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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18.3 72.4 129 it is the complementary color RGB 236.7 182.6 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18.3 72.4 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18.3 72.4 129 shade: RGB 23.3 72.4 124, RGB 40.3 90.4 143, RGB 57.3 108.4 162, RGB 74.3 126.4 181 and RGB 91.3 144.4 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18.3 72.4 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18.3 72.4 129 shade: RGB 18.3 72.4 129, RGB 1.3 54.4 110, RGB 0 36.4 91, RGB 0 18.4 72 and RGB 0 0.40000000000001 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18.3 72.4 129 shade: RGB 18 73 129, RGB 18 43 129, RGB 24 18 129, RGB 54 18 129 and RGB 84 18 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18.3 72.4 129 shade: RGB 18 73 129, RGB 18 43 129 and RGB 18 18 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18.3 72.4 129 shade matches the following richer shades: RGB 18 73 129 and RGB 7 72 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18.3 72.4 129 shade: RGB 18 73 129, RGB 30 73 117, RGB 42 73 105, RGB 54 74 94 and RGB 66 74 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18.3 72.4 129 shade: RGB 18 129 126, RGB 18 104 129, RGB 18 74 129, RGB 18 44 129 and RGB 22 18 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18.3 72.4 129 shade: RGB 8 32 57, RGB 13 52 93, RGB 18 73 129, RGB 24 93 166 and RGB 29 113 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18.3 72.4 129 shade: RGB 18.3 72.4 129, RGB 96 18 129 and RGB 118 129 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18.3 72.4 129 shade: RGB 18.3 72.4 129, RGB 129 18 74 and RGB 74 129 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18.3 72.4 129 shade: RGB 18.3 72.4 129, RGB 96 18 129, RGB 129 74 18 and RGB 52 129 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18.3 72.4 129 shade: RGB 18.3 72.4 129, RGB 129 18 129, RGB 129 74 18 and RGB 18 129 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 44 / 0 / 49

HEX #124881

RGB 18.3 72.4 129

HSL 210.68, 0.75%, 0.29%

LAB 30.41, 5.07, -36.74

 

Complementary color

CMYK 0 / 23 / 47 / 7

HEX #ECB67E

RGB 236.7 182.6 126

HSL 30.68, 0.75%, 0.71%

LAB 77.97, 12.73, 36.25

 

CMYK 81 / 42 / 0 / 51

HEX #17487C

RGB 23.3 72.4 124

HSL 210.74, 0.68%, 0.29%

LAB 30.22, 3.55, -33.91

 

CMYK 72 / 37 / 0 / 44

HEX #285A8F

RGB 40.3 90.4 143

HSL 210.73, 0.56%, 0.36%

LAB 37.52, 1.64, -33.96

 

CMYK 65 / 33 / 0 / 36

HEX #396CA2

RGB 57.3 108.4 162

HSL 210.72, 0.48%, 0.43%

LAB 44.66, 0.27, -34

 

CMYK 59 / 30 / 0 / 29

HEX #4A7EB5

RGB 74.3 126.4 181

HSL 210.7, 0.42%, 0.5%

LAB 51.64, -0.76, -34.05

 

CMYK 54 / 28 / 0 / 22

HEX #5B90C8

RGB 91.3 144.4 200

HSL 210.69, 0.5%, 0.57%

LAB 58.49, -1.55, -34.11

 

CMYK 86 / 44 / 0 / 49

HEX #124881

RGB 18.3 72.4 129

HSL 210.68, 0.75%, 0.29%

LAB 30.41, 5.07, -36.74

 

CMYK 99 / 51 / 0 / 57

HEX #01366E

RGB 1.3 54.4 110

HSL 210.69, 0.98%, 0.22%

LAB 23.03, 8.08, -36.61

 

CMYK 100 / 60 / 0 / 64

HEX #00245B

RGB 0 36.4 91

HSL 216, 1%, 0.18%

LAB 15.7, 12.67, -36.05

 

CMYK 100 / 74 / 0 / 72

HEX #001248

RGB 0 18.4 72

HSL 224.67, 1%, 0.14%

LAB 8.25, 17.82, -35.27

 

CMYK 100 / 99 / 0 / 79

HEX #000035

RGB 0 0.40000000000001 53

HSL 239.55, 1%, 0.1%

LAB 2.4, 16.16, -31.16

 

CMYK 86 / 43 / 0 / 49

HEX #124981

RGB 18 73 129

HSL 210.27, 0.76%, 0.29%

LAB 30.59, 4.64, -36.45

 

CMYK 86 / 67 / 0 / 49

HEX #122B81

RGB 18 43 129

HSL 226.49, 0.76%, 0.29%

LAB 21.73, 25.65, -50.8

 

CMYK 81 / 86 / 0 / 49

HEX #181281

RGB 24 18 129

HSL 243.24, 0.76%, 0.29%

LAB 16.56, 41.27, -59.33

 

CMYK 58 / 86 / 0 / 49

HEX #361281

RGB 54 18 129

HSL 259.46, 0.76%, 0.29%

LAB 19.23, 43.85, -54.83

 

CMYK 35 / 86 / 0 / 49

HEX #541281

RGB 84 18 129

HSL 275.68, 0.76%, 0.29%

LAB 23.35, 48.01, -47.92

 

CMYK 86 / 43 / 0 / 49

HEX #124981

RGB 18 73 129

HSL 210.27, 0.76%, 0.29%

LAB 30.59, 4.64, -36.45

 

CMYK 86 / 67 / 0 / 49

HEX #122B81

RGB 18 43 129

HSL 226.49, 0.76%, 0.29%

LAB 21.73, 25.65, -50.8

 

CMYK 86 / 86 / 0 / 49

HEX #121281

RGB 18 18 129

HSL 240, 0.76%, 0.29%

LAB 16.24, 40.96, -59.88

 

CMYK 86 / 43 / 0 / 49

HEX #124981

RGB 18 73 129

HSL 210.27, 0.76%, 0.29%

LAB 30.59, 4.64, -36.45

 

CMYK 95 / 49 / 0 / 45

HEX #07488D

RGB 7 72 141

HSL 210.9, 0.91%, 0.29%

LAB 30.89, 9.59, -43.39

 

CMYK 86 / 43 / 0 / 49

HEX #124981

RGB 18 73 129

HSL 210.27, 0.76%, 0.29%

LAB 30.59, 4.64, -36.45

 

CMYK 74 / 38 / 0 / 54

HEX #1E4975

RGB 30 73 117

HSL 210.34, 0.59%, 0.29%

LAB 30.22, 1.28, -29.52

 

CMYK 60 / 30 / 0 / 59

HEX #2A4969

RGB 42 73 105

HSL 210.48, 0.43%, 0.29%

LAB 30.1, -0.88, -22.1

 

CMYK 43 / 21 / 0 / 63

HEX #364A5E

RGB 54 74 94

HSL 210, 0.27%, 0.29%

LAB 30.62, -1.95, -14.24

 

CMYK 20 / 10 / 0 / 68

HEX #424A52

RGB 66 74 82

HSL 210, 0.11%, 0.29%

LAB 31.03, -1.25, -5.84

 

CMYK 86 / 0 / 2 / 49

HEX #12817E

RGB 18 129 126

HSL 178.38, 0.76%, 0.29%

LAB 48.68, -28.9, -6.65

 

CMYK 86 / 19 / 0 / 49

HEX #126881

RGB 18 104 129

HSL 193.51, 0.76%, 0.29%

LAB 40.6, -14.69, -20.71

 

CMYK 86 / 43 / 0 / 49

HEX #124A81

RGB 18 74 129

HSL 209.73, 0.76%, 0.29%

LAB 30.9, 3.96, -35.94

 

CMYK 86 / 66 / 0 / 49

HEX #122C81

RGB 18 44 129

HSL 225.95, 0.76%, 0.29%

LAB 22, 24.96, -50.36

 

CMYK 83 / 86 / 0 / 49

HEX #161281

RGB 22 18 129

HSL 242.16, 0.76%, 0.29%

LAB 16.45, 41.16, -59.53

 

CMYK 86 / 44 / 0 / 78

HEX #082039

RGB 8 32 57

HSL 210.61, 0.75%, 0.13%

LAB 11.82, 1.31, -18.88

 

CMYK 86 / 44 / 0 / 64

HEX #0D345D

RGB 13 52 93

HSL 210.75, 0.75%, 0.21%

LAB 21.33, 3.37, -28.28

 

CMYK 86 / 43 / 0 / 49

HEX #124981

RGB 18 73 129

HSL 210.27, 0.76%, 0.29%

LAB 30.59, 4.64, -36.45

 

CMYK 86 / 44 / 0 / 35

HEX #185DA6

RGB 24 93 166

HSL 210.85, 0.75%, 0.37%

LAB 39.2, 7.01, -45.1

 

CMYK 86 / 44 / 0 / 21

HEX #1D71CA

RGB 29 113 202

HSL 210.87, 0.75%, 0.45%

LAB 47.41, 8.79, -52.92

 

CMYK 86 / 44 / 0 / 49

HEX #124881

RGB 18.3 72.4 129

HSL 210.68, 0.75%, 0.29%

LAB 30.41, 5.07, -36.74

 

CMYK 26 / 86 / 0 / 49

HEX #601281

RGB 96 18 129

HSL 282.16, 0.76%, 0.29%

LAB 25.27, 50.02, -44.69

 

CMYK 9 / 0 / 86 / 49

HEX #768112

RGB 118 129 18

HSL 65.95, 0.76%, 0.29%

LAB 51.38, -17.66, 52.33

 

CMYK 86 / 44 / 0 / 49

HEX #124881

RGB 18.3 72.4 129

HSL 210.68, 0.75%, 0.29%

LAB 30.41, 5.07, -36.74

 

CMYK 0 / 86 / 43 / 49

HEX #81124A

RGB 129 18 74

HSL 329.73, 0.76%, 0.29%

LAB 28.36, 48.73, -3.65

 

CMYK 43 / 0 / 86 / 49

HEX #4A8112

RGB 74 129 18

HSL 89.73, 0.76%, 0.29%

LAB 48.51, -36.01, 48.72

 

CMYK 86 / 44 / 0 / 49

HEX #124881

RGB 18.3 72.4 129

HSL 210.68, 0.75%, 0.29%

LAB 30.41, 5.07, -36.74

 

CMYK 26 / 86 / 0 / 49

HEX #601281

RGB 96 18 129

HSL 282.16, 0.76%, 0.29%

LAB 25.27, 50.02, -44.69

 

CMYK 0 / 43 / 86 / 49

HEX #814A12

RGB 129 74 18

HSL 30.27, 0.76%, 0.29%

LAB 37.13, 19.08, 40.51

 

CMYK 60 / 0 / 86 / 49

HEX #348112

RGB 52 129 18

HSL 101.62, 0.76%, 0.29%

LAB 47.59, -43.07, 47.55

 

CMYK 86 / 44 / 0 / 49

HEX #124881

RGB 18.3 72.4 129

HSL 210.68, 0.75%, 0.29%

LAB 30.41, 5.07, -36.74

 

CMYK 0 / 86 / 0 / 49

HEX #811281

RGB 129 18 129

HSL 300, 0.76%, 0.29%

LAB 31.08, 56.22, -35.04

 

CMYK 0 / 43 / 86 / 49

HEX #814A12

RGB 129 74 18

HSL 30.27, 0.76%, 0.29%

LAB 37.13, 19.08, 40.51

 

CMYK 86 / 0 / 86 / 49

HEX #128112

RGB 18 129 18

HSL 120, 0.76%, 0.29%

LAB 46.81, -49.71, 46.55

 

Description

Color code: RGB 18.3 72.4 129 | qconv.com Color code: RGB 18.3 72.4 129 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18.3 red, 72.4 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18.3 72.4 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 44 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 44% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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