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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 161 158 it is the complementary color RGB 78 94 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 161 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 161 158 shade: RGB 182 161 153, RGB 199 179 172, RGB 216 197 191, RGB 233 215 210 and RGB 250 233 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 161 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 161 158 shade: RGB 177 161 158, RGB 160 143 139, RGB 143 125 120, RGB 126 107 101 and RGB 109 89 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 161 158 shade: RGB 177 161 158 and RGB 177 158 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 161 158 shade: RGB 177 161 158, RGB 177 166 158, RGB 177 172 158, RGB 177 177 158 and RGB 173 177 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 161 158 shade matches the following richer shades: RGB 177 161 158, RGB 191 152 144, RGB 205 142 130, RGB 219 132 116 and RGB 233 123 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 161 158 shade: RGB 177 161 158, RGB 163 171 172, RGB 149 180 186, RGB 135 190 200 and RGB 121 200 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 161 158 shade: RGB 177 158 166, RGB 177 158 160, RGB 177 161 158, RGB 177 166 158 and RGB 177 171 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 161 158 shade: RGB 141 117 113, RGB 159 139 135, RGB 177 161 158, RGB 196 183 181 and RGB 214 206 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 161 158 shade: RGB 177 161 158, RGB 171 177 158 and RGB 158 163 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 161 158 shade: RGB 177 161 158, RGB 158 177 161 and RGB 161 158 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 161 158 shade: RGB 177 161 158, RGB 171 177 158, RGB 158 174 177 and RGB 165 158 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 161 158 shade: RGB 177 161 158, RGB 165 177 158, RGB 158 174 177 and RGB 171 158 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

Complementary color

CMYK 20 / 3 / 0 / 62

HEX #4E5E61

RGB 78 94 97

HSL 189.47, 0.11%, 0.34%

LAB 38.7, -5.38, -3.77

 

CMYK 0 / 12 / 16 / 29

HEX #B6A199

RGB 182 161 153

HSL 16.55, 0.17%, 0.66%

LAB 67.82, 6.34, 6.96

 

CMYK 0 / 10 / 14 / 22

HEX #C7B3AC

RGB 199 179 172

HSL 15.56, 0.19%, 0.73%

LAB 74.42, 5.98, 6.17

 

CMYK 0 / 9 / 12 / 15

HEX #D8C5BF

RGB 216 197 191

HSL 14.4, 0.24%, 0.8%

LAB 80.9, 5.66, 5.41

 

CMYK 0 / 8 / 10 / 9

HEX #E9D7D2

RGB 233 215 210

HSL 13.04, 0.34%, 0.87%

LAB 87.28, 5.37, 4.69

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E5

RGB 250 233 229

HSL 11.43, 0.68%, 0.94%

LAB 93.56, 5.1, 4

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 0 / 11 / 13 / 37

HEX #A08F8B

RGB 160 143 139

HSL 11.43, 0.1%, 0.59%

LAB 60.77, 5.64, 4.43

 

CMYK 0 / 13 / 16 / 44

HEX #8F7D78

RGB 143 125 120

HSL 13.04, 0.09%, 0.52%

LAB 53.88, 6.02, 5.25

 

CMYK 0 / 15 / 20 / 51

HEX #7E6B65

RGB 126 107 101

HSL 14.4, 0.11%, 0.45%

LAB 46.83, 6.46, 6.14

 

CMYK 0 / 18 / 25 / 57

HEX #6D5952

RGB 109 89 82

HSL 15.56, 0.14%, 0.37%

LAB 39.59, 6.99, 7.12

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 0 / 11 / 11 / 31

HEX #B19E9E

RGB 177 158 158

HSL 0, 0.11%, 0.66%

LAB 66.73, 6.96, 2.53

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 0 / 6 / 11 / 31

HEX #B1A69E

RGB 177 166 158

HSL 25.26, 0.11%, 0.66%

LAB 68.82, 2.56, 5.55

 

CMYK 0 / 3 / 11 / 31

HEX #B1AC9E

RGB 177 172 158

HSL 44.21, 0.11%, 0.66%

LAB 70.4, -0.69, 7.83

 

CMYK 0 / 0 / 11 / 31

HEX #B1B19E

RGB 177 177 158

HSL 60, 0.11%, 0.66%

LAB 71.73, -3.38, 9.73

 

CMYK 2 / 0 / 11 / 31

HEX #ADB19E

RGB 173 177 158

HSL 72.63, 0.11%, 0.66%

LAB 71.42, -4.85, 9.24

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 0 / 20 / 25 / 25

HEX #BF9890

RGB 191 152 144

HSL 10.21, 0.27%, 0.66%

LAB 66.17, 13.34, 9.74

 

CMYK 0 / 31 / 37 / 20

HEX #CD8E82

RGB 205 142 130

HSL 9.6, 0.43%, 0.66%

LAB 64.91, 22.4, 16.03

 

CMYK 0 / 40 / 47 / 14

HEX #DB8474

RGB 219 132 116

HSL 9.32, 0.59%, 0.66%

LAB 64.02, 31.71, 22.93

 

CMYK 0 / 47 / 56 / 9

HEX #E97B66

RGB 233 123 102

HSL 9.62, 0.75%, 0.66%

LAB 63.71, 40.5, 30.67

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 5 / 1 / 0 / 33

HEX #A3ABAC

RGB 163 171 172

HSL 186.67, 0.05%, 0.66%

LAB 69.39, -2.61, -1.5

 

CMYK 20 / 3 / 0 / 27

HEX #95B4BA

RGB 149 180 186

HSL 189.73, 0.21%, 0.66%

LAB 71.27, -9.18, -6.56

 

CMYK 33 / 5 / 0 / 22

HEX #87BEC8

RGB 135 190 200

HSL 189.23, 0.37%, 0.66%

LAB 73.64, -15.38, -10.77

 

CMYK 43 / 7 / 0 / 16

HEX #79C8D6

RGB 121 200 214

HSL 189.03, 0.53%, 0.66%

LAB 76.21, -20.66, -14.59

 

CMYK 0 / 11 / 6 / 31

HEX #B19EA6

RGB 177 158 166

HSL 334.74, 0.11%, 0.66%

LAB 66.94, 8.37, -1.62

 

CMYK 0 / 11 / 10 / 31

HEX #B19EA0

RGB 177 158 160

HSL 353.68, 0.11%, 0.66%

LAB 66.78, 7.3, 1.49

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 0 / 6 / 11 / 31

HEX #B1A69E

RGB 177 166 158

HSL 25.26, 0.11%, 0.66%

LAB 68.82, 2.56, 5.55

 

CMYK 0 / 3 / 11 / 31

HEX #B1AB9E

RGB 177 171 158

HSL 41.05, 0.11%, 0.66%

LAB 70.13, -0.15, 7.45

 

CMYK 0 / 17 / 20 / 45

HEX #8D7571

RGB 141 117 113

HSL 8.57, 0.11%, 0.5%

LAB 51.36, 8.68, 5.7

 

CMYK 0 / 13 / 15 / 38

HEX #9F8B87

RGB 159 139 135

HSL 10, 0.11%, 0.58%

LAB 59.51, 6.83, 4.89

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 0 / 7 / 8 / 23

HEX #C4B7B5

RGB 196 183 181

HSL 8, 0.11%, 0.74%

LAB 75.41, 4.26, 2.66

 

CMYK 0 / 4 / 5 / 16

HEX #D6CECC

RGB 214 206 204

HSL 12, 0.11%, 0.82%

LAB 83.34, 2.41, 1.97

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 3 / 0 / 11 / 31

HEX #ABB19E

RGB 171 177 158

HSL 78.95, 0.11%, 0.66%

LAB 71.26, -5.58, 9

 

CMYK 11 / 8 / 0 / 31

HEX #9EA3B1

RGB 158 163 177

HSL 224.21, 0.11%, 0.66%

LAB 67, 1.06, -7.84

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 11 / 0 / 9 / 31

HEX #9EB1A1

RGB 158 177 161

HSL 129.47, 0.11%, 0.66%

LAB 70.38, -9.69, 5.95

 

CMYK 9 / 11 / 0 / 31

HEX #A19EB1

RGB 161 158 177

HSL 249.47, 0.11%, 0.66%

LAB 65.91, 4.85, -9.45

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 3 / 0 / 11 / 31

HEX #ABB19E

RGB 171 177 158

HSL 78.95, 0.11%, 0.66%

LAB 71.26, -5.58, 9

 

CMYK 11 / 2 / 0 / 31

HEX #9EAEB1

RGB 158 174 177

HSL 189.47, 0.11%, 0.66%

LAB 69.98, -4.94, -3.44

 

CMYK 7 / 11 / 0 / 31

HEX #A59EB1

RGB 165 158 177

HSL 262.11, 0.11%, 0.66%

LAB 66.23, 6.23, -8.93

 

CMYK 0 / 9 / 11 / 31

HEX #B1A19E

RGB 177 161 158

HSL 9.47, 0.11%, 0.66%

LAB 67.51, 5.3, 3.66

 

CMYK 7 / 0 / 11 / 31

HEX #A5B19E

RGB 165 177 158

HSL 97.89, 0.11%, 0.66%

LAB 70.81, -7.75, 8.29

 

CMYK 11 / 2 / 0 / 31

HEX #9EAEB1

RGB 158 174 177

HSL 189.47, 0.11%, 0.66%

LAB 69.98, -4.94, -3.44

 

CMYK 3 / 11 / 0 / 31

HEX #AB9EB1

RGB 171 158 177

HSL 281.05, 0.11%, 0.66%

LAB 66.74, 8.31, -8.12

 

Description

Color code: RGB 177 161 158 | qconv.com Color code: RGB 177 161 158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 161 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 161 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 11 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 11% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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