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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 147 8 it is the complementary color RGB 75 108 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 147 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 147 8 shade: RGB 185 147 3, RGB 202 165 22, RGB 219 183 41, RGB 236 201 60 and RGB 253 219 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 147 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 163 129 0, RGB 146 111 0, RGB 129 93 0 and RGB 112 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 180 100 8, RGB 180 54 8 and RGB 180 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 166 180 8, RGB 120 180 8, RGB 74 180 8 and RGB 27 180 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 147 8 shade matches the following richer shades: RGB 180 147 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 164 137 23, RGB 149 128 39, RGB 134 119 54 and RGB 119 109 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 147 8 shade: RGB 180 54 8, RGB 180 100 8, RGB 180 145 8, RGB 168 180 8 and RGB 122 180 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 147 8 shade: RGB 101 82 4, RGB 140 115 6, RGB 180 147 8, RGB 219 179 10 and RGB 244 202 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 8 180 8 and RGB 77 8 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 8 180 145 and RGB 145 8 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 8 180 8, RGB 8 42 180 and RGB 180 8 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 147 8 shade: RGB 180 147 8, RGB 8 180 60, RGB 8 42 180 and RGB 180 8 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

Complementary color

CMYK 70 / 56 / 0 / 3

HEX #4B6CF7

RGB 75 108 247

HSL 228.49, 0.91%, 0.63%

LAB 50.61, 33.46, -73.08

 

CMYK 0 / 21 / 98 / 27

HEX #B99303

RGB 185 147 3

HSL 47.47, 0.97%, 0.37%

LAB 62.67, 3.08, 66.48

 

CMYK 0 / 18 / 89 / 21

HEX #CAA516

RGB 202 165 22

HSL 47.67, 0.8%, 0.44%

LAB 69.13, 1.27, 69.06

 

CMYK 0 / 16 / 81 / 14

HEX #DBB729

RGB 219 183 41

HSL 47.87, 0.71%, 0.51%

LAB 75.51, -0.31, 70.26

 

CMYK 0 / 15 / 75 / 7

HEX #ECC93C

RGB 236 201 60

HSL 48.07, 0.82%, 0.58%

LAB 81.8, -1.66, 70.45

 

CMYK 0 / 13 / 69 / 1

HEX #FDDB4F

RGB 253 219 79

HSL 48.28, 0.98%, 0.65%

LAB 88.02, -2.83, 70.05

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 0 / 21 / 100 / 36

HEX #A38100

RGB 163 129 0

HSL 47.48, 1%, 0.32%

LAB 55.57, 2.88, 60.89

 

CMYK 0 / 24 / 100 / 43

HEX #926F00

RGB 146 111 0

HSL 45.62, 1%, 0.29%

LAB 48.86, 5.09, 55.37

 

CMYK 0 / 28 / 100 / 49

HEX #815D00

RGB 129 93 0

HSL 43.26, 1%, 0.25%

LAB 41.99, 7.43, 49.72

 

CMYK 0 / 33 / 100 / 56

HEX #704B00

RGB 112 75 0

HSL 40.18, 1%, 0.22%

LAB 34.96, 9.92, 43.96

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 0 / 44 / 96 / 29

HEX #B46408

RGB 180 100 8

HSL 32.09, 0.91%, 0.37%

LAB 50.49, 26.87, 56.83

 

CMYK 0 / 70 / 96 / 29

HEX #B43608

RGB 180 54 8

HSL 16.05, 0.91%, 0.37%

LAB 41.78, 49.25, 51.14

 

CMYK 0 / 96 / 96 / 29

HEX #B40808

RGB 180 8 8

HSL 0, 0.91%, 0.37%

LAB 37.65, 60.85, 48.74

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 8 / 0 / 96 / 29

HEX #A6B408

RGB 166 180 8

HSL 64.88, 0.91%, 0.37%

LAB 70.01, -22.58, 70.51

 

CMYK 33 / 0 / 96 / 29

HEX #78B408

RGB 120 180 8

HSL 80.93, 0.91%, 0.37%

LAB 67.02, -41.31, 66.88

 

CMYK 59 / 0 / 96 / 29

HEX #4AB408

RGB 74 180 8

HSL 96.98, 0.91%, 0.37%

LAB 65.05, -56.05, 64.48

 

CMYK 85 / 0 / 96 / 29

HEX #1BB408

RGB 27 180 8

HSL 113.37, 0.91%, 0.37%

LAB 64.07, -64.45, 63.28

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 0 / 16 / 86 / 36

HEX #A48917

RGB 164 137 23

HSL 48.51, 0.75%, 0.37%

LAB 57.89, -0.67, 58.18

 

CMYK 0 / 14 / 74 / 42

HEX #958027

RGB 149 128 39

HSL 48.55, 0.59%, 0.37%

LAB 54, -1.97, 48.68

 

CMYK 0 / 11 / 60 / 47

HEX #867736

RGB 134 119 54

HSL 48.75, 0.43%, 0.37%

LAB 50.13, -2.81, 37.22

 

CMYK 0 / 8 / 42 / 53

HEX #776D45

RGB 119 109 69

HSL 48, 0.27%, 0.37%

LAB 46.03, -2.36, 23.75

 

CMYK 0 / 70 / 96 / 29

HEX #B43608

RGB 180 54 8

HSL 16.05, 0.91%, 0.37%

LAB 41.78, 49.25, 51.14

 

CMYK 0 / 44 / 96 / 29

HEX #B46408

RGB 180 100 8

HSL 32.09, 0.91%, 0.37%

LAB 50.49, 26.87, 56.83

 

CMYK 0 / 19 / 96 / 29

HEX #B49108

RGB 180 145 8

HSL 47.79, 0.91%, 0.37%

LAB 61.63, 1.96, 64.76

 

CMYK 7 / 0 / 96 / 29

HEX #A8B408

RGB 168 180 8

HSL 64.19, 0.91%, 0.37%

LAB 70.17, -21.72, 70.69

 

CMYK 32 / 0 / 96 / 29

HEX #7AB408

RGB 122 180 8

HSL 80.23, 0.91%, 0.37%

LAB 67.12, -40.56, 67.01

 

CMYK 0 / 19 / 96 / 60

HEX #655204

RGB 101 82 4

HSL 48.25, 0.92%, 0.21%

LAB 35.62, 0.29, 42.45

 

CMYK 0 / 18 / 96 / 45

HEX #8C7306

RGB 140 115 6

HSL 48.81, 0.92%, 0.29%

LAB 49.31, 0.07, 54.12

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 0 / 18 / 95 / 14

HEX #DBB30A

RGB 219 179 10

HSL 48.52, 0.91%, 0.45%

LAB 74.4, 1.18, 75.62

 

CMYK 0 / 17 / 89 / 4

HEX #F4CA1A

RGB 244 202 26

HSL 48.44, 0.91%, 0.53%

LAB 82.67, 0.28, 80.59

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 96 / 0 / 96 / 29

HEX #08B408

RGB 8 180 8

HSL 120, 0.91%, 0.37%

LAB 63.93, -65.78, 63.09

 

CMYK 57 / 96 / 0 / 29

HEX #4D08B4

RGB 77 8 180

HSL 264.07, 0.91%, 0.37%

LAB 26.87, 61.7, -73.45

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 96 / 0 / 19 / 29

HEX #08B491

RGB 8 180 145

HSL 167.79, 0.91%, 0.37%

LAB 65.54, -46.68, 7.13

 

CMYK 19 / 96 / 0 / 29

HEX #9108B4

RGB 145 8 180

HSL 287.79, 0.91%, 0.37%

LAB 36.91, 69.35, -56.59

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 96 / 0 / 96 / 29

HEX #08B408

RGB 8 180 8

HSL 120, 0.91%, 0.37%

LAB 63.93, -65.78, 63.09

 

CMYK 96 / 77 / 0 / 29

HEX #082AB4

RGB 8 42 180

HSL 228.14, 0.91%, 0.37%

LAB 26.74, 45.06, -73.79

 

CMYK 0 / 96 / 0 / 29

HEX #B408B4

RGB 180 8 180

HSL 300, 0.91%, 0.37%

LAB 43.02, 74.88, -46.43

 

CMYK 0 / 18 / 96 / 29

HEX #B49308

RGB 180 147 8

HSL 48.49, 0.91%, 0.37%

LAB 62.16, 0.87, 65.15

 

CMYK 96 / 0 / 67 / 29

HEX #08B43C

RGB 8 180 60

HSL 138.14, 0.91%, 0.37%

LAB 64.18, -62.58, 48.79

 

CMYK 96 / 77 / 0 / 29

HEX #082AB4

RGB 8 42 180

HSL 228.14, 0.91%, 0.37%

LAB 26.74, 45.06, -73.79

 

CMYK 0 / 96 / 29 / 29

HEX #B40880

RGB 180 8 128

HSL 318.14, 0.91%, 0.37%

LAB 40.3, 68.01, -19.26

 

Description

Color code: RGB 180 147 8 | qconv.com Color code: RGB 180 147 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 147 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 147 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 96 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 96% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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