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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 196 196 it is the complementary color RGB 238 59 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 196 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 196 196 shade: RGB 22 196 191, RGB 39 214 210, RGB 56 232 229, RGB 73 250 248 and RGB 90 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 196 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 196 196 shade: RGB 17 196 196, RGB 0 178 177, RGB 0 160 158, RGB 0 142 139 and RGB 0 124 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 196 196 shade: RGB 17 197 197, RGB 17 197 148, RGB 17 197 100, RGB 17 197 51 and RGB 31 197 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 196 196 shade: RGB 17 197 197, RGB 17 148 197, RGB 17 100 197, RGB 17 51 197 and RGB 17 17 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 196 196 shade matches the following richer shades: RGB 17 197 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 196 196 shade: RGB 17 197 197, RGB 34 179 179, RGB 51 162 162, RGB 69 145 145 and RGB 86 127 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 196 196 shade: RGB 17 197 101, RGB 17 197 149, RGB 17 197 197, RGB 17 149 197 and RGB 17 101 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 196 196 shade: RGB 10 121 121, RGB 13 159 159, RGB 17 197 197, RGB 20 234 234 and RGB 58 237 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 196 196 shade: RGB 17 196 196, RGB 53 17 197 and RGB 197 125 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 196 196 shade: RGB 17 196 196, RGB 197 17 197 and RGB 197 197 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 196 196 shade: RGB 17 196 196, RGB 53 17 197, RGB 197 17 17 and RGB 161 197 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 196 196 shade: RGB 17 196 196, RGB 107 17 197, RGB 197 17 17 and RGB 107 197 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 0 / 23

HEX #11C4C4

RGB 17 196 196

HSL 180, 0.84%, 0.42%

LAB 71.95, -38.91, -11.47

 

Complementary color

CMYK 0 / 75 / 75 / 7

HEX #EE3B3B

RGB 238 59 59

HSL 0, 0.84%, 0.58%

LAB 53.62, 66.99, 42.57

 

CMYK 89 / 0 / 3 / 23

HEX #16C4BF

RGB 22 196 191

HSL 178.28, 0.8%, 0.43%

LAB 71.83, -40.16, -8.91

 

CMYK 82 / 0 / 2 / 16

HEX #27D6D2

RGB 39 214 210

HSL 178.63, 0.69%, 0.5%

LAB 77.98, -41.6, -10.01

 

CMYK 76 / 0 / 1 / 9

HEX #38E8E5

RGB 56 232 229

HSL 178.98, 0.79%, 0.56%

LAB 84.08, -42.73, -11.01

 

CMYK 71 / 0 / 1 / 2

HEX #49FAF8

RGB 73 250 248

HSL 179.32, 0.95%, 0.63%

LAB 90.12, -43.62, -11.92

 

CMYK 65 / 0 / 0 / 0

HEX #5AFFFF

RGB 90 255 255

HSL 180, 1%, 0.68%

LAB 92.09, -41.76, -12.58

 

CMYK 91 / 0 / 0 / 23

HEX #11C4C4

RGB 17 196 196

HSL 180, 0.84%, 0.42%

LAB 71.95, -38.91, -11.47

 

CMYK 100 / 0 / 1 / 30

HEX #00B2B1

RGB 0 178 177

HSL 179.66, 1%, 0.35%

LAB 65.76, -37.02, -10.29

 

CMYK 100 / 0 / 1 / 37

HEX #00A09E

RGB 0 160 158

HSL 179.25, 1%, 0.31%

LAB 59.53, -34.56, -8.94

 

CMYK 100 / 0 / 2 / 44

HEX #008E8B

RGB 0 142 139

HSL 178.73, 1%, 0.28%

LAB 53.18, -32.05, -7.55

 

CMYK 100 / 0 / 3 / 51

HEX #007C78

RGB 0 124 120

HSL 178.06, 1%, 0.24%

LAB 46.67, -29.49, -6.11

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 91 / 0 / 25 / 23

HEX #11C594

RGB 17 197 148

HSL 163.67, 0.84%, 0.42%

LAB 71, -52.35, 13.24

 

CMYK 91 / 0 / 49 / 23

HEX #11C564

RGB 17 197 100

HSL 147.67, 0.84%, 0.42%

LAB 70.16, -62.07, 37.22

 

CMYK 91 / 0 / 74 / 23

HEX #11C533

RGB 17 197 51

HSL 131.33, 0.84%, 0.42%

LAB 69.68, -68.01, 58.05

 

CMYK 84 / 0 / 91 / 23

HEX #1FC511

RGB 31 197 17

HSL 115.33, 0.84%, 0.42%

LAB 69.66, -68.72, 66.75

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 91 / 25 / 0 / 23

HEX #1194C5

RGB 17 148 197

HSL 196.33, 0.84%, 0.42%

LAB 57.4, -14.57, -34.28

 

CMYK 91 / 49 / 0 / 23

HEX #1164C5

RGB 17 100 197

HSL 212.33, 0.84%, 0.42%

LAB 43.16, 14.4, -56.9

 

CMYK 91 / 74 / 0 / 23

HEX #1133C5

RGB 17 51 197

HSL 228.67, 0.84%, 0.42%

LAB 30.68, 46.03, -77.31

 

CMYK 91 / 91 / 0 / 23

HEX #1111C5

RGB 17 17 197

HSL 240, 0.84%, 0.42%

LAB 25.42, 61.47, -86.07

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 81 / 0 / 0 / 30

HEX #22B3B3

RGB 34 179 179

HSL 180, 0.68%, 0.42%

LAB 66.39, -35.14, -10.42

 

CMYK 69 / 0 / 0 / 36

HEX #33A2A2

RGB 51 162 162

HSL 180, 0.52%, 0.42%

LAB 60.92, -30.19, -9.07

 

CMYK 52 / 0 / 0 / 43

HEX #459191

RGB 69 145 145

HSL 180, 0.36%, 0.42%

LAB 55.64, -23.34, -7.2

 

CMYK 32 / 0 / 0 / 50

HEX #567F7F

RGB 86 127 127

HSL 180, 0.19%, 0.42%

LAB 50.32, -14.13, -4.56

 

CMYK 91 / 0 / 49 / 23

HEX #11C565

RGB 17 197 101

HSL 148, 0.84%, 0.42%

LAB 70.17, -61.91, 36.74

 

CMYK 91 / 0 / 24 / 23

HEX #11C595

RGB 17 197 149

HSL 164, 0.84%, 0.42%

LAB 71.02, -52.11, 12.73

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 91 / 24 / 0 / 23

HEX #1195C5

RGB 17 149 197

HSL 196, 0.84%, 0.42%

LAB 57.7, -15.12, -33.8

 

CMYK 91 / 49 / 0 / 23

HEX #1165C5

RGB 17 101 197

HSL 212, 0.84%, 0.42%

LAB 43.45, 13.75, -56.43

 

CMYK 92 / 0 / 0 / 53

HEX #0A7979

RGB 10 121 121

HSL 180, 0.85%, 0.26%

LAB 45.8, -27.12, -8

 

CMYK 92 / 0 / 0 / 38

HEX #0D9F9F

RGB 13 159 159

HSL 180, 0.85%, 0.34%

LAB 59.33, -33.26, -9.81

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 91 / 0 / 0 / 8

HEX #14EAEA

RGB 20 234 234

HSL 180, 0.84%, 0.5%

LAB 84.45, -44.54, -13.13

 

CMYK 76 / 0 / 0 / 7

HEX #3AEDED

RGB 58 237 237

HSL 180, 0.83%, 0.58%

LAB 85.8, -42.51, -12.65

 

CMYK 91 / 0 / 0 / 23

HEX #11C4C4

RGB 17 196 196

HSL 180, 0.84%, 0.42%

LAB 71.95, -38.91, -11.47

 

CMYK 73 / 91 / 0 / 23

HEX #3511C5

RGB 53 17 197

HSL 252, 0.84%, 0.42%

LAB 27.27, 62.56, -82.93

 

CMYK 0 / 37 / 91 / 23

HEX #C57D11

RGB 197 125 17

HSL 36, 0.84%, 0.42%

LAB 58.58, 20.69, 61.8

 

CMYK 91 / 0 / 0 / 23

HEX #11C4C4

RGB 17 196 196

HSL 180, 0.84%, 0.42%

LAB 71.95, -38.91, -11.47

 

CMYK 0 / 91 / 0 / 23

HEX #C511C5

RGB 197 17 197

HSL 300, 0.84%, 0.42%

LAB 47.37, 79.36, -49.26

 

CMYK 0 / 0 / 91 / 23

HEX #C5C511

RGB 197 197 17

HSL 60, 0.84%, 0.42%

LAB 77.19, -17.55, 75.98

 

CMYK 91 / 0 / 0 / 23

HEX #11C4C4

RGB 17 196 196

HSL 180, 0.84%, 0.42%

LAB 71.95, -38.91, -11.47

 

CMYK 73 / 91 / 0 / 23

HEX #3511C5

RGB 53 17 197

HSL 252, 0.84%, 0.42%

LAB 27.27, 62.56, -82.93

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 18 / 0 / 91 / 23

HEX #A1C511

RGB 161 197 17

HSL 72, 0.84%, 0.42%

LAB 74.54, -32.68, 72.77

 

CMYK 91 / 0 / 0 / 23

HEX #11C4C4

RGB 17 196 196

HSL 180, 0.84%, 0.42%

LAB 71.95, -38.91, -11.47

 

CMYK 46 / 91 / 0 / 23

HEX #6B11C5

RGB 107 17 197

HSL 270, 0.84%, 0.42%

LAB 33.04, 66.63, -73.18

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 46 / 0 / 91 / 23

HEX #6BC511

RGB 107 197 17

HSL 90, 0.84%, 0.42%

LAB 71.62, -52.56, 69.19

 

Description

Color code: RGB 17 196 196 | qconv.com Color code: RGB 17 196 196 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 196 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 196 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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