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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 218 197 it is the complementary color RGB 77 37 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 218 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 218 197: RGB 183 218 192, RGB 200 236 211, RGB 217 254 230, RGB 234 255 249 and RGB 251 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 218 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 218 197: RGB 178 218 197, RGB 161 200 178, RGB 144 182 159, RGB 127 164 140 and RGB 110 146 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

Complementary color

CMYK 0 / 52 / 25 / 70

HEX #4D253A

RGB 77 37 58

HSL 328.5, 0.35%, 0.22%

LAB 20.85, 21.85, -5.02

 

CMYK 16 / 0 / 12 / 15

HEX #B7DAC0

RGB 183 218 192

HSL 135.43, 0.32%, 0.79%

LAB 83.97, -16.51, 8.97

 

CMYK 15 / 0 / 11 / 7

HEX #C8ECD3

RGB 200 236 211

HSL 138.33, 0.49%, 0.85%

LAB 90.31, -16.42, 8.22

 

CMYK 15 / 0 / 9 / 0

HEX #D9FEE6

RGB 217 254 230

HSL 141.08, 0.95%, 0.92%

LAB 96.55, -16.35, 7.5

 

CMYK 8 / 0 / 2 / 0

HEX #EAFFF9

RGB 234 255 249

HSL 162.86, 1%, 0.96%

LAB 98.37, -7.91, 0.52

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

CMYK 20 / 0 / 11 / 22

HEX #A1C8B2

RGB 161 200 178

HSL 146.15, 0.26%, 0.71%

LAB 77.34, -17.34, 6.75

 

CMYK 21 / 0 / 13 / 29

HEX #90B69F

RGB 144 182 159

HSL 143.68, 0.21%, 0.64%

LAB 70.79, -17.49, 7.53

 

CMYK 23 / 0 / 15 / 36

HEX #7FA48C

RGB 127 164 140

HSL 141.08, 0.17%, 0.57%

LAB 64.13, -17.66, 8.35

 

CMYK 25 / 0 / 17 / 43

HEX #6E9279

RGB 110 146 121

HSL 138.33, 0.14%, 0.5%

LAB 57.32, -17.85, 9.23

 

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

CMYK 18 / 0 / 6 / 15

HEX #B3DACC

RGB 179 218 204

HSL 158.46, 0.35%, 0.78%

LAB 84.01, -15.54, 2.64

 

CMYK 18 / 0 / 4 / 15

HEX #B3DAD2

RGB 179 218 210

HSL 167.69, 0.35%, 0.78%

LAB 84.16, -14.34, -0.32

 

CMYK 18 / 0 / 0 / 15

HEX #B3DAD9

RGB 179 218 217

HSL 178.46, 0.35%, 0.78%

LAB 84.35, -12.9, -3.76

 

CMYK 18 / 2 / 0 / 15

HEX #B3D5DA

RGB 179 213 218

HSL 187.69, 0.35%, 0.78%

LAB 83.04, -10.13, -6.22

 

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

CMYK 21 / 0 / 7 / 95

HEX #0B0E0D

RGB 11 14 13

HSL 160, 0.12%, 0.05%

LAB 3.74, -1.07, 0.14

 

CMYK 18 / 0 / 9 / 75

HEX #35413B

RGB 53 65 59

HSL 150, 0.1%, 0.23%

LAB 26.31, -6.35, 2.03

 

CMYK 18 / 0 / 9 / 55

HEX #5F7469

RGB 95 116 105

HSL 148.57, 0.1%, 0.41%

LAB 46.9, -10.15, 3.51

 

CMYK 19 / 0 / 10 / 35

HEX #88A797

RGB 136 167 151

HSL 149.03, 0.15%, 0.59%

LAB 65.83, -13.97, 4.74

 

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

CMYK 18 / 12 / 0 / 15

HEX #B3C0DA

RGB 179 192 218

HSL 220, 0.35%, 0.78%

LAB 77.49, 0.92, -14.49

 

CMYK 0 / 17 / 18 / 15

HEX #DAB5B3

RGB 218 181 179

HSL 3.08, 0.35%, 0.78%

LAB 76.8, 13, 6.01

 

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

CMYK 10 / 18 / 0 / 15

HEX #C5B3DA

RGB 197 179 218

HSL 267.69, 0.35%, 0.78%

LAB 75.56, 13.77, -17.26

 

CMYK 0 / 10 / 18 / 15

HEX #DAC5B3

RGB 218 197 179

HSL 27.69, 0.35%, 0.78%

LAB 80.79, 4.49, 11.7

 

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

CMYK 18 / 12 / 0 / 15

HEX #B3C0DA

RGB 179 192 218

HSL 220, 0.35%, 0.78%

LAB 77.49, 0.92, -14.49

 

CMYK 0 / 18 / 8 / 15

HEX #DAB3C8

RGB 218 179 200

HSL 327.69, 0.35%, 0.78%

LAB 76.87, 17.51, -5.32

 

CMYK 0 / 6 / 18 / 15

HEX #DACDB3

RGB 218 205 179

HSL 40, 0.35%, 0.78%

LAB 82.82, 0.29, 14.57

 

CMYK 18 / 0 / 10 / 15

HEX #B2DAC5

RGB 178 218 197

HSL 148.5, 0.35%, 0.78%

LAB 83.78, -17.22, 6

 

CMYK 18 / 17 / 0 / 15

HEX #B3B4DA

RGB 179 180 218

HSL 238.46, 0.35%, 0.78%

LAB 74.37, 7.43, -19.19

 

CMYK 0 / 18 / 8 / 15

HEX #DAB3C8

RGB 218 179 200

HSL 327.69, 0.35%, 0.78%

LAB 76.87, 17.51, -5.32

 

CMYK 0 / 0 / 18 / 15

HEX #DAD9B3

RGB 218 217 179

HSL 58.46, 0.35%, 0.78%

LAB 85.9, -5.91, 18.89

 

Description

Color code: RGB 178 218 197 | qconv.com Color code: RGB 178 218 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 218 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 218 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 10 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 10% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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