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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 145 201 it is the complementary color RGB 73 110 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 145 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 145 201 shade: RGB 187 145 196, RGB 204 163 215, RGB 221 181 234, RGB 238 199 253 and RGB 255 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 145 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 165 127 182, RGB 148 109 163, RGB 131 91 144 and RGB 114 73 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 197 145 201, RGB 201 145 190, RGB 201 145 175 and RGB 201 145 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 167 145 201, RGB 152 145 201 and RGB 145 145 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 145 201 shade matches the following richer shades: RGB 182 145 201, RGB 186 132 214, RGB 190 119 227, RGB 195 106 240 and RGB 199 92 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 178 158 187, RGB 173 172 174, RGB 169 185 161 and RGB 165 198 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 145 201 shade: RGB 152 145 201, RGB 166 145 201, RGB 181 145 201, RGB 196 145 201 and RGB 201 145 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 145 201 shade: RGB 145 90 173, RGB 163 118 187, RGB 182 145 201, RGB 200 173 214 and RGB 219 200 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 201 145 153 and RGB 145 201 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 201 181 145 and RGB 145 201 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 201 145 153, RGB 165 201 145 and RGB 145 201 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 145 201 shade: RGB 182 145 201, RGB 201 153 145, RGB 165 201 145 and RGB 145 192 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

Complementary color

CMYK 34 / 0 / 51 / 57

HEX #496E36

RGB 73 110 54

HSL 99.64, 0.34%, 0.32%

LAB 42.51, -24.4, 26.98

 

CMYK 5 / 26 / 0 / 23

HEX #BB91C4

RGB 187 145 196

HSL 289.41, 0.3%, 0.67%

LAB 65.59, 24.81, -20.32

 

CMYK 5 / 24 / 0 / 16

HEX #CCA3D7

RGB 204 163 215

HSL 287.31, 0.39%, 0.74%

LAB 72.19, 24.22, -20.67

 

CMYK 6 / 23 / 0 / 8

HEX #DDB5EA

RGB 221 181 234

HSL 285.28, 0.56%, 0.81%

LAB 78.67, 23.68, -21.01

 

CMYK 6 / 21 / 0 / 1

HEX #EEC7FD

RGB 238 199 253

HSL 283.33, 0.93%, 0.89%

LAB 85.06, 23.17, -21.35

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 9 / 30 / 0 / 29

HEX #A57FB6

RGB 165 127 182

HSL 281.45, 0.27%, 0.61%

LAB 58.56, 24.82, -23.36

 

CMYK 9 / 33 / 0 / 36

HEX #946DA3

RGB 148 109 163

HSL 283.33, 0.23%, 0.53%

LAB 51.7, 25.5, -23.1

 

CMYK 9 / 37 / 0 / 44

HEX #835B90

RGB 131 91 144

HSL 285.28, 0.23%, 0.46%

LAB 44.69, 26.25, -22.84

 

CMYK 9 / 42 / 0 / 51

HEX #72497D

RGB 114 73 125

HSL 287.31, 0.26%, 0.39%

LAB 37.52, 27.07, -22.56

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 2 / 28 / 0 / 21

HEX #C591C9

RGB 197 145 201

HSL 295.71, 0.34%, 0.68%

LAB 66.78, 29.09, -21.22

 

CMYK 0 / 28 / 5 / 21

HEX #C991BE

RGB 201 145 190

HSL 311.79, 0.34%, 0.68%

LAB 66.81, 28.38, -14.98

 

CMYK 0 / 28 / 13 / 21

HEX #C991AF

RGB 201 145 175

HSL 327.86, 0.34%, 0.68%

LAB 66.34, 25.78, -7.29

 

CMYK 0 / 28 / 20 / 21

HEX #C991A0

RGB 201 145 160

HSL 343.93, 0.34%, 0.68%

LAB 65.91, 23.37, 0.52

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 17 / 28 / 0 / 21

HEX #A791C9

RGB 167 145 201

HSL 263.57, 0.34%, 0.68%

LAB 63.9, 19.36, -25.87

 

CMYK 24 / 28 / 0 / 21

HEX #9891C9

RGB 152 145 201

HSL 247.5, 0.34%, 0.68%

LAB 62.63, 14.68, -27.94

 

CMYK 28 / 28 / 0 / 21

HEX #9191C9

RGB 145 145 201

HSL 240, 0.34%, 0.68%

LAB 62.07, 12.56, -28.85

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 13 / 38 / 0 / 16

HEX #BA84D6

RGB 186 132 214

HSL 279.51, 0.5%, 0.68%

LAB 63.17, 35.41, -34.12

 

CMYK 16 / 48 / 0 / 11

HEX #BE77E3

RGB 190 119 227

HSL 279.44, 0.66%, 0.68%

LAB 61.38, 46.37, -44.15

 

CMYK 19 / 56 / 0 / 6

HEX #C36AF0

RGB 195 106 240

HSL 279.85, 0.82%, 0.68%

LAB 60.07, 57.1, -53.43

 

CMYK 21 / 64 / 0 / 1

HEX #C75CFD

RGB 199 92 253

HSL 279.88, 0.98%, 0.68%

LAB 58.87, 67.3, -62.52

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 5 / 16 / 0 / 27

HEX #B29EBB

RGB 178 158 187

HSL 281.38, 0.18%, 0.68%

LAB 67.66, 12.72, -12.27

 

CMYK 1 / 1 / 0 / 32

HEX #ADACAE

RGB 173 172 174

HSL 270, 0.01%, 0.68%

LAB 70.49, 0.74, -0.91

 

CMYK 9 / 0 / 13 / 27

HEX #A9B9A1

RGB 169 185 161

HSL 100, 0.15%, 0.68%

LAB 73.35, -10, 10.31

 

CMYK 17 / 0 / 25 / 22

HEX #A5C694

RGB 165 198 148

HSL 99.6, 0.3%, 0.68%

LAB 76.39, -20.27, 21.51

 

CMYK 24 / 28 / 0 / 21

HEX #9891C9

RGB 152 145 201

HSL 247.5, 0.34%, 0.68%

LAB 62.63, 14.68, -27.94

 

CMYK 17 / 28 / 0 / 21

HEX #A691C9

RGB 166 145 201

HSL 262.5, 0.34%, 0.68%

LAB 63.82, 19.05, -26.02

 

CMYK 10 / 28 / 0 / 21

HEX #B591C9

RGB 181 145 201

HSL 278.57, 0.34%, 0.68%

LAB 65.19, 23.86, -23.78

 

CMYK 2 / 28 / 0 / 21

HEX #C491C9

RGB 196 145 201

HSL 294.64, 0.34%, 0.68%

LAB 66.68, 28.76, -21.39

 

CMYK 0 / 28 / 5 / 21

HEX #C991BE

RGB 201 145 190

HSL 311.79, 0.34%, 0.68%

LAB 66.81, 28.38, -14.98

 

CMYK 16 / 48 / 0 / 32

HEX #915AAD

RGB 145 90 173

HSL 279.76, 0.34%, 0.52%

LAB 47.43, 37.61, -35.63

 

CMYK 13 / 37 / 0 / 27

HEX #A376BB

RGB 163 118 187

HSL 279.13, 0.34%, 0.6%

LAB 56.42, 30.36, -29.54

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 7 / 19 / 0 / 16

HEX #C8ADD6

RGB 200 173 214

HSL 279.51, 0.33%, 0.76%

LAB 74.2, 17.23, -17.1

 

CMYK 4 / 12 / 0 / 11

HEX #DBC8E4

RGB 219 200 228

HSL 280.71, 0.34%, 0.84%

LAB 82.9, 11.67, -11.44

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 0 / 28 / 24 / 21

HEX #C99199

RGB 201 145 153

HSL 351.43, 0.34%, 0.68%

LAB 65.72, 22.32, 4.19

 

CMYK 28 / 0 / 21 / 21

HEX #91C99F

RGB 145 201 159

HSL 135, 0.34%, 0.68%

LAB 76.25, -26.65, 15.26

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 0 / 10 / 28 / 21

HEX #C9B591

RGB 201 181 145

HSL 38.57, 0.34%, 0.68%

LAB 74.51, 1.62, 20.98

 

CMYK 28 / 0 / 10 / 21

HEX #91C9B5

RGB 145 201 181

HSL 158.57, 0.34%, 0.68%

LAB 76.76, -22.32, 4.17

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 0 / 28 / 24 / 21

HEX #C99199

RGB 201 145 153

HSL 351.43, 0.34%, 0.68%

LAB 65.72, 22.32, 4.19

 

CMYK 18 / 0 / 28 / 21

HEX #A5C991

RGB 165 201 145

HSL 98.57, 0.34%, 0.68%

LAB 77.17, -22.24, 24.16

 

CMYK 28 / 0 / 4 / 21

HEX #91C9C0

RGB 145 201 192

HSL 170.36, 0.34%, 0.68%

LAB 77.04, -19.96, -1.35

 

CMYK 9 / 28 / 0 / 21

HEX #B691C9

RGB 182 145 201

HSL 279.64, 0.34%, 0.68%

LAB 65.29, 24.18, -23.63

 

CMYK 0 / 24 / 28 / 21

HEX #C99991

RGB 201 153 145

HSL 8.57, 0.34%, 0.68%

LAB 67.46, 16.78, 11.15

 

CMYK 18 / 0 / 28 / 21

HEX #A5C991

RGB 165 201 145

HSL 98.57, 0.34%, 0.68%

LAB 77.17, -22.24, 24.16

 

CMYK 28 / 4 / 0 / 21

HEX #91C0C9

RGB 145 192 201

HSL 189.64, 0.34%, 0.68%

LAB 74.78, -13.31, -9.55

 

Description

Color code: RGB 182 145 201 | qconv.com Color code: RGB 182 145 201 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 145 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 145 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 28 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 28% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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