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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18.7 110.6 72 it is the complementary color RGB 236.3 144.4 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18.7 110.6 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18.7 110.6 72 shade: RGB 23.7 110.6 67, RGB 40.7 128.6 86, RGB 57.7 146.6 105, RGB 74.7 164.6 124 and RGB 91.7 182.6 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18.7 110.6 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18.7 110.6 72 shade: RGB 18.7 110.6 72, RGB 1.7 92.6 53, RGB 0 74.6 34, RGB 0 56.6 15 and RGB 0 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18.7 110.6 72 shade: RGB 18 109 71, RGB 18 109 47, RGB 18 109 22, RGB 39 109 18 and RGB 64 109 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18.7 110.6 72 shade: RGB 18 109 71, RGB 18 109 95, RGB 18 98 109, RGB 18 74 109 and RGB 18 49 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18.7 110.6 72 shade matches the following richer shades: RGB 18 109 71 and RGB 8 119 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18.7 110.6 72 shade: RGB 18 109 71, RGB 29 99 69, RGB 39 88 68, RGB 49 78 66 and RGB 60 68 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18.7 110.6 72 shade: RGB 18 109 22, RGB 18 109 46, RGB 18 109 70, RGB 18 109 94 and RGB 18 100 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18.7 110.6 72 shade: RGB 7 38 25, RGB 13 74 48, RGB 18 109 71, RGB 24 144 94 and RGB 30 180 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18.7 110.6 72 shade: RGB 18.7 110.6 72, RGB 18 40 109 and RGB 109 34 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18.7 110.6 72 shade: RGB 18.7 110.6 72, RGB 70 18 109 and RGB 109 70 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18.7 110.6 72 shade: RGB 18.7 110.6 72, RGB 18 40 109, RGB 109 18 58 and RGB 109 88 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18.7 110.6 72 shade: RGB 18.7 110.6 72, RGB 25 18 109, RGB 109 18 58 and RGB 103 109 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 35 / 57

HEX #126E48

RGB 18.7 110.6 72

HSL 154.8, 0.71%, 0.25%

LAB 41.03, -35.52, 14.38

 

Complementary color

CMYK 0 / 39 / 23 / 7

HEX #EC90B7

RGB 236.3 144.4 183

HSL 334.8, 0.71%, 0.75%

LAB 70.44, 39.68, -5.25

 

CMYK 79 / 0 / 39 / 57

HEX #176E43

RGB 23.7 110.6 67

HSL 149.9, 0.65%, 0.26%

LAB 41.02, -35.96, 17.31

 

CMYK 68 / 0 / 33 / 50

HEX #288056

RGB 40.7 128.6 86

HSL 150.92, 0.52%, 0.33%

LAB 47.92, -36.53, 15.71

 

CMYK 61 / 0 / 28 / 43

HEX #399269

RGB 57.7 146.6 105

HSL 151.92, 0.44%, 0.4%

LAB 54.71, -36.72, 14.3

 

CMYK 55 / 0 / 25 / 35

HEX #4AA47C

RGB 74.7 164.6 124

HSL 152.9, 0.38%, 0.47%

LAB 61.4, -36.72, 13.05

 

CMYK 50 / 0 / 22 / 28

HEX #5BB68F

RGB 91.7 182.6 143

HSL 153.86, 0.39%, 0.54%

LAB 67.98, -36.61, 11.92

 

CMYK 83 / 0 / 35 / 57

HEX #126E48

RGB 18.7 110.6 72

HSL 154.8, 0.71%, 0.25%

LAB 41.03, -35.52, 14.38

 

CMYK 98 / 0 / 43 / 64

HEX #015C35

RGB 1.7 92.6 53

HSL 153.86, 0.96%, 0.18%

LAB 34.04, -34.22, 16.22

 

CMYK 100 / 0 / 54 / 71

HEX #004A22

RGB 0 74.6 34

HSL 147.35, 1%, 0.15%

LAB 27, -31.33, 18.45

 

CMYK 100 / 0 / 73 / 78

HEX #00380F

RGB 0 56.6 15

HSL 135.9, 1%, 0.11%

LAB 19.73, -27.75, 20.63

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38.6 0

HSL 120, 1%, 0.08%

LAB 12.12, -23.07, 17.5

 

CMYK 83 / 0 / 35 / 57

HEX #126D47

RGB 18 109 71

HSL 154.95, 0.72%, 0.25%

LAB 40.44, -35.16, 14.17

 

CMYK 83 / 0 / 57 / 57

HEX #126D2F

RGB 18 109 47

HSL 139.12, 0.72%, 0.25%

LAB 40.03, -39.91, 27.27

 

CMYK 83 / 0 / 80 / 57

HEX #126D16

RGB 18 109 22

HSL 122.64, 0.72%, 0.25%

LAB 39.79, -42.91, 38.61

 

CMYK 64 / 0 / 83 / 57

HEX #276D12

RGB 39 109 18

HSL 106.15, 0.72%, 0.25%

LAB 40.27, -38.96, 40.65

 

CMYK 41 / 0 / 83 / 57

HEX #406D12

RGB 64 109 18

HSL 89.67, 0.72%, 0.25%

LAB 41.33, -30.83, 42.02

 

CMYK 83 / 0 / 35 / 57

HEX #126D47

RGB 18 109 71

HSL 154.95, 0.72%, 0.25%

LAB 40.44, -35.16, 14.17

 

CMYK 83 / 0 / 13 / 57

HEX #126D5F

RGB 18 109 95

HSL 170.77, 0.72%, 0.25%

LAB 41.04, -28.75, 0.6

 

CMYK 83 / 10 / 0 / 57

HEX #12626D

RGB 18 98 109

HSL 187.25, 0.72%, 0.25%

LAB 37.79, -18.55, -12.81

 

CMYK 83 / 32 / 0 / 57

HEX #124A6D

RGB 18 74 109

HSL 203.08, 0.72%, 0.25%

LAB 29.74, -4.24, -25.26

 

CMYK 83 / 55 / 0 / 57

HEX #12316D

RGB 18 49 109

HSL 219.56, 0.72%, 0.25%

LAB 21.69, 13.02, -38.12

 

CMYK 83 / 0 / 35 / 57

HEX #126D47

RGB 18 109 71

HSL 154.95, 0.72%, 0.25%

LAB 40.44, -35.16, 14.17

 

CMYK 93 / 0 / 39 / 53

HEX #087749

RGB 8 119 73

HSL 155.14, 0.87%, 0.25%

LAB 43.84, -39.72, 17.57

 

CMYK 83 / 0 / 35 / 57

HEX #126D47

RGB 18 109 71

HSL 154.95, 0.72%, 0.25%

LAB 40.44, -35.16, 14.17

 

CMYK 71 / 0 / 30 / 61

HEX #1D6345

RGB 29 99 69

HSL 154.29, 0.55%, 0.25%

LAB 37.14, -29.5, 10.87

 

CMYK 56 / 0 / 23 / 65

HEX #275844

RGB 39 88 68

HSL 155.51, 0.39%, 0.25%

LAB 33.62, -22.03, 6.61

 

CMYK 37 / 0 / 15 / 69

HEX #314E42

RGB 49 78 66

HSL 155.17, 0.23%, 0.25%

LAB 30.63, -13.96, 3.68

 

CMYK 12 / 0 / 6 / 73

HEX #3C4440

RGB 60 68 64

HSL 150, 0.06%, 0.25%

LAB 28.02, -4.21, 1.3

 

CMYK 83 / 0 / 80 / 57

HEX #126D16

RGB 18 109 22

HSL 122.64, 0.72%, 0.25%

LAB 39.79, -42.91, 38.61

 

CMYK 83 / 0 / 58 / 57

HEX #126D2E

RGB 18 109 46

HSL 138.46, 0.72%, 0.25%

LAB 40.02, -40.07, 27.79

 

CMYK 83 / 0 / 36 / 57

HEX #126D46

RGB 18 109 70

HSL 154.29, 0.72%, 0.25%

LAB 40.42, -35.4, 14.73

 

CMYK 83 / 0 / 14 / 57

HEX #126D5E

RGB 18 109 94

HSL 170.11, 0.72%, 0.25%

LAB 41.02, -29.05, 1.17

 

CMYK 83 / 8 / 0 / 57

HEX #12646D

RGB 18 100 109

HSL 185.93, 0.72%, 0.25%

LAB 38.46, -19.64, -11.79

 

CMYK 82 / 0 / 34 / 85

HEX #072619

RGB 7 38 25

HSL 154.84, 0.69%, 0.09%

LAB 12.62, -15.42, 5.34

 

CMYK 82 / 0 / 35 / 71

HEX #0D4A30

RGB 13 74 48

HSL 154.43, 0.7%, 0.17%

LAB 27.29, -26.01, 10.24

 

CMYK 83 / 0 / 35 / 57

HEX #126D47

RGB 18 109 71

HSL 154.95, 0.72%, 0.25%

LAB 40.44, -35.16, 14.17

 

CMYK 83 / 0 / 35 / 44

HEX #18905E

RGB 24 144 94

HSL 155, 0.71%, 0.33%

LAB 52.89, -43.57, 17.88

 

CMYK 83 / 0 / 35 / 29

HEX #1EB475

RGB 30 180 117

HSL 154.8, 0.71%, 0.41%

LAB 65.12, -51.94, 21.85

 

CMYK 83 / 0 / 35 / 57

HEX #126E48

RGB 18.7 110.6 72

HSL 154.8, 0.71%, 0.25%

LAB 41.03, -35.52, 14.38

 

CMYK 83 / 63 / 0 / 57

HEX #12286D

RGB 18 40 109

HSL 225.49, 0.72%, 0.25%

LAB 19.01, 19.57, -42.46

 

CMYK 0 / 69 / 83 / 57

HEX #6D2212

RGB 109 34 18

HSL 10.55, 0.72%, 0.25%

LAB 25.07, 32.43, 28.1

 

CMYK 83 / 0 / 35 / 57

HEX #126E48

RGB 18.7 110.6 72

HSL 154.8, 0.71%, 0.25%

LAB 41.03, -35.52, 14.38

 

CMYK 36 / 83 / 0 / 57

HEX #46126D

RGB 70 18 109

HSL 274.29, 0.72%, 0.25%

LAB 19.39, 40.89, -41.65

 

CMYK 0 / 36 / 83 / 57

HEX #6D4612

RGB 109 70 18

HSL 34.29, 0.72%, 0.25%

LAB 33.3, 12.03, 36.01

 

CMYK 83 / 0 / 35 / 57

HEX #126E48

RGB 18.7 110.6 72

HSL 154.8, 0.71%, 0.25%

LAB 41.03, -35.52, 14.38

 

CMYK 83 / 63 / 0 / 57

HEX #12286D

RGB 18 40 109

HSL 225.49, 0.72%, 0.25%

LAB 19.01, 19.57, -42.46

 

CMYK 0 / 83 / 47 / 57

HEX #6D123A

RGB 109 18 58

HSL 333.63, 0.72%, 0.25%

LAB 23.64, 41.56, -0.24

 

CMYK 0 / 19 / 83 / 57

HEX #6D5812

RGB 109 88 18

HSL 46.15, 0.72%, 0.25%

LAB 38.33, 1.11, 40.61

 

CMYK 83 / 0 / 35 / 57

HEX #126E48

RGB 18.7 110.6 72

HSL 154.8, 0.71%, 0.25%

LAB 41.03, -35.52, 14.38

 

CMYK 77 / 83 / 0 / 57

HEX #19126D

RGB 25 18 109

HSL 244.62, 0.72%, 0.25%

LAB 14.08, 34.73, -50.57

 

CMYK 0 / 83 / 47 / 57

HEX #6D123A

RGB 109 18 58

HSL 333.63, 0.72%, 0.25%

LAB 23.64, 41.56, -0.24

 

CMYK 6 / 0 / 83 / 57

HEX #676D12

RGB 103 109 18

HSL 63.96, 0.72%, 0.25%

LAB 44.04, -13.86, 45.48

 

Description

Color code: RGB 18.7 110.6 72 | qconv.com Color code: RGB 18.7 110.6 72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18.7 red, 110.6 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18.7 110.6 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 35 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 35% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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