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Color name
RGB 177 53 10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 53 10 it is the complementary color RGB 78 202 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 53 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 53 10 shade: RGB 182 53 5, RGB 199 71 24, RGB 216 89 43, RGB 233 107 62 and RGB 250 125 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 53 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 53 10 shade: RGB 177 53 10, RGB 160 35 0, RGB 143 17 0, RGB 126 0 0 and RGB 109 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 53 10 shade: RGB 178 54 10 and RGB 178 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 53 10 shade: RGB 178 54 10, RGB 178 99 10, RGB 178 144 10, RGB 167 178 10 and RGB 122 178 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 53 10 shade matches the following richer shades: RGB 178 54 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 53 10 shade: RGB 178 54 10, RGB 163 61 26, RGB 148 68 41, RGB 133 76 56 and RGB 117 83 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 53 10 shade: RGB 178 10 58, RGB 178 10 13, RGB 178 52 10, RGB 178 97 10 and RGB 178 142 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 53 10 shade: RGB 100 30 6, RGB 139 42 8, RGB 178 54 10, RGB 217 65 13 and RGB 242 84 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 53 10 shade: RGB 177 53 10, RGB 103 178 10 and RGB 10 36 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 53 10 shade: RGB 177 53 10, RGB 10 178 52 and RGB 52 10 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 53 10 shade: RGB 177 53 10, RGB 103 178 10, RGB 10 136 178 and RGB 86 10 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 53 10 shade: RGB 177 53 10, RGB 52 178 10, RGB 10 136 178 and RGB 136 10 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 94 / 31

HEX #B1350A

RGB 177 53 10

HSL 15.45, 0.89%, 0.37%

LAB 41.08, 48.65, 49.83

 

Complementary color

CMYK 68 / 18 / 0 / 4

HEX #4ECAF5

RGB 78 202 245

HSL 195.45, 0.89%, 0.63%

LAB 76.35, -21.04, -31.2

 

CMYK 0 / 71 / 97 / 29

HEX #B63505

RGB 182 53 5

HSL 16.27, 0.95%, 0.37%

LAB 42, 50.29, 52.37

 

CMYK 0 / 64 / 88 / 22

HEX #C74718

RGB 199 71 24

HSL 16.11, 0.78%, 0.44%

LAB 47.9, 49.03, 51.69

 

CMYK 0 / 59 / 80 / 15

HEX #D8592B

RGB 216 89 43

HSL 15.95, 0.69%, 0.51%

LAB 53.94, 47.55, 49.87

 

CMYK 0 / 54 / 73 / 9

HEX #E96B3E

RGB 233 107 62

HSL 15.79, 0.8%, 0.58%

LAB 60.06, 46.02, 47.7

 

CMYK 0 / 50 / 68 / 2

HEX #FA7D51

RGB 250 125 81

HSL 15.62, 0.94%, 0.65%

LAB 66.2, 44.53, 45.54

 

CMYK 0 / 70 / 94 / 31

HEX #B1350A

RGB 177 53 10

HSL 15.45, 0.89%, 0.37%

LAB 41.08, 48.65, 49.83

 

CMYK 0 / 78 / 100 / 37

HEX #A02300

RGB 160 35 0

HSL 13.13, 1%, 0.31%

LAB 35.35, 49.44, 48.38

 

CMYK 0 / 88 / 100 / 44

HEX #8F1100

RGB 143 17 0

HSL 7.13, 1%, 0.28%

LAB 30.01, 49.18, 43.21

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 70 / 94 / 30

HEX #B2360A

RGB 178 54 10

HSL 15.71, 0.89%, 0.37%

LAB 41.41, 48.59, 50.13

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 0 / 70 / 94 / 30

HEX #B2360A

RGB 178 54 10

HSL 15.71, 0.89%, 0.37%

LAB 41.41, 48.59, 50.13

 

CMYK 0 / 44 / 94 / 30

HEX #B2630A

RGB 178 99 10

HSL 31.79, 0.89%, 0.37%

LAB 49.99, 26.58, 55.93

 

CMYK 0 / 19 / 94 / 30

HEX #B2900A

RGB 178 144 10

HSL 47.86, 0.89%, 0.37%

LAB 61.16, 1.63, 64.03

 

CMYK 6 / 0 / 94 / 30

HEX #A7B20A

RGB 167 178 10

HSL 63.93, 0.89%, 0.37%

LAB 69.53, -21.13, 69.93

 

CMYK 31 / 0 / 94 / 30

HEX #7AB20A

RGB 122 178 10

HSL 80, 0.89%, 0.37%

LAB 66.52, -39.66, 66.29

 

CMYK 0 / 70 / 94 / 30

HEX #B2360A

RGB 178 54 10

HSL 15.71, 0.89%, 0.37%

LAB 41.41, 48.59, 50.13

 

CMYK 0 / 70 / 94 / 30

HEX #B2360A

RGB 178 54 10

HSL 15.71, 0.89%, 0.37%

LAB 41.41, 48.59, 50.13

 

CMYK 0 / 63 / 84 / 36

HEX #A33D1A

RGB 163 61 26

HSL 15.33, 0.72%, 0.37%

LAB 39.91, 40.48, 41.56

 

CMYK 0 / 54 / 72 / 42

HEX #944429

RGB 148 68 41

HSL 15.14, 0.57%, 0.37%

LAB 38.88, 31.71, 31.84

 

CMYK 0 / 43 / 58 / 48

HEX #854C38

RGB 133 76 56

HSL 15.58, 0.41%, 0.37%

LAB 38.62, 21.98, 22.21

 

CMYK 0 / 29 / 39 / 54

HEX #755347

RGB 117 83 71

HSL 15.65, 0.24%, 0.37%

LAB 38.59, 12.47, 12.64

 

CMYK 0 / 94 / 67 / 30

HEX #B20A3A

RGB 178 10 58

HSL 342.86, 0.89%, 0.37%

LAB 37.82, 61.56, 21.57

 

CMYK 0 / 94 / 93 / 30

HEX #B20A0D

RGB 178 10 13

HSL 358.93, 0.89%, 0.37%

LAB 37.32, 60.16, 46.48

 

CMYK 0 / 71 / 94 / 30

HEX #B2340A

RGB 178 52 10

HSL 15, 0.89%, 0.37%

LAB 41.13, 49.39, 49.95

 

CMYK 0 / 46 / 94 / 30

HEX #B2610A

RGB 178 97 10

HSL 31.07, 0.89%, 0.37%

LAB 49.54, 27.67, 55.61

 

CMYK 0 / 20 / 94 / 30

HEX #B28E0A

RGB 178 142 10

HSL 47.14, 0.89%, 0.37%

LAB 60.63, 2.72, 63.64

 

CMYK 0 / 70 / 94 / 61

HEX #641E06

RGB 100 30 6

HSL 15.32, 0.89%, 0.21%

LAB 22.48, 30.44, 30.56

 

CMYK 0 / 70 / 94 / 45

HEX #8B2A08

RGB 139 42 8

HSL 15.57, 0.89%, 0.29%

LAB 32.17, 39.79, 41.1

 

CMYK 0 / 70 / 94 / 30

HEX #B2360A

RGB 178 54 10

HSL 15.71, 0.89%, 0.37%

LAB 41.41, 48.59, 50.13

 

CMYK 0 / 70 / 94 / 15

HEX #D9410D

RGB 217 65 13

HSL 15.29, 0.89%, 0.45%

LAB 50.17, 57.39, 58.39

 

CMYK 0 / 65 / 88 / 5

HEX #F2541D

RGB 242 84 29

HSL 15.49, 0.89%, 0.53%

LAB 57.37, 58.46, 60.36

 

CMYK 0 / 70 / 94 / 31

HEX #B1350A

RGB 177 53 10

HSL 15.45, 0.89%, 0.37%

LAB 41.08, 48.65, 49.83

 

CMYK 42 / 0 / 94 / 30

HEX #67B20A

RGB 103 178 10

HSL 86.79, 0.89%, 0.37%

LAB 65.55, -46.54, 65.11

 

CMYK 94 / 80 / 0 / 30

HEX #0A24B2

RGB 10 36 178

HSL 230.71, 0.89%, 0.37%

LAB 25.38, 47.75, -74.85

 

CMYK 0 / 70 / 94 / 31

HEX #B1350A

RGB 177 53 10

HSL 15.45, 0.89%, 0.37%

LAB 41.08, 48.65, 49.83

 

CMYK 94 / 0 / 71 / 30

HEX #0AB234

RGB 10 178 52

HSL 135, 0.89%, 0.37%

LAB 63.47, -62.69, 51.28

 

CMYK 71 / 94 / 0 / 30

HEX #340AB2

RGB 52 10 178

HSL 255, 0.89%, 0.37%

LAB 24.2, 59.26, -76.76

 

CMYK 0 / 70 / 94 / 31

HEX #B1350A

RGB 177 53 10

HSL 15.45, 0.89%, 0.37%

LAB 41.08, 48.65, 49.83

 

CMYK 42 / 0 / 94 / 30

HEX #67B20A

RGB 103 178 10

HSL 86.79, 0.89%, 0.37%

LAB 65.55, -46.54, 65.11

 

CMYK 94 / 24 / 0 / 30

HEX #0A88B2

RGB 10 136 178

HSL 195, 0.89%, 0.37%

LAB 52.83, -15.14, -30.59

 

CMYK 52 / 94 / 0 / 30

HEX #560AB2

RGB 86 10 178

HSL 267.14, 0.89%, 0.37%

LAB 27.87, 61.61, -70.56

 

CMYK 0 / 70 / 94 / 31

HEX #B1350A

RGB 177 53 10

HSL 15.45, 0.89%, 0.37%

LAB 41.08, 48.65, 49.83

 

CMYK 71 / 0 / 94 / 30

HEX #34B20A

RGB 52 178 10

HSL 105, 0.89%, 0.37%

LAB 63.83, -60.24, 62.99

 

CMYK 94 / 24 / 0 / 30

HEX #0A88B2

RGB 10 136 178

HSL 195, 0.89%, 0.37%

LAB 52.83, -15.14, -30.59

 

CMYK 24 / 94 / 0 / 30

HEX #880AB2

RGB 136 10 178

HSL 285, 0.89%, 0.37%

LAB 35.33, 67.45, -58.03

 

Description

Color code: RGB 177 53 10 | qconv.com Color code: RGB 177 53 10 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 53 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 53 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 94% 31% C M Y K

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