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Color name
RGB 182.1 144.8 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182.1 144.8 127 it is the complementary color RGB 72.9 110.2 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182.1 144.8 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182.1 144.8 127 shade: RGB 187.1 144.8 122, RGB 204.1 162.8 141, RGB 221.1 180.8 160, RGB 238.1 198.8 179 and RGB 255 216.8 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182.1 144.8 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182.1 144.8 127 shade: RGB 182.1 144.8 127, RGB 165.1 126.8 108, RGB 148.1 108.8 89, RGB 131.1 90.8 70 and RGB 114.1 72.8 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182.1 144.8 127 shade: RGB 182 146 128, RGB 182 131 128 and RGB 182 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182.1 144.8 127 shade: RGB 182 146 128, RGB 182 160 128, RGB 182 175 128, RGB 175 182 128 and RGB 160 182 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182.1 144.8 127 shade matches the following richer shades: RGB 182 146 128, RGB 198 140 112, RGB 214 134 96, RGB 230 128 80 and RGB 246 123 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182.1 144.8 127 shade: RGB 182 146 128, RGB 166 151 144, RGB 150 157 160, RGB 134 163 176 and RGB 118 168 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182.1 144.8 127 shade: RGB 182 128 140, RGB 182 131 128, RGB 182 145 128, RGB 182 160 128 and RGB 182 174 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182.1 144.8 127 shade: RGB 145 103 83, RGB 167 123 102, RGB 182 146 128, RGB 197 168 154 and RGB 212 191 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182.1 144.8 127 shade: RGB 182.1 144.8 127, RGB 154 182 128 and RGB 128 133 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182.1 144.8 127 shade: RGB 182.1 144.8 127, RGB 128 182 145 and RGB 145 128 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182.1 144.8 127 shade: RGB 182.1 144.8 127, RGB 154 182 128, RGB 128 165 182 and RGB 156 128 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182.1 144.8 127 shade: RGB 182.1 144.8 127, RGB 138 182 128, RGB 128 165 182 and RGB 172 128 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 30 / 29

HEX #B6907F

RGB 182.1 144.8 127

HSL 19.38, 0.27%, 0.61%

LAB 63.08, 11.42, 14.79

 

Complementary color

CMYK 43 / 14 / 0 / 50

HEX #486E80

RGB 72.9 110.2 128

HSL 199.38, 0.27%, 0.39%

LAB 44.47, -8.2, -14

 

CMYK 0 / 23 / 35 / 27

HEX #BB907A

RGB 187.1 144.8 122

HSL 21.01, 0.32%, 0.61%

LAB 63.49, 12.77, 18.24

 

CMYK 0 / 20 / 31 / 20

HEX #CCA28D

RGB 204.1 162.8 141

HSL 20.73, 0.38%, 0.68%

LAB 70.1, 12.1, 17.11

 

CMYK 0 / 18 / 28 / 13

HEX #DDB4A0

RGB 221.1 180.8 160

HSL 20.43, 0.47%, 0.75%

LAB 76.61, 11.51, 16.08

 

CMYK 0 / 17 / 25 / 7

HEX #EEC6B3

RGB 238.1 198.8 179

HSL 20.1, 0.64%, 0.82%

LAB 83.02, 10.99, 15.11

 

CMYK 0 / 15 / 22 / 0

HEX #FFD8C6

RGB 255 216.8 198

HSL 19.79, 1%, 0.89%

LAB 89.33, 10.48, 14.19

 

CMYK 0 / 20 / 30 / 29

HEX #B6907F

RGB 182.1 144.8 127

HSL 19.38, 0.27%, 0.61%

LAB 63.08, 11.42, 14.79

 

CMYK 0 / 23 / 35 / 35

HEX #A57E6C

RGB 165.1 126.8 108

HSL 19.75, 0.24%, 0.54%

LAB 56.31, 12.11, 15.92

 

CMYK 0 / 27 / 40 / 42

HEX #946C59

RGB 148.1 108.8 89

HSL 20.1, 0.25%, 0.46%

LAB 49.4, 12.9, 17.18

 

CMYK 0 / 31 / 47 / 49

HEX #835A46

RGB 131.1 90.8 70

HSL 20.43, 0.3%, 0.39%

LAB 42.34, 13.86, 18.6

 

CMYK 0 / 36 / 55 / 55

HEX #724833

RGB 114.1 72.8 51

HSL 20.73, 0.38%, 0.32%

LAB 35.13, 15.03, 20.24

 

CMYK 0 / 20 / 30 / 29

HEX #B69280

RGB 182 146 128

HSL 20, 0.27%, 0.61%

LAB 63.39, 10.86, 14.67

 

CMYK 0 / 28 / 30 / 29

HEX #B68380

RGB 182 131 128

HSL 3.33, 0.27%, 0.61%

LAB 59.65, 19.22, 9.41

 

CMYK 0 / 30 / 30 / 29

HEX #B68080

RGB 182 128 128

HSL 0, 0.27%, 0.61%

LAB 58.92, 20.9, 8.37

 

CMYK 0 / 20 / 30 / 29

HEX #B69280

RGB 182 146 128

HSL 20, 0.27%, 0.61%

LAB 63.39, 10.86, 14.67

 

CMYK 0 / 12 / 30 / 29

HEX #B6A080

RGB 182 160 128

HSL 35.56, 0.27%, 0.61%

LAB 67.01, 3.15, 19.66

 

CMYK 0 / 4 / 30 / 29

HEX #B6AF80

RGB 182 175 128

HSL 52.22, 0.27%, 0.61%

LAB 70.98, -4.92, 25.05

 

CMYK 4 / 0 / 30 / 29

HEX #AFB680

RGB 175 182 128

HSL 67.78, 0.27%, 0.61%

LAB 72.31, -11.34, 26.74

 

CMYK 12 / 0 / 30 / 29

HEX #A0B680

RGB 160 182 128

HSL 84.44, 0.27%, 0.61%

LAB 71.21, -17.09, 25.06

 

CMYK 0 / 20 / 30 / 29

HEX #B69280

RGB 182 146 128

HSL 20, 0.27%, 0.61%

LAB 63.39, 10.86, 14.67

 

CMYK 0 / 29 / 43 / 22

HEX #C68C70

RGB 198 140 112

HSL 19.53, 0.43%, 0.61%

LAB 63.29, 18.64, 23.74

 

CMYK 0 / 37 / 55 / 16

HEX #D68660

RGB 214 134 96

HSL 19.32, 0.59%, 0.61%

LAB 63.5, 26.85, 33.19

 

CMYK 0 / 44 / 65 / 10

HEX #E68050

RGB 230 128 80

HSL 19.2, 0.75%, 0.61%

LAB 64.03, 35.27, 42.83

 

CMYK 0 / 50 / 74 / 4

HEX #F67B40

RGB 246 123 64

HSL 19.45, 0.91%, 0.61%

LAB 65.06, 43.19, 52.6

 

CMYK 0 / 20 / 30 / 29

HEX #B69280

RGB 182 146 128

HSL 20, 0.27%, 0.61%

LAB 63.39, 10.86, 14.67

 

CMYK 0 / 9 / 13 / 35

HEX #A69790

RGB 166 151 144

HSL 19.09, 0.11%, 0.61%

LAB 63.55, 4.31, 5.68

 

CMYK 6 / 2 / 0 / 37

HEX #969DA0

RGB 150 157 160

HSL 198, 0.05%, 0.61%

LAB 64.27, -1.9, -2.44

 

CMYK 24 / 7 / 0 / 31

HEX #86A3B0

RGB 134 163 176

HSL 198.57, 0.21%, 0.61%

LAB 65.28, -7.03, -10.04

 

CMYK 39 / 13 / 0 / 24

HEX #76A8C1

RGB 118 168 193

HSL 200, 0.38%, 0.61%

LAB 66.3, -10.18, -18.07

 

CMYK 0 / 30 / 23 / 29

HEX #B6808C

RGB 182 128 140

HSL 346.67, 0.27%, 0.61%

LAB 59.23, 22.64, 1.92

 

CMYK 0 / 28 / 30 / 29

HEX #B68380

RGB 182 131 128

HSL 3.33, 0.27%, 0.61%

LAB 59.65, 19.22, 9.41

 

CMYK 0 / 20 / 30 / 29

HEX #B69180

RGB 182 145 128

HSL 18.89, 0.27%, 0.61%

LAB 63.14, 11.41, 14.31

 

CMYK 0 / 12 / 30 / 29

HEX #B6A080

RGB 182 160 128

HSL 35.56, 0.27%, 0.61%

LAB 67.01, 3.15, 19.66

 

CMYK 0 / 4 / 30 / 29

HEX #B6AE80

RGB 182 174 128

HSL 51.11, 0.27%, 0.61%

LAB 70.72, -4.39, 24.69

 

CMYK 0 / 29 / 43 / 43

HEX #916753

RGB 145 103 83

HSL 19.35, 0.27%, 0.45%

LAB 47.42, 14.22, 17.97

 

CMYK 0 / 26 / 39 / 35

HEX #A77B66

RGB 167 123 102

HSL 19.38, 0.27%, 0.53%

LAB 55.42, 14.28, 18.18

 

CMYK 0 / 20 / 30 / 29

HEX #B69280

RGB 182 146 128

HSL 20, 0.27%, 0.61%

LAB 63.39, 10.86, 14.67

 

CMYK 0 / 15 / 22 / 23

HEX #C5A89A

RGB 197 168 154

HSL 19.53, 0.27%, 0.69%

LAB 71.01, 8.36, 11.14

 

CMYK 0 / 10 / 15 / 17

HEX #D4BFB5

RGB 212 191 181

HSL 19.35, 0.26%, 0.77%

LAB 78.81, 5.78, 7.73

 

CMYK 0 / 20 / 30 / 29

HEX #B6907F

RGB 182.1 144.8 127

HSL 19.38, 0.27%, 0.61%

LAB 63.08, 11.42, 14.79

 

CMYK 15 / 0 / 30 / 29

HEX #9AB680

RGB 154 182 128

HSL 91.11, 0.27%, 0.61%

LAB 70.79, -19.34, 24.43

 

CMYK 30 / 27 / 0 / 29

HEX #8085B6

RGB 128 133 182

HSL 234.44, 0.27%, 0.61%

LAB 56.82, 9.57, -26.31

 

CMYK 0 / 20 / 30 / 29

HEX #B6907F

RGB 182.1 144.8 127

HSL 19.38, 0.27%, 0.61%

LAB 63.08, 11.42, 14.79

 

CMYK 30 / 0 / 20 / 29

HEX #80B691

RGB 128 182 145

HSL 138.89, 0.27%, 0.61%

LAB 69.53, -25.47, 13.26

 

CMYK 20 / 30 / 0 / 29

HEX #9180B6

RGB 145 128 182

HSL 258.89, 0.27%, 0.61%

LAB 56.91, 17.77, -26.06

 

CMYK 0 / 20 / 30 / 29

HEX #B6907F

RGB 182.1 144.8 127

HSL 19.38, 0.27%, 0.61%

LAB 63.08, 11.42, 14.79

 

CMYK 15 / 0 / 30 / 29

HEX #9AB680

RGB 154 182 128

HSL 91.11, 0.27%, 0.61%

LAB 70.79, -19.34, 24.43

 

CMYK 30 / 9 / 0 / 29

HEX #80A5B6

RGB 128 165 182

HSL 198.89, 0.27%, 0.61%

LAB 65.65, -8.52, -12.86

 

CMYK 14 / 30 / 0 / 29

HEX #9C80B6

RGB 156 128 182

HSL 271.11, 0.27%, 0.61%

LAB 57.93, 21.3, -24.41

 

CMYK 0 / 20 / 30 / 29

HEX #B6907F

RGB 182.1 144.8 127

HSL 19.38, 0.27%, 0.61%

LAB 63.08, 11.42, 14.79

 

CMYK 24 / 0 / 30 / 29

HEX #8AB680

RGB 138 182 128

HSL 108.89, 0.27%, 0.61%

LAB 69.77, -25.12, 22.87

 

CMYK 30 / 9 / 0 / 29

HEX #80A5B6

RGB 128 165 182

HSL 198.89, 0.27%, 0.61%

LAB 65.65, -8.52, -12.86

 

CMYK 5 / 30 / 0 / 29

HEX #AC80B6

RGB 172 128 182

HSL 288.89, 0.27%, 0.61%

LAB 59.51, 26.56, -21.84

 

Description

Color code: RGB 182.1 144.8 127 | qconv.com Color code: RGB 182.1 144.8 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182.1 red, 144.8 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182.1 144.8 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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