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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180.1 216.8 205 it is the complementary color RGB 74.9 38.2 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180.1 216.8 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180.1 216.8 205 shade: RGB 185.1 216.8 200, RGB 202.1 234.8 219, RGB 219.1 252.8 238, RGB 236.1 255 255 and RGB 253.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180.1 216.8 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180.1 216.8 205 shade: RGB 180.1 216.8 205, RGB 163.1 198.8 186, RGB 146.1 180.8 167, RGB 129.1 162.8 148 and RGB 112.1 144.8 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180.1 216.8 205 shade: RGB 181 217 205, RGB 181 217 196, RGB 181 217 186, RGB 186 217 181 and RGB 195 217 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180.1 216.8 205 shade: RGB 181 217 205, RGB 181 217 215, RGB 181 209 217, RGB 181 199 217 and RGB 181 190 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180.1 216.8 205 shade matches the following richer shades: RGB 181 217 205, RGB 172 226 209, RGB 163 235 212, RGB 154 244 215 and RGB 145 253 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180.1 216.8 205 shade: RGB 181 217 205, RGB 190 208 202, RGB 199 199 199, RGB 208 190 196 and RGB 217 181 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180.1 216.8 205 shade: RGB 181 217 186, RGB 181 217 195, RGB 181 217 205, RGB 181 217 214 and RGB 181 210 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180.1 216.8 205 shade: RGB 126 189 169, RGB 154 203 187, RGB 181 217 205, RGB 208 231 224 and RGB 235 245 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180.1 216.8 205 shade: RGB 180.1 216.8 205, RGB 181 186 217 and RGB 217 191 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180.1 216.8 205 shade: RGB 180.1 216.8 205, RGB 205 181 217 and RGB 217 205 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180.1 216.8 205 shade: RGB 180.1 216.8 205, RGB 181 186 217, RGB 217 181 193 and RGB 217 212 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180.1 216.8 205 shade: RGB 180.1 216.8 205, RGB 187 181 217, RGB 217 181 193 and RGB 211 217 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 5 / 15

HEX #B4D8CD

RGB 180.1 216.8 205

HSL 160.71, 0.32%, 0.78%

LAB 83.78, -14.38, 1.79

 

Complementary color

CMYK 0 / 49 / 33 / 71

HEX #4A2632

RGB 74.9 38.2 50

HSL 340.71, 0.32%, 0.22%

LAB 20.52, 18.91, -0.01

 

CMYK 15 / 0 / 8 / 15

HEX #B9D8C8

RGB 185.1 216.8 200

HSL 148.2, 0.29%, 0.79%

LAB 83.98, -13.72, 4.76

 

CMYK 14 / 0 / 7 / 8

HEX #CAEADB

RGB 202.1 234.8 219

HSL 151.01, 0.45%, 0.86%

LAB 90.32, -13.66, 4.08

 

CMYK 13 / 0 / 6 / 1

HEX #DBFCEE

RGB 219.1 252.8 238

HSL 153.65, 0.88%, 0.93%

LAB 96.56, -13.62, 3.42

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236.1 255 255

HSL 180, 1%, 0.96%

LAB 98.67, -6.12, -2.12

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253.1 255 255

HSL 180, 1%, 1%

LAB 99.86, -0.62, -0.23

 

CMYK 17 / 0 / 5 / 15

HEX #B4D8CD

RGB 180.1 216.8 205

HSL 160.71, 0.32%, 0.78%

LAB 83.78, -14.38, 1.79

 

CMYK 18 / 0 / 6 / 22

HEX #A3C6BA

RGB 163.1 198.8 186

HSL 158.49, 0.24%, 0.71%

LAB 77.34, -14.47, 2.45

 

CMYK 19 / 0 / 8 / 29

HEX #92B4A7

RGB 146.1 180.8 167

HSL 156.14, 0.19%, 0.64%

LAB 70.79, -14.57, 3.15

 

CMYK 21 / 0 / 9 / 36

HEX #81A294

RGB 129.1 162.8 148

HSL 153.65, 0.15%, 0.57%

LAB 64.11, -14.7, 3.88

 

CMYK 23 / 0 / 11 / 43

HEX #709081

RGB 112.1 144.8 129

HSL 151.01, 0.13%, 0.5%

LAB 57.29, -14.85, 4.65

 

CMYK 17 / 0 / 6 / 15

HEX #B5D9CD

RGB 181 217 205

HSL 160, 0.32%, 0.78%

LAB 83.89, -14.19, 1.95

 

CMYK 17 / 0 / 10 / 15

HEX #B5D9C4

RGB 181 217 196

HSL 145, 0.32%, 0.78%

LAB 83.67, -15.93, 6.4

 

CMYK 17 / 0 / 14 / 15

HEX #B5D9BA

RGB 181 217 186

HSL 128.33, 0.32%, 0.78%

LAB 83.44, -17.77, 11.37

 

CMYK 14 / 0 / 17 / 15

HEX #BAD9B5

RGB 186 217 181

HSL 111.67, 0.32%, 0.78%

LAB 83.65, -16.95, 14.35

 

CMYK 10 / 0 / 17 / 15

HEX #C3D9B5

RGB 195 217 181

HSL 96.67, 0.32%, 0.78%

LAB 84.26, -13.83, 15.29

 

CMYK 17 / 0 / 6 / 15

HEX #B5D9CD

RGB 181 217 205

HSL 160, 0.32%, 0.78%

LAB 83.89, -14.19, 1.95

 

CMYK 17 / 0 / 1 / 15

HEX #B5D9D7

RGB 181 217 215

HSL 176.67, 0.32%, 0.78%

LAB 84.15, -12.18, -2.97

 

CMYK 17 / 4 / 0 / 15

HEX #B5D1D9

RGB 181 209 217

HSL 193.33, 0.32%, 0.78%

LAB 82.07, -7.64, -7.1

 

CMYK 17 / 8 / 0 / 15

HEX #B5C7D9

RGB 181 199 217

HSL 210, 0.32%, 0.78%

LAB 79.43, -2.39, -11.03

 

CMYK 17 / 12 / 0 / 15

HEX #B5BED9

RGB 181 190 217

HSL 225, 0.32%, 0.78%

LAB 77.08, 2.42, -14.55

 

CMYK 17 / 0 / 6 / 15

HEX #B5D9CD

RGB 181 217 205

HSL 160, 0.32%, 0.78%

LAB 83.89, -14.19, 1.95

 

CMYK 24 / 0 / 8 / 11

HEX #ACE2D1

RGB 172 226 209

HSL 161.11, 0.48%, 0.78%

LAB 85.89, -20.72, 2.68

 

CMYK 31 / 0 / 10 / 8

HEX #A3EBD4

RGB 163 235 212

HSL 160.83, 0.64%, 0.78%

LAB 87.95, -27.15, 4.02

 

CMYK 37 / 0 / 12 / 4

HEX #9AF4D7

RGB 154 244 215

HSL 160.67, 0.8%, 0.78%

LAB 90.08, -33.29, 5.49

 

CMYK 43 / 0 / 14 / 1

HEX #91FDDA

RGB 145 253 218

HSL 160.56, 0.96%, 0.78%

LAB 92.28, -39.1, 7.05

 

CMYK 17 / 0 / 6 / 15

HEX #B5D9CD

RGB 181 217 205

HSL 160, 0.32%, 0.78%

LAB 83.89, -14.19, 1.95

 

CMYK 9 / 0 / 3 / 18

HEX #BED0CA

RGB 190 208 202

HSL 160, 0.16%, 0.78%

LAB 82.01, -7.2, 0.89

 

CMYK 0 / 0 / 0 / 22

HEX #C7C7C7

RGB 199 199 199

HSL 0, 0%, 0.78%

LAB 80.24, 0, -0.01

 

CMYK 0 / 9 / 6 / 18

HEX #D0BEC4

RGB 208 190 196

HSL 340, 0.16%, 0.78%

LAB 78.59, 7.39, -0.72

 

CMYK 0 / 17 / 12 / 15

HEX #D9B5C0

RGB 217 181 192

HSL 341.67, 0.32%, 0.78%

LAB 77.04, 14.73, -0.72

 

CMYK 17 / 0 / 14 / 15

HEX #B5D9BA

RGB 181 217 186

HSL 128.33, 0.32%, 0.78%

LAB 83.44, -17.77, 11.37

 

CMYK 17 / 0 / 10 / 15

HEX #B5D9C3

RGB 181 217 195

HSL 143.33, 0.32%, 0.78%

LAB 83.65, -16.12, 6.9

 

CMYK 17 / 0 / 6 / 15

HEX #B5D9CD

RGB 181 217 205

HSL 160, 0.32%, 0.78%

LAB 83.89, -14.19, 1.95

 

CMYK 17 / 0 / 1 / 15

HEX #B5D9D6

RGB 181 217 214

HSL 175, 0.32%, 0.78%

LAB 84.12, -12.39, -2.48

 

CMYK 17 / 3 / 0 / 15

HEX #B5D2D9

RGB 181 210 217

HSL 191.67, 0.32%, 0.78%

LAB 82.34, -8.16, -6.71

 

CMYK 33 / 0 / 11 / 26

HEX #7EBDA9

RGB 126 189 169

HSL 160.95, 0.32%, 0.62%

LAB 72.02, -24.61, 3.7

 

CMYK 24 / 0 / 8 / 20

HEX #9ACBBB

RGB 154 203 187

HSL 160.41, 0.32%, 0.7%

LAB 77.98, -19.3, 2.77

 

CMYK 17 / 0 / 6 / 15

HEX #B5D9CD

RGB 181 217 205

HSL 160, 0.32%, 0.78%

LAB 83.89, -14.19, 1.95

 

CMYK 10 / 0 / 3 / 9

HEX #D0E7E0

RGB 208 231 224

HSL 161.74, 0.32%, 0.86%

LAB 89.83, -8.89, 0.81

 

CMYK 4 / 0 / 1 / 4

HEX #EBF5F2

RGB 235 245 242

HSL 162, 0.33%, 0.94%

LAB 95.74, -3.83, 0.29

 

CMYK 17 / 0 / 5 / 15

HEX #B4D8CD

RGB 180.1 216.8 205

HSL 160.71, 0.32%, 0.78%

LAB 83.78, -14.38, 1.79

 

CMYK 17 / 14 / 0 / 15

HEX #B5BAD9

RGB 181 186 217

HSL 231.67, 0.32%, 0.78%

LAB 76.04, 4.58, -16.11

 

CMYK 0 / 12 / 17 / 15

HEX #D9BFB5

RGB 217 191 181

HSL 16.67, 0.32%, 0.78%

LAB 79.24, 7.61, 8.41

 

CMYK 17 / 0 / 5 / 15

HEX #B4D8CD

RGB 180.1 216.8 205

HSL 160.71, 0.32%, 0.78%

LAB 83.78, -14.38, 1.79

 

CMYK 6 / 17 / 0 / 15

HEX #CDB5D9

RGB 205 181 217

HSL 280, 0.32%, 0.78%

LAB 76.7, 15.12, -14.93

 

CMYK 0 / 6 / 17 / 15

HEX #D9CDB5

RGB 217 205 181

HSL 40, 0.32%, 0.78%

LAB 82.78, 0.23, 13.44

 

CMYK 17 / 0 / 5 / 15

HEX #B4D8CD

RGB 180.1 216.8 205

HSL 160.71, 0.32%, 0.78%

LAB 83.78, -14.38, 1.79

 

CMYK 17 / 14 / 0 / 15

HEX #B5BAD9

RGB 181 186 217

HSL 231.67, 0.32%, 0.78%

LAB 76.04, 4.58, -16.11

 

CMYK 0 / 17 / 11 / 15

HEX #D9B5C1

RGB 217 181 193

HSL 340, 0.32%, 0.78%

LAB 77.07, 14.89, -1.22

 

CMYK 0 / 2 / 17 / 15

HEX #D9D4B5

RGB 217 212 181

HSL 51.67, 0.32%, 0.78%

LAB 84.57, -3.4, 15.97

 

CMYK 17 / 0 / 5 / 15

HEX #B4D8CD

RGB 180.1 216.8 205

HSL 160.71, 0.32%, 0.78%

LAB 83.78, -14.38, 1.79

 

CMYK 14 / 17 / 0 / 15

HEX #BBB5D9

RGB 187 181 217

HSL 250, 0.32%, 0.78%

LAB 75.22, 9.22, -17.31

 

CMYK 0 / 17 / 11 / 15

HEX #D9B5C1

RGB 217 181 193

HSL 340, 0.32%, 0.78%

LAB 77.07, 14.89, -1.22

 

CMYK 3 / 0 / 17 / 15

HEX #D3D9B5

RGB 211 217 181

HSL 70, 0.32%, 0.78%

LAB 85.41, -8.15, 17.07

 

Description

Color code: RGB 180.1 216.8 205 | qconv.com Color code: RGB 180.1 216.8 205 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180.1 red, 216.8 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180.1 216.8 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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