

RGB 238 77 255

HSL 294.27, 1%, 0.65%

LAB 62.26, 81.76, -57.9

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 18 / 98 / 0 / 21

HEX #A505CA

RGB 165 5 202

HSL 288.73, 0.95%, 0.41%

LAB 41.8, 76.39, -61.42

 

CMYK 19 / 100 / 0 / 28

HEX #9400B7

RGB 148 0 183

HSL 288.52, 1%, 0.36%

LAB 37.33, 71.26, -57.67

 

CMYK 20 / 100 / 0 / 36

HEX #8300A4

RGB 131 0 164

HSL 287.93, 1%, 0.32%

LAB 32.93, 65.52, -53.58

 

CMYK 21 / 100 / 0 / 43

HEX #720091

RGB 114 0 145

HSL 287.17, 1%, 0.28%

LAB 28.44, 59.64, -49.4

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 0 / 90 / 6 / 13

HEX #DD17CF

RGB 221 23 207

HSL 304.24, 0.81%, 0.48%

LAB 52.39, 84.21, -46.79

 

CMYK 0 / 90 / 31 / 13

HEX #DD1799

RGB 221 23 153

HSL 320.61, 0.81%, 0.48%

LAB 49.84, 77.55, -19.14

 

CMYK 0 / 90 / 55 / 13

HEX #DD1764

RGB 221 23 100

HSL 336.67, 0.81%, 0.48%

LAB 48.14, 72.9, 10.59

 

CMYK 0 / 90 / 79 / 13

HEX #DD172E

RGB 221 23 46

HSL 353.03, 0.81%, 0.48%

LAB 47.21, 70.29, 41.98

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 42 / 90 / 0 / 13

HEX #8117DD

RGB 129 23 221

HSL 272.12, 0.81%, 0.48%

LAB 38.73, 73.01, -77.64

 

CMYK 66 / 90 / 0 / 13

HEX #4B17DD

RGB 75 23 221

HSL 255.76, 0.81%, 0.48%

LAB 32.54, 68.32, -88.06

 

CMYK 90 / 90 / 0 / 13

HEX #1717DD

RGB 23 23 221

HSL 240, 0.81%, 0.48%

LAB 29.45, 66.32, -93.3

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 20 / 99 / 0 / 5

HEX #C203F1

RGB 194 3 241

HSL 288.15, 0.98%, 0.48%

LAB 49.36, 87.14, -71.22

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 15 / 79 / 0 / 21

HEX #AA2BC9

RGB 170 43 201

HSL 288.23, 0.65%, 0.48%

LAB 44.93, 70.01, -55.74

 

CMYK 13 / 66 / 0 / 29

HEX #9E3EB5

RGB 158 62 181

HSL 288.4, 0.49%, 0.48%

LAB 44.31, 56.81, -45.17

 

CMYK 10 / 49 / 0 / 36

HEX #9252A2

RGB 146 82 162

HSL 288, 0.33%, 0.48%

LAB 45.3, 39.94, -32.49

 

CMYK 6 / 28 / 0 / 44

HEX #86668E

RGB 134 102 142

HSL 288, 0.16%, 0.48%

LAB 47.65, 20.35, -17.06

 

CMYK 66 / 90 / 0 / 13

HEX #4C17DD

RGB 76 23 221

HSL 256.06, 0.81%, 0.48%

LAB 32.63, 68.38, -87.91

 

CMYK 42 / 90 / 0 / 13

HEX #8117DD

RGB 129 23 221

HSL 272.12, 0.81%, 0.48%

LAB 38.73, 73.01, -77.64

 

CMYK 18 / 90 / 0 / 13

HEX #B517DD

RGB 181 23 221

HSL 287.88, 0.81%, 0.48%

LAB 46.52, 79.84, -64.59

 

CMYK 0 / 90 / 6 / 13

HEX #DD17D0

RGB 221 23 208

HSL 303.94, 0.81%, 0.48%

LAB 52.44, 84.35, -47.28

 

CMYK 0 / 90 / 30 / 13

HEX #DD179B

RGB 221 23 155

HSL 320, 0.81%, 0.48%

LAB 49.92, 77.77, -20.22

 

CMYK 18 / 90 / 0 / 43

HEX #780F92

RGB 120 15 146

HSL 288.09, 0.81%, 0.32%

LAB 30.42, 58.2, -46.75

 

CMYK 18 / 90 / 0 / 28

HEX #9713B8

RGB 151 19 184

HSL 288, 0.81%, 0.4%

LAB 38.74, 69.42, -55.95

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 15 / 78 / 0 / 9

HEX #C534E9

RGB 197 52 233

HSL 288.07, 0.8%, 0.56%

LAB 52.07, 78.01, -62.3

 

CMYK 12 / 62 / 0 / 7

HEX #D059ED

RGB 208 89 237

HSL 288.24, 0.8%, 0.64%

LAB 58.67, 67.49, -53.89

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 0 / 90 / 90 / 13

HEX #DD1717

RGB 221 23 23

HSL 0, 0.81%, 0.48%

LAB 47.04, 69.78, 53.3

 

CMYK 90 / 0 / 54 / 13

HEX #17DD66

RGB 23 221 102

HSL 143.94, 0.81%, 0.48%

LAB 77.79, -69.18, 45.67

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 0 / 18 / 90 / 13

HEX #DDB517

RGB 221 181 23

HSL 47.88, 0.81%, 0.48%

LAB 75.13, 1.18, 74.35

 

CMYK 90 / 0 / 18 / 13

HEX #17DDB5

RGB 23 221 181

HSL 167.88, 0.81%, 0.48%

LAB 79.17, -53.39, 7.21

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 0 / 90 / 90 / 13

HEX #DD1717

RGB 221 23 23

HSL 0, 0.81%, 0.48%

LAB 47.04, 69.78, 53.3

 

CMYK 72 / 0 / 90 / 13

HEX #3EDD17

RGB 62 221 23

HSL 108.18, 0.81%, 0.48%

LAB 77.76, -71.44, 72.86

 

CMYK 90 / 0 / 0 / 13

HEX #17DDDD

RGB 23 221 221

HSL 180, 0.81%, 0.48%

LAB 80.24, -42.47, -12.53

 

CMYK 18 / 90 / 0 / 13

HEX #B617DD

RGB 182 23 221

HSL 288.18, 0.81%, 0.48%

LAB 46.68, 79.99, -64.32

 

CMYK 0 / 63 / 90 / 13

HEX #DD5217

RGB 221 82 23

HSL 17.88, 0.81%, 0.48%

LAB 53.46, 52, 57.94

 

CMYK 72 / 0 / 90 / 13

HEX #3EDD17

RGB 62 221 23

HSL 108.18, 0.81%, 0.48%

LAB 77.76, -71.44, 72.86

 

CMYK 90 / 27 / 0 / 13

HEX #17A2DD

RGB 23 162 221

HSL 197.88, 0.81%, 0.48%

LAB 62.71, -13.36, -39.37

 

Description

Color code: RGB 182 23 221 | qconv.com Color code: RGB 182 23 221 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 23 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 23 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 90 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 90% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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