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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 110.6 167.6 it is the complementary color RGB 238 144.4 87.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 110.6 167.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 110.6 167.6 shade: RGB 22 110.6 162.6, RGB 39 128.6 181.6, RGB 56 146.6 200.6, RGB 73 164.6 219.6 and RGB 90 182.6 238.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 110.6 167.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 110.6 167.6 shade: RGB 17 110.6 167.6, RGB 0 92.6 148.6, RGB 0 74.6 129.6, RGB 0 56.6 110.6 and RGB 0 38.6 91.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 110.6 167.6 shade: RGB 17 110 167, RGB 17 69 167, RGB 17 29 167, RGB 45 17 167 and RGB 85 17 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 110.6 167.6 shade: RGB 17 110 167, RGB 17 69 167, RGB 17 29 167 and RGB 17 17 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 110.6 167.6 shade matches the following richer shades: RGB 17 110 167 and RGB 2 114 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 110.6 167.6 shade: RGB 17 110 167, RGB 31 106 152, RGB 46 103 137, RGB 61 99 123 and RGB 76 96 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 110.6 167.6 shade: RGB 17 167 142, RGB 17 152 167, RGB 17 112 167, RGB 17 72 167 and RGB 17 32 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 110.6 167.6 shade: RGB 9 61 92, RGB 13 85 130, RGB 17 110 167, RGB 20 135 205 and RGB 33 157 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 110.6 167.6 shade: RGB 17 110.6 167.6, RGB 102 17 167 and RGB 167 162 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 110.6 167.6 shade: RGB 17 110.6 167.6, RGB 167 17 112 and RGB 112 167 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 110.6 167.6 shade: RGB 17 110.6 167.6, RGB 102 17 167, RGB 167 72 17 and RGB 82 167 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 110.6 167.6 shade: RGB 17 110.6 167.6, RGB 147 17 167, RGB 167 72 17 and RGB 37 167 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 34 / 0 / 34

HEX #116EA7

RGB 17 110.6 167.6

HSL 202.71, 0.82%, 0.36%

LAB 44.54, -3.96, -37.56

 

Complementary color

CMYK 0 / 39 / 63 / 7

HEX #EE9057

RGB 238 144.4 87.4

HSL 22.71, 0.82%, 0.64%

LAB 68.71, 30.35, 44.77

 

CMYK 86 / 32 / 0 / 36

HEX #166EA2

RGB 22 110.6 162.6

HSL 202.19, 0.76%, 0.36%

LAB 44.35, -5.55, -34.91

 

CMYK 79 / 29 / 0 / 29

HEX #2780B5

RGB 39 128.6 181.6

HSL 202.3, 0.65%, 0.43%

LAB 51.14, -7.47, -35.27

 

CMYK 72 / 27 / 0 / 21

HEX #3892C8

RGB 56 146.6 200.6

HSL 202.41, 0.57%, 0.5%

LAB 57.83, -8.94, -35.58

 

CMYK 67 / 25 / 0 / 14

HEX #49A4DB

RGB 73 164.6 219.6

HSL 202.51, 0.67%, 0.57%

LAB 64.43, -10.07, -35.85

 

CMYK 62 / 23 / 0 / 6

HEX #5AB6EE

RGB 90 182.6 238.6

HSL 202.61, 0.82%, 0.64%

LAB 70.93, -10.97, -36.1

 

CMYK 90 / 34 / 0 / 34

HEX #116EA7

RGB 17 110.6 167.6

HSL 202.71, 0.82%, 0.36%

LAB 44.54, -3.96, -37.56

 

CMYK 100 / 38 / 0 / 42

HEX #005C94

RGB 0 92.6 148.6

HSL 202.61, 1%, 0.29%

LAB 37.69, -1.25, -37.12

 

CMYK 100 / 42 / 0 / 49

HEX #004A81

RGB 0 74.6 129.6

HSL 205.46, 1%, 0.25%

LAB 30.83, 2.53, -36.45

 

CMYK 100 / 49 / 0 / 57

HEX #00386E

RGB 0 56.6 110.6

HSL 209.29, 1%, 0.22%

LAB 23.76, 6.67, -35.83

 

CMYK 100 / 58 / 0 / 64

HEX #00265B

RGB 0 38.6 91.6

HSL 214.72, 1%, 0.18%

LAB 16.46, 11.27, -35.22

 

CMYK 90 / 34 / 0 / 35

HEX #116EA7

RGB 17 110 167

HSL 202.8, 0.82%, 0.36%

LAB 44.32, -3.83, -37.55

 

CMYK 90 / 59 / 0 / 35

HEX #1145A7

RGB 17 69 167

HSL 219.2, 0.82%, 0.36%

LAB 32.18, 23.01, -57.06

 

CMYK 90 / 83 / 0 / 35

HEX #111DA7

RGB 17 29 167

HSL 235.2, 0.82%, 0.36%

LAB 22.96, 47.92, -72.26

 

CMYK 73 / 90 / 0 / 35

HEX #2D11A7

RGB 45 17 167

HSL 251.2, 0.82%, 0.36%

LAB 22.82, 54.11, -72.44

 

CMYK 49 / 90 / 0 / 35

HEX #5511A7

RGB 85 17 167

HSL 267.2, 0.82%, 0.36%

LAB 27.08, 57.39, -65.25

 

CMYK 90 / 34 / 0 / 35

HEX #116EA7

RGB 17 110 167

HSL 202.8, 0.82%, 0.36%

LAB 44.32, -3.83, -37.55

 

CMYK 90 / 59 / 0 / 35

HEX #1145A7

RGB 17 69 167

HSL 219.2, 0.82%, 0.36%

LAB 32.18, 23.01, -57.06

 

CMYK 90 / 83 / 0 / 35

HEX #111DA7

RGB 17 29 167

HSL 235.2, 0.82%, 0.36%

LAB 22.96, 47.92, -72.26

 

CMYK 90 / 90 / 0 / 35

HEX #1111A7

RGB 17 17 167

HSL 240, 0.82%, 0.36%

LAB 21.25, 53.03, -75.11

 

CMYK 90 / 34 / 0 / 35

HEX #116EA7

RGB 17 110 167

HSL 202.8, 0.82%, 0.36%

LAB 44.32, -3.83, -37.55

 

CMYK 99 / 37 / 0 / 29

HEX #0272B6

RGB 2 114 182

HSL 202.67, 0.98%, 0.36%

LAB 46.21, -1.07, -43.32

 

CMYK 90 / 34 / 0 / 35

HEX #116EA7

RGB 17 110 167

HSL 202.8, 0.82%, 0.36%

LAB 44.32, -3.83, -37.55

 

CMYK 80 / 30 / 0 / 40

HEX #1F6A98

RGB 31 106 152

HSL 202.81, 0.66%, 0.36%

LAB 42.56, -5.94, -31.43

 

CMYK 66 / 25 / 0 / 46

HEX #2E6789

RGB 46 103 137

HSL 202.42, 0.5%, 0.36%

LAB 41.35, -7.36, -24.31

 

CMYK 50 / 20 / 0 / 52

HEX #3D637B

RGB 61 99 123

HSL 203.23, 0.34%, 0.36%

LAB 40.16, -6.32, -17.63

 

CMYK 30 / 11 / 0 / 58

HEX #4C606C

RGB 76 96 108

HSL 202.5, 0.17%, 0.36%

LAB 39.56, -4.45, -9.29

 

CMYK 90 / 0 / 15 / 35

HEX #11A78E

RGB 17 167 142

HSL 170, 0.82%, 0.36%

LAB 61.4, -41.63, 2.84

 

CMYK 90 / 9 / 0 / 35

HEX #1198A7

RGB 17 152 167

HSL 186, 0.82%, 0.36%

LAB 57.43, -27.08, -17.21

 

CMYK 90 / 33 / 0 / 35

HEX #1170A7

RGB 17 112 167

HSL 202, 0.82%, 0.36%

LAB 44.94, -5.05, -36.57

 

CMYK 90 / 57 / 0 / 35

HEX #1148A7

RGB 17 72 167

HSL 218, 0.82%, 0.36%

LAB 33.01, 20.96, -55.7

 

CMYK 90 / 81 / 0 / 35

HEX #1120A7

RGB 17 32 167

HSL 234, 0.82%, 0.36%

LAB 23.48, 46.39, -71.39

 

CMYK 90 / 34 / 0 / 64

HEX #093D5C

RGB 9 61 92

HSL 202.41, 0.82%, 0.2%

LAB 24.22, -3.71, -23.05

 

CMYK 90 / 35 / 0 / 49

HEX #0D5582

RGB 13 85 130

HSL 203.08, 0.82%, 0.28%

LAB 34.38, -3.25, -31.04

 

CMYK 90 / 34 / 0 / 35

HEX #116EA7

RGB 17 110 167

HSL 202.8, 0.82%, 0.36%

LAB 44.32, -3.83, -37.55

 

CMYK 90 / 34 / 0 / 20

HEX #1487CD

RGB 20 135 205

HSL 202.7, 0.82%, 0.44%

LAB 53.9, -4.06, -44.29

 

CMYK 86 / 33 / 0 / 9

HEX #219DE9

RGB 33 157 233

HSL 202.8, 0.82%, 0.52%

LAB 61.93, -5.64, -47.23

 

CMYK 90 / 34 / 0 / 34

HEX #116EA7

RGB 17 110.6 167.6

HSL 202.71, 0.82%, 0.36%

LAB 44.54, -3.96, -37.56

 

CMYK 39 / 90 / 0 / 35

HEX #6611A7

RGB 102 17 167

HSL 274, 0.82%, 0.36%

LAB 29.45, 59.4, -61.27

 

CMYK 0 / 3 / 90 / 35

HEX #A7A211

RGB 167 162 17

HSL 58, 0.82%, 0.36%

LAB 65.04, -12.86, 65.41

 

CMYK 90 / 34 / 0 / 34

HEX #116EA7

RGB 17 110.6 167.6

HSL 202.71, 0.82%, 0.36%

LAB 44.54, -3.96, -37.56

 

CMYK 0 / 90 / 33 / 35

HEX #A71170

RGB 167 17 112

HSL 322, 0.82%, 0.36%

LAB 37.46, 62.25, -13.84

 

CMYK 33 / 0 / 90 / 35

HEX #70A711

RGB 112 167 17

HSL 82, 0.82%, 0.36%

LAB 62.61, -38.49, 61.82

 

CMYK 90 / 34 / 0 / 34

HEX #116EA7

RGB 17 110.6 167.6

HSL 202.71, 0.82%, 0.36%

LAB 44.54, -3.96, -37.56

 

CMYK 39 / 90 / 0 / 35

HEX #6611A7

RGB 102 17 167

HSL 274, 0.82%, 0.36%

LAB 29.45, 59.4, -61.27

 

CMYK 0 / 57 / 90 / 35

HEX #A74811

RGB 167 72 17

HSL 22, 0.82%, 0.36%

LAB 42.6, 36.43, 47.82

 

CMYK 51 / 0 / 90 / 35

HEX #52A711

RGB 82 167 17

HSL 94, 0.82%, 0.36%

LAB 61.2, -48.84, 60.06

 

CMYK 90 / 34 / 0 / 34

HEX #116EA7

RGB 17 110.6 167.6

HSL 202.71, 0.82%, 0.36%

LAB 44.54, -3.96, -37.56

 

CMYK 12 / 90 / 0 / 35

HEX #9311A7

RGB 147 17 167

HSL 292, 0.82%, 0.36%

LAB 36.73, 66.12, -49.1

 

CMYK 0 / 57 / 90 / 35

HEX #A74811

RGB 167 72 17

HSL 22, 0.82%, 0.36%

LAB 42.6, 36.43, 47.82

 

CMYK 78 / 0 / 90 / 35

HEX #25A711

RGB 37 167 17

HSL 112, 0.82%, 0.36%

LAB 59.95, -59.1, 58.51

 

Description

Color code: RGB 17 110.6 167.6 | qconv.com Color code: RGB 17 110.6 167.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 110.6 green and 167.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 110.6 167.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 34 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 34% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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