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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 62 85 it is the complementary color RGB 238 193 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 62 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 62 85 shade: RGB 22 62 80, RGB 39 80 99, RGB 56 98 118, RGB 73 116 137 and RGB 90 134 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 62 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 0 44 66, RGB 0 26 47, RGB 0 8 28 and RGB 0 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 17 44 85, RGB 17 25 85, RGB 27 17 85 and RGB 45 17 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 17 44 85, RGB 17 25 85 and RGB 17 17 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 62 85 shade matches the following richer shades: RGB 17 62 85, RGB 9 65 93 and RGB 0 67 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 25 59 77, RGB 33 57 69, RGB 42 54 60 and RGB 50 51 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 62 85 shade: RGB 17 85 72, RGB 17 81 85, RGB 17 62 85, RGB 17 44 85 and RGB 17 26 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 62 85 shade: RGB 3 12 16, RGB 10 37 51, RGB 17 62 85, RGB 24 87 120 and RGB 30 112 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 53 17 85 and RGB 85 81 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 85 17 62 and RGB 62 85 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 53 17 85, RGB 85 40 17 and RGB 49 85 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 62 85 shade: RGB 17 62 85, RGB 74 17 85, RGB 85 40 17 and RGB 28 85 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

Complementary color

CMYK 0 / 19 / 29 / 7

HEX #EEC1AA

RGB 238 193 170

HSL 20.29, 0.67%, 0.8%

LAB 81.41, 12.78, 17.65

 

CMYK 73 / 23 / 0 / 69

HEX #163E50

RGB 22 62 80

HSL 198.62, 0.57%, 0.2%

LAB 24.31, -7.36, -15.02

 

CMYK 61 / 19 / 0 / 61

HEX #275063

RGB 39 80 99

HSL 199, 0.43%, 0.27%

LAB 31.96, -8.13, -15.42

 

CMYK 53 / 17 / 0 / 54

HEX #386276

RGB 56 98 118

HSL 199.35, 0.36%, 0.34%

LAB 39.38, -8.59, -15.78

 

CMYK 47 / 15 / 0 / 46

HEX #497489

RGB 73 116 137

HSL 199.69, 0.3%, 0.41%

LAB 46.6, -8.88, -16.14

 

CMYK 42 / 14 / 0 / 39

HEX #5A869C

RGB 90 134 156

HSL 200, 0.27%, 0.48%

LAB 53.63, -9.09, -16.49

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 100 / 33 / 0 / 74

HEX #002C42

RGB 0 44 66

HSL 200, 1%, 0.13%

LAB 16.48, -4.67, -17.84

 

CMYK 100 / 45 / 0 / 82

HEX #001A2F

RGB 0 26 47

HSL 206.81, 1%, 0.09%

LAB 8.52, -0.58, -16.94

 

CMYK 100 / 71 / 0 / 89

HEX #00081C

RGB 0 8 28

HSL 222.86, 1%, 0.05%

LAB 2.33, 2.12, -12.06

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 80 / 48 / 0 / 67

HEX #112C55

RGB 17 44 85

HSL 216.18, 0.67%, 0.2%

LAB 18.26, 6.22, -27.88

 

CMYK 80 / 71 / 0 / 67

HEX #111955

RGB 17 25 85

HSL 232.94, 0.67%, 0.2%

LAB 12.42, 20.4, -37.35

 

CMYK 68 / 80 / 0 / 67

HEX #1B1155

RGB 27 17 85

HSL 248.82, 0.67%, 0.2%

LAB 11.2, 27.2, -39.31

 

CMYK 47 / 80 / 0 / 67

HEX #2D1155

RGB 45 17 85

HSL 264.71, 0.67%, 0.2%

LAB 13.32, 30.26, -35.76

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 80 / 48 / 0 / 67

HEX #112C55

RGB 17 44 85

HSL 216.18, 0.67%, 0.2%

LAB 18.26, 6.22, -27.88

 

CMYK 80 / 71 / 0 / 67

HEX #111955

RGB 17 25 85

HSL 232.94, 0.67%, 0.2%

LAB 12.42, 20.4, -37.35

 

CMYK 80 / 80 / 0 / 67

HEX #111155

RGB 17 17 85

HSL 240, 0.67%, 0.2%

LAB 10.38, 25.96, -40.7

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 90 / 30 / 0 / 64

HEX #09415D

RGB 9 65 93

HSL 200, 0.82%, 0.2%

LAB 25.65, -5.92, -21.45

 

CMYK 100 / 34 / 0 / 60

HEX #004366

RGB 0 67 102

HSL 200.59, 1%, 0.2%

LAB 26.66, -4.27, -25.68

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 68 / 23 / 0 / 70

HEX #193B4D

RGB 25 59 77

HSL 200.77, 0.51%, 0.2%

LAB 23.24, -5.94, -14.67

 

CMYK 52 / 17 / 0 / 73

HEX #213945

RGB 33 57 69

HSL 200, 0.35%, 0.2%

LAB 22.58, -5.45, -10.31

 

CMYK 30 / 10 / 0 / 76

HEX #2A363C

RGB 42 54 60

HSL 200, 0.18%, 0.2%

LAB 21.79, -3.31, -5.4

 

CMYK 4 / 2 / 0 / 80

HEX #323334

RGB 50 51 52

HSL 210, 0.02%, 0.2%

LAB 21.18, -0.2, -0.79

 

CMYK 80 / 0 / 15 / 67

HEX #115548

RGB 17 85 72

HSL 168.53, 0.67%, 0.2%

LAB 32, -24.02, 1.68

 

CMYK 80 / 5 / 0 / 67

HEX #115155

RGB 17 81 85

HSL 183.53, 0.67%, 0.2%

LAB 31.02, -17.69, -8.03

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 80 / 48 / 0 / 67

HEX #112C55

RGB 17 44 85

HSL 216.18, 0.67%, 0.2%

LAB 18.26, 6.22, -27.88

 

CMYK 80 / 69 / 0 / 67

HEX #111A55

RGB 17 26 85

HSL 232.06, 0.67%, 0.2%

LAB 12.7, 19.67, -36.89

 

CMYK 81 / 25 / 0 / 94

HEX #030C10

RGB 3 12 16

HSL 198.46, 0.68%, 0.04%

LAB 2.89, -1.69, -2.72

 

CMYK 80 / 27 / 0 / 80

HEX #0A2533

RGB 10 37 51

HSL 200.49, 0.67%, 0.12%

LAB 13.39, -4.58, -12.14

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 80 / 28 / 0 / 53

HEX #185778

RGB 24 87 120

HSL 200.63, 0.67%, 0.28%

LAB 34.74, -7.37, -24.3

 

CMYK 81 / 27 / 0 / 40

HEX #1E709A

RGB 30 112 154

HSL 200.32, 0.67%, 0.36%

LAB 44.51, -8.88, -29.56

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 38 / 80 / 0 / 67

HEX #351155

RGB 53 17 85

HSL 271.76, 0.67%, 0.2%

LAB 14.48, 31.89, -33.83

 

CMYK 0 / 5 / 80 / 67

HEX #555111

RGB 85 81 17

HSL 56.47, 0.67%, 0.2%

LAB 33.68, -6.68, 35.78

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 0 / 80 / 27 / 67

HEX #55113E

RGB 85 17 62

HSL 320.29, 0.67%, 0.2%

LAB 18.71, 35.4, -10.9

 

CMYK 27 / 0 / 80 / 67

HEX #3E5511

RGB 62 85 17

HSL 80.29, 0.67%, 0.2%

LAB 33.05, -19.98, 34.5

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 38 / 80 / 0 / 67

HEX #351155

RGB 53 17 85

HSL 271.76, 0.67%, 0.2%

LAB 14.48, 31.89, -33.83

 

CMYK 0 / 53 / 80 / 67

HEX #552811

RGB 85 40 17

HSL 20.29, 0.67%, 0.2%

LAB 21.91, 18.91, 24.02

 

CMYK 42 / 0 / 80 / 67

HEX #315511

RGB 49 85 17

HSL 91.76, 0.67%, 0.2%

LAB 32.24, -25.49, 33.43

 

CMYK 80 / 27 / 0 / 67

HEX #113E55

RGB 17 62 85

HSL 200.29, 0.67%, 0.2%

LAB 24.39, -6.27, -18.19

 

CMYK 13 / 80 / 0 / 67

HEX #4A1155

RGB 74 17 85

HSL 290.29, 0.67%, 0.2%

LAB 17.98, 36.61, -28

 

CMYK 0 / 53 / 80 / 67

HEX #552811

RGB 85 40 17

HSL 20.29, 0.67%, 0.2%

LAB 21.91, 18.91, 24.02

 

CMYK 67 / 0 / 80 / 67

HEX #1C5511

RGB 28 85 17

HSL 110.29, 0.67%, 0.2%

LAB 31.31, -32.53, 32.2

 

Description

Color code: RGB 17 62 85 | qconv.com Color code: RGB 17 62 85 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 62 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 62 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 27 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 27% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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