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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 53 108 it is the complementary color RGB 75 202 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 53 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 53 108 shade: RGB 185 53 103, RGB 202 71 122, RGB 219 89 141, RGB 236 107 160 and RGB 253 125 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 53 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 53 108 shade: RGB 180 53 108, RGB 163 35 89, RGB 146 17 70, RGB 129 0 51 and RGB 112 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 53 108 shade: RGB 182 53 109, RGB 182 53 74 and RGB 182 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 53 108 shade: RGB 182 53 109, RGB 182 53 143, RGB 182 53 178, RGB 151 53 182 and RGB 116 53 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 53 108 shade matches the following richer shades: RGB 182 53 109, RGB 201 34 106 and RGB 220 15 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 53 108 shade: RGB 182 53 109, RGB 163 72 111, RGB 144 91 114, RGB 125 110 116 and RGB 106 129 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 53 108 shade: RGB 182 53 178, RGB 182 53 143, RGB 182 53 109, RGB 182 53 74 and RGB 182 66 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 53 108 shade: RGB 118 34 70, RGB 150 44 90, RGB 182 53 109, RGB 202 74 129 and RGB 212 106 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 53 108 shade: RGB 180 53 108, RGB 182 152 53 and RGB 53 160 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 53 108 shade: RGB 180 53 108, RGB 109 182 53 and RGB 53 109 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 53 108 shade: RGB 180 53 108, RGB 182 152 53, RGB 53 182 126 and RGB 53 83 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 53 108 shade: RGB 180 53 108, RGB 173 182 53, RGB 53 182 126 and RGB 61 53 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

Complementary color

CMYK 63 / 0 / 27 / 21

HEX #4BCA93

RGB 75 202 147

HSL 154.02, 0.55%, 0.54%

LAB 73.44, -47.81, 17.33

 

CMYK 0 / 71 / 44 / 27

HEX #B93567

RGB 185 53 103

HSL 337.27, 0.55%, 0.47%

LAB 44, 56.2, 1.9

 

CMYK 0 / 65 / 40 / 21

HEX #CA477A

RGB 202 71 122

HSL 336.64, 0.55%, 0.54%

LAB 50.06, 56.16, -0.53

 

CMYK 0 / 59 / 36 / 14

HEX #DB598D

RGB 219 89 141

HSL 336, 0.64%, 0.6%

LAB 56.22, 55.75, -2.48

 

CMYK 0 / 55 / 32 / 7

HEX #EC6BA0

RGB 236 107 160

HSL 335.35, 0.77%, 0.67%

LAB 62.41, 55.14, -4.1

 

CMYK 0 / 51 / 29 / 1

HEX #FD7DB3

RGB 253 125 179

HSL 334.69, 0.97%, 0.74%

LAB 68.61, 54.42, -5.47

 

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

CMYK 0 / 79 / 45 / 36

HEX #A32359

RGB 163 35 89

HSL 334.69, 0.65%, 0.39%

LAB 37.32, 54.68, 0.49

 

CMYK 0 / 88 / 52 / 43

HEX #921146

RGB 146 17 70

HSL 335.35, 0.79%, 0.32%

LAB 31.7, 53.06, 4.31

 

CMYK 0 / 100 / 60 / 49

HEX #810033

RGB 129 0 51

HSL 336.28, 1%, 0.25%

LAB 26.47, 50.22, 9.2

 

CMYK 0 / 100 / 71 / 56

HEX #700020

RGB 112 0 32

HSL 342.86, 1%, 0.22%

LAB 22.12, 44.7, 15.88

 

CMYK 0 / 71 / 40 / 29

HEX #B6356D

RGB 182 53 109

HSL 333.95, 0.55%, 0.46%

LAB 43.65, 55.94, -2.4

 

CMYK 0 / 71 / 59 / 29

HEX #B6354A

RGB 182 53 74

HSL 350.23, 0.55%, 0.46%

LAB 42.74, 52.87, 18.09

 

CMYK 0 / 71 / 71 / 29

HEX #B63535

RGB 182 53 53

HSL 0, 0.55%, 0.46%

LAB 42.38, 51.62, 30.44

 

CMYK 0 / 71 / 40 / 29

HEX #B6356D

RGB 182 53 109

HSL 333.95, 0.55%, 0.46%

LAB 43.65, 55.94, -2.4

 

CMYK 0 / 71 / 21 / 29

HEX #B6358F

RGB 182 53 143

HSL 318.14, 0.55%, 0.46%

LAB 44.91, 60.05, -21.31

 

CMYK 0 / 71 / 2 / 29

HEX #B635B2

RGB 182 53 178

HSL 301.86, 0.55%, 0.46%

LAB 46.59, 65.29, -39.56

 

CMYK 17 / 71 / 0 / 29

HEX #9735B6

RGB 151 53 182

HSL 285.58, 0.55%, 0.46%

LAB 42, 59.19, -49.5

 

CMYK 36 / 71 / 0 / 29

HEX #7435B6

RGB 116 53 182

HSL 269.3, 0.55%, 0.46%

LAB 37.18, 52.03, -57.53

 

CMYK 0 / 71 / 40 / 29

HEX #B6356D

RGB 182 53 109

HSL 333.95, 0.55%, 0.46%

LAB 43.65, 55.94, -2.4

 

CMYK 0 / 83 / 47 / 21

HEX #C9226A

RGB 201 34 106

HSL 334.13, 0.71%, 0.46%

LAB 45.08, 66.44, 1.98

 

CMYK 0 / 93 / 53 / 14

HEX #DC0F68

RGB 220 15 104

HSL 333.95, 0.87%, 0.46%

LAB 47.7, 73.95, 7.46

 

CMYK 0 / 71 / 40 / 29

HEX #B6356D

RGB 182 53 109

HSL 333.95, 0.55%, 0.46%

LAB 43.65, 55.94, -2.4

 

CMYK 0 / 56 / 32 / 36

HEX #A3486F

RGB 163 72 111

HSL 334.29, 0.39%, 0.46%

LAB 43.61, 41.9, -4.05

 

CMYK 0 / 37 / 21 / 44

HEX #905B72

RGB 144 91 114

HSL 333.96, 0.23%, 0.46%

LAB 45.12, 25.17, -3.94

 

CMYK 0 / 12 / 7 / 51

HEX #7D6E74

RGB 125 110 116

HSL 336, 0.06%, 0.46%

LAB 47.97, 6.99, -1.18

 

CMYK 18 / 0 / 8 / 49

HEX #6A8177

RGB 106 129 119

HSL 153.91, 0.1%, 0.46%

LAB 51.95, -10.48, 2.65

 

CMYK 0 / 71 / 2 / 29

HEX #B635B2

RGB 182 53 178

HSL 301.86, 0.55%, 0.46%

LAB 46.59, 65.29, -39.56

 

CMYK 0 / 71 / 21 / 29

HEX #B6358F

RGB 182 53 143

HSL 318.14, 0.55%, 0.46%

LAB 44.91, 60.05, -21.31

 

CMYK 0 / 71 / 40 / 29

HEX #B6356D

RGB 182 53 109

HSL 333.95, 0.55%, 0.46%

LAB 43.65, 55.94, -2.4

 

CMYK 0 / 71 / 59 / 29

HEX #B6354A

RGB 182 53 74

HSL 350.23, 0.55%, 0.46%

LAB 42.74, 52.87, 18.09

 

CMYK 0 / 64 / 71 / 29

HEX #B64235

RGB 182 66 53

HSL 6.05, 0.55%, 0.46%

LAB 44.37, 46.21, 32.78

 

CMYK 0 / 71 / 41 / 54

HEX #762246

RGB 118 34 70

HSL 334.29, 0.55%, 0.3%

LAB 27.95, 39.72, -1.84

 

CMYK 0 / 71 / 40 / 41

HEX #962C5A

RGB 150 44 90

HSL 333.96, 0.55%, 0.38%

LAB 36.03, 47.87, -2.32

 

CMYK 0 / 71 / 40 / 29

HEX #B6356D

RGB 182 53 109

HSL 333.95, 0.55%, 0.46%

LAB 43.65, 55.94, -2.4

 

CMYK 0 / 63 / 36 / 21

HEX #CA4A81

RGB 202 74 129

HSL 334.22, 0.55%, 0.54%

LAB 50.73, 55.67, -3.75

 

CMYK 0 / 50 / 29 / 17

HEX #D46A97

RGB 212 106 151

HSL 334.53, 0.55%, 0.62%

LAB 58.55, 46.67, -5

 

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

CMYK 0 / 16 / 71 / 29

HEX #B69835

RGB 182 152 53

HSL 46.05, 0.55%, 0.46%

LAB 63.88, 0.45, 53.86

 

CMYK 71 / 12 / 0 / 29

HEX #35A0B6

RGB 53 160 182

HSL 190.23, 0.55%, 0.46%

LAB 61.02, -22.78, -20.17

 

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

CMYK 40 / 0 / 71 / 29

HEX #6DB635

RGB 109 182 53

HSL 93.95, 0.55%, 0.46%

LAB 67.25, -44.23, 55.6

 

CMYK 71 / 40 / 0 / 29

HEX #356DB6

RGB 53 109 182

HSL 213.95, 0.55%, 0.46%

LAB 45.73, 6.38, -44.02

 

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

CMYK 0 / 16 / 71 / 29

HEX #B69835

RGB 182 152 53

HSL 46.05, 0.55%, 0.46%

LAB 63.88, 0.45, 53.86

 

CMYK 71 / 0 / 31 / 29

HEX #35B67E

RGB 53 182 126

HSL 153.95, 0.55%, 0.46%

LAB 66.3, -47.94, 18.66

 

CMYK 71 / 54 / 0 / 29

HEX #3553B6

RGB 53 83 182

HSL 226.05, 0.55%, 0.46%

LAB 38.41, 23.11, -55.78

 

CMYK 0 / 71 / 40 / 29

HEX #B4356C

RGB 180 53 108

HSL 334.02, 0.55%, 0.46%

LAB 43.26, 55.25, -2.39

 

CMYK 5 / 0 / 71 / 29

HEX #ADB635

RGB 173 182 53

HSL 64.19, 0.55%, 0.46%

LAB 71.28, -19.18, 60.96

 

CMYK 71 / 0 / 31 / 29

HEX #35B67E

RGB 53 182 126

HSL 153.95, 0.55%, 0.46%

LAB 66.3, -47.94, 18.66

 

CMYK 66 / 71 / 0 / 29

HEX #3D35B6

RGB 61 53 182

HSL 243.72, 0.55%, 0.46%

LAB 31.61, 43.07, -66.86

 

Description

Color code: RGB 180 53 108 | qconv.com Color code: RGB 180 53 108 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 53 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 53 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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