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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 204 194 it is the complementary color RGB 77 51 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 204 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 204 194 shade: RGB 183 204 189, RGB 200 222 208, RGB 217 240 227, RGB 234 255 246 and RGB 251 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 204 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 204 194 shade: RGB 178 204 194, RGB 161 186 175, RGB 144 168 156, RGB 127 150 137 and RGB 110 132 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 204 194 shade: RGB 179 204 194, RGB 179 204 187, RGB 179 204 180, RGB 183 204 179 and RGB 190 204 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 204 194 shade: RGB 179 204 194, RGB 179 204 201, RGB 179 200 204, RGB 179 193 204 and RGB 179 186 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 204 194 shade matches the following richer shades: RGB 179 204 194, RGB 168 214 197, RGB 158 225 199, RGB 148 235 201 and RGB 137 245 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 204 194 shade: RGB 179 204 194, RGB 189 194 192, RGB 199 183 189, RGB 209 173 187 and RGB 220 163 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 204 194 shade: RGB 179 204 180, RGB 179 204 187, RGB 179 204 194, RGB 179 204 201 and RGB 179 201 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 204 194 shade: RGB 129 171 155, RGB 154 187 175, RGB 179 204 194, RGB 203 221 214 and RGB 228 237 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 204 194 shade: RGB 178 204 194, RGB 179 184 204 and RGB 204 184 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 204 194 shade: RGB 178 204 194, RGB 194 179 204 and RGB 204 194 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 204 194 shade: RGB 178 204 194, RGB 179 184 204, RGB 204 179 189 and RGB 204 199 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 204 194 shade: RGB 178 204 194, RGB 181 179 204, RGB 204 179 189 and RGB 201 204 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 5 / 20

HEX #B2CCC2

RGB 178 204 194

HSL 156.92, 0.2%, 0.75%

LAB 79.92, -10.67, 2.03

 

Complementary color

CMYK 0 / 34 / 21 / 70

HEX #4D333D

RGB 77 51 61

HSL 336.92, 0.2%, 0.25%

LAB 24.58, 13.49, -1.52

 

CMYK 10 / 0 / 7 / 20

HEX #B7CCBD

RGB 183 204 189

HSL 137.14, 0.17%, 0.76%

LAB 80.14, -9.94, 5.06

 

CMYK 10 / 0 / 6 / 13

HEX #C8DED0

RGB 200 222 208

HSL 141.82, 0.25%, 0.83%

LAB 86.54, -9.94, 4.37

 

CMYK 10 / 0 / 5 / 6

HEX #D9F0E3

RGB 217 240 227

HSL 146.09, 0.43%, 0.9%

LAB 92.85, -9.94, 3.7

 

CMYK 8 / 0 / 4 / 0

HEX #EAFFF6

RGB 234 255 246

HSL 154.29, 1%, 0.96%

LAB 98.3, -8.46, 1.95

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 13 / 0 / 5 / 20

HEX #B2CCC2

RGB 178 204 194

HSL 156.92, 0.2%, 0.75%

LAB 79.92, -10.67, 2.03

 

CMYK 13 / 0 / 6 / 27

HEX #A1BAAF

RGB 161 186 175

HSL 153.6, 0.15%, 0.68%

LAB 73.41, -10.71, 2.7

 

CMYK 14 / 0 / 7 / 34

HEX #90A89C

RGB 144 168 156

HSL 150, 0.12%, 0.61%

LAB 66.77, -10.76, 3.4

 

CMYK 15 / 0 / 9 / 41

HEX #7F9689

RGB 127 150 137

HSL 146.09, 0.1%, 0.54%

LAB 60.01, -10.82, 4.13

 

CMYK 17 / 0 / 11 / 48

HEX #6E8476

RGB 110 132 118

HSL 141.82, 0.09%, 0.47%

LAB 53.09, -10.91, 4.91

 

CMYK 12 / 0 / 5 / 20

HEX #B3CCC2

RGB 179 204 194

HSL 156, 0.2%, 0.75%

LAB 79.99, -10.34, 2.13

 

CMYK 12 / 0 / 8 / 20

HEX #B3CCBB

RGB 179 204 187

HSL 139.2, 0.2%, 0.75%

LAB 79.82, -11.67, 5.63

 

CMYK 12 / 0 / 12 / 20

HEX #B3CCB4

RGB 179 204 180

HSL 122.4, 0.2%, 0.75%

LAB 79.65, -12.95, 9.14

 

CMYK 10 / 0 / 12 / 20

HEX #B7CCB3

RGB 183 204 179

HSL 110.4, 0.2%, 0.75%

LAB 79.9, -11.75, 10.07

 

CMYK 7 / 0 / 12 / 20

HEX #BECCB3

RGB 190 204 179

HSL 93.6, 0.2%, 0.75%

LAB 80.4, -9.3, 10.84

 

CMYK 12 / 0 / 5 / 20

HEX #B3CCC2

RGB 179 204 194

HSL 156, 0.2%, 0.75%

LAB 79.99, -10.34, 2.13

 

CMYK 12 / 0 / 1 / 20

HEX #B3CCC9

RGB 179 204 201

HSL 172.8, 0.2%, 0.75%

LAB 80.17, -8.96, -1.36

 

CMYK 12 / 2 / 0 / 20

HEX #B3C8CC

RGB 179 200 204

HSL 189.6, 0.2%, 0.75%

LAB 79.19, -6.27, -4.42

 

CMYK 12 / 5 / 0 / 20

HEX #B3C1CC

RGB 179 193 204

HSL 206.4, 0.2%, 0.75%

LAB 77.33, -2.57, -7.16

 

CMYK 12 / 9 / 0 / 20

HEX #B3BACC

RGB 179 186 204

HSL 223.2, 0.2%, 0.75%

LAB 75.49, 1.17, -9.9

 

CMYK 12 / 0 / 5 / 20

HEX #B3CCC2

RGB 179 204 194

HSL 156, 0.2%, 0.75%

LAB 79.99, -10.34, 2.13

 

CMYK 21 / 0 / 8 / 16

HEX #A8D6C5

RGB 168 214 197

HSL 157.83, 0.36%, 0.75%

LAB 82.08, -18.41, 3.48

 

CMYK 30 / 0 / 12 / 12

HEX #9EE1C7

RGB 158 225 199

HSL 156.72, 0.53%, 0.75%

LAB 84.61, -26.47, 6

 

CMYK 37 / 0 / 14 / 8

HEX #94EBC9

RGB 148 235 201

HSL 156.55, 0.69%, 0.75%

LAB 86.96, -33.65, 8.27

 

CMYK 44 / 0 / 17 / 4

HEX #89F5CC

RGB 137 245 204

HSL 157.22, 0.84%, 0.75%

LAB 89.38, -40.47, 10.11

 

CMYK 12 / 0 / 5 / 20

HEX #B3CCC2

RGB 179 204 194

HSL 156, 0.2%, 0.75%

LAB 79.99, -10.34, 2.13

 

CMYK 3 / 0 / 1 / 24

HEX #BDC2C0

RGB 189 194 192

HSL 156, 0.04%, 0.75%

LAB 78, -2.09, 0.39

 

CMYK 0 / 8 / 5 / 22

HEX #C7B7BD

RGB 199 183 189

HSL 337.5, 0.13%, 0.75%

LAB 75.87, 6.73, -0.99

 

CMYK 0 / 17 / 11 / 18

HEX #D1ADBB

RGB 209 173 187

HSL 336.67, 0.28%, 0.75%

LAB 74.21, 15.35, -2.23

 

CMYK 0 / 26 / 16 / 14

HEX #DCA3B9

RGB 220 163 185

HSL 336.84, 0.45%, 0.75%

LAB 72.83, 24.37, -3.03

 

CMYK 12 / 0 / 12 / 20

HEX #B3CCB4

RGB 179 204 180

HSL 122.4, 0.2%, 0.75%

LAB 79.65, -12.95, 9.14

 

CMYK 12 / 0 / 8 / 20

HEX #B3CCBB

RGB 179 204 187

HSL 139.2, 0.2%, 0.75%

LAB 79.82, -11.67, 5.63

 

CMYK 12 / 0 / 5 / 20

HEX #B3CCC2

RGB 179 204 194

HSL 156, 0.2%, 0.75%

LAB 79.99, -10.34, 2.13

 

CMYK 12 / 0 / 1 / 20

HEX #B3CCC9

RGB 179 204 201

HSL 172.8, 0.2%, 0.75%

LAB 80.17, -8.96, -1.36

 

CMYK 12 / 1 / 0 / 20

HEX #B3C9CC

RGB 179 201 204

HSL 187.2, 0.2%, 0.75%

LAB 79.45, -6.8, -4.02

 

CMYK 25 / 0 / 9 / 33

HEX #81AB9B

RGB 129 171 155

HSL 157.14, 0.2%, 0.59%

LAB 66.64, -17.56, 3.64

 

CMYK 18 / 0 / 6 / 27

HEX #9ABBAF

RGB 154 187 175

HSL 158.18, 0.2%, 0.67%

LAB 73.22, -13.57, 2.37

 

CMYK 12 / 0 / 5 / 20

HEX #B3CCC2

RGB 179 204 194

HSL 156, 0.2%, 0.75%

LAB 79.99, -10.34, 2.13

 

CMYK 8 / 0 / 3 / 13

HEX #CBDDD6

RGB 203 221 214

HSL 156.67, 0.21%, 0.83%

LAB 86.63, -7.31, 1.36

 

CMYK 4 / 0 / 1 / 7

HEX #E4EDEA

RGB 228 237 234

HSL 160, 0.2%, 0.91%

LAB 93.02, -3.52, 0.4

 

CMYK 13 / 0 / 5 / 20

HEX #B2CCC2

RGB 178 204 194

HSL 156.92, 0.2%, 0.75%

LAB 79.92, -10.67, 2.03

 

CMYK 12 / 10 / 0 / 20

HEX #B3B8CC

RGB 179 184 204

HSL 228, 0.2%, 0.75%

LAB 74.97, 2.25, -10.68

 

CMYK 0 / 10 / 12 / 20

HEX #CCB8B3

RGB 204 184 179

HSL 12, 0.2%, 0.75%

LAB 76.3, 6.27, 5.12

 

CMYK 13 / 0 / 5 / 20

HEX #B2CCC2

RGB 178 204 194

HSL 156.92, 0.2%, 0.75%

LAB 79.92, -10.67, 2.03

 

CMYK 5 / 12 / 0 / 20

HEX #C2B3CC

RGB 194 179 204

HSL 276, 0.2%, 0.75%

LAB 74.87, 9.97, -10.7

 

CMYK 0 / 5 / 12 / 20

HEX #CCC2B3

RGB 204 194 179

HSL 36, 0.2%, 0.75%

LAB 78.85, 0.95, 8.79

 

CMYK 13 / 0 / 5 / 20

HEX #B2CCC2

RGB 178 204 194

HSL 156.92, 0.2%, 0.75%

LAB 79.92, -10.67, 2.03

 

CMYK 12 / 10 / 0 / 20

HEX #B3B8CC

RGB 179 184 204

HSL 228, 0.2%, 0.75%

LAB 74.97, 2.25, -10.68

 

CMYK 0 / 12 / 7 / 20

HEX #CCB3BD

RGB 204 179 189

HSL 336, 0.2%, 0.75%

LAB 75.3, 10.66, -1.78

 

CMYK 0 / 2 / 12 / 20

HEX #CCC7B3

RGB 204 199 179

HSL 48, 0.2%, 0.75%

LAB 80.15, -1.68, 10.63

 

CMYK 13 / 0 / 5 / 20

HEX #B2CCC2

RGB 178 204 194

HSL 156.92, 0.2%, 0.75%

LAB 79.92, -10.67, 2.03

 

CMYK 11 / 12 / 0 / 20

HEX #B5B3CC

RGB 181 179 204

HSL 244.8, 0.2%, 0.75%

LAB 73.82, 5.62, -12.37

 

CMYK 0 / 12 / 7 / 20

HEX #CCB3BD

RGB 204 179 189

HSL 336, 0.2%, 0.75%

LAB 75.3, 10.66, -1.78

 

CMYK 1 / 0 / 12 / 20

HEX #C9CCB3

RGB 201 204 179

HSL 67.2, 0.2%, 0.75%

LAB 81.21, -5.38, 12.11

 

Description

Color code: RGB 178 204 194 | qconv.com Color code: RGB 178 204 194 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 204 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 204 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 5 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 5% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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