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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 72 71 it is the complementary color RGB 74 183 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 72 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 72 71 shade: RGB 186 72 66, RGB 203 90 85, RGB 220 108 104, RGB 237 126 123 and RGB 254 144 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 72 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 72 71 shade: RGB 181 72 71, RGB 164 54 52, RGB 147 36 33, RGB 130 18 14 and RGB 113 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 72 71 shade: RGB 179 70 69 and RGB 179 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 72 71 shade: RGB 179 70 69, RGB 179 100 69, RGB 179 130 69, RGB 179 159 69 and RGB 170 179 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 72 71 shade matches the following richer shades: RGB 179 70 69, RGB 200 51 49, RGB 220 31 29 and RGB 240 11 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 72 71 shade: RGB 179 70 69, RGB 159 90 90, RGB 139 110 110, RGB 119 130 130 and RGB 99 150 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 72 71 shade: RGB 179 69 128, RGB 179 69 99, RGB 179 69 69, RGB 179 99 69 and RGB 179 128 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 72 71 shade: RGB 120 47 46, RGB 150 59 58, RGB 179 70 69, RGB 193 98 97 and RGB 205 127 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 72 71 shade: RGB 181 72 71, RGB 157 179 69 and RGB 69 113 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 72 71 shade: RGB 181 72 71, RGB 69 179 69 and RGB 69 69 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 72 71 shade: RGB 181 72 71, RGB 157 179 69, RGB 69 179 179 and RGB 91 69 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 72 71 shade: RGB 181 72 71, RGB 124 179 69, RGB 69 179 179 and RGB 124 69 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 61 / 29

HEX #B54847

RGB 181 72 71

HSL 0.55, 0.44%, 0.49%

LAB 45.52, 44.2, 23.52

 

Complementary color

CMYK 60 / 1 / 0 / 28

HEX #4AB7B8

RGB 74 183 184

HSL 180.55, 0.44%, 0.51%

LAB 68.59, -30.32, -9.81

 

CMYK 0 / 61 / 65 / 27

HEX #BA4842

RGB 186 72 66

HSL 3, 0.48%, 0.49%

LAB 46.27, 45.65, 27.63

 

CMYK 0 / 56 / 58 / 20

HEX #CB5A55

RGB 203 90 85

HSL 2.54, 0.53%, 0.56%

LAB 52.58, 44.54, 25.08

 

CMYK 0 / 51 / 53 / 14

HEX #DC6C68

RGB 220 108 104

HSL 2.07, 0.62%, 0.64%

LAB 58.92, 43.39, 22.92

 

CMYK 0 / 47 / 48 / 7

HEX #ED7E7B

RGB 237 126 123

HSL 1.58, 0.76%, 0.71%

LAB 65.24, 42.26, 21.06

 

CMYK 0 / 43 / 44 / 0

HEX #FE908E

RGB 254 144 142

HSL 1.07, 0.98%, 0.78%

LAB 71.53, 41.18, 19.42

 

CMYK 0 / 60 / 61 / 29

HEX #B54847

RGB 181 72 71

HSL 0.55, 0.44%, 0.49%

LAB 45.52, 44.2, 23.52

 

CMYK 0 / 67 / 68 / 36

HEX #A43634

RGB 164 54 52

HSL 1.07, 0.52%, 0.42%

LAB 39.21, 45.13, 26.44

 

CMYK 0 / 76 / 78 / 42

HEX #932421

RGB 147 36 33

HSL 1.58, 0.63%, 0.35%

LAB 33.08, 45.65, 29.99

 

CMYK 0 / 86 / 89 / 49

HEX #82120E

RGB 130 18 14

HSL 2.07, 0.81%, 0.28%

LAB 27.33, 45.31, 33.95

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 61 / 61 / 30

HEX #B34645

RGB 179 70 69

HSL 0.55, 0.44%, 0.49%

LAB 44.79, 44.28, 23.73

 

CMYK 0 / 61 / 61 / 30

HEX #B34545

RGB 179 69 69

HSL 0, 0.44%, 0.49%

LAB 44.62, 44.75, 23.5

 

CMYK 0 / 61 / 61 / 30

HEX #B34645

RGB 179 70 69

HSL 0.55, 0.44%, 0.49%

LAB 44.79, 44.28, 23.73

 

CMYK 0 / 44 / 61 / 30

HEX #B36445

RGB 179 100 69

HSL 16.91, 0.44%, 0.49%

LAB 50.84, 28.91, 31.31

 

CMYK 0 / 27 / 61 / 30

HEX #B38245

RGB 179 130 69

HSL 33.27, 0.44%, 0.49%

LAB 58.02, 12.25, 39.89

 

CMYK 0 / 11 / 61 / 30

HEX #B39F45

RGB 179 159 69

HSL 49.09, 0.44%, 0.49%

LAB 65.6, -3.66, 48.51

 

CMYK 5 / 0 / 61 / 30

HEX #AAB345

RGB 170 179 69

HSL 64.91, 0.44%, 0.49%

LAB 70.33, -17.96, 53.47

 

CMYK 0 / 61 / 61 / 30

HEX #B34645

RGB 179 70 69

HSL 0.55, 0.44%, 0.49%

LAB 44.79, 44.28, 23.73

 

CMYK 0 / 75 / 76 / 22

HEX #C83331

RGB 200 51 49

HSL 0.79, 0.61%, 0.49%

LAB 45.45, 57.84, 37.17

 

CMYK 0 / 86 / 87 / 14

HEX #DC1F1D

RGB 220 31 29

HSL 0.63, 0.77%, 0.49%

LAB 47.35, 68.25, 50.8

 

CMYK 0 / 95 / 96 / 6

HEX #F00B09

RGB 240 11 9

HSL 0.52, 0.93%, 0.49%

LAB 50.43, 75.76, 61.94

 

CMYK 0 / 61 / 61 / 30

HEX #B34645

RGB 179 70 69

HSL 0.55, 0.44%, 0.49%

LAB 44.79, 44.28, 23.73

 

CMYK 0 / 43 / 43 / 38

HEX #9F5A5A

RGB 159 90 90

HSL 0, 0.28%, 0.49%

LAB 46.21, 28.27, 12.42

 

CMYK 0 / 21 / 21 / 45

HEX #8B6E6E

RGB 139 110 110

HSL 0, 0.12%, 0.49%

LAB 49.21, 11.46, 4.37

 

CMYK 8 / 0 / 0 / 49

HEX #778282

RGB 119 130 130

HSL 180, 0.04%, 0.49%

LAB 53.49, -4.03, -1.39

 

CMYK 34 / 0 / 0 / 41

HEX #639696

RGB 99 150 150

HSL 180, 0.2%, 0.49%

LAB 58.67, -16.91, -5.43

 

CMYK 0 / 61 / 28 / 30

HEX #B34580

RGB 179 69 128

HSL 327.82, 0.44%, 0.49%

LAB 46.18, 50.71, -10.33

 

CMYK 0 / 61 / 45 / 30

HEX #B34563

RGB 179 69 99

HSL 343.64, 0.44%, 0.49%

LAB 45.28, 47.32, 6.07

 

CMYK 0 / 61 / 61 / 30

HEX #B34545

RGB 179 69 69

HSL 0, 0.44%, 0.49%

LAB 44.62, 44.75, 23.5

 

CMYK 0 / 45 / 61 / 30

HEX #B36345

RGB 179 99 69

HSL 16.36, 0.44%, 0.49%

LAB 50.61, 29.46, 31.04

 

CMYK 0 / 28 / 61 / 30

HEX #B38045

RGB 179 128 69

HSL 32.18, 0.44%, 0.49%

LAB 57.51, 13.37, 39.3

 

CMYK 0 / 61 / 62 / 53

HEX #782F2E

RGB 120 47 46

HSL 0.81, 0.45%, 0.33%

LAB 29.97, 31.89, 16.91

 

CMYK 0 / 61 / 61 / 41

HEX #963B3A

RGB 150 59 58

HSL 0.65, 0.44%, 0.41%

LAB 37.69, 38.19, 20.33

 

CMYK 0 / 61 / 61 / 30

HEX #B34645

RGB 179 70 69

HSL 0.55, 0.44%, 0.49%

LAB 44.79, 44.28, 23.73

 

CMYK 0 / 49 / 50 / 24

HEX #C16261

RGB 193 98 97

HSL 0.63, 0.44%, 0.57%

LAB 52.88, 37.84, 18.18

 

CMYK 0 / 38 / 38 / 20

HEX #CD7F7F

RGB 205 127 127

HSL 0, 0.44%, 0.65%

LAB 61.39, 30.19, 12.81

 

CMYK 0 / 60 / 61 / 29

HEX #B54847

RGB 181 72 71

HSL 0.55, 0.44%, 0.49%

LAB 45.52, 44.2, 23.52

 

CMYK 12 / 0 / 61 / 30

HEX #9DB345

RGB 157 179 69

HSL 72, 0.44%, 0.49%

LAB 69.35, -23.37, 52.13

 

CMYK 61 / 37 / 0 / 30

HEX #4571B3

RGB 69 113 179

HSL 216, 0.44%, 0.49%

LAB 47.4, 5.61, -39.58

 

CMYK 0 / 60 / 61 / 29

HEX #B54847

RGB 181 72 71

HSL 0.55, 0.44%, 0.49%

LAB 45.52, 44.2, 23.52

 

CMYK 61 / 0 / 61 / 30

HEX #45B345

RGB 69 179 69

HSL 120, 0.44%, 0.49%

LAB 64.91, -53.11, 45.95

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 0 / 60 / 61 / 29

HEX #B54847

RGB 181 72 71

HSL 0.55, 0.44%, 0.49%

LAB 45.52, 44.2, 23.52

 

CMYK 12 / 0 / 61 / 30

HEX #9DB345

RGB 157 179 69

HSL 72, 0.44%, 0.49%

LAB 69.35, -23.37, 52.13

 

CMYK 61 / 0 / 0 / 30

HEX #45B3B3

RGB 69 179 179

HSL 180, 0.44%, 0.49%

LAB 67.1, -30.67, -9.3

 

CMYK 49 / 61 / 0 / 30

HEX #5B45B3

RGB 91 69 179

HSL 252, 0.44%, 0.49%

LAB 37.36, 37.64, -55.59

 

CMYK 0 / 60 / 61 / 29

HEX #B54847

RGB 181 72 71

HSL 0.55, 0.44%, 0.49%

LAB 45.52, 44.2, 23.52

 

CMYK 31 / 0 / 61 / 30

HEX #7CB345

RGB 124 179 69

HSL 90, 0.44%, 0.49%

LAB 67.24, -36.3, 49.21

 

CMYK 61 / 0 / 0 / 30

HEX #45B3B3

RGB 69 179 179

HSL 180, 0.44%, 0.49%

LAB 67.1, -30.67, -9.3

 

CMYK 31 / 61 / 0 / 30

HEX #7C45B3

RGB 124 69 179

HSL 270, 0.44%, 0.49%

LAB 40.89, 44.95, -49.72

 

Description

Color code: RGB 181 72 71 | qconv.com Color code: RGB 181 72 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 72 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 72 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 61 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 61% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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