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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 113 188 it is the complementary color RGB 73 142 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 113 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 113 188 shade: RGB 187 113 183, RGB 204 131 202, RGB 221 149 221, RGB 238 167 240 and RGB 255 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 113 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 165 95 169, RGB 148 77 150, RGB 131 59 131 and RGB 114 41 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 188 113 174, RGB 188 113 154, RGB 188 113 133 and RGB 188 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 162 113 188, RGB 141 113 188, RGB 121 113 188 and RGB 113 113 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 113 188 shade matches the following richer shades: RGB 182 113 188, RGB 196 96 205, RGB 210 79 222 and RGB 225 62 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 168 130 171, RGB 154 147 154, RGB 139 164 137 and RGB 125 180 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 113 188 shade: RGB 142 113 188, RGB 162 113 188, RGB 182 113 188, RGB 188 113 174 and RGB 188 113 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 113 188 shade: RGB 142 70 148, RGB 168 85 175, RGB 182 113 188, RGB 196 141 201 and RGB 211 169 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 188 122 113 and RGB 113 188 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 188 182 113 and RGB 113 188 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 188 122 113, RGB 119 188 113 and RGB 113 179 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 113 188 shade: RGB 182 113 188, RGB 188 144 113, RGB 119 188 113 and RGB 113 157 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

Complementary color

CMYK 49 / 0 / 53 / 44

HEX #498E43

RGB 73 142 67

HSL 115.2, 0.36%, 0.41%

LAB 53.13, -37.54, 33.09

 

CMYK 0 / 40 / 2 / 27

HEX #BB71B7

RGB 187 113 183

HSL 303.24, 0.35%, 0.59%

LAB 57.84, 39.92, -24.84

 

CMYK 0 / 36 / 1 / 20

HEX #CC83CA

RGB 204 131 202

HSL 301.64, 0.42%, 0.66%

LAB 64.43, 39.16, -25.3

 

CMYK 0 / 33 / 0 / 13

HEX #DD95DD

RGB 221 149 221

HSL 300, 0.51%, 0.73%

LAB 70.93, 38.43, -25.73

 

CMYK 1 / 30 / 0 / 6

HEX #EEA7F0

RGB 238 167 240

HSL 298.36, 0.71%, 0.8%

LAB 77.34, 37.73, -26.12

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 2 / 44 / 0 / 34

HEX #A55FA9

RGB 165 95 169

HSL 296.76, 0.3%, 0.52%

LAB 50.74, 40.06, -27.93

 

CMYK 1 / 49 / 0 / 41

HEX #944D96

RGB 148 77 150

HSL 298.36, 0.32%, 0.45%

LAB 43.95, 40.81, -27.42

 

CMYK 0 / 55 / 0 / 49

HEX #833B83

RGB 131 59 131

HSL 300, 0.38%, 0.37%

LAB 37.1, 41.45, -26.75

 

CMYK 0 / 64 / 2 / 55

HEX #722970

RGB 114 41 112

HSL 301.64, 0.47%, 0.3%

LAB 30.24, 41.8, -25.8

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 0 / 40 / 7 / 26

HEX #BC71AE

RGB 188 113 174

HSL 311.2, 0.36%, 0.59%

LAB 57.61, 38.62, -20.01

 

CMYK 0 / 40 / 18 / 26

HEX #BC719A

RGB 188 113 154

HSL 327.2, 0.36%, 0.59%

LAB 56.91, 35.27, -9.51

 

CMYK 0 / 40 / 29 / 26

HEX #BC7185

RGB 188 113 133

HSL 344, 0.36%, 0.59%

LAB 56.28, 32.16, 1.78

 

CMYK 0 / 40 / 40 / 26

HEX #BC7171

RGB 188 113 113

HSL 0, 0.36%, 0.59%

LAB 55.78, 29.61, 12.72

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 14 / 40 / 0 / 26

HEX #A271BC

RGB 162 113 188

HSL 279.2, 0.36%, 0.59%

LAB 55.2, 33.1, -32.02

 

CMYK 25 / 40 / 0 / 26

HEX #8D71BC

RGB 141 113 188

HSL 262.4, 0.36%, 0.59%

LAB 53.06, 26.75, -35.52

 

CMYK 36 / 40 / 0 / 26

HEX #7971BC

RGB 121 113 188

HSL 246.4, 0.36%, 0.59%

LAB 51.27, 21, -38.45

 

CMYK 40 / 40 / 0 / 26

HEX #7171BC

RGB 113 113 188

HSL 240, 0.36%, 0.59%

LAB 50.63, 18.82, -39.51

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 4 / 53 / 0 / 20

HEX #C460CD

RGB 196 96 205

HSL 295.05, 0.52%, 0.59%

LAB 56.59, 55.33, -39.25

 

CMYK 5 / 64 / 0 / 13

HEX #D24FDE

RGB 210 79 222

HSL 294.97, 0.68%, 0.59%

LAB 56.65, 69.37, -48.66

 

CMYK 6 / 74 / 0 / 6

HEX #E13EEF

RGB 225 62 239

HSL 295.25, 0.85%, 0.59%

LAB 57.74, 81.32, -56.35

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 2 / 24 / 0 / 33

HEX #A882AB

RGB 168 130 171

HSL 295.61, 0.2%, 0.59%

LAB 59.19, 21.87, -16.1

 

CMYK 0 / 5 / 0 / 40

HEX #9A939A

RGB 154 147 154

HSL 300, 0.03%, 0.59%

LAB 61.72, 3.91, -2.77

 

CMYK 15 / 0 / 16 / 36

HEX #8BA489

RGB 139 164 137

HSL 115.56, 0.13%, 0.59%

LAB 64.84, -14.03, 11.14

 

CMYK 31 / 0 / 33 / 29

HEX #7DB478

RGB 125 180 120

HSL 115, 0.29%, 0.59%

LAB 68.28, -29.93, 25.03

 

CMYK 24 / 40 / 0 / 26

HEX #8E71BC

RGB 142 113 188

HSL 263.2, 0.36%, 0.59%

LAB 53.16, 27.05, -35.36

 

CMYK 14 / 40 / 0 / 26

HEX #A271BC

RGB 162 113 188

HSL 279.2, 0.36%, 0.59%

LAB 55.2, 33.1, -32.02

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 0 / 40 / 7 / 26

HEX #BC71AE

RGB 188 113 174

HSL 311.2, 0.36%, 0.59%

LAB 57.61, 38.62, -20.01

 

CMYK 0 / 40 / 18 / 26

HEX #BC719A

RGB 188 113 154

HSL 327.2, 0.36%, 0.59%

LAB 56.91, 35.27, -9.51

 

CMYK 4 / 53 / 0 / 42

HEX #8E4694

RGB 142 70 148

HSL 295.38, 0.36%, 0.43%

LAB 41.64, 42.31, -29.89

 

CMYK 4 / 51 / 0 / 31

HEX #A855AF

RGB 168 85 175

HSL 295.33, 0.36%, 0.51%

LAB 49.4, 47.35, -33.51

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 2 / 30 / 0 / 21

HEX #C48DC9

RGB 196 141 201

HSL 295, 0.36%, 0.67%

LAB 65.75, 30.96, -22.8

 

CMYK 1 / 21 / 0 / 16

HEX #D3A9D6

RGB 211 169 214

HSL 296, 0.35%, 0.75%

LAB 74.24, 23.06, -16.95

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 0 / 35 / 40 / 26

HEX #BC7A71

RGB 188 122 113

HSL 7.2, 0.36%, 0.59%

LAB 57.85, 24.67, 15.59

 

CMYK 40 / 0 / 19 / 26

HEX #71BC98

RGB 113 188 152

HSL 151.2, 0.36%, 0.59%

LAB 70.69, -31.52, 10.97

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 0 / 3 / 40 / 26

HEX #BCB671

RGB 188 182 113

HSL 55.2, 0.36%, 0.59%

LAB 73.11, -8.03, 35.86

 

CMYK 40 / 0 / 3 / 26

HEX #71BCB6

RGB 113 188 182

HSL 175.2, 0.36%, 0.59%

LAB 71.46, -24.71, -4.31

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 0 / 35 / 40 / 26

HEX #BC7A71

RGB 188 122 113

HSL 7.2, 0.36%, 0.59%

LAB 57.85, 24.67, 15.59

 

CMYK 37 / 0 / 40 / 26

HEX #77BC71

RGB 119 188 113

HSL 115.2, 0.36%, 0.59%

LAB 70.23, -36.75, 31.24

 

CMYK 40 / 5 / 0 / 26

HEX #71B3BC

RGB 113 179 188

HSL 187.2, 0.36%, 0.59%

LAB 69.03, -18.63, -11.21

 

CMYK 3 / 40 / 0 / 26

HEX #B671BC

RGB 182 113 188

HSL 295.2, 0.36%, 0.59%

LAB 57.45, 39.29, -28.35

 

CMYK 0 / 23 / 40 / 26

HEX #BC9071

RGB 188 144 113

HSL 24.8, 0.36%, 0.59%

LAB 63.2, 12.48, 22.88

 

CMYK 37 / 0 / 40 / 26

HEX #77BC71

RGB 119 188 113

HSL 115.2, 0.36%, 0.59%

LAB 70.23, -36.75, 31.24

 

CMYK 40 / 16 / 0 / 26

HEX #719DBC

RGB 113 157 188

HSL 204.8, 0.36%, 0.59%

LAB 62.72, -6.85, -20.74

 

Description

Color code: RGB 182 113 188 | qconv.com Color code: RGB 182 113 188 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 113 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 113 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 40 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 40% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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