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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 190 213 it is the complementary color RGB 74 65 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 190 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 190 213 shade: RGB 186 190 208, RGB 203 208 227, RGB 220 226 246, RGB 237 244 255 and RGB 254 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 190 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 190 213 shade: RGB 181 190 213, RGB 164 172 194, RGB 147 154 175, RGB 130 136 156 and RGB 113 118 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 190 213 shade: RGB 179 189 212, RGB 179 180 212, RGB 188 179 212, RGB 197 179 212 and RGB 206 179 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 190 213 shade: RGB 179 189 212, RGB 179 180 212 and RGB 179 179 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 190 213 shade matches the following richer shades: RGB 179 189 212, RGB 170 185 222, RGB 160 180 231, RGB 151 176 241 and RGB 141 172 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 190 213 shade: RGB 179 189 212, RGB 189 193 203, RGB 198 197 193, RGB 208 201 184 and RGB 217 205 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 190 213 shade: RGB 179 206 212, RGB 179 197 212, RGB 179 189 212, RGB 179 180 212 and RGB 188 179 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 190 213 shade: RGB 127 142 183, RGB 153 166 197, RGB 179 189 212, RGB 206 212 227 and RGB 232 235 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 190 213 shade: RGB 181 190 213, RGB 210 179 212 and RGB 202 212 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 190 213 shade: RGB 181 190 213, RGB 212 179 189 and RGB 189 212 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 190 213 shade: RGB 181 190 213, RGB 210 179 212, RGB 212 203 179 and RGB 182 212 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 190 213 shade: RGB 181 190 213, RGB 212 179 205, RGB 212 203 179 and RGB 179 212 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 11 / 0 / 16

HEX #B5BED5

RGB 181 190 213

HSL 223.13, 0.28%, 0.77%

LAB 76.95, 1.56, -12.57

 

Complementary color

CMYK 0 / 12 / 43 / 71

HEX #4A412A

RGB 74 65 42

HSL 43.13, 0.28%, 0.23%

LAB 27.86, -0.05, 15.46

Pantone® 448 C

CMYK 11 / 9 / 0 / 18

HEX #BABED0

RGB 186 190 208

HSL 229.09, 0.19%, 0.77%

LAB 77.17, 2.15, -9.5

 

CMYK 11 / 8 / 0 / 11

HEX #CBD0E3

RGB 203 208 227

HSL 227.5, 0.3%, 0.84%

LAB 83.63, 1.97, -9.95

 

CMYK 11 / 8 / 0 / 4

HEX #DCE2F6

RGB 220 226 246

HSL 226.15, 0.59%, 0.91%

LAB 89.98, 1.8, -10.4

 

CMYK 7 / 4 / 0 / 0

HEX #EDF4FF

RGB 237 244 255

HSL 216.67, 1%, 0.96%

LAB 95.97, -0.28, -6.09

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 15 / 11 / 0 / 16

HEX #B5BED5

RGB 181 190 213

HSL 223.13, 0.28%, 0.77%

LAB 76.95, 1.56, -12.57

 

CMYK 15 / 11 / 0 / 24

HEX #A4ACC2

RGB 164 172 194

HSL 224, 0.2%, 0.7%

LAB 70.38, 1.74, -12.17

 

CMYK 16 / 12 / 0 / 31

HEX #939AAF

RGB 147 154 175

HSL 225, 0.15%, 0.63%

LAB 63.68, 1.93, -11.77

 

CMYK 17 / 13 / 0 / 39

HEX #82889C

RGB 130 136 156

HSL 226.15, 0.12%, 0.56%

LAB 56.84, 2.13, -11.38

 

CMYK 18 / 14 / 0 / 46

HEX #717689

RGB 113 118 137

HSL 227.5, 0.1%, 0.49%

LAB 49.83, 2.35, -10.99

 

CMYK 16 / 11 / 0 / 17

HEX #B3BDD4

RGB 179 189 212

HSL 221.82, 0.28%, 0.77%

LAB 76.52, 1.24, -12.7

 

CMYK 16 / 15 / 0 / 17

HEX #B3B4D4

RGB 179 180 212

HSL 238.18, 0.28%, 0.77%

LAB 74.18, 6.12, -16.22

 

CMYK 11 / 16 / 0 / 17

HEX #BCB3D4

RGB 188 179 212

HSL 256.36, 0.28%, 0.77%

LAB 74.63, 9.59, -15.47

 

CMYK 7 / 16 / 0 / 17

HEX #C5B3D4

RGB 197 179 212

HSL 272.73, 0.28%, 0.77%

LAB 75.37, 12.56, -14.28

 

CMYK 3 / 16 / 0 / 17

HEX #CEB3D4

RGB 206 179 212

HSL 289.09, 0.28%, 0.77%

LAB 76.14, 15.57, -13.04

 

CMYK 16 / 11 / 0 / 17

HEX #B3BDD4

RGB 179 189 212

HSL 221.82, 0.28%, 0.77%

LAB 76.52, 1.24, -12.7

 

CMYK 16 / 15 / 0 / 17

HEX #B3B4D4

RGB 179 180 212

HSL 238.18, 0.28%, 0.77%

LAB 74.18, 6.12, -16.22

 

CMYK 16 / 16 / 0 / 17

HEX #B3B3D4

RGB 179 179 212

HSL 240, 0.28%, 0.77%

LAB 73.92, 6.67, -16.61

 

CMYK 16 / 11 / 0 / 17

HEX #B3BDD4

RGB 179 189 212

HSL 221.82, 0.28%, 0.77%

LAB 76.52, 1.24, -12.7

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 31 / 22 / 0 / 9

HEX #A0B4E7

RGB 160 180 231

HSL 223.1, 0.6%, 0.77%

LAB 73.47, 4.74, -27.76

 

CMYK 37 / 27 / 0 / 5

HEX #97B0F1

RGB 151 176 241

HSL 223.33, 0.76%, 0.77%

LAB 72.22, 7.03, -35.17

 

CMYK 44 / 31 / 0 / 2

HEX #8DACFA

RGB 141 172 250

HSL 222.94, 0.92%, 0.77%

LAB 70.92, 9.16, -42.12

 

CMYK 16 / 11 / 0 / 17

HEX #B3BDD4

RGB 179 189 212

HSL 221.82, 0.28%, 0.77%

LAB 76.52, 1.24, -12.7

 

CMYK 7 / 5 / 0 / 20

HEX #BDC1CB

RGB 189 193 203

HSL 222.86, 0.12%, 0.77%

LAB 78.03, 0.54, -5.5

 

CMYK 0 / 1 / 3 / 22

HEX #C6C5C1

RGB 198 197 193

HSL 48, 0.04%, 0.77%

LAB 79.49, -0.37, 2.11

RGB 198 197 193

CMYK 0 / 3 / 12 / 18

HEX #D0C9B8

RGB 208 201 184

HSL 42.5, 0.2%, 0.77%

LAB 81.1, -0.47, 9.35

RGB 208 201 184

CMYK 0 / 6 / 20 / 15

HEX #D9CDAE

RGB 217 205 174

HSL 43.26, 0.36%, 0.77%

LAB 82.63, -0.82, 16.95

RGB 217 205 174

CMYK 16 / 3 / 0 / 17

HEX #B3CED4

RGB 179 206 212

HSL 190.91, 0.28%, 0.77%

LAB 81, -7.76, -6.02

 

CMYK 16 / 7 / 0 / 17

HEX #B3C5D4

RGB 179 197 212

HSL 207.27, 0.28%, 0.77%

LAB 78.62, -3.03, -9.56

 

CMYK 16 / 11 / 0 / 17

HEX #B3BDD4

RGB 179 189 212

HSL 221.82, 0.28%, 0.77%

LAB 76.52, 1.24, -12.7

 

CMYK 16 / 15 / 0 / 17

HEX #B3B4D4

RGB 179 180 212

HSL 238.18, 0.28%, 0.77%

LAB 74.18, 6.12, -16.22

 

CMYK 11 / 16 / 0 / 17

HEX #BCB3D4

RGB 188 179 212

HSL 256.36, 0.28%, 0.77%

LAB 74.63, 9.59, -15.47

 

CMYK 31 / 22 / 0 / 28

HEX #7F8EB7

RGB 127 142 183

HSL 223.93, 0.28%, 0.61%

LAB 59.23, 4.31, -23.19

 

CMYK 22 / 16 / 0 / 23

HEX #99A6C5

RGB 153 166 197

HSL 222.27, 0.28%, 0.69%

LAB 68.08, 2.19, -17.38

 

CMYK 16 / 11 / 0 / 17

HEX #B3BDD4

RGB 179 189 212

HSL 221.82, 0.28%, 0.77%

LAB 76.52, 1.24, -12.7

 

CMYK 9 / 7 / 0 / 11

HEX #CED4E3

RGB 206 212 227

HSL 222.86, 0.27%, 0.85%

LAB 84.87, 0.84, -8.08

 

CMYK 4 / 3 / 0 / 5

HEX #E8EBF2

RGB 232 235 242

HSL 222, 0.28%, 0.93%

LAB 93.01, 0.28, -3.74

 

CMYK 15 / 11 / 0 / 16

HEX #B5BED5

RGB 181 190 213

HSL 223.13, 0.28%, 0.77%

LAB 76.95, 1.56, -12.57

 

CMYK 1 / 16 / 0 / 17

HEX #D2B3D4

RGB 210 179 212

HSL 296.36, 0.28%, 0.77%

LAB 76.49, 16.92, -12.48

 

CMYK 5 / 0 / 16 / 17

HEX #CAD4B3

RGB 202 212 179

HSL 78.18, 0.28%, 0.77%

LAB 83.39, -9.14, 15.19

 

CMYK 15 / 11 / 0 / 16

HEX #B5BED5

RGB 181 190 213

HSL 223.13, 0.28%, 0.77%

LAB 76.95, 1.56, -12.57

 

CMYK 0 / 16 / 11 / 17

HEX #D4B3BD

RGB 212 179 189

HSL 341.82, 0.28%, 0.77%

LAB 76.01, 13.52, -0.65

 

CMYK 11 / 0 / 16 / 17

HEX #BDD4B3

RGB 189 212 179

HSL 101.82, 0.28%, 0.77%

LAB 82.46, -13.74, 13.76

 

CMYK 15 / 11 / 0 / 16

HEX #B5BED5

RGB 181 190 213

HSL 223.13, 0.28%, 0.77%

LAB 76.95, 1.56, -12.57

 

CMYK 1 / 16 / 0 / 17

HEX #D2B3D4

RGB 210 179 212

HSL 296.36, 0.28%, 0.77%

LAB 76.49, 16.92, -12.48

 

CMYK 0 / 4 / 16 / 17

HEX #D4CBB3

RGB 212 203 179

HSL 43.64, 0.28%, 0.77%

LAB 81.82, -0.86, 13.09

 

CMYK 14 / 0 / 16 / 17

HEX #B6D4B3

RGB 182 212 179

HSL 114.55, 0.28%, 0.77%

LAB 81.99, -16.16, 13.03

 

CMYK 15 / 11 / 0 / 16

HEX #B5BED5

RGB 181 190 213

HSL 223.13, 0.28%, 0.77%

LAB 76.95, 1.56, -12.57

 

CMYK 0 / 16 / 3 / 17

HEX #D4B3CD

RGB 212 179 205

HSL 312.73, 0.28%, 0.77%

LAB 76.46, 16.31, -8.7

 

CMYK 0 / 4 / 16 / 17

HEX #D4CBB3

RGB 212 203 179

HSL 43.64, 0.28%, 0.77%

LAB 81.82, -0.86, 13.09

 

CMYK 16 / 0 / 12 / 17

HEX #B3D4BB

RGB 179 212 187

HSL 134.55, 0.28%, 0.77%

LAB 81.98, -15.75, 8.73

 

Description

Color code: RGB 181 190 213 | qconv.com Color code: RGB 181 190 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 190 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 190 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 11 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 11% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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