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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18.1 108.8 102 it is the complementary color RGB 236.9 146.2 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18.1 108.8 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18.1 108.8 102 shade: RGB 23.1 108.8 97, RGB 40.1 126.8 116, RGB 57.1 144.8 135, RGB 74.1 162.8 154 and RGB 91.1 180.8 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18.1 108.8 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18.1 108.8 102 shade: RGB 18.1 108.8 102, RGB 1.1 90.8 83, RGB 0 72.8 64, RGB 0 54.8 45 and RGB 0 36.8 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18.1 108.8 102 shade: RGB 18 109 102, RGB 18 109 77, RGB 18 109 53, RGB 18 109 28 and RGB 32 109 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18.1 108.8 102 shade: RGB 18 109 102, RGB 18 91 109, RGB 18 66 109, RGB 18 42 109 and RGB 18 18 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18.1 108.8 102 shade matches the following richer shades: RGB 18 109 102 and RGB 8 119 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18.1 108.8 102 shade: RGB 18 109 102, RGB 28 98 93, RGB 39 88 84, RGB 49 78 75 and RGB 59 67 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18.1 108.8 102 shade: RGB 18 109 53, RGB 18 109 77, RGB 18 109 101, RGB 18 92 109 and RGB 18 68 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18.1 108.8 102 shade: RGB 6 38 36, RGB 12 73 69, RGB 18 109 102, RGB 24 144 135 and RGB 30 179 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18.1 108.8 102 shade: RGB 18.1 108.8 102, RGB 29 18 109 and RGB 109 65 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18.1 108.8 102 shade: RGB 18.1 108.8 102, RGB 101 18 109 and RGB 109 101 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18.1 108.8 102 shade: RGB 18.1 108.8 102, RGB 29 18 109, RGB 109 18 26 and RGB 98 109 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18.1 108.8 102 shade: RGB 18.1 108.8 102, RGB 56 18 109, RGB 109 18 26 and RGB 71 109 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 6 / 57

HEX #126C66

RGB 18.1 108.8 102

HSL 175.5, 0.71%, 0.25%

LAB 41.19, -26.5, -3.43

 

Complementary color

CMYK 0 / 38 / 35 / 7

HEX #EC9299

RGB 236.9 146.2 153

HSL 355.5, 0.71%, 0.75%

LAB 70.11, 35, 11.01

 

CMYK 79 / 0 / 11 / 57

HEX #176C61

RGB 23.1 108.8 97

HSL 171.74, 0.65%, 0.26%

LAB 41.12, -27.45, -0.48

 

CMYK 68 / 0 / 9 / 50

HEX #287E74

RGB 40.1 126.8 116

HSL 172.53, 0.52%, 0.33%

LAB 48.06, -28.14, -1.63

 

CMYK 61 / 0 / 7 / 43

HEX #399087

RGB 57.1 144.8 135

HSL 173.3, 0.43%, 0.4%

LAB 54.88, -28.51, -2.62

 

CMYK 54 / 0 / 5 / 36

HEX #4AA29A

RGB 74.1 162.8 154

HSL 174.05, 0.37%, 0.46%

LAB 61.58, -28.69, -3.5

 

CMYK 50 / 0 / 4 / 29

HEX #5BB4AD

RGB 91.1 180.8 173

HSL 174.78, 0.38%, 0.53%

LAB 68.18, -28.76, -4.3

 

CMYK 83 / 0 / 6 / 57

HEX #126C66

RGB 18.1 108.8 102

HSL 175.5, 0.71%, 0.25%

LAB 41.19, -26.5, -3.43

 

CMYK 99 / 0 / 9 / 64

HEX #015A53

RGB 1.1 90.8 83

HSL 174.78, 0.98%, 0.18%

LAB 34.15, -25.15, -2.13

 

CMYK 100 / 0 / 12 / 71

HEX #004840

RGB 0 72.8 64

HSL 172.75, 1%, 0.14%

LAB 27.04, -22.5, -0.44

 

CMYK 100 / 0 / 18 / 79

HEX #00362D

RGB 0 54.8 45

HSL 169.27, 1%, 0.11%

LAB 19.65, -19.65, 1.42

 

CMYK 100 / 0 / 29 / 86

HEX #00241A

RGB 0 36.8 26

HSL 162.39, 1%, 0.07%

LAB 11.86, -16.63, 3.52

 

CMYK 83 / 0 / 6 / 57

HEX #126D66

RGB 18 109 102

HSL 175.38, 0.72%, 0.25%

LAB 41.26, -26.61, -3.33

 

CMYK 83 / 0 / 29 / 57

HEX #126D4D

RGB 18 109 77

HSL 158.9, 0.72%, 0.25%

LAB 40.58, -33.7, 10.78

 

CMYK 83 / 0 / 51 / 57

HEX #126D35

RGB 18 109 53

HSL 143.08, 0.72%, 0.25%

LAB 40.12, -38.89, 24.11

 

CMYK 83 / 0 / 74 / 57

HEX #126D1C

RGB 18 109 28

HSL 126.59, 0.72%, 0.25%

LAB 39.83, -42.37, 36.27

 

CMYK 71 / 0 / 83 / 57

HEX #206D12

RGB 32 109 18

HSL 110.77, 0.72%, 0.25%

LAB 40.06, -40.66, 40.38

 

CMYK 83 / 0 / 6 / 57

HEX #126D66

RGB 18 109 102

HSL 175.38, 0.72%, 0.25%

LAB 41.26, -26.61, -3.33

 

CMYK 83 / 17 / 0 / 57

HEX #125B6D

RGB 18 91 109

HSL 191.87, 0.72%, 0.25%

LAB 35.43, -14.61, -16.41

 

CMYK 83 / 39 / 0 / 57

HEX #12426D

RGB 18 66 109

HSL 208.35, 0.72%, 0.25%

LAB 27.1, 1.05, -29.43

 

CMYK 83 / 61 / 0 / 57

HEX #122A6D

RGB 18 42 109

HSL 224.18, 0.72%, 0.25%

LAB 19.59, 18.12, -41.52

 

CMYK 83 / 83 / 0 / 57

HEX #12126D

RGB 18 18 109

HSL 240, 0.72%, 0.25%

LAB 13.62, 34.2, -51.34

 

CMYK 83 / 0 / 6 / 57

HEX #126D66

RGB 18 109 102

HSL 175.38, 0.72%, 0.25%

LAB 41.26, -26.61, -3.33

 

CMYK 93 / 0 / 8 / 53

HEX #08776E

RGB 8 119 110

HSL 175.14, 0.87%, 0.25%

LAB 44.76, -29.76, -2.99

 

CMYK 83 / 0 / 6 / 57

HEX #126D66

RGB 18 109 102

HSL 175.38, 0.72%, 0.25%

LAB 41.26, -26.61, -3.33

 

CMYK 71 / 0 / 5 / 62

HEX #1C625D

RGB 28 98 93

HSL 175.71, 0.56%, 0.25%

LAB 37.43, -22.51, -3.45

 

CMYK 56 / 0 / 5 / 65

HEX #275854

RGB 39 88 84

HSL 175.1, 0.39%, 0.25%

LAB 34.09, -17.63, -2.75

 

CMYK 37 / 0 / 4 / 69

HEX #314E4B

RGB 49 78 75

HSL 173.79, 0.23%, 0.25%

LAB 30.9, -11.61, -1.68

 

CMYK 12 / 0 / 0 / 74

HEX #3B4343

RGB 59 67 67

HSL 180, 0.06%, 0.25%

LAB 27.71, -3.27, -1.12

 

CMYK 83 / 0 / 51 / 57

HEX #126D35

RGB 18 109 53

HSL 143.08, 0.72%, 0.25%

LAB 40.12, -38.89, 24.11

 

CMYK 83 / 0 / 29 / 57

HEX #126D4D

RGB 18 109 77

HSL 158.9, 0.72%, 0.25%

LAB 40.58, -33.7, 10.78

 

CMYK 83 / 0 / 7 / 57

HEX #126D65

RGB 18 109 101

HSL 174.73, 0.72%, 0.25%

LAB 41.22, -26.93, -2.77

 

CMYK 83 / 16 / 0 / 57

HEX #125C6D

RGB 18 92 109

HSL 191.21, 0.72%, 0.25%

LAB 35.77, -15.19, -15.9

 

CMYK 83 / 38 / 0 / 57

HEX #12446D

RGB 18 68 109

HSL 207.03, 0.72%, 0.25%

LAB 27.76, -0.3, -28.39

 

CMYK 84 / 0 / 5 / 85

HEX #062624

RGB 6 38 36

HSL 176.25, 0.73%, 0.09%

LAB 12.94, -12.09, -2.09

 

CMYK 84 / 0 / 5 / 71

HEX #0C4945

RGB 12 73 69

HSL 176.07, 0.72%, 0.17%

LAB 27.5, -19.45, -3

 

CMYK 83 / 0 / 6 / 57

HEX #126D66

RGB 18 109 102

HSL 175.38, 0.72%, 0.25%

LAB 41.26, -26.61, -3.33

 

CMYK 83 / 0 / 6 / 44

HEX #189087

RGB 24 144 135

HSL 175.5, 0.71%, 0.33%

LAB 53.91, -32.81, -4.13

 

CMYK 83 / 0 / 6 / 30

HEX #1EB3A8

RGB 30 179 168

HSL 175.57, 0.71%, 0.41%

LAB 66.02, -38.7, -4.89

 

CMYK 83 / 0 / 6 / 57

HEX #126C66

RGB 18.1 108.8 102

HSL 175.5, 0.71%, 0.25%

LAB 41.19, -26.5, -3.43

 

CMYK 73 / 83 / 0 / 57

HEX #1D126D

RGB 29 18 109

HSL 247.25, 0.72%, 0.25%

LAB 14.39, 35.09, -50.05

 

CMYK 0 / 40 / 83 / 57

HEX #6D4112

RGB 109 65 18

HSL 30.99, 0.72%, 0.25%

LAB 31.98, 15.08, 34.77

 

CMYK 83 / 0 / 6 / 57

HEX #126C66

RGB 18.1 108.8 102

HSL 175.5, 0.71%, 0.25%

LAB 41.19, -26.5, -3.43

 

CMYK 7 / 83 / 0 / 57

HEX #65126D

RGB 101 18 109

HSL 294.73, 0.72%, 0.25%

LAB 24.65, 47, -32.88

 

CMYK 0 / 7 / 83 / 57

HEX #6D6512

RGB 109 101 18

HSL 54.73, 0.72%, 0.25%

LAB 42.16, -6.51, 44.03

 

CMYK 83 / 0 / 6 / 57

HEX #126C66

RGB 18.1 108.8 102

HSL 175.5, 0.71%, 0.25%

LAB 41.19, -26.5, -3.43

 

CMYK 73 / 83 / 0 / 57

HEX #1D126D

RGB 29 18 109

HSL 247.25, 0.72%, 0.25%

LAB 14.39, 35.09, -50.05

 

CMYK 0 / 83 / 76 / 57

HEX #6D121A

RGB 109 18 26

HSL 354.73, 0.72%, 0.25%

LAB 22.86, 39.16, 20.71

 

CMYK 10 / 0 / 83 / 57

HEX #626D12

RGB 98 109 18

HSL 67.25, 0.72%, 0.25%

LAB 43.62, -16.2, 44.96

 

CMYK 83 / 0 / 6 / 57

HEX #126C66

RGB 18.1 108.8 102

HSL 175.5, 0.71%, 0.25%

LAB 41.19, -26.5, -3.43

 

CMYK 49 / 83 / 0 / 57

HEX #38126D

RGB 56 18 109

HSL 265.05, 0.72%, 0.25%

LAB 17.36, 38.54, -45.05

 

CMYK 0 / 83 / 76 / 57

HEX #6D121A

RGB 109 18 26

HSL 354.73, 0.72%, 0.25%

LAB 22.86, 39.16, 20.71

 

CMYK 35 / 0 / 83 / 57

HEX #476D12

RGB 71 109 18

HSL 85.05, 0.72%, 0.25%

LAB 41.72, -28.08, 42.53

 

Description

Color code: RGB 18.1 108.8 102 | qconv.com Color code: RGB 18.1 108.8 102 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18.1 red, 108.8 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18.1 108.8 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 6 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 6% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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