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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 103 114 it is the complementary color RGB 78 152 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 103 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 103 114 shade: RGB 182 103 109, RGB 199 121 128, RGB 216 139 147, RGB 233 157 166 and RGB 250 175 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 103 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 103 114 shade: RGB 177 103 114, RGB 160 85 95, RGB 143 67 76, RGB 126 49 57 and RGB 109 31 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 103 114 shade: RGB 176 103 114 and RGB 176 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 103 114 shade: RGB 176 103 114, RGB 176 103 134, RGB 176 103 154, RGB 176 103 173 and RGB 160 103 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 103 114 shade matches the following richer shades: RGB 176 103 114, RGB 195 84 101, RGB 214 66 88, RGB 232 47 75 and RGB 251 29 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 103 114 shade: RGB 176 103 114, RGB 158 122 127, RGB 139 140 140, RGB 121 159 153 and RGB 102 177 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 103 114 shade: RGB 176 103 153, RGB 176 103 134, RGB 176 103 114, RGB 176 112 103 and RGB 176 131 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 103 114 shade: RGB 130 67 76, RGB 157 81 92, RGB 176 103 114, RGB 190 130 139 and RGB 205 157 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 103 114 shade: RGB 177 103 114, RGB 173 176 103 and RGB 103 143 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 103 114 shade: RGB 177 103 114, RGB 114 176 103 and RGB 103 114 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 103 114 shade: RGB 177 103 114, RGB 173 176 103, RGB 103 176 165 and RGB 107 103 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 103 114 shade: RGB 177 103 114, RGB 151 176 103, RGB 103 176 165 and RGB 129 103 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 36 / 31

HEX #B16772

RGB 177 103 114

HSL 351.08, 0.32%, 0.55%

LAB 52.13, 30.98, 6.78

 

Complementary color

CMYK 49 / 0 / 7 / 40

HEX #4E988D

RGB 78 152 141

HSL 171.08, 0.32%, 0.45%

LAB 58.04, -25.86, -1.34

 

CMYK 0 / 43 / 40 / 29

HEX #B6676D

RGB 182 103 109

HSL 355.44, 0.35%, 0.56%

LAB 52.67, 32.28, 10.59

 

CMYK 0 / 39 / 36 / 22

HEX #C77980

RGB 199 121 128

HSL 354.62, 0.41%, 0.63%

LAB 59.32, 31.28, 9.22

 

CMYK 0 / 36 / 32 / 15

HEX #D88B93

RGB 216 139 147

HSL 353.77, 0.5%, 0.7%

LAB 65.88, 30.36, 8.02

 

CMYK 0 / 33 / 29 / 9

HEX #E99DA6

RGB 233 157 166

HSL 352.89, 0.63%, 0.76%

LAB 72.36, 29.52, 6.94

 

CMYK 0 / 30 / 26 / 2

HEX #FAAFB9

RGB 250 175 185

HSL 352, 0.88%, 0.83%

LAB 78.74, 28.74, 5.96

 

CMYK 0 / 42 / 36 / 31

HEX #B16772

RGB 177 103 114

HSL 351.08, 0.32%, 0.55%

LAB 52.13, 30.98, 6.78

 

CMYK 0 / 47 / 41 / 37

HEX #A0555F

RGB 160 85 95

HSL 352, 0.31%, 0.48%

LAB 45.35, 32, 8.22

 

CMYK 0 / 53 / 47 / 44

HEX #8F434C

RGB 143 67 76

HSL 352.89, 0.36%, 0.41%

LAB 38.51, 33.07, 9.97

 

CMYK 0 / 61 / 55 / 51

HEX #7E3139

RGB 126 49 57

HSL 353.77, 0.44%, 0.34%

LAB 31.64, 34.11, 12.19

 

CMYK 0 / 72 / 65 / 57

HEX #6D1F26

RGB 109 31 38

HSL 354.62, 0.56%, 0.27%

LAB 24.86, 34.9, 15.16

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 0 / 41 / 41 / 31

HEX #B06767

RGB 176 103 103

HSL 0, 0.32%, 0.55%

LAB 51.74, 29.26, 12.7

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 0 / 41 / 24 / 31

HEX #B06786

RGB 176 103 134

HSL 334.52, 0.32%, 0.55%

LAB 52.57, 33.37, -4.44

 

CMYK 0 / 41 / 13 / 31

HEX #B0679A

RGB 176 103 154

HSL 318.08, 0.32%, 0.55%

LAB 53.24, 36.57, -15.2

 

CMYK 0 / 41 / 2 / 31

HEX #B067AD

RGB 176 103 173

HSL 302.47, 0.32%, 0.55%

LAB 53.97, 39.95, -25.15

 

CMYK 9 / 41 / 0 / 31

HEX #A067B0

RGB 160 103 176

HSL 286.85, 0.32%, 0.55%

LAB 52.18, 35.53, -29.81

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 0 / 57 / 48 / 24

HEX #C35465

RGB 195 84 101

HSL 350.81, 0.48%, 0.55%

LAB 50.55, 45.94, 12.66

 

CMYK 0 / 69 / 59 / 16

HEX #D64258

RGB 214 66 88

HSL 351.08, 0.64%, 0.55%

LAB 50.57, 58.87, 21

 

CMYK 0 / 80 / 68 / 9

HEX #E82F4B

RGB 232 47 75

HSL 350.92, 0.8%, 0.55%

LAB 51.49, 69.38, 30.61

 

CMYK 0 / 88 / 75 / 2

HEX #FB1D3E

RGB 251 29 62

HSL 351.08, 0.97%, 0.55%

LAB 53.75, 77.45, 41.74

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 0 / 23 / 20 / 38

HEX #9E7A7F

RGB 158 122 127

HSL 351.67, 0.16%, 0.55%

LAB 54.78, 14.79, 2.67

 

CMYK 1 / 0 / 0 / 45

HEX #8B8C8C

RGB 139 140 140

HSL 180, 0%, 0.55%

LAB 58.17, -0.36, -0.14

 

CMYK 24 / 0 / 4 / 38

HEX #799F99

RGB 121 159 153

HSL 170.53, 0.17%, 0.55%

LAB 62.64, -14.27, -1.12

 

CMYK 42 / 0 / 6 / 31

HEX #66B1A6

RGB 102 177 166

HSL 171.2, 0.32%, 0.55%

LAB 67.29, -26, -1.68

 

CMYK 0 / 41 / 13 / 31

HEX #B06799

RGB 176 103 153

HSL 318.9, 0.32%, 0.55%

LAB 53.2, 36.4, -14.67

 

CMYK 0 / 41 / 24 / 31

HEX #B06786

RGB 176 103 134

HSL 334.52, 0.32%, 0.55%

LAB 52.57, 33.37, -4.44

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 0 / 36 / 41 / 31

HEX #B07067

RGB 176 112 103

HSL 7.4, 0.32%, 0.55%

LAB 53.81, 24.27, 15.58

 

CMYK 0 / 26 / 41 / 31

HEX #B08367

RGB 176 131 103

HSL 23.01, 0.32%, 0.55%

LAB 58.45, 13.62, 21.88

 

CMYK 0 / 48 / 42 / 49

HEX #82434C

RGB 130 67 76

HSL 351.43, 0.32%, 0.39%

LAB 36.52, 28, 6.89

 

CMYK 0 / 48 / 41 / 38

HEX #9D515C

RGB 157 81 92

HSL 351.32, 0.32%, 0.47%

LAB 43.98, 32.67, 8.05

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 0 / 32 / 27 / 25

HEX #BE828B

RGB 190 130 139

HSL 351, 0.32%, 0.63%

LAB 60.58, 24.41, 4.56

 

CMYK 0 / 23 / 20 / 20

HEX #CD9DA4

RGB 205 157 164

HSL 351.25, 0.32%, 0.71%

LAB 69.31, 18.89, 3.27

 

CMYK 0 / 42 / 36 / 31

HEX #B16772

RGB 177 103 114

HSL 351.08, 0.32%, 0.55%

LAB 52.13, 30.98, 6.78

 

CMYK 2 / 0 / 41 / 31

HEX #ADB067

RGB 173 176 103

HSL 62.47, 0.32%, 0.55%

LAB 70.12, -12.1, 36.96

 

CMYK 41 / 19 / 0 / 31

HEX #678FB0

RGB 103 143 176

HSL 207.12, 0.32%, 0.55%

LAB 57.72, -5.03, -21.66

 

CMYK 0 / 42 / 36 / 31

HEX #B16772

RGB 177 103 114

HSL 351.08, 0.32%, 0.55%

LAB 52.13, 30.98, 6.78

 

CMYK 35 / 0 / 41 / 31

HEX #72B067

RGB 114 176 103

HSL 110.96, 0.32%, 0.55%

LAB 66.22, -34.4, 31.2

 

CMYK 41 / 35 / 0 / 31

HEX #6772B0

RGB 103 114 176

HSL 230.96, 0.32%, 0.55%

LAB 49.56, 12.04, -34.3

 

CMYK 0 / 42 / 36 / 31

HEX #B16772

RGB 177 103 114

HSL 351.08, 0.32%, 0.55%

LAB 52.13, 30.98, 6.78

 

CMYK 2 / 0 / 41 / 31

HEX #ADB067

RGB 173 176 103

HSL 62.47, 0.32%, 0.55%

LAB 70.12, -12.1, 36.96

 

CMYK 41 / 0 / 6 / 31

HEX #67B0A5

RGB 103 176 165

HSL 170.96, 0.32%, 0.55%

LAB 67.01, -25.48, -1.53

 

CMYK 39 / 41 / 0 / 31

HEX #6B67B0

RGB 107 103 176

HSL 243.29, 0.32%, 0.55%

LAB 46.92, 19.85, -38.44

 

CMYK 0 / 42 / 36 / 31

HEX #B16772

RGB 177 103 114

HSL 351.08, 0.32%, 0.55%

LAB 52.13, 30.98, 6.78

 

CMYK 14 / 0 / 41 / 31

HEX #97B067

RGB 151 176 103

HSL 80.55, 0.32%, 0.55%

LAB 68.47, -20.89, 34.53

 

CMYK 41 / 0 / 6 / 31

HEX #67B0A5

RGB 103 176 165

HSL 170.96, 0.32%, 0.55%

LAB 67.01, -25.48, -1.53

 

CMYK 27 / 41 / 0 / 31

HEX #8167B0

RGB 129 103 176

HSL 261.37, 0.32%, 0.55%

LAB 48.89, 26.1, -35.21

 

Description

Color code: RGB 177 103 114 | qconv.com Color code: RGB 177 103 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 103 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 103 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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