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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 175 193 it is the complementary color RGB 78 80 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 175 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 175 193 shade: RGB 182 175 188, RGB 199 193 207, RGB 216 211 226, RGB 233 229 245 and RGB 250 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 175 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 175 193 shade: RGB 177 175 193, RGB 160 157 174, RGB 143 139 155, RGB 126 121 136 and RGB 109 103 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 175 193 shade: RGB 176 174 193, RGB 181 174 193, RGB 186 174 193, RGB 191 174 193 and RGB 193 174 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 175 193 shade: RGB 176 174 193 and RGB 174 174 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 175 193 shade matches the following richer shades: RGB 176 174 193, RGB 167 163 204, RGB 158 151 216, RGB 149 140 228 and RGB 140 128 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 175 193 shade: RGB 176 174 193, RGB 185 186 181, RGB 194 197 170, RGB 203 209 158 and RGB 212 221 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 175 193 shade: RGB 174 182 193, RGB 174 177 193, RGB 176 174 193, RGB 181 174 193 and RGB 186 174 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 175 193 shade: RGB 131 128 157, RGB 154 151 175, RGB 176 174 193, RGB 199 198 211 and RGB 222 221 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 175 193 shade: RGB 177 175 193, RGB 193 174 187 and RGB 180 193 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 175 193 shade: RGB 177 175 193, RGB 193 176 174 and RGB 174 193 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 175 193 shade: RGB 177 175 193, RGB 193 174 187, RGB 191 193 174 and RGB 174 193 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 175 193 shade: RGB 177 175 193, RGB 193 174 182, RGB 191 193 174 and RGB 174 193 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 9 / 0 / 24

HEX #B1AFC1

RGB 177 175 193

HSL 246.67, 0.13%, 0.72%

LAB 72.13, 4.21, -8.9

 

Complementary color

CMYK 2 / 0 / 23 / 69

HEX #4E503E

RGB 78 80 62

HSL 66.67, 0.13%, 0.28%

LAB 33.36, -4.38, 10.37

 

CMYK 3 / 7 / 0 / 26

HEX #B6AFBC

RGB 182 175 188

HSL 272.31, 0.09%, 0.71%

LAB 72.39, 4.93, -5.74

 

CMYK 4 / 7 / 0 / 19

HEX #C7C1CF

RGB 199 193 207

HSL 265.71, 0.13%, 0.78%

LAB 78.92, 4.69, -6.26

 

CMYK 4 / 7 / 0 / 11

HEX #D8D3E2

RGB 216 211 226

HSL 260, 0.21%, 0.86%

LAB 85.34, 4.47, -6.77

 

CMYK 5 / 7 / 0 / 4

HEX #E9E5F5

RGB 233 229 245

HSL 255, 0.44%, 0.93%

LAB 91.66, 4.26, -7.28

 

CMYK 2 / 3 / 0 / 0

HEX #FAF7FF

RGB 250 247 255

HSL 262.5, 1%, 0.98%

LAB 97.66, 2.41, -3.48

 

CMYK 8 / 9 / 0 / 24

HEX #B1AFC1

RGB 177 175 193

HSL 246.67, 0.13%, 0.72%

LAB 72.13, 4.21, -8.9

 

CMYK 8 / 10 / 0 / 32

HEX #A09DAE

RGB 160 157 174

HSL 250.59, 0.09%, 0.65%

LAB 65.47, 4.45, -8.43

 

CMYK 8 / 10 / 0 / 39

HEX #8F8B9B

RGB 143 139 155

HSL 255, 0.07%, 0.58%

LAB 58.67, 4.7, -7.95

 

CMYK 7 / 11 / 0 / 47

HEX #7E7988

RGB 126 121 136

HSL 260, 0.06%, 0.5%

LAB 51.71, 4.97, -7.47

 

CMYK 7 / 12 / 0 / 54

HEX #6D6775

RGB 109 103 117

HSL 265.71, 0.06%, 0.43%

LAB 44.57, 5.28, -6.98

 

CMYK 9 / 10 / 0 / 24

HEX #B0AEC1

RGB 176 174 193

HSL 246.32, 0.13%, 0.72%

LAB 71.79, 4.42, -9.42

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 4 / 10 / 0 / 24

HEX #BAAEC1

RGB 186 174 193

HSL 277.89, 0.13%, 0.72%

LAB 72.6, 7.82, -8.13

 

CMYK 1 / 10 / 0 / 24

HEX #BFAEC1

RGB 191 174 193

HSL 293.68, 0.13%, 0.72%

LAB 73.02, 9.55, -7.46

 

CMYK 0 / 10 / 2 / 24

HEX #C1AEBD

RGB 193 174 189

HSL 312.63, 0.13%, 0.72%

LAB 73.08, 9.5, -5.16

 

CMYK 9 / 10 / 0 / 24

HEX #B0AEC1

RGB 176 174 193

HSL 246.32, 0.13%, 0.72%

LAB 71.79, 4.42, -9.42

 

CMYK 10 / 10 / 0 / 24

HEX #AEAEC1

RGB 174 174 193

HSL 240, 0.13%, 0.72%

LAB 71.64, 3.75, -9.67

 

CMYK 9 / 10 / 0 / 24

HEX #B0AEC1

RGB 176 174 193

HSL 246.32, 0.13%, 0.72%

LAB 71.79, 4.42, -9.42

 

CMYK 18 / 20 / 0 / 20

HEX #A7A3CC

RGB 167 163 204

HSL 245.85, 0.29%, 0.72%

LAB 68.58, 9.9, -20.39

 

CMYK 27 / 30 / 0 / 15

HEX #9E97D8

RGB 158 151 216

HSL 246.46, 0.45%, 0.72%

LAB 65.25, 16.72, -32.22

 

CMYK 35 / 39 / 0 / 11

HEX #958CE4

RGB 149 140 228

HSL 246.14, 0.62%, 0.72%

LAB 62.29, 23.54, -43.54

 

CMYK 41 / 46 / 0 / 6

HEX #8C80EF

RGB 140 128 239

HSL 246.49, 0.78%, 0.72%

LAB 59.2, 31.19, -54.59

 

CMYK 9 / 10 / 0 / 24

HEX #B0AEC1

RGB 176 174 193

HSL 246.32, 0.13%, 0.72%

LAB 71.79, 4.42, -9.42

 

CMYK 1 / 0 / 3 / 27

HEX #B9BAB5

RGB 185 186 181

HSL 72, 0.03%, 0.72%

LAB 75.31, -1.27, 2.4

 

CMYK 2 / 0 / 14 / 23

HEX #C2C5AA

RGB 194 197 170

HSL 66.67, 0.19%, 0.72%

LAB 78.64, -5.73, 13.2

 

CMYK 3 / 0 / 24 / 18

HEX #CBD19E

RGB 203 209 158

HSL 67.06, 0.36%, 0.72%

LAB 82.25, -10.41, 24.68

 

CMYK 4 / 0 / 33 / 13

HEX #D4DD93

RGB 212 221 147

HSL 67.3, 0.52%, 0.72%

LAB 85.91, -14.52, 35.37

 

CMYK 10 / 6 / 0 / 24

HEX #AEB6C1

RGB 174 182 193

HSL 214.74, 0.13%, 0.72%

LAB 73.74, -0.59, -6.54

 

CMYK 10 / 8 / 0 / 24

HEX #AEB1C1

RGB 174 177 193

HSL 230.53, 0.13%, 0.72%

LAB 72.42, 2.11, -8.49

 

CMYK 9 / 10 / 0 / 24

HEX #B0AEC1

RGB 176 174 193

HSL 246.32, 0.13%, 0.72%

LAB 71.79, 4.42, -9.42

 

CMYK 6 / 10 / 0 / 24

HEX #B5AEC1

RGB 181 174 193

HSL 262.11, 0.13%, 0.72%

LAB 72.19, 6.11, -8.78

 

CMYK 4 / 10 / 0 / 24

HEX #BAAEC1

RGB 186 174 193

HSL 277.89, 0.13%, 0.72%

LAB 72.6, 7.82, -8.13

 

CMYK 17 / 18 / 0 / 38

HEX #83809D

RGB 131 128 157

HSL 246.21, 0.13%, 0.56%

LAB 54.76, 7.32, -15.08

 

CMYK 12 / 14 / 0 / 31

HEX #9A97AF

RGB 154 151 175

HSL 247.5, 0.13%, 0.64%

LAB 63.42, 5.96, -12.1

 

CMYK 9 / 10 / 0 / 24

HEX #B0AEC1

RGB 176 174 193

HSL 246.32, 0.13%, 0.72%

LAB 71.79, 4.42, -9.42

 

CMYK 6 / 6 / 0 / 17

HEX #C7C6D3

RGB 199 198 211

HSL 244.62, 0.13%, 0.8%

LAB 80.31, 2.8, -6.36

 

CMYK 3 / 3 / 0 / 10

HEX #DEDDE5

RGB 222 221 229

HSL 247.5, 0.13%, 0.88%

LAB 88.4, 1.8, -3.8

 

CMYK 8 / 9 / 0 / 24

HEX #B1AFC1

RGB 177 175 193

HSL 246.67, 0.13%, 0.72%

LAB 72.13, 4.21, -8.9

 

CMYK 0 / 10 / 3 / 24

HEX #C1AEBB

RGB 193 174 187

HSL 318.95, 0.13%, 0.72%

LAB 73.02, 9.13, -4.15

 

CMYK 7 / 0 / 10 / 24

HEX #B4C1AE

RGB 180 193 174

HSL 101.05, 0.13%, 0.72%

LAB 76.62, -7.99, 8.03

 

CMYK 8 / 9 / 0 / 24

HEX #B1AFC1

RGB 177 175 193

HSL 246.67, 0.13%, 0.72%

LAB 72.13, 4.21, -8.9

 

CMYK 0 / 9 / 10 / 24

HEX #C1B0AE

RGB 193 176 174

HSL 6.32, 0.13%, 0.72%

LAB 73.18, 5.74, 3.22

 

CMYK 10 / 0 / 9 / 24

HEX #AEC1B0

RGB 174 193 176

HSL 126.32, 0.13%, 0.72%

LAB 76.24, -9.72, 6.35

 

CMYK 8 / 9 / 0 / 24

HEX #B1AFC1

RGB 177 175 193

HSL 246.67, 0.13%, 0.72%

LAB 72.13, 4.21, -8.9

 

CMYK 0 / 10 / 3 / 24

HEX #C1AEBB

RGB 193 174 187

HSL 318.95, 0.13%, 0.72%

LAB 73.02, 9.13, -4.15

 

CMYK 1 / 0 / 10 / 24

HEX #BFC1AE

RGB 191 193 174

HSL 66.32, 0.13%, 0.72%

LAB 77.44, -4.06, 9.33

 

CMYK 10 / 0 / 7 / 24

HEX #AEC1B4

RGB 174 193 180

HSL 138.95, 0.13%, 0.72%

LAB 76.33, -8.98, 4.33

 

CMYK 8 / 9 / 0 / 24

HEX #B1AFC1

RGB 177 175 193

HSL 246.67, 0.13%, 0.72%

LAB 72.13, 4.21, -8.9

 

CMYK 0 / 10 / 6 / 24

HEX #C1AEB6

RGB 193 174 182

HSL 334.74, 0.13%, 0.72%

LAB 72.88, 8.22, -1.6

 

CMYK 1 / 0 / 10 / 24

HEX #BFC1AE

RGB 191 193 174

HSL 66.32, 0.13%, 0.72%

LAB 77.44, -4.06, 9.33

 

CMYK 10 / 0 / 4 / 24

HEX #AEC1B9

RGB 174 193 185

HSL 154.74, 0.13%, 0.72%

LAB 76.46, -8.03, 1.81

 

Description

Color code: RGB 177 175 193 | qconv.com Color code: RGB 177 175 193 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 175 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 175 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 9 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 9% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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