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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 94 67 it is the complementary color RGB 78 161 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 94 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 177 94 67: RGB 182 94 62, RGB 199 112 81, RGB 216 130 100, RGB 233 148 119 and RGB 250 166 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 94 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 177 94 67: RGB 177 94 67, RGB 160 76 48, RGB 143 58 29, RGB 126 40 10 and RGB 109 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

Complementary color

CMYK 59 / 14 / 0 / 26

HEX #4EA1BC

RGB 78 161 188

HSL 194.73, 0.45%, 0.52%

LAB 62.29, -17.24, -21.55

 

CMYK 0 / 48 / 66 / 29

HEX #B65E3E

RGB 182 94 62

HSL 16, 0.49%, 0.48%

LAB 49.86, 32.88, 34.13

 

CMYK 0 / 44 / 59 / 22

HEX #C77051

RGB 199 112 81

HSL 15.76, 0.51%, 0.55%

LAB 56.41, 31.44, 32.11

 

CMYK 0 / 40 / 54 / 15

HEX #D88264

RGB 216 130 100

HSL 15.52, 0.6%, 0.62%

LAB 62.91, 30.13, 30.3

 

CMYK 0 / 36 / 49 / 9

HEX #E99477

RGB 233 148 119

HSL 15.26, 0.72%, 0.69%

LAB 69.35, 28.95, 28.68

 

CMYK 0 / 34 / 45 / 2

HEX #FAA68A

RGB 250 166 138

HSL 15, 0.92%, 0.76%

LAB 75.72, 27.9, 27.21

 

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

CMYK 0 / 53 / 70 / 37

HEX #A04C30

RGB 160 76 48

HSL 15, 0.54%, 0.41%

LAB 42.55, 32.72, 32.57

 

CMYK 0 / 59 / 80 / 44

HEX #8F3A1D

RGB 143 58 29

HSL 15.26, 0.66%, 0.34%

LAB 35.9, 34.34, 34.98

 

CMYK 0 / 68 / 92 / 51

HEX #7E280A

RGB 126 40 10

HSL 15.52, 0.85%, 0.27%

LAB 29.35, 35.9, 37.1

 

CMYK 0 / 80 / 100 / 57

HEX #6D1600

RGB 109 22 0

HSL 12.11, 1%, 0.21%

LAB 23.08, 36.98, 34.21

 

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

CMYK 0 / 37 / 62 / 31

HEX #B16F43

RGB 177 111 67

HSL 24, 0.45%, 0.48%

LAB 53.08, 21.86, 35.07

 

CMYK 0 / 27 / 62 / 31

HEX #B18143

RGB 177 129 67

HSL 33.82, 0.45%, 0.48%

LAB 57.51, 11.79, 40.28

 

CMYK 0 / 16 / 62 / 31

HEX #B19443

RGB 177 148 67

HSL 44.18, 0.45%, 0.48%

LAB 62.45, 1.28, 45.89

 

CMYK 0 / 6 / 62 / 31

HEX #B1A643

RGB 177 166 67

HSL 54, 0.45%, 0.48%

LAB 67.3, -8.39, 51.24

 

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

CMYK 0 / 47 / 62 / 11

HEX #E47956

RGB 228 121 86

HSL 14.79, 0.72%, 0.62%

LAB 62.37, 38.47, 37.61

 

CMYK 0 / 46 / 63 / 91

HEX #180D09

RGB 24 13 9

HSL 16, 0.45%, 0.06%

LAB 4.53, 3.81, 3.16

 

CMYK 0 / 47 / 63 / 71

HEX #4B281C

RGB 75 40 28

HSL 15.32, 0.46%, 0.2%

LAB 20.43, 14.99, 14.94

 

CMYK 0 / 47 / 62 / 51

HEX #7E4330

RGB 126 67 48

HSL 14.62, 0.45%, 0.34%

LAB 35.33, 23.49, 22.68

 

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

CMYK 27 / 0 / 62 / 31

HEX #81B143

RGB 129 177 67

HSL 86.18, 0.45%, 0.48%

LAB 66.91, -33.69, 49.81

 

CMYK 62 / 52 / 0 / 31

HEX #4355B1

RGB 67 85 177

HSL 230.18, 0.45%, 0.48%

LAB 39.35, 22.29, -51.28

 

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

CMYK 62 / 0 / 47 / 31

HEX #43B15D

RGB 67 177 93

HSL 134.18, 0.45%, 0.48%

LAB 64.51, -49.55, 33.81

 

CMYK 47 / 62 / 0 / 31

HEX #5D43B1

RGB 93 67 177

HSL 254.18, 0.45%, 0.48%

LAB 36.96, 38.63, -55.05

 

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

CMYK 27 / 0 / 62 / 31

HEX #81B143

RGB 129 177 67

HSL 86.18, 0.45%, 0.48%

LAB 66.91, -33.69, 49.81

 

CMYK 62 / 15 / 0 / 31

HEX #4397B1

RGB 67 151 177

HSL 194.18, 0.45%, 0.48%

LAB 58.51, -17.38, -21.16

 

CMYK 35 / 62 / 0 / 31

HEX #7343B1

RGB 115 67 177

HSL 266.18, 0.45%, 0.48%

LAB 39.3, 43.43, -51.15

 

CMYK 0 / 47 / 62 / 31

HEX #B15E43

RGB 177 94 67

HSL 14.73, 0.45%, 0.48%

LAB 49.2, 31.2, 30.37

 

CMYK 46 / 0 / 62 / 31

HEX #60B143

RGB 96 177 67

HSL 104.18, 0.45%, 0.48%

LAB 65.23, -45.19, 47.47

 

CMYK 62 / 15 / 0 / 31

HEX #4397B1

RGB 67 151 177

HSL 194.18, 0.45%, 0.48%

LAB 58.51, -17.38, -21.16

 

CMYK 16 / 62 / 0 / 31

HEX #9443B1

RGB 148 67 177

HSL 284.18, 0.45%, 0.48%

LAB 43.48, 51.32, -44.21

 

Description

Color code: RGB 177 94 67 | qconv.com Color code: RGB 177 94 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 94 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 94 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 62 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 62% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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