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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 53 148 it is the complementary color RGB 238 202 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 53 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 53 148 shade: RGB 22 53 143, RGB 39 71 162, RGB 56 89 181, RGB 73 107 200 and RGB 90 125 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 53 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 53 148 shade: RGB 17 53 148, RGB 0 35 129, RGB 0 17 110, RGB 0 0 91 and RGB 0 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 53 148 shade: RGB 17 53 146, RGB 17 18 146, RGB 51 17 146, RGB 86 17 146 and RGB 121 17 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 53 148 shade: RGB 17 53 146, RGB 17 18 146 and RGB 17 17 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 53 148 shade matches the following richer shades: RGB 17 53 146 and RGB 4 47 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 53 148 shade: RGB 17 53 146, RGB 30 59 133, RGB 44 64 120, RGB 57 70 106 and RGB 70 76 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 53 148 shade: RGB 17 122 146, RGB 17 88 146, RGB 17 54 146, RGB 17 19 146 and RGB 49 17 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 53 148 shade: RGB 8 26 72, RGB 13 39 109, RGB 17 53 146, RGB 21 66 183 and RGB 26 79 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 53 148 shade: RGB 17 53 148, RGB 135 17 146 and RGB 105 146 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 53 148 shade: RGB 17 53 148, RGB 146 17 54 and RGB 54 146 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 53 148 shade: RGB 17 53 148, RGB 135 17 146, RGB 146 110 17 and RGB 28 146 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 53 148 shade: RGB 17 53 148, RGB 146 17 118, RGB 146 110 17 and RGB 17 146 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 64 / 0 / 42

HEX #113594

RGB 17 53 148

HSL 223.51, 0.79%, 0.32%

LAB 26.17, 26.31, -55.36

 

Complementary color

CMYK 0 / 15 / 55 / 7

HEX #EECA6B

RGB 238 202 107

HSL 43.51, 0.79%, 0.68%

LAB 82.64, 1.45, 51.53

 

CMYK 85 / 63 / 0 / 44

HEX #16358F

RGB 22 53 143

HSL 224.63, 0.73%, 0.32%

LAB 25.86, 24.68, -52.77

 

CMYK 76 / 56 / 0 / 36

HEX #2747A2

RGB 39 71 162

HSL 224.39, 0.61%, 0.39%

LAB 33.02, 21.65, -52.66

 

CMYK 69 / 51 / 0 / 29

HEX #3859B5

RGB 56 89 181

HSL 224.16, 0.53%, 0.46%

LAB 40.12, 19.27, -52.43

 

CMYK 64 / 47 / 0 / 22

HEX #496BC8

RGB 73 107 200

HSL 223.94, 0.54%, 0.54%

LAB 47.11, 17.39, -52.17

 

CMYK 59 / 43 / 0 / 14

HEX #5A7DDB

RGB 90 125 219

HSL 223.72, 0.64%, 0.61%

LAB 53.98, 15.86, -51.94

 

CMYK 89 / 64 / 0 / 42

HEX #113594

RGB 17 53 148

HSL 223.51, 0.79%, 0.32%

LAB 26.17, 26.31, -55.36

 

CMYK 100 / 73 / 0 / 49

HEX #002381

RGB 0 35 129

HSL 223.72, 1%, 0.25%

LAB 19.17, 30.13, -55.04

 

CMYK 100 / 85 / 0 / 57

HEX #00116E

RGB 0 17 110

HSL 230.73, 1%, 0.22%

LAB 12.78, 34.24, -53.42

 

CMYK 100 / 100 / 0 / 64

HEX #00005B

RGB 0 0 91

HSL 240, 1%, 0.18%

LAB 6.82, 37.05, -50.72

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 88 / 64 / 0 / 43

HEX #113592

RGB 17 53 146

HSL 223.26, 0.79%, 0.32%

LAB 25.98, 25.51, -54.43

 

CMYK 88 / 88 / 0 / 43

HEX #111292

RGB 17 18 146

HSL 239.53, 0.79%, 0.32%

LAB 18.48, 46.34, -66.82

 

CMYK 65 / 88 / 0 / 43

HEX #331192

RGB 51 17 146

HSL 255.81, 0.79%, 0.32%

LAB 20.75, 48.69, -62.98

 

CMYK 41 / 88 / 0 / 43

HEX #561192

RGB 86 17 146

HSL 272.09, 0.79%, 0.32%

LAB 25.12, 52.55, -55.63

 

CMYK 17 / 88 / 0 / 43

HEX #791192

RGB 121 17 146

HSL 288.37, 0.79%, 0.32%

LAB 30.74, 57.95, -46.23

 

CMYK 88 / 64 / 0 / 43

HEX #113592

RGB 17 53 146

HSL 223.26, 0.79%, 0.32%

LAB 25.98, 25.51, -54.43

 

CMYK 88 / 88 / 0 / 43

HEX #111292

RGB 17 18 146

HSL 239.53, 0.79%, 0.32%

LAB 18.48, 46.34, -66.82

 

CMYK 88 / 88 / 0 / 43

HEX #111192

RGB 17 17 146

HSL 240, 0.79%, 0.32%

LAB 18.34, 46.75, -67.05

 

CMYK 88 / 64 / 0 / 43

HEX #113592

RGB 17 53 146

HSL 223.26, 0.79%, 0.32%

LAB 25.98, 25.51, -54.43

 

CMYK 97 / 70 / 0 / 38

HEX #042F9F

RGB 4 47 159

HSL 223.35, 0.95%, 0.32%

LAB 25.45, 34.12, -63.28

 

CMYK 88 / 64 / 0 / 43

HEX #113592

RGB 17 53 146

HSL 223.26, 0.79%, 0.32%

LAB 25.98, 25.51, -54.43

 

CMYK 77 / 56 / 0 / 48

HEX #1E3B85

RGB 30 59 133

HSL 223.11, 0.63%, 0.32%

LAB 27.01, 17.31, -44.68

 

CMYK 63 / 47 / 0 / 53

HEX #2C4078

RGB 44 64 120

HSL 224.21, 0.46%, 0.32%

LAB 28.27, 11.13, -34.47

 

CMYK 46 / 34 / 0 / 58

HEX #39466A

RGB 57 70 106

HSL 224.08, 0.3%, 0.32%

LAB 30.13, 5.39, -22.61

 

CMYK 25 / 18 / 0 / 64

HEX #464C5D

RGB 70 76 93

HSL 224.35, 0.14%, 0.32%

LAB 32.39, 1.84, -10.78

 

CMYK 88 / 16 / 0 / 43

HEX #117A92

RGB 17 122 146

HSL 191.16, 0.79%, 0.32%

LAB 47.12, -18.64, -20.8

 

CMYK 88 / 40 / 0 / 43

HEX #115892

RGB 17 88 146

HSL 206.98, 0.79%, 0.32%

LAB 36.32, 1.62, -37.73

 

CMYK 88 / 63 / 0 / 43

HEX #113692

RGB 17 54 146

HSL 222.79, 0.79%, 0.32%

LAB 26.25, 24.82, -53.99

 

CMYK 88 / 87 / 0 / 43

HEX #111392

RGB 17 19 146

HSL 239.07, 0.79%, 0.32%

LAB 18.63, 45.9, -66.58

 

CMYK 66 / 88 / 0 / 43

HEX #311192

RGB 49 17 146

HSL 254.88, 0.79%, 0.32%

LAB 20.55, 48.53, -63.32

 

CMYK 89 / 64 / 0 / 72

HEX #081A48

RGB 8 26 72

HSL 223.13, 0.8%, 0.16%

LAB 10.98, 12.89, -30.79

 

CMYK 88 / 64 / 0 / 57

HEX #0D276D

RGB 13 39 109

HSL 223.75, 0.79%, 0.24%

LAB 18.54, 19.82, -43.24

 

CMYK 88 / 64 / 0 / 43

HEX #113592

RGB 17 53 146

HSL 223.26, 0.79%, 0.32%

LAB 25.98, 25.51, -54.43

 

CMYK 89 / 64 / 0 / 28

HEX #1542B7

RGB 21 66 183

HSL 223.33, 0.79%, 0.4%

LAB 32.86, 31.59, -65.47

 

CMYK 88 / 64 / 0 / 14

HEX #1A4FDC

RGB 26 79 220

HSL 223.61, 0.79%, 0.48%

LAB 39.54, 37.46, -76

 

CMYK 89 / 64 / 0 / 42

HEX #113594

RGB 17 53 148

HSL 223.51, 0.79%, 0.32%

LAB 26.17, 26.31, -55.36

 

CMYK 8 / 88 / 0 / 43

HEX #871192

RGB 135 17 146

HSL 294.88, 0.79%, 0.32%

LAB 33.19, 60.42, -42.15

 

CMYK 28 / 0 / 88 / 43

HEX #699211

RGB 105 146 17

HSL 79.07, 0.79%, 0.32%

LAB 55.69, -31.74, 55.85

 

CMYK 89 / 64 / 0 / 42

HEX #113594

RGB 17 53 148

HSL 223.51, 0.79%, 0.32%

LAB 26.17, 26.31, -55.36

 

CMYK 0 / 88 / 63 / 43

HEX #921136

RGB 146 17 54

HSL 342.79, 0.79%, 0.32%

LAB 31.3, 51.89, 14.36

 

CMYK 63 / 0 / 88 / 43

HEX #369211

RGB 54 146 17

HSL 102.79, 0.79%, 0.32%

LAB 53.37, -48.85, 52.94

 

CMYK 89 / 64 / 0 / 42

HEX #113594

RGB 17 53 148

HSL 223.51, 0.79%, 0.32%

LAB 26.17, 26.31, -55.36

 

CMYK 8 / 88 / 0 / 43

HEX #871192

RGB 135 17 146

HSL 294.88, 0.79%, 0.32%

LAB 33.19, 60.42, -42.15

 

CMYK 0 / 25 / 88 / 43

HEX #926E11

RGB 146 110 17

HSL 43.26, 0.79%, 0.32%

LAB 48.64, 6, 51.41

 

CMYK 81 / 0 / 88 / 43

HEX #1C9211

RGB 28 146 17

HSL 114.88, 0.79%, 0.32%

LAB 52.78, -53.85, 52.2

 

CMYK 89 / 64 / 0 / 42

HEX #113594

RGB 17 53 148

HSL 223.51, 0.79%, 0.32%

LAB 26.17, 26.31, -55.36

 

CMYK 0 / 88 / 19 / 43

HEX #921176

RGB 146 17 118

HSL 313.02, 0.79%, 0.32%

LAB 33.6, 58.32, -23.92

 

CMYK 0 / 25 / 88 / 43

HEX #926E11

RGB 146 110 17

HSL 43.26, 0.79%, 0.32%

LAB 48.64, 6, 51.41

 

CMYK 88 / 0 / 69 / 43

HEX #11922D

RGB 17 146 45

HSL 133.02, 0.79%, 0.32%

LAB 52.8, -53.02, 42.81

 

Description

Color code: RGB 17 53 148 | qconv.com Color code: RGB 17 53 148 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 53 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 53 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 64 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 64% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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