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Color name
RGB 182 143 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 143 23 it is the complementary color RGB 73 112 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 143 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 143 23 shade: RGB 187 143 18, RGB 204 161 37, RGB 221 179 56, RGB 238 197 75 and RGB 255 215 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 143 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 143 23 shade: RGB 182 143 23, RGB 165 125 4, RGB 148 107 0, RGB 131 89 0 and RGB 114 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 143 23 shade: RGB 182 143 22, RGB 182 100 22, RGB 182 57 22 and RGB 182 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 143 23 shade: RGB 182 143 22, RGB 178 182 22, RGB 135 182 22, RGB 92 182 22 and RGB 49 182 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 143 23 shade matches the following richer shades: RGB 182 143 22 and RGB 198 151 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 143 23 shade: RGB 182 143 22, RGB 165 134 39, RGB 149 126 55, RGB 132 117 72 and RGB 116 109 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 143 23 shade: RGB 182 57 22, RGB 182 99 22, RGB 182 142 22, RGB 179 182 22 and RGB 136 182 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 143 23 shade: RGB 108 85 13, RGB 145 114 18, RGB 182 143 22, RGB 218 171 27 and RGB 230 188 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 143 23 shade: RGB 182 143 23, RGB 30 182 22 and RGB 78 22 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 143 23 shade: RGB 182 143 23, RGB 22 182 142 and RGB 142 22 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 143 23 shade: RGB 182 143 23, RGB 30 182 22, RGB 22 62 182 and RGB 174 22 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 143 23 shade: RGB 182 143 23, RGB 22 182 62, RGB 22 62 182 and RGB 182 22 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 87 / 29

HEX #B68F17

RGB 182 143 23

HSL 45.28, 0.78%, 0.4%

LAB 61.35, 4.23, 61.79

 

Complementary color

CMYK 69 / 52 / 0 / 9

HEX #4970E8

RGB 73 112 232

HSL 225.28, 0.78%, 0.6%

LAB 50.49, 25.47, -64.9

 

CMYK 0 / 24 / 90 / 27

HEX #BB8F12

RGB 187 143 18

HSL 44.38, 0.82%, 0.4%

LAB 61.87, 6.38, 63.57

 

CMYK 0 / 21 / 82 / 20

HEX #CCA125

RGB 204 161 37

HSL 44.55, 0.69%, 0.47%

LAB 68.36, 4.66, 64.67

 

CMYK 0 / 19 / 75 / 13

HEX #DDB338

RGB 221 179 56

HSL 44.73, 0.71%, 0.54%

LAB 74.76, 3.2, 64.69

 

CMYK 0 / 17 / 68 / 7

HEX #EEC54B

RGB 238 197 75

HSL 44.91, 0.83%, 0.61%

LAB 81.08, 1.95, 64.1

 

CMYK 0 / 16 / 63 / 0

HEX #FFD75E

RGB 255 215 94

HSL 45.09, 1%, 0.68%

LAB 87.32, 0.86, 63.2

 

CMYK 0 / 21 / 87 / 29

HEX #B68F17

RGB 182 143 23

HSL 45.28, 0.78%, 0.4%

LAB 61.35, 4.23, 61.79

 

CMYK 0 / 24 / 98 / 35

HEX #A57D04

RGB 165 125 4

HSL 45.09, 0.95%, 0.33%

LAB 54.74, 6.1, 59.69

 

CMYK 0 / 28 / 100 / 42

HEX #946B00

RGB 148 107 0

HSL 43.38, 1%, 0.29%

LAB 48.02, 8.33, 54.9

 

CMYK 0 / 32 / 100 / 49

HEX #835900

RGB 131 89 0

HSL 40.76, 1%, 0.26%

LAB 41.17, 10.75, 49.29

 

CMYK 0 / 38 / 100 / 55

HEX #724700

RGB 114 71 0

HSL 37.37, 1%, 0.22%

LAB 34.16, 13.32, 43.56

 

CMYK 0 / 21 / 88 / 29

HEX #B68F16

RGB 182 143 22

HSL 45.38, 0.78%, 0.4%

LAB 61.35, 4.2, 62.03

 

CMYK 0 / 45 / 88 / 29

HEX #B66416

RGB 182 100 22

HSL 29.25, 0.78%, 0.4%

LAB 50.82, 27.97, 53.59

 

CMYK 0 / 69 / 88 / 29

HEX #B63916

RGB 182 57 22

HSL 13.13, 0.78%, 0.4%

LAB 42.66, 48.96, 47.05

 

CMYK 0 / 88 / 88 / 29

HEX #B61616

RGB 182 22 22

HSL 0, 0.78%, 0.4%

LAB 38.86, 59.56, 44

 

CMYK 0 / 21 / 88 / 29

HEX #B68F16

RGB 182 143 22

HSL 45.38, 0.78%, 0.4%

LAB 61.35, 4.2, 62.03

 

CMYK 2 / 0 / 88 / 29

HEX #B2B616

RGB 178 182 22

HSL 61.5, 0.78%, 0.4%

LAB 71.54, -18.15, 70.06

 

CMYK 26 / 0 / 88 / 29

HEX #87B616

RGB 135 182 22

HSL 77.63, 0.78%, 0.4%

LAB 68.51, -36.12, 66.33

 

CMYK 49 / 0 / 88 / 29

HEX #5CB616

RGB 92 182 22

HSL 93.75, 0.78%, 0.4%

LAB 66.36, -51.35, 63.65

 

CMYK 73 / 0 / 88 / 29

HEX #31B616

RGB 49 182 22

HSL 109.88, 0.78%, 0.4%

LAB 65.09, -61.68, 62.06

 

CMYK 0 / 21 / 88 / 29

HEX #B68F16

RGB 182 143 22

HSL 45.38, 0.78%, 0.4%

LAB 61.35, 4.2, 62.03

 

CMYK 0 / 24 / 97 / 22

HEX #C69706

RGB 198 151 6

HSL 45.31, 0.94%, 0.4%

LAB 65.08, 6.79, 68.41

 

CMYK 0 / 21 / 88 / 29

HEX #B68F16

RGB 182 143 22

HSL 45.38, 0.78%, 0.4%

LAB 61.35, 4.2, 62.03

 

CMYK 0 / 19 / 76 / 35

HEX #A58627

RGB 165 134 39

HSL 45.24, 0.62%, 0.4%

LAB 57.27, 2.01, 52.41

 

CMYK 0 / 15 / 63 / 42

HEX #957E37

RGB 149 126 55

HSL 45.32, 0.46%, 0.4%

LAB 53.59, 0.13, 41.02

 

CMYK 0 / 11 / 45 / 48

HEX #847548

RGB 132 117 72

HSL 45, 0.29%, 0.4%

LAB 49.61, -0.84, 26.9

 

CMYK 0 / 6 / 24 / 55

HEX #746D58

RGB 116 109 88

HSL 45, 0.14%, 0.4%

LAB 46.12, -0.99, 12.74

 

CMYK 0 / 69 / 88 / 29

HEX #B63916

RGB 182 57 22

HSL 13.13, 0.78%, 0.4%

LAB 42.66, 48.96, 47.05

 

CMYK 0 / 46 / 88 / 29

HEX #B66316

RGB 182 99 22

HSL 28.88, 0.78%, 0.4%

LAB 50.6, 28.51, 53.42

 

CMYK 0 / 22 / 88 / 29

HEX #B68E16

RGB 182 142 22

HSL 45, 0.78%, 0.4%

LAB 61.09, 4.75, 61.82

 

CMYK 2 / 0 / 88 / 29

HEX #B3B616

RGB 179 182 22

HSL 61.13, 0.78%, 0.4%

LAB 71.62, -17.72, 70.16

 

CMYK 25 / 0 / 88 / 29

HEX #88B616

RGB 136 182 22

HSL 77.25, 0.78%, 0.4%

LAB 68.57, -35.73, 66.4

 

CMYK 0 / 21 / 88 / 58

HEX #6C550D

RGB 108 85 13

HSL 45.47, 0.79%, 0.24%

LAB 37.32, 2.24, 41.42

 

CMYK 0 / 21 / 88 / 43

HEX #917212

RGB 145 114 18

HSL 45.35, 0.78%, 0.32%

LAB 49.61, 3.26, 51.88

 

CMYK 0 / 21 / 88 / 29

HEX #B68F16

RGB 182 143 22

HSL 45.38, 0.78%, 0.4%

LAB 61.35, 4.2, 62.03

 

CMYK 0 / 22 / 88 / 15

HEX #DAAB1B

RGB 218 171 27

HSL 45.24, 0.78%, 0.48%

LAB 72.3, 5.22, 71.19

 

CMYK 0 / 18 / 76 / 10

HEX #E6BC38

RGB 230 188 56

HSL 45.52, 0.78%, 0.56%

LAB 77.92, 2.35, 68

 

CMYK 0 / 21 / 87 / 29

HEX #B68F17

RGB 182 143 23

HSL 45.28, 0.78%, 0.4%

LAB 61.35, 4.23, 61.79

 

CMYK 84 / 0 / 88 / 29

HEX #1EB616

RGB 30 182 22

HSL 117, 0.78%, 0.4%

LAB 64.8, -64.31, 61.69

 

CMYK 57 / 88 / 0 / 29

HEX #4E16B6

RGB 78 22 182

HSL 261, 0.78%, 0.4%

LAB 28.3, 58.98, -72.27

 

CMYK 0 / 21 / 87 / 29

HEX #B68F17

RGB 182 143 23

HSL 45.28, 0.78%, 0.4%

LAB 61.35, 4.23, 61.79

 

CMYK 88 / 0 / 22 / 29

HEX #16B68E

RGB 22 182 142

HSL 165, 0.78%, 0.4%

LAB 66.2, -47.58, 9.72

 

CMYK 22 / 88 / 0 / 29

HEX #8E16B6

RGB 142 22 182

HSL 285, 0.78%, 0.4%

LAB 37.3, 67.08, -57.16

 

CMYK 0 / 21 / 87 / 29

HEX #B68F17

RGB 182 143 23

HSL 45.28, 0.78%, 0.4%

LAB 61.35, 4.23, 61.79

 

CMYK 84 / 0 / 88 / 29

HEX #1EB616

RGB 30 182 22

HSL 117, 0.78%, 0.4%

LAB 64.8, -64.31, 61.69

 

CMYK 88 / 66 / 0 / 29

HEX #163EB6

RGB 22 62 182

HSL 225, 0.78%, 0.4%

LAB 31.79, 33.89, -66.63

 

CMYK 4 / 88 / 0 / 29

HEX #AE16B6

RGB 174 22 182

HSL 297, 0.78%, 0.4%

LAB 42.69, 72.38, -48.2

 

CMYK 0 / 21 / 87 / 29

HEX #B68F17

RGB 182 143 23

HSL 45.28, 0.78%, 0.4%

LAB 61.35, 4.23, 61.79

 

CMYK 88 / 0 / 66 / 29

HEX #16B63E

RGB 22 182 62

HSL 135, 0.78%, 0.4%

LAB 64.94, -62.14, 48.81

 

CMYK 88 / 66 / 0 / 29

HEX #163EB6

RGB 22 62 182

HSL 225, 0.78%, 0.4%

LAB 31.79, 33.89, -66.63

 

CMYK 0 / 88 / 22 / 29

HEX #B6168E

RGB 182 22 142

HSL 315, 0.78%, 0.4%

LAB 41.96, 68.23, -25.27

 

Description

Color code: RGB 182 143 23 | qconv.com Color code: RGB 182 143 23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 143 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 143 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 87 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 87% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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