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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 228 212 it is the complementary color RGB 74 27 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 228 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 228 212 shade: RGB 186 228 207, RGB 203 246 226, RGB 220 255 245, RGB 237 255 255 and RGB 254 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 228 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 228 212 shade: RGB 181 228 212, RGB 164 210 193, RGB 147 192 174, RGB 130 174 155 and RGB 113 156 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 228 212 shade: RGB 180 228 212, RGB 180 228 199, RGB 180 228 186, RGB 187 228 180 and RGB 200 228 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 228 212 shade: RGB 180 228 212, RGB 180 228 225, RGB 180 218 228, RGB 180 206 228 and RGB 180 193 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 228 212 shade matches the following richer shades: RGB 180 228 212, RGB 172 236 214, RGB 164 244 217 and RGB 155 253 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 228 212 shade: RGB 180 228 212, RGB 188 220 209, RGB 197 211 206, RGB 205 203 204 and RGB 213 195 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 228 212 shade: RGB 180 228 186, RGB 180 228 198, RGB 180 228 211, RGB 180 228 224 and RGB 180 219 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 228 212 shade: RGB 119 206 177, RGB 150 217 194, RGB 180 228 212, RGB 210 239 229 and RGB 241 250 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 228 212 shade: RGB 181 228 212, RGB 180 187 228 and RGB 228 192 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 228 212 shade: RGB 181 228 212, RGB 211 180 228 and RGB 228 211 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 228 212 shade: RGB 181 228 212, RGB 180 187 228, RGB 228 180 197 and RGB 228 221 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 228 212 shade: RGB 181 228 212, RGB 187 180 228, RGB 228 180 197 and RGB 221 228 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 7 / 11

HEX #B5E4D4

RGB 181 228 212

HSL 159.57, 0.47%, 0.8%

LAB 87.03, -18.33, 2.82

 

Complementary color

CMYK 0 / 64 / 42 / 71

HEX #4A1B2B

RGB 74 27 43

HSL 339.57, 0.47%, 0.2%

LAB 17.53, 24.21, 0.51

 

CMYK 18 / 0 / 9 / 11

HEX #BAE4CF

RGB 186 228 207

HSL 150, 0.44%, 0.81%

LAB 87.21, -17.72, 5.74

 

CMYK 17 / 0 / 8 / 4

HEX #CBF6E2

RGB 203 246 226

HSL 152.09, 0.7%, 0.88%

LAB 93.49, -17.62, 5.04

 

CMYK 14 / 0 / 4 / 0

HEX #DCFFF5

RGB 220 255 245

HSL 162.86, 1%, 0.93%

LAB 97.36, -13.11, 0.98

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 21 / 0 / 7 / 11

HEX #B5E4D4

RGB 181 228 212

HSL 159.57, 0.47%, 0.8%

LAB 87.03, -18.33, 2.82

 

CMYK 22 / 0 / 8 / 18

HEX #A4D2C1

RGB 164 210 193

HSL 157.83, 0.34%, 0.73%

LAB 80.65, -18.46, 3.5

 

CMYK 23 / 0 / 9 / 25

HEX #93C0AE

RGB 147 192 174

HSL 156, 0.26%, 0.66%

LAB 74.16, -18.61, 4.22

 

CMYK 25 / 0 / 11 / 32

HEX #82AE9B

RGB 130 174 155

HSL 154.09, 0.21%, 0.6%

LAB 67.56, -18.78, 4.98

 

CMYK 28 / 0 / 13 / 39

HEX #719C88

RGB 113 156 136

HSL 152.09, 0.18%, 0.53%

LAB 60.84, -18.98, 5.78

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D4

RGB 180 228 212

HSL 160, 0.47%, 0.8%

LAB 86.97, -18.64, 2.72

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C7

RGB 180 228 199

HSL 143.75, 0.47%, 0.8%

LAB 86.66, -21.16, 9.1

 

CMYK 21 / 0 / 18 / 11

HEX #B4E4BA

RGB 180 228 186

HSL 127.5, 0.47%, 0.8%

LAB 86.37, -23.53, 15.5

 

CMYK 18 / 0 / 21 / 11

HEX #BBE4B4

RGB 187 228 180

HSL 111.25, 0.47%, 0.8%

LAB 86.68, -22.22, 19.12

 

CMYK 12 / 0 / 21 / 11

HEX #C8E4B4

RGB 200 228 180

HSL 95, 0.47%, 0.8%

LAB 87.51, -17.74, 20.41

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D4

RGB 180 228 212

HSL 160, 0.47%, 0.8%

LAB 86.97, -18.64, 2.72

 

CMYK 21 / 0 / 1 / 11

HEX #B4E4E1

RGB 180 228 225

HSL 176.25, 0.47%, 0.8%

LAB 87.3, -15.98, -3.63

 

CMYK 21 / 4 / 0 / 11

HEX #B4DAE4

RGB 180 218 228

HSL 192.5, 0.47%, 0.8%

LAB 84.71, -10.26, -9.04

 

CMYK 21 / 10 / 0 / 11

HEX #B4CEE4

RGB 180 206 228

HSL 207.5, 0.47%, 0.8%

LAB 81.54, -4.02, -13.78

 

CMYK 21 / 15 / 0 / 11

HEX #B4C1E4

RGB 180 193 228

HSL 223.75, 0.47%, 0.8%

LAB 78.14, 2.9, -18.9

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D4

RGB 180 228 212

HSL 160, 0.47%, 0.8%

LAB 86.97, -18.64, 2.72

 

CMYK 27 / 0 / 9 / 7

HEX #ACECD6

RGB 172 236 214

HSL 159.38, 0.63%, 0.8%

LAB 88.74, -24.6, 4.19

 

CMYK 33 / 0 / 11 / 4

HEX #A4F4D9

RGB 164 244 217

HSL 159.75, 0.78%, 0.8%

LAB 90.6, -30.12, 5.26

 

CMYK 39 / 0 / 13 / 1

HEX #9BFDDC

RGB 155 253 220

HSL 159.8, 0.96%, 0.8%

LAB 92.75, -36.12, 6.74

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D4

RGB 180 228 212

HSL 160, 0.47%, 0.8%

LAB 86.97, -18.64, 2.72

 

CMYK 15 / 0 / 5 / 14

HEX #BCDCD1

RGB 188 220 209

HSL 159.38, 0.31%, 0.8%

LAB 85.24, -12.67, 1.85

 

CMYK 7 / 0 / 2 / 17

HEX #C5D3CE

RGB 197 211 206

HSL 158.57, 0.14%, 0.8%

LAB 83.4, -5.66, 0.83

 

CMYK 0 / 1 / 0 / 20

HEX #CDCBCC

RGB 205 203 204

HSL 330, 0.02%, 0.8%

LAB 81.87, 0.87, -0.26

 

CMYK 0 / 8 / 6 / 16

HEX #D5C3C9

RGB 213 195 201

HSL 340, 0.18%, 0.8%

LAB 80.4, 7.35, -0.72

 

CMYK 21 / 0 / 18 / 11

HEX #B4E4BA

RGB 180 228 186

HSL 127.5, 0.47%, 0.8%

LAB 86.37, -23.53, 15.5

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C6

RGB 180 228 198

HSL 142.5, 0.47%, 0.8%

LAB 86.64, -21.35, 9.6

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D3

RGB 180 228 211

HSL 158.75, 0.47%, 0.8%

LAB 86.94, -18.84, 3.21

 

CMYK 21 / 0 / 2 / 11

HEX #B4E4E0

RGB 180 228 224

HSL 175, 0.47%, 0.8%

LAB 87.28, -16.19, -3.14

 

CMYK 21 / 4 / 0 / 11

HEX #B4DBE4

RGB 180 219 228

HSL 191.25, 0.47%, 0.8%

LAB 84.98, -10.78, -8.64

 

CMYK 42 / 0 / 14 / 19

HEX #77CEB1

RGB 119 206 177

HSL 160, 0.47%, 0.64%

LAB 76.82, -33.01, 6.25

 

CMYK 31 / 0 / 11 / 15

HEX #96D9C2

RGB 150 217 194

HSL 159.4, 0.47%, 0.72%

LAB 81.84, -25.98, 4.6

 

CMYK 21 / 0 / 7 / 11

HEX #B4E4D4

RGB 180 228 212

HSL 160, 0.47%, 0.8%

LAB 86.97, -18.64, 2.72

 

CMYK 12 / 0 / 4 / 6

HEX #D2EFE5

RGB 210 239 229

HSL 159.31, 0.48%, 0.88%

LAB 92.17, -11.34, 1.62

 

CMYK 4 / 0 / 1 / 2

HEX #F1FAF7

RGB 241 250 247

HSL 160, 0.47%, 0.96%

LAB 97.55, -3.49, 0.4

 

CMYK 21 / 0 / 7 / 11

HEX #B5E4D4

RGB 181 228 212

HSL 159.57, 0.47%, 0.8%

LAB 87.03, -18.33, 2.82

 

CMYK 21 / 18 / 0 / 11

HEX #B4BBE4

RGB 180 187 228

HSL 231.25, 0.47%, 0.8%

LAB 76.59, 6.15, -21.25

 

CMYK 0 / 16 / 21 / 11

HEX #E4C0B4

RGB 228 192 180

HSL 15, 0.47%, 0.8%

LAB 80.45, 10.97, 10.81

 

CMYK 21 / 0 / 7 / 11

HEX #B5E4D4

RGB 181 228 212

HSL 159.57, 0.47%, 0.8%

LAB 87.03, -18.33, 2.82

 

CMYK 7 / 21 / 0 / 11

HEX #D3B4E4

RGB 211 180 228

HSL 278.75, 0.47%, 0.8%

LAB 77.34, 19.8, -19.88

 

CMYK 0 / 7 / 21 / 11

HEX #E4D3B4

RGB 228 211 180

HSL 38.75, 0.47%, 0.8%

LAB 85.19, 1.01, 17.49

 

CMYK 21 / 0 / 7 / 11

HEX #B5E4D4

RGB 181 228 212

HSL 159.57, 0.47%, 0.8%

LAB 87.03, -18.33, 2.82

 

CMYK 21 / 18 / 0 / 11

HEX #B4BBE4

RGB 180 187 228

HSL 231.25, 0.47%, 0.8%

LAB 76.59, 6.15, -21.25

 

CMYK 0 / 21 / 14 / 11

HEX #E4B4C5

RGB 228 180 197

HSL 338.75, 0.47%, 0.8%

LAB 77.97, 20, -1.95

 

CMYK 0 / 3 / 21 / 11

HEX #E4DDB4

RGB 228 221 180

HSL 51.25, 0.47%, 0.8%

LAB 87.73, -4.14, 21.02

 

CMYK 21 / 0 / 7 / 11

HEX #B5E4D4

RGB 181 228 212

HSL 159.57, 0.47%, 0.8%

LAB 87.03, -18.33, 2.82

 

CMYK 18 / 21 / 0 / 11

HEX #BBB4E4

RGB 187 180 228

HSL 248.75, 0.47%, 0.8%

LAB 75.33, 12.14, -23.11

 

CMYK 0 / 21 / 14 / 11

HEX #E4B4C5

RGB 228 180 197

HSL 338.75, 0.47%, 0.8%

LAB 77.97, 20, -1.95

 

CMYK 3 / 0 / 21 / 11

HEX #DDE4B4

RGB 221 228 180

HSL 68.75, 0.47%, 0.8%

LAB 89, -10.25, 22.69

 

Description

Color code: RGB 181 228 212 | qconv.com Color code: RGB 181 228 212 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 228 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 228 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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