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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 38 92 it is the complementary color RGB 75 217 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 38 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 38 92 shade: RGB 185 38 87, RGB 202 56 106, RGB 219 74 125, RGB 236 92 144 and RGB 253 110 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 38 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 163 20 73, RGB 146 2 54, RGB 129 0 35 and RGB 112 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 180 38 54 and RGB 180 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 180 38 131, RGB 180 38 169, RGB 153 38 180 and RGB 115 38 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 38 92 shade matches the following richer shades: RGB 180 38 92, RGB 198 20 88 and RGB 216 2 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 163 56 96, RGB 145 73 101, RGB 127 91 105 and RGB 109 109 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 38 92 shade: RGB 180 38 169, RGB 180 38 131, RGB 180 38 93, RGB 180 38 55 and RGB 180 59 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 38 92 shade: RGB 112 23 57, RGB 146 31 75, RGB 180 38 92, RGB 211 49 110 and RGB 218 83 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 180 154 38 and RGB 38 150 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 93 180 38 and RGB 38 93 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 180 154 38, RGB 38 180 126 and RGB 38 64 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 38 92 shade: RGB 180 38 92, RGB 164 180 38, RGB 38 180 126 and RGB 55 38 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

Complementary color

CMYK 65 / 0 / 25 / 15

HEX #4BD9A3

RGB 75 217 163

HSL 157.18, 0.65%, 0.57%

LAB 78.33, -50.51, 15.65

 

CMYK 0 / 79 / 53 / 27

HEX #B92657

RGB 185 38 87

HSL 340, 0.66%, 0.44%

LAB 41.83, 59.69, 8.79

 

CMYK 0 / 72 / 48 / 21

HEX #CA386A

RGB 202 56 106

HSL 339.45, 0.58%, 0.51%

LAB 47.53, 60.34, 5.53

 

CMYK 0 / 66 / 43 / 14

HEX #DB4A7D

RGB 219 74 125

HSL 338.9, 0.67%, 0.57%

LAB 53.43, 60.37, 2.92

 

CMYK 0 / 61 / 39 / 7

HEX #EC5C90

RGB 236 92 144

HSL 338.33, 0.79%, 0.64%

LAB 59.44, 60.03, 0.79

 

CMYK 0 / 57 / 36 / 1

HEX #FD6EA3

RGB 253 110 163

HSL 337.76, 0.97%, 0.71%

LAB 65.5, 59.47, -0.99

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 88 / 55 / 36

HEX #A31449

RGB 163 20 73

HSL 337.76, 0.78%, 0.36%

LAB 35.53, 57.12, 8.26

 

CMYK 0 / 99 / 63 / 43

HEX #920236

RGB 146 2 54

HSL 338.33, 0.97%, 0.29%

LAB 30.45, 54.34, 13.22

 

CMYK 0 / 100 / 73 / 49

HEX #810023

RGB 129 0 35

HSL 343.72, 1%, 0.25%

LAB 26.12, 49.3, 19.67

 

CMYK 0 / 100 / 86 / 56

HEX #700010

RGB 112 0 16

HSL 351.43, 1%, 0.22%

LAB 21.88, 44.04, 26.21

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 79 / 70 / 29

HEX #B42636

RGB 180 38 54

HSL 353.24, 0.65%, 0.43%

LAB 40.17, 56.16, 27.1

 

CMYK 0 / 79 / 79 / 29

HEX #B42626

RGB 180 38 38

HSL 0, 0.65%, 0.43%

LAB 39.96, 55.5, 36.39

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 79 / 27 / 29

HEX #B42683

RGB 180 38 131

HSL 320.7, 0.65%, 0.43%

LAB 42.35, 62.81, -17.96

 

CMYK 0 / 79 / 6 / 29

HEX #B426A9

RGB 180 38 169

HSL 304.65, 0.65%, 0.43%

LAB 44.17, 68.03, -38.09

 

CMYK 15 / 79 / 0 / 29

HEX #9926B4

RGB 153 38 180

HSL 288.59, 0.65%, 0.43%

LAB 40.33, 64.49, -50.99

 

CMYK 36 / 79 / 0 / 29

HEX #7326B4

RGB 115 38 180

HSL 272.54, 0.65%, 0.43%

LAB 34.65, 57.75, -60.47

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 90 / 56 / 22

HEX #C61458

RGB 198 20 88

HSL 337.08, 0.82%, 0.43%

LAB 43.08, 66.99, 10.29

 

CMYK 0 / 99 / 61 / 15

HEX #D80254

RGB 216 2 84

HSL 337.01, 0.98%, 0.43%

LAB 46.02, 72.89, 17.42

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 66 / 41 / 36

HEX #A33860

RGB 163 56 96

HSL 337.57, 0.49%, 0.43%

LAB 40.34, 47.58, 0.47

 

CMYK 0 / 50 / 30 / 43

HEX #914965

RGB 145 73 101

HSL 336.67, 0.33%, 0.43%

LAB 40.77, 33.69, -2.36

 

CMYK 0 / 28 / 17 / 50

HEX #7F5B69

RGB 127 91 105

HSL 336.67, 0.17%, 0.43%

LAB 42.78, 17.08, -2.13

 

CMYK 0 / 0 / 0 / 57

HEX #6D6D6D

RGB 109 109 109

HSL 0, 0%, 0.43%

LAB 46.03, 0, -0.01

 

CMYK 0 / 79 / 6 / 29

HEX #B426A9

RGB 180 38 169

HSL 304.65, 0.65%, 0.43%

LAB 44.17, 68.03, -38.09

 

CMYK 0 / 79 / 27 / 29

HEX #B42683

RGB 180 38 131

HSL 320.7, 0.65%, 0.43%

LAB 42.35, 62.81, -17.96

 

CMYK 0 / 79 / 48 / 29

HEX #B4265D

RGB 180 38 93

HSL 336.76, 0.65%, 0.43%

LAB 41.02, 58.82, 3.73

 

CMYK 0 / 79 / 69 / 29

HEX #B42637

RGB 180 38 55

HSL 352.82, 0.65%, 0.43%

LAB 40.19, 56.21, 26.51

 

CMYK 0 / 67 / 79 / 29

HEX #B43B26

RGB 180 59 38

HSL 8.87, 0.65%, 0.43%

LAB 42.72, 47.9, 39.24

 

CMYK 0 / 79 / 49 / 56

HEX #701739

RGB 112 23 57

HSL 337.08, 0.66%, 0.26%

LAB 24.81, 40.72, 2.23

 

CMYK 0 / 79 / 49 / 43

HEX #921F4B

RGB 146 31 75

HSL 337.04, 0.65%, 0.35%

LAB 33.13, 49.83, 3.07

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 77 / 48 / 17

HEX #D3316E

RGB 211 49 110

HSL 337.41, 0.65%, 0.51%

LAB 48.48, 65.44, 4.66

 

CMYK 0 / 62 / 39 / 15

HEX #DA5386

RGB 218 83 134

HSL 337.33, 0.65%, 0.59%

LAB 54.88, 57.28, -0.33

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 14 / 79 / 29

HEX #B49A26

RGB 180 154 38

HSL 49.01, 0.65%, 0.43%

LAB 64.12, -2.2, 59.68

 

CMYK 79 / 17 / 0 / 29

HEX #2696B4

RGB 38 150 180

HSL 192.68, 0.65%, 0.43%

LAB 57.58, -20.03, -24.35

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 48 / 0 / 79 / 29

HEX #5DB426

RGB 93 180 38

HSL 96.76, 0.65%, 0.43%

LAB 65.83, -49.57, 59.13

 

CMYK 79 / 48 / 0 / 29

HEX #265DB4

RGB 38 93 180

HSL 216.76, 0.65%, 0.43%

LAB 40.47, 13.9, -51.31

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 0 / 14 / 79 / 29

HEX #B49A26

RGB 180 154 38

HSL 49.01, 0.65%, 0.43%

LAB 64.12, -2.2, 59.68

 

CMYK 79 / 0 / 30 / 29

HEX #26B47E

RGB 38 180 126

HSL 157.18, 0.65%, 0.43%

LAB 65.41, -49.16, 17.38

 

CMYK 79 / 64 / 0 / 29

HEX #2640B4

RGB 38 64 180

HSL 229.01, 0.65%, 0.43%

LAB 32.64, 33.03, -64.03

 

CMYK 0 / 79 / 49 / 29

HEX #B4265C

RGB 180 38 92

HSL 337.18, 0.65%, 0.43%

LAB 41, 58.73, 4.33

 

CMYK 9 / 0 / 79 / 29

HEX #A4B426

RGB 164 180 38

HSL 66.76, 0.65%, 0.43%

LAB 69.95, -22.7, 64.42

 

CMYK 79 / 0 / 30 / 29

HEX #26B47E

RGB 38 180 126

HSL 157.18, 0.65%, 0.43%

LAB 65.41, -49.16, 17.38

 

CMYK 69 / 79 / 0 / 29

HEX #3726B4

RGB 55 38 180

HSL 247.18, 0.65%, 0.43%

LAB 28.1, 49.89, -71.48

 

Description

Color code: RGB 180 38 92 | qconv.com Color code: RGB 180 38 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 38 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 38 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 49 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 49% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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