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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 146 225 it is the complementary color RGB 75 109 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 146 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 146 225 shade: RGB 185 146 220, RGB 202 164 239, RGB 219 182 255, RGB 236 200 255 and RGB 253 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 146 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 163 128 206, RGB 146 110 187, RGB 129 92 168 and RGB 112 74 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 201 146 225, RGB 223 146 225, RGB 225 146 206 and RGB 225 146 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 159 146 225 and RGB 146 146 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 146 225 shade matches the following richer shades: RGB 180 146 225, RGB 179 135 236 and RGB 177 124 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 182 158 214, RGB 183 169 203, RGB 185 180 191 and RGB 186 191 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 146 225 shade: RGB 146 156 225, RGB 158 146 225, RGB 179 146 225, RGB 200 146 225 and RGB 221 146 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 146 225 shade: RGB 136 82 207, RGB 158 114 216, RGB 180 146 225, RGB 202 179 234 and RGB 225 211 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 225 146 176 and RGB 146 225 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 225 179 146 and RGB 146 225 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 225 146 176, RGB 192 225 146 and RGB 146 225 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 146 225 shade: RGB 180 146 225, RGB 225 146 153, RGB 192 225 146 and RGB 146 225 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

Complementary color

CMYK 31 / 0 / 72 / 57

HEX #4B6D1E

RGB 75 109 30

HSL 85.82, 0.57%, 0.27%

LAB 42.04, -25.67, 38.4

 

CMYK 16 / 34 / 0 / 14

HEX #B992DC

RGB 185 146 220

HSL 271.62, 0.51%, 0.72%

LAB 66.55, 28.63, -32.23

 

CMYK 15 / 31 / 0 / 6

HEX #CAA4EF

RGB 202 164 239

HSL 270.4, 0.7%, 0.79%

LAB 73.11, 27.98, -32.37

 

CMYK 14 / 29 / 0 / 0

HEX #DBB6FF

RGB 219 182 255

HSL 270.41, 1%, 0.86%

LAB 79.46, 26.75, -31.1

 

CMYK 7 / 22 / 0 / 0

HEX #ECC8FF

RGB 236 200 255

HSL 279.27, 1%, 0.89%

LAB 85.18, 22.39, -22.23

 

CMYK 1 / 15 / 0 / 0

HEX #FDDAFF

RGB 253 218 255

HSL 296.76, 1%, 0.93%

LAB 90.89, 18.38, -13.49

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 21 / 38 / 0 / 19

HEX #A380CE

RGB 163 128 206

HSL 266.92, 0.44%, 0.65%

LAB 59.6, 28.95, -35.38

 

CMYK 22 / 41 / 0 / 27

HEX #926EBB

RGB 146 110 187

HSL 268.05, 0.36%, 0.58%

LAB 52.79, 29.74, -35.34

 

CMYK 23 / 45 / 0 / 34

HEX #815CA8

RGB 129 92 168

HSL 269.21, 0.3%, 0.51%

LAB 45.84, 30.6, -35.32

 

CMYK 25 / 50 / 0 / 42

HEX #704A95

RGB 112 74 149

HSL 270.4, 0.34%, 0.44%

LAB 38.75, 31.53, -35.31

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 11 / 35 / 0 / 12

HEX #C992E1

RGB 201 146 225

HSL 281.77, 0.57%, 0.73%

LAB 68.32, 34.59, -32.12

 

CMYK 1 / 35 / 0 / 12

HEX #DF92E1

RGB 223 146 225

HSL 298.48, 0.57%, 0.73%

LAB 70.65, 41.39, -28.34

 

CMYK 0 / 35 / 8 / 12

HEX #E192CE

RGB 225 146 206

HSL 314.43, 0.57%, 0.73%

LAB 70.19, 38.66, -18.53

 

CMYK 0 / 35 / 18 / 12

HEX #E192B9

RGB 225 146 185

HSL 330.38, 0.57%, 0.73%

LAB 69.52, 35.25, -7.87

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 29 / 35 / 0 / 12

HEX #9F92E1

RGB 159 146 225

HSL 249.87, 0.57%, 0.73%

LAB 64.46, 22.09, -38.43

 

CMYK 35 / 35 / 0 / 12

HEX #9292E1

RGB 146 146 225

HSL 240, 0.57%, 0.73%

LAB 63.43, 18.47, -40.11

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 24 / 43 / 0 / 7

HEX #B387EC

RGB 179 135 236

HSL 266.14, 0.73%, 0.73%

LAB 64.13, 36.62, -44.89

 

CMYK 28 / 50 / 0 / 3

HEX #B17CF7

RGB 177 124 247

HSL 265.85, 0.88%, 0.73%

LAB 62.06, 44.74, -54.25

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 15 / 26 / 0 / 16

HEX #B69ED6

RGB 182 158 214

HSL 265.71, 0.41%, 0.73%

LAB 68.93, 19.68, -25.26

 

CMYK 10 / 17 / 0 / 20

HEX #B7A9CB

RGB 183 169 203

HSL 264.71, 0.25%, 0.73%

LAB 71.39, 11.56, -15.46

 

CMYK 3 / 6 / 0 / 25

HEX #B9B4BF

RGB 185 180 191

HSL 267.27, 0.08%, 0.73%

LAB 74.01, 3.83, -4.95

 

CMYK 3 / 0 / 6 / 25

HEX #BABFB4

RGB 186 191 180

HSL 87.27, 0.08%, 0.73%

LAB 76.68, -3.75, 4.93

 

CMYK 35 / 31 / 0 / 12

HEX #929CE1

RGB 146 156 225

HSL 232.41, 0.57%, 0.73%

LAB 66, 12.73, -36.1

 

CMYK 30 / 35 / 0 / 12

HEX #9E92E1

RGB 158 146 225

HSL 249.11, 0.57%, 0.73%

LAB 64.37, 21.81, -38.57

 

CMYK 20 / 35 / 0 / 12

HEX #B392E1

RGB 179 146 225

HSL 265.06, 0.57%, 0.73%

LAB 66.2, 27.93, -35.59

 

CMYK 11 / 35 / 0 / 12

HEX #C892E1

RGB 200 146 225

HSL 281.01, 0.57%, 0.73%

LAB 68.22, 34.29, -32.29

 

CMYK 2 / 35 / 0 / 12

HEX #DD92E1

RGB 221 146 225

HSL 296.96, 0.57%, 0.73%

LAB 70.43, 40.77, -28.69

 

CMYK 34 / 60 / 0 / 19

HEX #8852CF

RGB 136 82 207

HSL 265.92, 0.57%, 0.57%

LAB 46.68, 47.76, -56.62

 

CMYK 27 / 47 / 0 / 15

HEX #9E72D8

RGB 158 114 216

HSL 265.88, 0.57%, 0.65%

LAB 56.35, 37.83, -46.16

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 14 / 24 / 0 / 8

HEX #CAB3EA

RGB 202 179 234

HSL 265.09, 0.57%, 0.81%

LAB 76.52, 18.69, -24.44

 

CMYK 7 / 13 / 0 / 5

HEX #E1D3F3

RGB 225 211 243

HSL 266.25, 0.57%, 0.89%

LAB 86.54, 10.68, -13.92

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 0 / 35 / 22 / 12

HEX #E192B0

RGB 225 146 176

HSL 337.22, 0.57%, 0.73%

LAB 69.26, 33.89, -3.24

 

CMYK 35 / 0 / 34 / 12

HEX #92E194

RGB 146 225 148

HSL 121.52, 0.57%, 0.73%

LAB 82.97, -39.42, 30.22

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 0 / 20 / 35 / 12

HEX #E1B392

RGB 225 179 146

HSL 25.06, 0.57%, 0.73%

LAB 76.27, 12.18, 23.2

 

CMYK 35 / 0 / 20 / 12

HEX #92E1B3

RGB 146 225 179

HSL 145.06, 0.57%, 0.73%

LAB 83.56, -33.97, 14.94

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 0 / 35 / 22 / 12

HEX #E192B0

RGB 225 146 176

HSL 337.22, 0.57%, 0.73%

LAB 69.26, 33.89, -3.24

 

CMYK 15 / 0 / 35 / 12

HEX #C0E192

RGB 192 225 146

HSL 85.06, 0.57%, 0.73%

LAB 85.57, -24.07, 35.16

 

CMYK 35 / 0 / 13 / 12

HEX #92E1C3

RGB 146 225 195

HSL 157.22, 0.57%, 0.73%

LAB 83.91, -30.76, 7.03

 

CMYK 20 / 35 / 0 / 12

HEX #B492E1

RGB 180 146 225

HSL 265.82, 0.57%, 0.73%

LAB 66.29, 28.23, -35.44

 

CMYK 0 / 35 / 32 / 12

HEX #E19299

RGB 225 146 153

HSL 354.68, 0.57%, 0.73%

LAB 68.65, 30.73, 8.75

 

CMYK 15 / 0 / 35 / 12

HEX #C0E192

RGB 192 225 146

HSL 85.06, 0.57%, 0.73%

LAB 85.57, -24.07, 35.16

 

CMYK 35 / 0 / 3 / 12

HEX #92E1DA

RGB 146 225 218

HSL 174.68, 0.57%, 0.73%

LAB 84.5, -25.72, -4.27

 

Description

Color code: RGB 180 146 225 | qconv.com Color code: RGB 180 146 225 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 146 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 146 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 35 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 35% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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