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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 233 197 it is the complementary color RGB 238 22 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 233 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 233 197 shade: RGB 22 233 192, RGB 39 251 211, RGB 56 255 230, RGB 73 255 249 and RGB 90 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 233 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 233 197 shade: RGB 17 233 197, RGB 0 215 178, RGB 0 197 159, RGB 0 179 140 and RGB 0 161 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 233 197 shade: RGB 17 232 197, RGB 17 232 139, RGB 17 232 81, RGB 17 232 23 and RGB 70 232 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 233 197 shade: RGB 17 232 197, RGB 17 210 232, RGB 17 152 232, RGB 17 94 232 and RGB 17 36 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 233 197 shade matches the following richer shades: RGB 17 232 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 233 197 shade: RGB 17 232 197, RGB 38 212 183, RGB 58 192 170, RGB 78 172 156 and RGB 98 152 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 233 197 shade: RGB 17 232 82, RGB 17 232 139, RGB 17 232 197, RGB 17 211 232 and RGB 17 154 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 233 197 shade: RGB 12 156 132, RGB 15 194 164, RGB 17 232 197, RGB 51 240 208 and RGB 90 243 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 233 197 shade: RGB 17 233 197, RGB 25 17 232 and RGB 232 111 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 233 197 shade: RGB 17 233 197, RGB 197 17 232 and RGB 232 197 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 233 197 shade: RGB 17 233 197, RGB 25 17 232, RGB 232 17 53 and RGB 225 232 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 233 197 shade: RGB 17 233 197, RGB 89 17 232, RGB 232 17 53 and RGB 161 232 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 15 / 9

HEX #11E9C5

RGB 17 233 197

HSL 170, 0.86%, 0.49%

LAB 83.14, -54.37, 4.46

 

Complementary color

CMYK 0 / 91 / 76 / 7

HEX #EE163A

RGB 238 22 58

HSL 350, 0.86%, 0.51%

LAB 50.75, 75.07, 39.98

 

CMYK 91 / 0 / 18 / 9

HEX #16E9C0

RGB 22 233 192

HSL 168.34, 0.83%, 0.5%

LAB 83.05, -55.44, 6.96

 

CMYK 84 / 0 / 16 / 2

HEX #27FBD3

RGB 39 251 211

HSL 168.68, 0.96%, 0.57%

LAB 88.98, -56.87, 5.6

 

CMYK 78 / 0 / 10 / 0

HEX #38FFE6

RGB 56 255 230

HSL 172.46, 1%, 0.61%

LAB 90.81, -52.32, -1.58

 

CMYK 71 / 0 / 2 / 0

HEX #49FFF9

RGB 73 255 249

HSL 178.02, 1%, 0.64%

LAB 91.58, -45.54, -10.26

 

CMYK 65 / 0 / 0 / 0

HEX #5AFFFF

RGB 90 255 255

HSL 180, 1%, 0.68%

LAB 92.09, -41.76, -12.58

 

CMYK 93 / 0 / 15 / 9

HEX #11E9C5

RGB 17 233 197

HSL 170, 0.86%, 0.49%

LAB 83.14, -54.37, 4.46

 

CMYK 100 / 0 / 17 / 16

HEX #00D7B2

RGB 0 215 178

HSL 169.67, 1%, 0.42%

LAB 77.17, -52.55, 5.91

 

CMYK 100 / 0 / 19 / 23

HEX #00C59F

RGB 0 197 159

HSL 168.43, 1%, 0.39%

LAB 71.17, -50.23, 7.52

 

CMYK 100 / 0 / 22 / 30

HEX #00B38C

RGB 0 179 140

HSL 166.93, 1%, 0.35%

LAB 65.07, -47.87, 9.2

 

CMYK 100 / 0 / 25 / 37

HEX #00A179

RGB 0 161 121

HSL 165.09, 1%, 0.32%

LAB 58.85, -45.45, 10.95

 

CMYK 93 / 0 / 15 / 9

HEX #11E8C5

RGB 17 232 197

HSL 170.23, 0.86%, 0.49%

LAB 82.84, -53.97, 4.02

 

CMYK 93 / 0 / 40 / 9

HEX #11E88B

RGB 17 232 139

HSL 154.05, 0.86%, 0.49%

LAB 81.67, -66.95, 32.49

 

CMYK 93 / 0 / 65 / 9

HEX #11E851

RGB 17 232 81

HSL 137.86, 0.86%, 0.49%

LAB 80.98, -75.41, 58.56

 

CMYK 93 / 0 / 90 / 9

HEX #11E817

RGB 17 232 23

HSL 121.67, 0.86%, 0.49%

LAB 80.68, -79.18, 75.14

 

CMYK 70 / 0 / 93 / 9

HEX #46E811

RGB 70 232 17

HSL 105.21, 0.86%, 0.49%

LAB 81.32, -73.54, 76.76

 

CMYK 93 / 0 / 15 / 9

HEX #11E8C5

RGB 17 232 197

HSL 170.23, 0.86%, 0.49%

LAB 82.84, -53.97, 4.02

 

CMYK 93 / 9 / 0 / 9

HEX #11D2E8

RGB 17 210 232

HSL 186.14, 0.86%, 0.49%

LAB 77.3, -34.34, -22.85

 

CMYK 93 / 34 / 0 / 9

HEX #1198E8

RGB 17 152 232

HSL 202.33, 0.86%, 0.49%

LAB 60.25, -3.99, -49.35

 

CMYK 93 / 59 / 0 / 9

HEX #115EE8

RGB 17 94 232

HSL 218.51, 0.86%, 0.49%

LAB 44.16, 32, -75.26

 

CMYK 93 / 84 / 0 / 9

HEX #1124E8

RGB 17 36 232

HSL 234.7, 0.86%, 0.49%

LAB 32.27, 64.67, -94.89

 

CMYK 93 / 0 / 15 / 9

HEX #11E8C5

RGB 17 232 197

HSL 170.23, 0.86%, 0.49%

LAB 82.84, -53.97, 4.02

 

CMYK 93 / 0 / 15 / 9

HEX #11E8C5

RGB 17 232 197

HSL 170.23, 0.86%, 0.49%

LAB 82.84, -53.97, 4.02

 

CMYK 82 / 0 / 14 / 17

HEX #26D4B7

RGB 38 212 183

HSL 170, 0.7%, 0.49%

LAB 76.63, -48.23, 2.48

 

CMYK 70 / 0 / 11 / 25

HEX #3AC0AA

RGB 58 192 170

HSL 170.15, 0.54%, 0.49%

LAB 70.53, -40.86, 0.68

 

CMYK 55 / 0 / 9 / 33

HEX #4EAC9C

RGB 78 172 156

HSL 169.79, 0.38%, 0.49%

LAB 64.58, -31.78, -0.2

 

CMYK 36 / 0 / 6 / 40

HEX #62988F

RGB 98 152 143

HSL 170, 0.22%, 0.49%

LAB 59.01, -19.97, -0.94

 

CMYK 93 / 0 / 65 / 9

HEX #11E852

RGB 17 232 82

HSL 138.14, 0.86%, 0.49%

LAB 80.98, -75.31, 58.16

 

CMYK 93 / 0 / 40 / 9

HEX #11E88B

RGB 17 232 139

HSL 154.05, 0.86%, 0.49%

LAB 81.67, -66.95, 32.49

 

CMYK 93 / 0 / 15 / 9

HEX #11E8C5

RGB 17 232 197

HSL 170.23, 0.86%, 0.49%

LAB 82.84, -53.97, 4.02

 

CMYK 93 / 9 / 0 / 9

HEX #11D3E8

RGB 17 211 232

HSL 185.86, 0.86%, 0.49%

LAB 77.6, -34.81, -22.4

 

CMYK 93 / 34 / 0 / 9

HEX #119AE8

RGB 17 154 232

HSL 201.77, 0.86%, 0.49%

LAB 60.83, -5.14, -48.43

 

CMYK 92 / 0 / 15 / 39

HEX #0C9C84

RGB 12 156 132

HSL 170, 0.86%, 0.33%

LAB 57.58, -39.9, 2.94

 

CMYK 92 / 0 / 15 / 24

HEX #0FC2A4

RGB 15 194 164

HSL 169.94, 0.86%, 0.41%

LAB 70.43, -47.19, 3.75

 

CMYK 93 / 0 / 15 / 9

HEX #11E8C5

RGB 17 232 197

HSL 170.23, 0.86%, 0.49%

LAB 82.84, -53.97, 4.02

 

CMYK 79 / 0 / 13 / 6

HEX #33F0D0

RGB 51 240 208

HSL 169.84, 0.86%, 0.57%

LAB 85.8, -52.24, 2.56

 

CMYK 63 / 0 / 11 / 5

HEX #5AF3D9

RGB 90 243 217

HSL 169.8, 0.86%, 0.65%

LAB 87.62, -46.3, 0.6

 

CMYK 93 / 0 / 15 / 9

HEX #11E9C5

RGB 17 233 197

HSL 170, 0.86%, 0.49%

LAB 83.14, -54.37, 4.46

 

CMYK 89 / 93 / 0 / 9

HEX #1911E8

RGB 25 17 232

HSL 242.23, 0.86%, 0.49%

LAB 30.48, 70.85, -97.88

 

CMYK 0 / 52 / 93 / 9

HEX #E86F11

RGB 232 111 17

HSL 26.23, 0.86%, 0.49%

LAB 60.4, 42.46, 65.31

 

CMYK 93 / 0 / 15 / 9

HEX #11E9C5

RGB 17 233 197

HSL 170, 0.86%, 0.49%

LAB 83.14, -54.37, 4.46

 

CMYK 15 / 93 / 0 / 9

HEX #C511E8

RGB 197 17 232

HSL 290.23, 0.86%, 0.49%

LAB 49.61, 84.85, -65.71

 

CMYK 0 / 15 / 93 / 9

HEX #E8C511

RGB 232 197 17

HSL 50.23, 0.86%, 0.49%

LAB 80.25, -2.44, 79.66

 

CMYK 93 / 0 / 15 / 9

HEX #11E9C5

RGB 17 233 197

HSL 170, 0.86%, 0.49%

LAB 83.14, -54.37, 4.46

 

CMYK 89 / 93 / 0 / 9

HEX #1911E8

RGB 25 17 232

HSL 242.23, 0.86%, 0.49%

LAB 30.48, 70.85, -97.88

 

CMYK 0 / 93 / 77 / 9

HEX #E81135

RGB 232 17 53

HSL 349.95, 0.86%, 0.49%

LAB 49.27, 74.03, 40.87

 

CMYK 3 / 0 / 93 / 9

HEX #E1E811

RGB 225 232 17

HSL 61.95, 0.86%, 0.49%

LAB 88.81, -22.83, 85.88

 

CMYK 93 / 0 / 15 / 9

HEX #11E9C5

RGB 17 233 197

HSL 170, 0.86%, 0.49%

LAB 83.14, -54.37, 4.46

 

CMYK 62 / 93 / 0 / 9

HEX #5911E8

RGB 89 17 232

HSL 260.09, 0.86%, 0.49%

LAB 34.7, 73.22, -90.74

 

CMYK 0 / 93 / 77 / 9

HEX #E81135

RGB 232 17 53

HSL 349.95, 0.86%, 0.49%

LAB 49.27, 74.03, 40.87

 

CMYK 31 / 0 / 93 / 9

HEX #A1E811

RGB 161 232 17

HSL 79.81, 0.86%, 0.49%

LAB 84.65, -48.07, 80.85

 

Description

Color code: RGB 17 233 197 | qconv.com Color code: RGB 17 233 197 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 233 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 233 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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