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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178.3 162.4 233 it is the complementary color RGB 76.7 92.6 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178.3 162.4 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178.3 162.4 233 shade: RGB 183.3 162.4 228, RGB 200.3 180.4 247, RGB 217.3 198.4 255, RGB 234.3 216.4 255 and RGB 251.3 234.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178.3 162.4 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178.3 162.4 233 shade: RGB 178.3 162.4 233, RGB 161.3 144.4 214, RGB 144.3 126.4 195, RGB 127.3 108.4 176 and RGB 110.3 90.4 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178.3 162.4 233 shade: RGB 180 164 234, RGB 199 164 234, RGB 217 164 234, RGB 234 164 231 and RGB 234 164 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178.3 162.4 233 shade: RGB 180 164 234 and RGB 164 164 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178.3 162.4 233 shade matches the following richer shades: RGB 180 164 234, RGB 175 155 243 and RGB 170 146 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178.3 162.4 233 shade: RGB 180 164 234, RGB 185 173 225, RGB 190 182 216, RGB 195 191 206 and RGB 200 200 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178.3 162.4 233 shade: RGB 164 186 234, RGB 164 168 234, RGB 179 164 234, RGB 198 164 234 and RGB 216 164 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178.3 162.4 233 shade: RGB 124 97 218, RGB 152 131 226, RGB 180 164 234, RGB 207 198 242 and RGB 235 231 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178.3 162.4 233 shade: RGB 178.3 162.4 233, RGB 234 164 205 and RGB 177 234 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178.3 162.4 233 shade: RGB 178.3 162.4 233, RGB 234 179 164 and RGB 164 234 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178.3 162.4 233 shade: RGB 178.3 162.4 233, RGB 234 164 205, RGB 219 234 164 and RGB 164 234 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178.3 162.4 233 shade: RGB 178.3 162.4 233, RGB 234 164 184, RGB 219 234 164 and RGB 164 234 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 30 / 0 / 9

HEX #B2A2E9

RGB 178.3 162.4 233

HSL 253.51, 0.62%, 0.78%

LAB 70.43, 20.38, -33.42

 

Complementary color

CMYK 17 / 0 / 76 / 64

HEX #4C5C16

RGB 76.7 92.6 22

HSL 73.51, 0.62%, 0.22%

LAB 36.71, -17.01, 36.42

 

CMYK 20 / 29 / 0 / 11

HEX #B7A2E4

RGB 183.3 162.4 228

HSL 259.12, 0.55%, 0.77%

LAB 70.65, 20.73, -30.3

 

CMYK 19 / 27 / 0 / 3

HEX #C8B4F7

RGB 200.3 180.4 247

HSL 257.93, 0.81%, 0.84%

LAB 77.19, 20.21, -30.44

 

CMYK 15 / 22 / 0 / 0

HEX #D9C6FF

RGB 217.3 198.4 255

HSL 260.04, 1%, 0.89%

LAB 83.23, 17.38, -25.35

 

CMYK 8 / 15 / 0 / 0

HEX #EAD8FF

RGB 234.3 216.4 255

HSL 267.82, 1%, 0.92%

LAB 88.96, 13.17, -16.54

 

CMYK 1 / 8 / 0 / 0

HEX #FBEAFF

RGB 251.3 234.4 255

HSL 289.22, 1%, 0.96%

LAB 94.68, 9.3, -7.87

 

CMYK 23 / 30 / 0 / 9

HEX #B2A2E9

RGB 178.3 162.4 233

HSL 253.51, 0.62%, 0.78%

LAB 70.43, 20.38, -33.42

 

CMYK 25 / 33 / 0 / 16

HEX #A190D6

RGB 161.3 144.4 214

HSL 254.57, 0.46%, 0.7%

LAB 63.78, 20.98, -33.36

 

CMYK 26 / 35 / 0 / 24

HEX #907EC3

RGB 144.3 126.4 195

HSL 255.66, 0.36%, 0.63%

LAB 57, 21.64, -33.34

 

CMYK 28 / 38 / 0 / 31

HEX #7F6CB0

RGB 127.3 108.4 176

HSL 256.78, 0.3%, 0.56%

LAB 50.07, 22.38, -33.36

 

CMYK 30 / 42 / 0 / 38

HEX #6E5A9D

RGB 110.3 90.4 157

HSL 257.93, 0.27%, 0.49%

LAB 42.99, 23.22, -33.42

 

CMYK 23 / 30 / 0 / 8

HEX #B4A4EA

RGB 180 164 234

HSL 253.71, 0.63%, 0.78%

LAB 71, 20.22, -33.07

 

CMYK 15 / 30 / 0 / 8

HEX #C7A4EA

RGB 199 164 234

HSL 270, 0.63%, 0.78%

LAB 72.65, 25.99, -30.39

 

CMYK 7 / 30 / 0 / 8

HEX #D9A4EA

RGB 217 164 234

HSL 285.43, 0.63%, 0.78%

LAB 74.35, 31.59, -27.64

 

CMYK 0 / 30 / 1 / 8

HEX #EAA4E7

RGB 234 164 231

HSL 302.57, 0.63%, 0.78%

LAB 75.95, 36.42, -23.4

 

CMYK 0 / 30 / 9 / 8

HEX #EAA4D5

RGB 234 164 213

HSL 318, 0.63%, 0.78%

LAB 75.36, 33.27, -14.49

 

CMYK 23 / 30 / 0 / 8

HEX #B4A4EA

RGB 180 164 234

HSL 253.71, 0.63%, 0.78%

LAB 71, 20.22, -33.07

 

CMYK 30 / 30 / 0 / 8

HEX #A4A4EA

RGB 164 164 234

HSL 240, 0.63%, 0.78%

LAB 69.74, 15.55, -35.12

 

CMYK 23 / 30 / 0 / 8

HEX #B4A4EA

RGB 180 164 234

HSL 253.71, 0.63%, 0.78%

LAB 71, 20.22, -33.07

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF3

RGB 175 155 243

HSL 253.64, 0.79%, 0.78%

LAB 68.77, 25.97, -41.49

 

CMYK 33 / 42 / 0 / 1

HEX #AA92FC

RGB 170 146 252

HSL 253.58, 0.95%, 0.78%

LAB 66.62, 31.91, -49.81

 

CMYK 23 / 30 / 0 / 8

HEX #B4A4EA

RGB 180 164 234

HSL 253.71, 0.63%, 0.78%

LAB 71, 20.22, -33.07

 

CMYK 18 / 23 / 0 / 12

HEX #B9ADE1

RGB 185 173 225

HSL 253.85, 0.46%, 0.78%

LAB 73.31, 14.71, -24.58

 

CMYK 12 / 16 / 0 / 15

HEX #BEB6D8

RGB 190 182 216

HSL 254.12, 0.3%, 0.78%

LAB 75.68, 9.44, -16.05

 

CMYK 5 / 7 / 0 / 19

HEX #C3BFCE

RGB 195 191 206

HSL 256, 0.13%, 0.78%

LAB 78.06, 4.22, -7.02

 

CMYK 0 / 0 / 1 / 22

HEX #C8C8C5

RGB 200 200 197

HSL 60, 0.03%, 0.78%

LAB 80.53, -0.54, 1.49

 

CMYK 30 / 21 / 0 / 8

HEX #A4BAEA

RGB 164 186 234

HSL 221.14, 0.63%, 0.78%

LAB 75.42, 3.34, -26.37

 

CMYK 30 / 28 / 0 / 8

HEX #A4A8EA

RGB 164 168 234

HSL 236.57, 0.63%, 0.78%

LAB 70.76, 13.31, -33.55

 

CMYK 24 / 30 / 0 / 8

HEX #B3A4EA

RGB 179 164 234

HSL 252.86, 0.63%, 0.78%

LAB 70.92, 19.93, -33.2

 

CMYK 15 / 30 / 0 / 8

HEX #C6A4EA

RGB 198 164 234

HSL 269.14, 0.63%, 0.78%

LAB 72.56, 25.68, -30.54

 

CMYK 8 / 30 / 0 / 8

HEX #D8A4EA

RGB 216 164 234

HSL 284.57, 0.63%, 0.78%

LAB 74.25, 31.28, -27.8

 

CMYK 43 / 56 / 0 / 15

HEX #7C61DA

RGB 124 97 218

HSL 253.39, 0.62%, 0.62%

LAB 49.37, 39.62, -58.63

 

CMYK 33 / 42 / 0 / 11

HEX #9883E2

RGB 152 131 226

HSL 253.26, 0.62%, 0.7%

LAB 60.25, 29.02, -45.64

 

CMYK 23 / 30 / 0 / 8

HEX #B4A4EA

RGB 180 164 234

HSL 253.71, 0.63%, 0.78%

LAB 71, 20.22, -33.07

 

CMYK 14 / 18 / 0 / 5

HEX #CFC6F2

RGB 207 198 242

HSL 252.27, 0.63%, 0.86%

LAB 81.87, 11.66, -20.56

 

CMYK 6 / 7 / 0 / 2

HEX #EBE7F9

RGB 235 231 249

HSL 253.33, 0.6%, 0.94%

LAB 92.42, 4.62, -8.23

 

CMYK 23 / 30 / 0 / 9

HEX #B2A2E9

RGB 178.3 162.4 233

HSL 253.51, 0.62%, 0.78%

LAB 70.43, 20.38, -33.42

 

CMYK 0 / 30 / 12 / 8

HEX #EAA4CD

RGB 234 164 205

HSL 324.86, 0.63%, 0.78%

LAB 75.11, 31.94, -10.49

 

CMYK 24 / 0 / 30 / 8

HEX #B1EAA4

RGB 177 234 164

HSL 108.86, 0.63%, 0.78%

LAB 87.42, -31.02, 28.31

 

CMYK 23 / 30 / 0 / 9

HEX #B2A2E9

RGB 178.3 162.4 233

HSL 253.51, 0.62%, 0.78%

LAB 70.43, 20.38, -33.42

 

CMYK 0 / 24 / 30 / 8

HEX #EAB3A4

RGB 234 179 164

HSL 12.86, 0.63%, 0.78%

LAB 77.53, 17.9, 15.38

 

CMYK 30 / 0 / 24 / 8

HEX #A4EAB3

RGB 164 234 179

HSL 132.86, 0.63%, 0.78%

LAB 86.99, -32.73, 19.88

 

CMYK 23 / 30 / 0 / 9

HEX #B2A2E9

RGB 178.3 162.4 233

HSL 253.51, 0.62%, 0.78%

LAB 70.43, 20.38, -33.42

 

CMYK 0 / 30 / 12 / 8

HEX #EAA4CD

RGB 234 164 205

HSL 324.86, 0.63%, 0.78%

LAB 75.11, 31.94, -10.49

 

CMYK 6 / 0 / 30 / 8

HEX #DBEAA4

RGB 219 234 164

HSL 72.86, 0.63%, 0.78%

LAB 90.13, -16.18, 32.41

 

CMYK 30 / 0 / 18 / 8

HEX #A4EAC1

RGB 164 234 193

HSL 144.86, 0.63%, 0.78%

LAB 87.28, -30.16, 13.01

 

CMYK 23 / 30 / 0 / 9

HEX #B2A2E9

RGB 178.3 162.4 233

HSL 253.51, 0.62%, 0.78%

LAB 70.43, 20.38, -33.42

 

CMYK 0 / 30 / 21 / 8

HEX #EAA4B8

RGB 234 164 184

HSL 342.86, 0.63%, 0.78%

LAB 74.51, 28.68, 0.15

 

CMYK 6 / 0 / 30 / 8

HEX #DBEAA4

RGB 219 234 164

HSL 72.86, 0.63%, 0.78%

LAB 90.13, -16.18, 32.41

 

CMYK 30 / 0 / 9 / 8

HEX #A4EAD6

RGB 164 234 214

HSL 162.86, 0.63%, 0.78%

LAB 87.77, -25.97, 2.73

 

Description

Color code: RGB 178.3 162.4 233 | qconv.com Color code: RGB 178.3 162.4 233 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178.3 red, 162.4 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178.3 162.4 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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