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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178.1 198.8 192 it is the complementary color RGB 76.9 56.2 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178.1 198.8 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178.1 198.8 192 shade: RGB 183.1 198.8 187, RGB 200.1 216.8 206, RGB 217.1 234.8 225, RGB 234.1 252.8 244 and RGB 251.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178.1 198.8 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178.1 198.8 192 shade: RGB 178.1 198.8 192, RGB 161.1 180.8 173, RGB 144.1 162.8 154, RGB 127.1 144.8 135 and RGB 110.1 126.8 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178.1 198.8 192 shade: RGB 178 199 192, RGB 178 199 186, RGB 178 199 180, RGB 181 199 178 and RGB 186 199 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178.1 198.8 192 shade: RGB 178 199 192, RGB 178 199 198, RGB 178 194 199, RGB 178 189 199 and RGB 178 183 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178.1 198.8 192 shade matches the following richer shades: RGB 178 199 192, RGB 167 210 196, RGB 156 220 199, RGB 145 231 203 and RGB 135 242 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178.1 198.8 192 shade: RGB 178 199 192, RGB 188 188 188, RGB 199 177 184, RGB 210 167 181 and RGB 221 156 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178.1 198.8 192 shade: RGB 178 199 180, RGB 178 199 186, RGB 178 199 192, RGB 178 199 197 and RGB 178 195 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178.1 198.8 192 shade: RGB 130 164 153, RGB 154 181 172, RGB 178 199 192, RGB 202 216 211 and RGB 225 233 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178.1 198.8 192 shade: RGB 178.1 198.8 192, RGB 178 180 199 and RGB 199 183 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178.1 198.8 192 shade: RGB 178.1 198.8 192, RGB 192 178 199 and RGB 199 192 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178.1 198.8 192 shade: RGB 178.1 198.8 192, RGB 178 180 199, RGB 199 178 185 and RGB 199 196 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178.1 198.8 192 shade: RGB 178.1 198.8 192, RGB 181 178 199, RGB 199 178 185 and RGB 195 199 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 3 / 22

HEX #B2C6C0

RGB 178.1 198.8 192

HSL 160.29, 0.16%, 0.74%

LAB 78.48, -8.33, 1.01

 

Complementary color

CMYK 0 / 27 / 18 / 70

HEX #4C383F

RGB 76.9 56.2 63

HSL 340.29, 0.16%, 0.26%

LAB 26.1, 10.44, -0.63

 

CMYK 8 / 0 / 6 / 22

HEX #B7C6BB

RGB 183.1 198.8 187

HSL 134.9, 0.12%, 0.75%

LAB 78.71, -7.58, 4.06

 

CMYK 8 / 0 / 5 / 15

HEX #C8D8CE

RGB 200.1 216.8 206

HSL 141.2, 0.18%, 0.82%

LAB 85.13, -7.61, 3.39

 

CMYK 8 / 0 / 4 / 8

HEX #D9EAE1

RGB 217.1 234.8 225

HSL 146.78, 0.3%, 0.89%

LAB 91.46, -7.65, 2.73

 

CMYK 7 / 0 / 3 / 1

HEX #EAFCF4

RGB 234.1 252.8 244

HSL 151.76, 0.81%, 0.95%

LAB 97.7, -7.69, 2.1

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251.1 255 255

HSL 180, 1%, 0.99%

LAB 99.72, -1.27, -0.46

 

CMYK 10 / 0 / 3 / 22

HEX #B2C6C0

RGB 178.1 198.8 192

HSL 160.29, 0.16%, 0.74%

LAB 78.48, -8.33, 1.01

 

CMYK 11 / 0 / 4 / 29

HEX #A1B4AD

RGB 161.1 180.8 173

HSL 156.24, 0.12%, 0.67%

LAB 71.94, -8.32, 1.66

 

CMYK 11 / 0 / 5 / 36

HEX #90A29A

RGB 144.1 162.8 154

HSL 151.76, 0.09%, 0.6%

LAB 65.27, -8.33, 2.34

 

CMYK 12 / 0 / 7 / 43

HEX #7F9087

RGB 127.1 144.8 135

HSL 146.78, 0.07%, 0.53%

LAB 58.47, -8.35, 3.05

 

CMYK 13 / 0 / 9 / 50

HEX #6E7E74

RGB 110.1 126.8 116

HSL 141.2, 0.07%, 0.46%

LAB 51.51, -8.39, 3.81

 

CMYK 11 / 0 / 4 / 22

HEX #B2C7C0

RGB 178 199 192

HSL 160, 0.16%, 0.74%

LAB 78.53, -8.46, 1.07

 

CMYK 11 / 0 / 7 / 22

HEX #B2C7BA

RGB 178 199 186

HSL 142.86, 0.16%, 0.74%

LAB 78.38, -9.61, 4.08

 

CMYK 11 / 0 / 10 / 22

HEX #B2C7B4

RGB 178 199 180

HSL 125.71, 0.16%, 0.74%

LAB 78.23, -10.72, 7.1

 

CMYK 9 / 0 / 11 / 22

HEX #B5C7B2

RGB 181 199 178

HSL 111.43, 0.16%, 0.74%

LAB 78.39, -10.05, 8.43

 

CMYK 7 / 0 / 11 / 22

HEX #BAC7B2

RGB 186 199 178

HSL 97.14, 0.16%, 0.74%

LAB 78.75, -8.29, 8.99

 

CMYK 11 / 0 / 4 / 22

HEX #B2C7C0

RGB 178 199 192

HSL 160, 0.16%, 0.74%

LAB 78.53, -8.46, 1.07

 

CMYK 11 / 0 / 1 / 22

HEX #B2C7C6

RGB 178 199 198

HSL 177.14, 0.16%, 0.74%

LAB 78.69, -7.28, -1.93

 

CMYK 11 / 3 / 0 / 22

HEX #B2C2C7

RGB 178 194 199

HSL 194.29, 0.16%, 0.74%

LAB 77.38, -4.45, -4.38

 

CMYK 11 / 5 / 0 / 22

HEX #B2BDC7

RGB 178 189 199

HSL 208.57, 0.16%, 0.74%

LAB 76.06, -1.79, -6.34

 

CMYK 11 / 8 / 0 / 22

HEX #B2B7C7

RGB 178 183 199

HSL 225.71, 0.16%, 0.74%

LAB 74.48, 1.43, -8.68

 

CMYK 11 / 0 / 4 / 22

HEX #B2C7C0

RGB 178 199 192

HSL 160, 0.16%, 0.74%

LAB 78.53, -8.46, 1.07

 

CMYK 20 / 0 / 7 / 18

HEX #A7D2C4

RGB 167 210 196

HSL 160.47, 0.32%, 0.74%

LAB 80.9, -16.91, 2.29

 

CMYK 29 / 0 / 10 / 14

HEX #9CDCC7

RGB 156 220 199

HSL 160.31, 0.48%, 0.74%

LAB 83.11, -24.63, 3.83

 

CMYK 37 / 0 / 12 / 9

HEX #91E7CB

RGB 145 231 203

HSL 160.47, 0.64%, 0.74%

LAB 85.75, -32.18, 5.45

 

CMYK 44 / 0 / 14 / 5

HEX #87F2CF

RGB 135 242 207

HSL 160.37, 0.8%, 0.74%

LAB 88.52, -38.97, 7.31

 

CMYK 11 / 0 / 4 / 22

HEX #B2C7C0

RGB 178 199 192

HSL 160, 0.16%, 0.74%

LAB 78.53, -8.46, 1.07

 

CMYK 0 / 0 / 0 / 26

HEX #BCBCBC

RGB 188 188 188

HSL 0, 0%, 0.74%

LAB 76.25, 0, -0.01

 

CMYK 0 / 11 / 8 / 22

HEX #C7B1B8

RGB 199 177 184

HSL 340.91, 0.16%, 0.74%

LAB 74.22, 9.09, -0.68

 

CMYK 0 / 20 / 14 / 18

HEX #D2A7B5

RGB 210 167 181

HSL 340.47, 0.32%, 0.74%

LAB 72.68, 17.97, -1.17

 

CMYK 0 / 29 / 20 / 13

HEX #DD9CB1

RGB 221 156 177

HSL 340.62, 0.49%, 0.74%

LAB 71.09, 27.26, -1.15

 

CMYK 11 / 0 / 10 / 22

HEX #B2C7B4

RGB 178 199 180

HSL 125.71, 0.16%, 0.74%

LAB 78.23, -10.72, 7.1

 

CMYK 11 / 0 / 7 / 22

HEX #B2C7BA

RGB 178 199 186

HSL 142.86, 0.16%, 0.74%

LAB 78.38, -9.61, 4.08

 

CMYK 11 / 0 / 4 / 22

HEX #B2C7C0

RGB 178 199 192

HSL 160, 0.16%, 0.74%

LAB 78.53, -8.46, 1.07

 

CMYK 11 / 0 / 1 / 22

HEX #B2C7C5

RGB 178 199 197

HSL 174.29, 0.16%, 0.74%

LAB 78.66, -7.48, -1.43

 

CMYK 11 / 2 / 0 / 22

HEX #B2C3C7

RGB 178 195 199

HSL 191.43, 0.16%, 0.74%

LAB 77.65, -4.98, -3.99

 

CMYK 21 / 0 / 7 / 36

HEX #82A499

RGB 130 164 153

HSL 160.59, 0.16%, 0.58%

LAB 64.64, -13.99, 1.86

 

CMYK 15 / 0 / 5 / 29

HEX #9AB5AC

RGB 154 181 172

HSL 160, 0.15%, 0.66%

LAB 71.48, -11.03, 1.48

 

CMYK 11 / 0 / 4 / 22

HEX #B2C7C0

RGB 178 199 192

HSL 160, 0.16%, 0.74%

LAB 78.53, -8.46, 1.07

 

CMYK 6 / 0 / 2 / 15

HEX #CAD8D3

RGB 202 216 211

HSL 158.57, 0.15%, 0.82%

LAB 85.19, -5.63, 0.83

 

CMYK 3 / 0 / 1 / 9

HEX #E1E9E7

RGB 225 233 231

HSL 165, 0.15%, 0.9%

LAB 91.71, -3.02, 0.03

 

CMYK 10 / 0 / 3 / 22

HEX #B2C6C0

RGB 178.1 198.8 192

HSL 160.29, 0.16%, 0.74%

LAB 78.48, -8.33, 1.01

 

CMYK 11 / 10 / 0 / 22

HEX #B2B4C7

RGB 178 180 199

HSL 234.29, 0.16%, 0.74%

LAB 73.7, 3.05, -9.85

 

CMYK 0 / 8 / 11 / 22

HEX #C7B7B2

RGB 199 183 178

HSL 14.29, 0.16%, 0.74%

LAB 75.59, 4.83, 4.58

 

CMYK 10 / 0 / 3 / 22

HEX #B2C6C0

RGB 178.1 198.8 192

HSL 160.29, 0.16%, 0.74%

LAB 78.48, -8.33, 1.01

 

CMYK 4 / 11 / 0 / 22

HEX #C0B2C7

RGB 192 178 199

HSL 280, 0.16%, 0.74%

LAB 74.3, 8.86, -8.83

 

CMYK 0 / 4 / 11 / 22

HEX #C7C0B2

RGB 199 192 178

HSL 40, 0.16%, 0.74%

LAB 77.91, 0.03, 7.92

 

CMYK 10 / 0 / 3 / 22

HEX #B2C6C0

RGB 178.1 198.8 192

HSL 160.29, 0.16%, 0.74%

LAB 78.48, -8.33, 1.01

 

CMYK 11 / 10 / 0 / 22

HEX #B2B4C7

RGB 178 180 199

HSL 234.29, 0.16%, 0.74%

LAB 73.7, 3.05, -9.85

 

CMYK 0 / 11 / 7 / 22

HEX #C7B2B9

RGB 199 178 185

HSL 340, 0.16%, 0.74%

LAB 74.5, 8.73, -0.82

 

CMYK 0 / 2 / 11 / 22

HEX #C7C4B2

RGB 199 196 178

HSL 51.43, 0.16%, 0.74%

LAB 78.95, -2.08, 9.4

 

CMYK 10 / 0 / 3 / 22

HEX #B2C6C0

RGB 178.1 198.8 192

HSL 160.29, 0.16%, 0.74%

LAB 78.48, -8.33, 1.01

 

CMYK 9 / 11 / 0 / 22

HEX #B5B2C7

RGB 181 178 199

HSL 248.57, 0.16%, 0.74%

LAB 73.41, 5.14, -10.26

 

CMYK 0 / 11 / 7 / 22

HEX #C7B2B9

RGB 199 178 185

HSL 340, 0.16%, 0.74%

LAB 74.5, 8.73, -0.82

 

CMYK 2 / 0 / 11 / 22

HEX #C3C7B2

RGB 195 199 178

HSL 71.43, 0.16%, 0.74%

LAB 79.42, -5.09, 10.04

 

Description

Color code: RGB 178.1 198.8 192 | qconv.com Color code: RGB 178.1 198.8 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178.1 red, 198.8 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178.1 198.8 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 3 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 3% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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