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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 133 1 it is the complementary color RGB 74 122 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 133 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 133 1 shade: RGB 186 133 0, RGB 203 151 15, RGB 220 169 34, RGB 237 187 53 and RGB 254 205 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 133 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 133 1 shade: RGB 181 133 1, RGB 164 115 0, RGB 147 97 0, RGB 130 79 0 and RGB 113 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 133 1 shade: RGB 182 134 0, RGB 182 85 0, RGB 182 36 0 and RGB 182 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 133 1 shade: RGB 182 134 0, RGB 182 182 0, RGB 133 182 0, RGB 84 182 0 and RGB 35 182 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 133 1 shade matches the following richer shades: RGB 182 134 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 133 1 shade: RGB 182 134 0, RGB 167 127 15, RGB 152 120 30, RGB 138 113 45 and RGB 123 106 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 133 1 shade: RGB 182 37 0, RGB 182 85 0, RGB 182 134 0, RGB 182 182 0 and RGB 134 182 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 133 1 shade: RGB 100 73 0, RGB 141 104 0, RGB 182 134 0, RGB 223 164 1 and RGB 253 189 12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 133 1 shade: RGB 181 133 1, RGB 13 182 0 and RGB 61 0 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 133 1 shade: RGB 181 133 1, RGB 0 182 134 and RGB 134 0 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 133 1 shade: RGB 181 133 1, RGB 13 182 0, RGB 0 49 182 and RGB 170 0 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 133 1 shade: RGB 181 133 1, RGB 0 182 43, RGB 0 49 182 and RGB 182 0 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 99 / 29

HEX #B58501

RGB 181 133 1

HSL 44, 0.99%, 0.36%

LAB 58.6, 8.93, 63.75

 

Complementary color

CMYK 71 / 52 / 0 / 0

HEX #4A7AFE

RGB 74 122 254

HSL 224, 0.99%, 0.64%

LAB 54.59, 27.14, -70.52

 

CMYK 0 / 28 / 100 / 27

HEX #BA8500

RGB 186 133 0

HSL 42.9, 1%, 0.36%

LAB 59.17, 11.18, 64.57

 

CMYK 0 / 26 / 93 / 20

HEX #CB970F

RGB 203 151 15

HSL 43.4, 0.86%, 0.43%

LAB 65.64, 9.12, 67.76

 

CMYK 0 / 23 / 85 / 14

HEX #DCA922

RGB 220 169 34

HSL 43.55, 0.73%, 0.5%

LAB 72.03, 7.32, 69.32

 

CMYK 0 / 21 / 78 / 7

HEX #EDBB35

RGB 237 187 53

HSL 43.7, 0.84%, 0.57%

LAB 78.35, 5.75, 69.68

 

CMYK 0 / 19 / 72 / 0

HEX #FECD48

RGB 254 205 72

HSL 43.85, 0.99%, 0.64%

LAB 84.59, 4.39, 69.34

 

CMYK 0 / 27 / 99 / 29

HEX #B58501

RGB 181 133 1

HSL 44, 0.99%, 0.36%

LAB 58.6, 8.93, 63.75

 

CMYK 0 / 30 / 100 / 36

HEX #A47300

RGB 164 115 0

HSL 42.07, 1%, 0.32%

LAB 52.01, 11.22, 58.51

 

CMYK 0 / 34 / 100 / 42

HEX #936100

RGB 147 97 0

HSL 39.59, 1%, 0.29%

LAB 45.29, 13.64, 53.01

 

CMYK 0 / 39 / 100 / 49

HEX #824F00

RGB 130 79 0

HSL 36.46, 1%, 0.25%

LAB 38.44, 16.18, 47.43

 

CMYK 0 / 46 / 100 / 56

HEX #713D00

RGB 113 61 0

HSL 32.39, 1%, 0.22%

LAB 31.46, 18.85, 41.72

 

CMYK 0 / 26 / 100 / 29

HEX #B68600

RGB 182 134 0

HSL 44.18, 1%, 0.36%

LAB 58.97, 8.82, 64.22

 

CMYK 0 / 53 / 100 / 29

HEX #B65500

RGB 182 85 0

HSL 28.02, 1%, 0.36%

LAB 47.55, 35.57, 56.92

 

CMYK 0 / 80 / 100 / 29

HEX #B62400

RGB 182 36 0

HSL 11.87, 1%, 0.36%

LAB 39.93, 55.95, 53.02

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 26 / 100 / 29

HEX #B68600

RGB 182 134 0

HSL 44.18, 1%, 0.36%

LAB 58.97, 8.82, 64.22

 

CMYK 0 / 0 / 100 / 29

HEX #B6B600

RGB 182 182 0

HSL 60, 1%, 0.36%

LAB 71.83, -16.73, 73.34

 

CMYK 27 / 0 / 100 / 29

HEX #85B600

RGB 133 182 0

HSL 76.15, 1%, 0.36%

LAB 68.35, -37.32, 69.19

 

CMYK 54 / 0 / 100 / 29

HEX #54B600

RGB 84 182 0

HSL 92.31, 1%, 0.36%

LAB 66.01, -54.22, 66.38

 

CMYK 81 / 0 / 100 / 29

HEX #23B600

RGB 35 182 0

HSL 108.46, 1%, 0.36%

LAB 64.81, -64.32, 64.92

 

CMYK 0 / 26 / 100 / 29

HEX #B68600

RGB 182 134 0

HSL 44.18, 1%, 0.36%

LAB 58.97, 8.82, 64.22

 

CMYK 0 / 26 / 100 / 29

HEX #B68600

RGB 182 134 0

HSL 44.18, 1%, 0.36%

LAB 58.97, 8.82, 64.22

 

CMYK 0 / 24 / 91 / 35

HEX #A77F0F

RGB 167 127 15

HSL 44.21, 0.84%, 0.36%

LAB 55.51, 6.08, 58.34

 

CMYK 0 / 21 / 80 / 40

HEX #98781E

RGB 152 120 30

HSL 44.26, 0.67%, 0.36%

LAB 52.06, 3.51, 50.43

 

CMYK 0 / 18 / 67 / 46

HEX #8A712D

RGB 138 113 45

HSL 43.87, 0.51%, 0.36%

LAB 48.76, 1.78, 40.27

 

CMYK 0 / 14 / 51 / 52

HEX #7B6A3C

RGB 123 106 60

HSL 43.81, 0.34%, 0.36%

LAB 45.42, 0.18, 28.16

 

CMYK 0 / 80 / 100 / 29

HEX #B62500

RGB 182 37 0

HSL 12.2, 1%, 0.36%

LAB 40.03, 55.66, 53.06

 

CMYK 0 / 53 / 100 / 29

HEX #B65500

RGB 182 85 0

HSL 28.02, 1%, 0.36%

LAB 47.55, 35.57, 56.92

 

CMYK 0 / 26 / 100 / 29

HEX #B68600

RGB 182 134 0

HSL 44.18, 1%, 0.36%

LAB 58.97, 8.82, 64.22

 

CMYK 0 / 0 / 100 / 29

HEX #B6B600

RGB 182 182 0

HSL 60, 1%, 0.36%

LAB 71.83, -16.73, 73.34

 

CMYK 26 / 0 / 100 / 29

HEX #86B600

RGB 134 182 0

HSL 75.82, 1%, 0.36%

LAB 68.41, -36.93, 69.27

 

CMYK 0 / 27 / 100 / 61

HEX #644900

RGB 100 73 0

HSL 43.8, 1%, 0.2%

LAB 32.86, 5.15, 41.81

 

CMYK 0 / 26 / 100 / 45

HEX #8D6800

RGB 141 104 0

HSL 44.26, 1%, 0.28%

LAB 46.4, 6.75, 53.4

 

CMYK 0 / 26 / 100 / 29

HEX #B68600

RGB 182 134 0

HSL 44.18, 1%, 0.36%

LAB 58.97, 8.82, 64.22

 

CMYK 0 / 26 / 100 / 13

HEX #DFA401

RGB 223 164 1

HSL 44.05, 0.99%, 0.44%

LAB 71.04, 10.79, 74.47

 

CMYK 0 / 25 / 95 / 1

HEX #FDBD0C

RGB 253 189 12

HSL 44.07, 0.98%, 0.52%

LAB 80.35, 10.67, 81.28

 

CMYK 0 / 27 / 99 / 29

HEX #B58501

RGB 181 133 1

HSL 44, 0.99%, 0.36%

LAB 58.6, 8.93, 63.75

 

CMYK 93 / 0 / 100 / 29

HEX #0DB600

RGB 13 182 0

HSL 115.71, 1%, 0.36%

LAB 64.6, -66.27, 64.66

 

CMYK 66 / 100 / 0 / 29

HEX #3D00B6

RGB 61 0 182

HSL 260.11, 1%, 0.36%

LAB 24.86, 62.79, -78.04

 

CMYK 0 / 27 / 99 / 29

HEX #B58501

RGB 181 133 1

HSL 44, 0.99%, 0.36%

LAB 58.6, 8.93, 63.75

 

CMYK 100 / 0 / 26 / 29

HEX #00B686

RGB 0 182 134

HSL 164.18, 1%, 0.36%

LAB 65.89, -50.54, 13.64

 

CMYK 26 / 100 / 0 / 29

HEX #8600B6

RGB 134 0 182

HSL 284.18, 1%, 0.36%

LAB 34.89, 69.21, -61.14

 

CMYK 0 / 27 / 99 / 29

HEX #B58501

RGB 181 133 1

HSL 44, 0.99%, 0.36%

LAB 58.6, 8.93, 63.75

 

CMYK 93 / 0 / 100 / 29

HEX #0DB600

RGB 13 182 0

HSL 115.71, 1%, 0.36%

LAB 64.6, -66.27, 64.66

 

CMYK 100 / 73 / 0 / 29

HEX #0031B6

RGB 0 49 182

HSL 223.85, 1%, 0.36%

LAB 28.31, 41.38, -72.39

 

CMYK 7 / 100 / 0 / 29

HEX #AA00B6

RGB 170 0 182

HSL 296.04, 1%, 0.36%

LAB 41.09, 74.35, -50.8

 

CMYK 0 / 27 / 99 / 29

HEX #B58501

RGB 181 133 1

HSL 44, 0.99%, 0.36%

LAB 58.6, 8.93, 63.75

 

CMYK 100 / 0 / 76 / 29

HEX #00B62B

RGB 0 182 43

HSL 134.18, 1%, 0.36%

LAB 64.67, -65.09, 55.76

 

CMYK 100 / 73 / 0 / 29

HEX #0031B6

RGB 0 49 182

HSL 223.85, 1%, 0.36%

LAB 28.31, 41.38, -72.39

 

CMYK 0 / 100 / 23 / 29

HEX #B6008C

RGB 182 0 140

HSL 313.85, 1%, 0.36%

LAB 40.96, 70.63, -25.6

 

Description

Color code: RGB 181 133 1 | qconv.com Color code: RGB 181 133 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 133 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 133 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 99 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 99% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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