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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 114 178 it is the complementary color RGB 75 141 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 114 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 114 178 shade: RGB 185 114 173, RGB 202 132 192, RGB 219 150 211, RGB 236 168 230 and RGB 253 186 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 114 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 114 178 shade: RGB 180 114 178, RGB 163 96 159, RGB 146 78 140, RGB 129 60 121 and RGB 112 42 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 114 178 shade: RGB 181 115 179, RGB 181 115 161, RGB 181 115 143, RGB 181 115 125 and RGB 181 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 114 178 shade: RGB 181 115 179, RGB 165 115 181, RGB 147 115 181, RGB 129 115 181 and RGB 115 115 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 114 178 shade matches the following richer shades: RGB 181 115 179, RGB 198 97 195, RGB 216 80 212, RGB 233 63 228 and RGB 250 45 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 114 178 shade: RGB 181 115 179, RGB 164 132 163, RGB 146 149 147, RGB 129 167 130 and RGB 112 184 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 114 178 shade: RGB 147 115 181, RGB 165 115 181, RGB 181 115 180, RGB 181 115 162 and RGB 181 115 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 114 178 shade: RGB 140 74 138, RGB 167 88 164, RGB 181 115 179, RGB 195 142 194 and RGB 210 169 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 114 178 shade: RGB 180 114 178, RGB 181 129 115 and RGB 115 181 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 114 178 shade: RGB 180 114 178, RGB 180 181 115 and RGB 115 180 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 114 178 shade: RGB 180 114 178, RGB 181 129 115, RGB 115 181 116 and RGB 115 167 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 114 178 shade: RGB 180 114 178, RGB 181 149 115, RGB 115 181 116 and RGB 115 147 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 1 / 29

HEX #B472B2

RGB 180 114 178

HSL 301.82, 0.31%, 0.58%

LAB 57.03, 36.2, -23.29

 

Complementary color

CMYK 47 / 0 / 45 / 45

HEX #4B8D4D

RGB 75 141 77

HSL 121.82, 0.31%, 0.42%

LAB 53.04, -35, 27.71

 

CMYK 0 / 38 / 6 / 27

HEX #B972AD

RGB 185 114 173

HSL 310.14, 0.34%, 0.59%

LAB 57.43, 36.92, -19.75

 

CMYK 0 / 35 / 5 / 21

HEX #CA84C0

RGB 202 132 192

HSL 308.57, 0.4%, 0.65%

LAB 64.05, 36.16, -20.28

 

CMYK 0 / 32 / 4 / 14

HEX #DB96D3

RGB 219 150 211

HSL 306.96, 0.49%, 0.72%

LAB 70.58, 35.44, -20.77

 

CMYK 0 / 29 / 3 / 7

HEX #ECA8E6

RGB 236 168 230

HSL 305.29, 0.64%, 0.79%

LAB 77.01, 34.76, -21.23

 

CMYK 0 / 26 / 2 / 1

HEX #FDBAF9

RGB 253 186 249

HSL 303.58, 0.94%, 0.86%

LAB 83.36, 34.11, -21.66

 

CMYK 0 / 37 / 1 / 29

HEX #B472B2

RGB 180 114 178

HSL 301.82, 0.31%, 0.58%

LAB 57.03, 36.2, -23.29

 

CMYK 0 / 41 / 2 / 36

HEX #A3609F

RGB 163 96 159

HSL 303.58, 0.27%, 0.51%

LAB 50.28, 36.97, -22.8

 

CMYK 0 / 47 / 4 / 43

HEX #924E8C

RGB 146 78 140

HSL 305.29, 0.3%, 0.44%

LAB 43.44, 37.75, -22.22

 

CMYK 0 / 53 / 6 / 49

HEX #813C79

RGB 129 60 121

HSL 306.96, 0.37%, 0.37%

LAB 36.52, 38.45, -21.48

 

CMYK 0 / 63 / 9 / 56

HEX #702A66

RGB 112 42 102

HSL 308.57, 0.45%, 0.3%

LAB 29.56, 38.93, -20.47

 

CMYK 0 / 36 / 1 / 29

HEX #B573B3

RGB 181 115 179

HSL 301.82, 0.31%, 0.58%

LAB 57.41, 36.16, -23.27

 

CMYK 0 / 36 / 11 / 29

HEX #B573A1

RGB 181 115 161

HSL 318.18, 0.31%, 0.58%

LAB 56.74, 32.91, -13.91

 

CMYK 0 / 36 / 21 / 29

HEX #B5738F

RGB 181 115 143

HSL 334.55, 0.31%, 0.58%

LAB 56.16, 29.96, -4.34

 

CMYK 0 / 36 / 31 / 29

HEX #B5737D

RGB 181 115 125

HSL 350.91, 0.31%, 0.58%

LAB 55.65, 27.34, 5.42

 

CMYK 0 / 36 / 36 / 29

HEX #B57373

RGB 181 115 115

HSL 0, 0.31%, 0.58%

LAB 55.4, 26.03, 10.9

 

CMYK 0 / 36 / 1 / 29

HEX #B573B3

RGB 181 115 179

HSL 301.82, 0.31%, 0.58%

LAB 57.41, 36.16, -23.27

 

CMYK 9 / 36 / 0 / 29

HEX #A573B5

RGB 165 115 181

HSL 285.45, 0.31%, 0.58%

LAB 55.68, 31.41, -27.23

 

CMYK 19 / 36 / 0 / 29

HEX #9373B5

RGB 147 115 181

HSL 269.09, 0.31%, 0.58%

LAB 53.81, 25.73, -30.27

 

CMYK 29 / 36 / 0 / 29

HEX #8173B5

RGB 129 115 181

HSL 252.73, 0.31%, 0.58%

LAB 52.14, 20.24, -33.02

 

CMYK 36 / 36 / 0 / 29

HEX #7373B5

RGB 115 115 181

HSL 240, 0.31%, 0.58%

LAB 50.97, 16.18, -34.93

 

CMYK 0 / 36 / 1 / 29

HEX #B573B3

RGB 181 115 179

HSL 301.82, 0.31%, 0.58%

LAB 57.41, 36.16, -23.27

 

CMYK 0 / 51 / 2 / 22

HEX #C661C3

RGB 198 97 195

HSL 301.78, 0.47%, 0.58%

LAB 56.58, 53.59, -33.55

 

CMYK 0 / 63 / 2 / 15

HEX #D850D4

RGB 216 80 212

HSL 301.76, 0.64%, 0.58%

LAB 57.16, 68.69, -42.14

 

CMYK 0 / 73 / 2 / 9

HEX #E93FE4

RGB 233 63 228

HSL 301.76, 0.79%, 0.58%

LAB 58.49, 80.89, -48.91

 

CMYK 0 / 82 / 2 / 2

HEX #FA2DF4

RGB 250 45 244

HSL 301.76, 0.95%, 0.58%

LAB 60.54, 90.95, -54.43

 

CMYK 0 / 36 / 1 / 29

HEX #B573B3

RGB 181 115 179

HSL 301.82, 0.31%, 0.58%

LAB 57.41, 36.16, -23.27

 

CMYK 0 / 20 / 1 / 36

HEX #A484A3

RGB 164 132 163

HSL 301.88, 0.15%, 0.58%

LAB 59.01, 17.76, -11.83

 

CMYK 2 / 0 / 1 / 42

HEX #929593

RGB 146 149 147

HSL 140, 0.01%, 0.58%

LAB 61.41, -1.47, 0.67

 

CMYK 23 / 0 / 22 / 35

HEX #81A782

RGB 129 167 130

HSL 121.58, 0.18%, 0.58%

LAB 64.9, -20.41, 15

 

CMYK 39 / 0 / 38 / 28

HEX #70B872

RGB 112 184 114

HSL 121.67, 0.34%, 0.58%

LAB 68.71, -37.01, 28.65

 

CMYK 19 / 36 / 0 / 29

HEX #9373B5

RGB 147 115 181

HSL 269.09, 0.31%, 0.58%

LAB 53.81, 25.73, -30.27

 

CMYK 9 / 36 / 0 / 29

HEX #A573B5

RGB 165 115 181

HSL 285.45, 0.31%, 0.58%

LAB 55.68, 31.41, -27.23

 

CMYK 0 / 36 / 1 / 29

HEX #B573B4

RGB 181 115 180

HSL 300.91, 0.31%, 0.58%

LAB 57.44, 36.35, -23.79

 

CMYK 0 / 36 / 10 / 29

HEX #B573A2

RGB 181 115 162

HSL 317.27, 0.31%, 0.58%

LAB 56.78, 33.09, -14.44

 

CMYK 0 / 36 / 20 / 29

HEX #B57391

RGB 181 115 145

HSL 332.73, 0.31%, 0.58%

LAB 56.22, 30.27, -5.41

 

CMYK 0 / 47 / 1 / 45

HEX #8C4A8A

RGB 140 74 138

HSL 301.82, 0.31%, 0.42%

LAB 41.7, 37.63, -23.76

 

CMYK 0 / 47 / 2 / 35

HEX #A758A4

RGB 167 88 164

HSL 302.28, 0.31%, 0.5%

LAB 49.34, 43.44, -27.15

 

CMYK 0 / 36 / 1 / 29

HEX #B573B3

RGB 181 115 179

HSL 301.82, 0.31%, 0.58%

LAB 57.41, 36.16, -23.27

 

CMYK 0 / 27 / 1 / 24

HEX #C38EC2

RGB 195 142 194

HSL 301.13, 0.31%, 0.66%

LAB 65.63, 28.75, -19.08

 

CMYK 0 / 20 / 1 / 18

HEX #D2A9D0

RGB 210 169 208

HSL 302.93, 0.31%, 0.74%

LAB 73.95, 21.6, -14.11

 

CMYK 0 / 37 / 1 / 29

HEX #B472B2

RGB 180 114 178

HSL 301.82, 0.31%, 0.58%

LAB 57.03, 36.2, -23.29

 

CMYK 0 / 29 / 36 / 29

HEX #B58173

RGB 181 129 115

HSL 12.73, 0.31%, 0.58%

LAB 58.75, 18.22, 15.57

 

CMYK 36 / 0 / 14 / 29

HEX #73B59C

RGB 115 181 156

HSL 157.27, 0.31%, 0.58%

LAB 68.82, -26.7, 6.12

 

CMYK 0 / 37 / 1 / 29

HEX #B472B2

RGB 180 114 178

HSL 301.82, 0.31%, 0.58%

LAB 57.03, 36.2, -23.29

 

CMYK 1 / 0 / 36 / 29

HEX #B4B573

RGB 180 181 115

HSL 60.91, 0.31%, 0.58%

LAB 72.22, -10.5, 33.54

 

CMYK 36 / 1 / 0 / 29

HEX #73B4B5

RGB 115 180 181

HSL 180.91, 0.31%, 0.58%

LAB 69.2, -20.38, -7.08

 

CMYK 0 / 37 / 1 / 29

HEX #B472B2

RGB 180 114 178

HSL 301.82, 0.31%, 0.58%

LAB 57.03, 36.2, -23.29

 

CMYK 0 / 29 / 36 / 29

HEX #B58173

RGB 181 129 115

HSL 12.73, 0.31%, 0.58%

LAB 58.75, 18.22, 15.57

 

CMYK 36 / 0 / 36 / 29

HEX #73B574

RGB 115 181 116

HSL 120.91, 0.31%, 0.58%

LAB 67.99, -34.36, 26.67

 

CMYK 36 / 8 / 0 / 29

HEX #73A7B5

RGB 115 167 181

HSL 192.73, 0.31%, 0.58%

LAB 65.45, -13.59, -12.68

 

CMYK 0 / 37 / 1 / 29

HEX #B472B2

RGB 180 114 178

HSL 301.82, 0.31%, 0.58%

LAB 57.03, 36.2, -23.29

 

CMYK 0 / 18 / 36 / 29

HEX #B59573

RGB 181 149 115

HSL 30.91, 0.31%, 0.58%

LAB 63.8, 7.09, 22.46

 

CMYK 36 / 0 / 36 / 29

HEX #73B574

RGB 115 181 116

HSL 120.91, 0.31%, 0.58%

LAB 67.99, -34.36, 26.67

 

CMYK 36 / 19 / 0 / 29

HEX #7393B5

RGB 115 147 181

HSL 210.91, 0.31%, 0.58%

LAB 59.75, -2.59, -21.32

 

Description

Color code: RGB 180 114 178 | qconv.com Color code: RGB 180 114 178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 114 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 114 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 1 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 1% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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