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Color name
RGB 180.1 36.8 31

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180.1 36.8 31 it is the complementary color RGB 74.9 218.2 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180.1 36.8 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180.1 36.8 31 shade: RGB 185.1 36.8 26, RGB 202.1 54.8 45, RGB 219.1 72.8 64, RGB 236.1 90.8 83 and RGB 253.1 108.8 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180.1 36.8 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180.1 36.8 31 shade: RGB 180.1 36.8 31, RGB 163.1 18.8 12, RGB 146.1 0.8 0, RGB 129.1 0 0 and RGB 112.1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180.1 36.8 31 shade: RGB 179 36 30 and RGB 179 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180.1 36.8 31 shade: RGB 179 36 30, RGB 179 76 30, RGB 179 116 30, RGB 179 156 30 and RGB 161 179 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180.1 36.8 31 shade matches the following richer shades: RGB 179 36 30 and RGB 196 20 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180.1 36.8 31 shade: RGB 179 36 30, RGB 162 52 47, RGB 145 67 64, RGB 128 83 81 and RGB 111 98 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180.1 36.8 31 shade: RGB 179 30 105, RGB 179 30 65, RGB 179 35 30, RGB 179 75 30 and RGB 179 114 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180.1 36.8 31 shade: RGB 108 22 18, RGB 144 29 24, RGB 179 36 30, RGB 214 43 36 and RGB 223 74 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180.1 36.8 31 shade: RGB 180.1 36.8 31, RGB 144 179 30 and RGB 30 85 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180.1 36.8 31 shade: RGB 180.1 36.8 31, RGB 30 179 35 and RGB 35 30 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180.1 36.8 31 shade: RGB 180.1 36.8 31, RGB 144 179 30, RGB 30 174 179 and RGB 65 30 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180.1 36.8 31 shade: RGB 180.1 36.8 31, RGB 100 179 30, RGB 30 174 179 and RGB 109 30 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 83 / 29

HEX #B4241F

RGB 180.1 36.8 31

HSL 2.33, 0.71%, 0.41%

LAB 39.79, 55.67, 40.09

 

Complementary color

CMYK 67 / 3 / 0 / 12

HEX #4ADAE0

RGB 74.9 218.2 224

HSL 182.33, 0.71%, 0.59%

LAB 80.25, -35.62, -14.05

 

CMYK 0 / 80 / 86 / 27

HEX #B9241A

RGB 185.1 36.8 26

HSL 4.07, 0.75%, 0.41%

LAB 40.75, 57.03, 43.9

 

CMYK 0 / 73 / 78 / 21

HEX #CA362D

RGB 202.1 54.8 45

HSL 3.74, 0.64%, 0.48%

LAB 46.28, 57.03, 40.4

 

CMYK 0 / 67 / 71 / 14

HEX #DB4840

RGB 219.1 72.8 64

HSL 3.4, 0.68%, 0.56%

LAB 52.05, 56.48, 37.08

 

CMYK 0 / 62 / 65 / 7

HEX #EC5A53

RGB 236.1 90.8 83

HSL 3.06, 0.8%, 0.63%

LAB 57.96, 55.61, 34.14

 

CMYK 0 / 57 / 60 / 1

HEX #FD6C66

RGB 253.1 108.8 102

HSL 2.7, 0.98%, 0.7%

LAB 63.96, 54.58, 31.58

 

CMYK 0 / 80 / 83 / 29

HEX #B4241F

RGB 180.1 36.8 31

HSL 2.33, 0.71%, 0.41%

LAB 39.79, 55.67, 40.09

 

CMYK 0 / 88 / 93 / 36

HEX #A3120C

RGB 163.1 18.8 12

HSL 2.7, 0.86%, 0.34%

LAB 34.56, 54.75, 43.51

 

CMYK 0 / 99 / 100 / 43

HEX #920000

RGB 146.1 0.8 0

HSL 0.33, 1%, 0.29%

LAB 29.76, 52.77, 43.32

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129.1 0 0

HSL 0, 1%, 0.25%

LAB 25.79, 48.35, 38.39

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112.1 0 0

HSL 0, 1%, 0.22%

LAB 21.77, 43.7, 33.05

 

CMYK 0 / 80 / 83 / 30

HEX #B3241E

RGB 179 36 30

HSL 2.42, 0.71%, 0.41%

LAB 39.48, 55.54, 40.25

 

CMYK 0 / 83 / 83 / 30

HEX #B31E1E

RGB 179 30 30

HSL 0, 0.71%, 0.41%

LAB 38.91, 57.15, 39.72

 

CMYK 0 / 80 / 83 / 30

HEX #B3241E

RGB 179 36 30

HSL 2.42, 0.71%, 0.41%

LAB 39.48, 55.54, 40.25

 

CMYK 0 / 58 / 83 / 30

HEX #B34C1E

RGB 179 76 30

HSL 18.52, 0.71%, 0.41%

LAB 45.42, 39.47, 45.73

 

CMYK 0 / 35 / 83 / 30

HEX #B3741E

RGB 179 116 30

HSL 34.63, 0.71%, 0.41%

LAB 54.21, 18.05, 53.54

 

CMYK 0 / 13 / 83 / 30

HEX #B39C1E

RGB 179 156 30

HSL 50.74, 0.71%, 0.41%

LAB 64.53, -3.99, 62.45

 

CMYK 10 / 0 / 83 / 30

HEX #A1B31E

RGB 161 179 30

HSL 67.25, 0.71%, 0.41%

LAB 69.41, -23.76, 66.02

 

CMYK 0 / 80 / 83 / 30

HEX #B3241E

RGB 179 36 30

HSL 2.42, 0.71%, 0.41%

LAB 39.48, 55.54, 40.25

 

CMYK 0 / 90 / 93 / 23

HEX #C4140D

RGB 196 20 13

HSL 2.3, 0.88%, 0.41%

LAB 41.63, 63.55, 51.09

 

CMYK 0 / 80 / 83 / 30

HEX #B3241E

RGB 179 36 30

HSL 2.42, 0.71%, 0.41%

LAB 39.48, 55.54, 40.25

 

CMYK 0 / 68 / 71 / 36

HEX #A2342F

RGB 162 52 47

HSL 2.61, 0.55%, 0.41%

LAB 38.45, 45.02, 28.47

 

CMYK 0 / 54 / 56 / 43

HEX #914340

RGB 145 67 64

HSL 2.22, 0.39%, 0.41%

LAB 38.56, 32.67, 17.59

 

CMYK 0 / 35 / 37 / 50

HEX #805351

RGB 128 83 81

HSL 2.55, 0.22%, 0.41%

LAB 40.2, 18.53, 8.91

 

CMYK 0 / 12 / 12 / 56

HEX #6F6262

RGB 111 98 98

HSL 0, 0.06%, 0.41%

LAB 42.76, 5.19, 1.89

 

CMYK 0 / 83 / 41 / 30

HEX #B31E69

RGB 179 30 105

HSL 329.8, 0.71%, 0.41%

LAB 40.46, 61.77, -4.67

 

CMYK 0 / 83 / 64 / 30

HEX #B31E41

RGB 179 30 65

HSL 345.91, 0.71%, 0.41%

LAB 39.4, 58.64, 19.2

 

CMYK 0 / 80 / 83 / 30

HEX #B3231E

RGB 179 35 30

HSL 2.01, 0.71%, 0.41%

LAB 39.38, 55.83, 40.16

 

CMYK 0 / 58 / 83 / 30

HEX #B34B1E

RGB 179 75 30

HSL 18.12, 0.71%, 0.41%

LAB 45.23, 39.96, 45.56

 

CMYK 0 / 36 / 83 / 30

HEX #B3721E

RGB 179 114 30

HSL 33.83, 0.71%, 0.41%

LAB 53.72, 19.17, 53.12

 

CMYK 0 / 80 / 83 / 58

HEX #6C1612

RGB 108 22 18

HSL 2.67, 0.71%, 0.25%

LAB 23.02, 37.13, 25.96

 

CMYK 0 / 80 / 83 / 44

HEX #901D18

RGB 144 29 24

HSL 2.5, 0.71%, 0.33%

LAB 31.52, 46.75, 33.43

 

CMYK 0 / 80 / 83 / 30

HEX #B3241E

RGB 179 36 30

HSL 2.42, 0.71%, 0.41%

LAB 39.48, 55.54, 40.25

 

CMYK 0 / 80 / 83 / 16

HEX #D62B24

RGB 214 43 36

HSL 2.36, 0.71%, 0.49%

LAB 47.17, 63.98, 46.8

 

CMYK 0 / 67 / 70 / 13

HEX #DF4A44

RGB 223 74 68

HSL 2.32, 0.71%, 0.57%

LAB 52.95, 57.46, 36.05

 

CMYK 0 / 80 / 83 / 29

HEX #B4241F

RGB 180.1 36.8 31

HSL 2.33, 0.71%, 0.41%

LAB 39.79, 55.67, 40.09

 

CMYK 20 / 0 / 83 / 30

HEX #90B31E

RGB 144 179 30

HSL 74.09, 0.71%, 0.41%

LAB 68.21, -30.87, 64.52

 

CMYK 83 / 53 / 0 / 30

HEX #1E55B3

RGB 30 85 179

HSL 217.85, 0.71%, 0.41%

LAB 37.89, 17.98, -54.9

 

CMYK 0 / 80 / 83 / 29

HEX #B4241F

RGB 180.1 36.8 31

HSL 2.33, 0.71%, 0.41%

LAB 39.79, 55.67, 40.09

 

CMYK 83 / 0 / 80 / 30

HEX #1EB323

RGB 30 179 35

HSL 122.01, 0.71%, 0.41%

LAB 63.87, -62.77, 57.6

 

CMYK 80 / 83 / 0 / 30

HEX #231EB3

RGB 35 30 179

HSL 242.01, 0.71%, 0.41%

LAB 25.38, 51.98, -75.42

 

CMYK 0 / 80 / 83 / 29

HEX #B4241F

RGB 180.1 36.8 31

HSL 2.33, 0.71%, 0.41%

LAB 39.79, 55.67, 40.09

 

CMYK 20 / 0 / 83 / 30

HEX #90B31E

RGB 144 179 30

HSL 74.09, 0.71%, 0.41%

LAB 68.21, -30.87, 64.52

 

CMYK 83 / 3 / 0 / 30

HEX #1EAEB3

RGB 30 174 179

HSL 182.01, 0.71%, 0.41%

LAB 64.81, -33.12, -12.81

 

CMYK 64 / 83 / 0 / 30

HEX #411EB3

RGB 65 30 179

HSL 254.09, 0.71%, 0.41%

LAB 27.59, 54.14, -71.69

 

CMYK 0 / 80 / 83 / 29

HEX #B4241F

RGB 180.1 36.8 31

HSL 2.33, 0.71%, 0.41%

LAB 39.79, 55.67, 40.09

 

CMYK 44 / 0 / 83 / 30

HEX #64B31E

RGB 100 179 30

HSL 91.81, 0.71%, 0.41%

LAB 65.78, -47.34, 61.45

 

CMYK 83 / 3 / 0 / 30

HEX #1EAEB3

RGB 30 174 179

HSL 182.01, 0.71%, 0.41%

LAB 64.81, -33.12, -12.81

 

CMYK 39 / 83 / 0 / 30

HEX #6D1EB3

RGB 109 30 179

HSL 271.81, 0.71%, 0.41%

LAB 32.78, 59.4, -62.98

 

Description

Color code: RGB 180.1 36.8 31 | qconv.com Color code: RGB 180.1 36.8 31 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180.1 red, 36.8 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180.1 36.8 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 83 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 83% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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