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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177.9 162 191 it is the complementary color RGB 77.1 93 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177.9 162 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177.9 162 191 shade: RGB 182.9 162 186, RGB 199.9 180 205, RGB 216.9 198 224, RGB 233.9 216 243 and RGB 250.9 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177.9 162 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177.9 162 191 shade: RGB 177.9 162 191, RGB 160.9 144 172, RGB 143.9 126 153, RGB 126.9 108 134 and RGB 109.9 90 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177.9 162 191 shade: RGB 177 161 190, RGB 184 161 190, RGB 190 161 187, RGB 190 161 180 and RGB 190 161 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177.9 162 191 shade: RGB 177 161 190, RGB 169 161 190, RGB 161 161 190 and RGB 161 161 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177.9 162 191 shade matches the following richer shades: RGB 177 161 190, RGB 178 148 202, RGB 179 136 215, RGB 181 123 228 and RGB 182 110 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177.9 162 191 shade: RGB 177 161 190, RGB 176 174 177, RGB 174 187 164, RGB 173 200 151 and RGB 172 212 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177.9 162 191 shade: RGB 161 161 190, RGB 169 161 190, RGB 176 161 190, RGB 184 161 190 and RGB 190 161 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177.9 162 191 shade: RGB 136 113 156, RGB 157 137 173, RGB 177 161 190, RGB 197 186 207 and RGB 217 210 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177.9 162 191 shade: RGB 177.9 162 191, RGB 190 161 169 and RGB 161 190 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177.9 162 191 shade: RGB 177.9 162 191, RGB 190 176 161 and RGB 161 190 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177.9 162 191 shade: RGB 177.9 162 191, RGB 190 161 169, RGB 175 190 161 and RGB 161 190 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177.9 162 191 shade: RGB 177.9 162 191, RGB 190 162 161, RGB 175 190 161 and RGB 161 189 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 15 / 0 / 25

HEX #B1A2BF

RGB 177.9 162 191

HSL 272.9, 0.18%, 0.69%

LAB 68.79, 11.27, -12.78

 

Complementary color

CMYK 17 / 0 / 31 / 64

HEX #4D5D40

RGB 77.1 93 64

HSL 92.9, 0.18%, 0.31%

LAB 37.45, -12.09, 14.71

 

CMYK 2 / 13 / 0 / 27

HEX #B6A2BA

RGB 182.9 162 186

HSL 292.25, 0.15%, 0.68%

LAB 69.07, 11.99, -9.55

 

CMYK 2 / 12 / 0 / 20

HEX #C7B4CD

RGB 199.9 180 205

HSL 287.76, 0.2%, 0.75%

LAB 75.65, 11.62, -10.03

 

CMYK 3 / 12 / 0 / 12

HEX #D8C6E0

RGB 216.9 198 224

HSL 283.62, 0.3%, 0.83%

LAB 82.11, 11.28, -10.49

 

CMYK 4 / 11 / 0 / 5

HEX #E9D8F3

RGB 233.9 216 243

HSL 279.78, 0.53%, 0.9%

LAB 88.48, 10.96, -10.95

 

CMYK 2 / 8 / 0 / 0

HEX #FAEAFF

RGB 250.9 234 255

HSL 288.29, 1%, 0.96%

LAB 94.55, 9.37, -8.06

 

CMYK 7 / 15 / 0 / 25

HEX #B1A2BF

RGB 177.9 162 191

HSL 272.9, 0.18%, 0.69%

LAB 68.79, 11.27, -12.78

 

CMYK 6 / 16 / 0 / 33

HEX #A090AC

RGB 160.9 144 172

HSL 276.21, 0.14%, 0.62%

LAB 62.08, 11.65, -12.37

 

CMYK 6 / 18 / 0 / 40

HEX #8F7E99

RGB 143.9 126 153

HSL 279.78, 0.12%, 0.55%

LAB 55.22, 12.08, -11.96

 

CMYK 5 / 19 / 0 / 47

HEX #7E6C86

RGB 126.9 108 134

HSL 283.62, 0.11%, 0.47%

LAB 48.2, 12.54, -11.55

 

CMYK 4 / 22 / 0 / 55

HEX #6D5A73

RGB 109.9 90 115

HSL 287.76, 0.12%, 0.4%

LAB 40.99, 13.07, -11.13

 

CMYK 7 / 15 / 0 / 25

HEX #B1A1BE

RGB 177 161 190

HSL 273.1, 0.18%, 0.69%

LAB 68.43, 11.32, -12.78

 

CMYK 3 / 15 / 0 / 25

HEX #B8A1BE

RGB 184 161 190

HSL 287.59, 0.18%, 0.69%

LAB 69.04, 13.71, -11.81

 

CMYK 0 / 15 / 2 / 25

HEX #BEA1BB

RGB 190 161 187

HSL 306.21, 0.18%, 0.69%

LAB 69.49, 15.21, -9.41

 

CMYK 0 / 15 / 5 / 25

HEX #BEA1B4

RGB 190 161 180

HSL 320.69, 0.18%, 0.69%

LAB 69.28, 13.92, -5.84

 

CMYK 0 / 15 / 9 / 25

HEX #BEA1AC

RGB 190 161 172

HSL 337.24, 0.18%, 0.69%

LAB 69.05, 12.5, -1.73

 

CMYK 7 / 15 / 0 / 25

HEX #B1A1BE

RGB 177 161 190

HSL 273.1, 0.18%, 0.69%

LAB 68.43, 11.32, -12.78

 

CMYK 11 / 15 / 0 / 25

HEX #A9A1BE

RGB 169 161 190

HSL 256.55, 0.18%, 0.69%

LAB 67.76, 8.62, -13.86

 

CMYK 15 / 15 / 0 / 25

HEX #A1A1BE

RGB 161 161 190

HSL 240, 0.18%, 0.69%

LAB 67.12, 5.96, -14.89

 

CMYK 15 / 15 / 0 / 25

HEX #A1A1BE

RGB 161 161 190

HSL 240, 0.18%, 0.69%

LAB 67.12, 5.96, -14.89

 

CMYK 7 / 15 / 0 / 25

HEX #B1A1BE

RGB 177 161 190

HSL 273.1, 0.18%, 0.69%

LAB 68.43, 11.32, -12.78

 

CMYK 12 / 27 / 0 / 21

HEX #B294CA

RGB 178 148 202

HSL 273.33, 0.34%, 0.69%

LAB 65.68, 21.42, -23.62

 

CMYK 17 / 37 / 0 / 16

HEX #B388D7

RGB 179 136 215

HSL 272.66, 0.5%, 0.69%

LAB 63.42, 31.29, -34.35

 

CMYK 21 / 46 / 0 / 11

HEX #B57BE4

RGB 181 123 228

HSL 273.14, 0.66%, 0.69%

LAB 61.3, 41.95, -44.91

 

CMYK 24 / 54 / 0 / 5

HEX #B66EF1

RGB 182 110 241

HSL 272.98, 0.82%, 0.69%

LAB 59.39, 52.06, -55.16

 

CMYK 7 / 15 / 0 / 25

HEX #B1A1BE

RGB 177 161 190

HSL 273.1, 0.18%, 0.69%

LAB 68.43, 11.32, -12.78

 

CMYK 1 / 2 / 0 / 31

HEX #B0AEB1

RGB 176 174 177

HSL 280, 0.02%, 0.69%

LAB 71.33, 1.28, -1.29

 

CMYK 7 / 0 / 12 / 27

HEX #AEBBA4

RGB 174 187 164

HSL 93.91, 0.14%, 0.69%

LAB 74.33, -8.74, 10.12

 

CMYK 14 / 0 / 25 / 22

HEX #ADC897

RGB 173 200 151

HSL 93.06, 0.31%, 0.69%

LAB 77.54, -17.93, 21.57

 

CMYK 19 / 0 / 34 / 17

HEX #ACD48B

RGB 172 212 139

HSL 92.88, 0.46%, 0.69%

LAB 80.58, -25.99, 31.93

 

CMYK 15 / 15 / 0 / 25

HEX #A1A1BE

RGB 161 161 190

HSL 240, 0.18%, 0.69%

LAB 67.12, 5.96, -14.89

 

CMYK 11 / 15 / 0 / 25

HEX #A9A1BE

RGB 169 161 190

HSL 256.55, 0.18%, 0.69%

LAB 67.76, 8.62, -13.86

 

CMYK 7 / 15 / 0 / 25

HEX #B0A1BE

RGB 176 161 190

HSL 271.03, 0.18%, 0.69%

LAB 68.34, 10.98, -12.92

 

CMYK 3 / 15 / 0 / 25

HEX #B8A1BE

RGB 184 161 190

HSL 287.59, 0.18%, 0.69%

LAB 69.04, 13.71, -11.81

 

CMYK 0 / 15 / 1 / 25

HEX #BEA1BC

RGB 190 161 188

HSL 304.14, 0.18%, 0.69%

LAB 69.52, 15.4, -9.92

 

CMYK 13 / 28 / 0 / 39

HEX #88719C

RGB 136 113 156

HSL 272.09, 0.18%, 0.53%

LAB 51.2, 17.6, -19.88

 

CMYK 9 / 21 / 0 / 32

HEX #9D89AD

RGB 157 137 173

HSL 273.33, 0.18%, 0.61%

LAB 59.96, 14.51, -16.17

 

CMYK 7 / 15 / 0 / 25

HEX #B1A1BE

RGB 177 161 190

HSL 273.1, 0.18%, 0.69%

LAB 68.43, 11.32, -12.78

 

CMYK 5 / 10 / 0 / 19

HEX #C5BACF

RGB 197 186 207

HSL 271.43, 0.18%, 0.77%

LAB 76.98, 7.78, -9.16

 

CMYK 3 / 6 / 0 / 12

HEX #D9D2E0

RGB 217 210 224

HSL 270, 0.18%, 0.85%

LAB 85.11, 4.95, -6.04

 

CMYK 7 / 15 / 0 / 25

HEX #B1A2BF

RGB 177.9 162 191

HSL 272.9, 0.18%, 0.69%

LAB 68.79, 11.27, -12.78

 

CMYK 0 / 15 / 11 / 25

HEX #BEA1A9

RGB 190 161 169

HSL 343.45, 0.18%, 0.69%

LAB 68.97, 11.98, -0.18

 

CMYK 15 / 0 / 13 / 25

HEX #A1BEA5

RGB 161 190 165

HSL 128.28, 0.18%, 0.69%

LAB 74.27, -14.69, 9.37

 

CMYK 7 / 15 / 0 / 25

HEX #B1A2BF

RGB 177.9 162 191

HSL 272.9, 0.18%, 0.69%

LAB 68.79, 11.27, -12.78

 

CMYK 0 / 7 / 15 / 25

HEX #BEB0A1

RGB 190 176 161

HSL 31.03, 0.18%, 0.69%

LAB 72.61, 2.48, 9.48

 

CMYK 15 / 0 / 7 / 25

HEX #A1BEB0

RGB 161 190 176

HSL 151.03, 0.18%, 0.69%

LAB 74.53, -12.6, 3.78

 

CMYK 7 / 15 / 0 / 25

HEX #B1A2BF

RGB 177.9 162 191

HSL 272.9, 0.18%, 0.69%

LAB 68.79, 11.27, -12.78

 

CMYK 0 / 15 / 11 / 25

HEX #BEA1A9

RGB 190 161 169

HSL 343.45, 0.18%, 0.69%

LAB 68.97, 11.98, -0.18

 

CMYK 8 / 0 / 15 / 25

HEX #AFBEA1

RGB 175 190 161

HSL 91.03, 0.18%, 0.69%

LAB 75.15, -10.46, 12.92

 

CMYK 15 / 0 / 4 / 25

HEX #A1BEB6

RGB 161 190 182

HSL 163.45, 0.18%, 0.69%

LAB 74.69, -11.4, 0.74

 

CMYK 7 / 15 / 0 / 25

HEX #B1A2BF

RGB 177.9 162 191

HSL 272.9, 0.18%, 0.69%

LAB 68.79, 11.27, -12.78

 

CMYK 0 / 15 / 15 / 25

HEX #BEA2A1

RGB 190 162 161

HSL 2.07, 0.18%, 0.69%

LAB 69.01, 10.09, 4.32

 

CMYK 8 / 0 / 15 / 25

HEX #AFBEA1

RGB 175 190 161

HSL 91.03, 0.18%, 0.69%

LAB 75.15, -10.46, 12.92

 

CMYK 15 / 1 / 0 / 25

HEX #A1BDBE

RGB 161 189 190

HSL 182.07, 0.18%, 0.69%

LAB 74.63, -9.23, -3.69

 

Description

Color code: RGB 177.9 162 191 | qconv.com Color code: RGB 177.9 162 191 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177.9 red, 162 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177.9 162 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 15 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 15% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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