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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177.1 54.8 37 it is the complementary color RGB 77.9 200.2 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177.1 54.8 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177.1 54.8 37 shade: RGB 182.1 54.8 32, RGB 199.1 72.8 51, RGB 216.1 90.8 70, RGB 233.1 108.8 89 and RGB 250.1 126.8 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177.1 54.8 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177.1 54.8 37 shade: RGB 177.1 54.8 37, RGB 160.1 36.8 18, RGB 143.1 18.8 0, RGB 126.1 0.8 0 and RGB 109.1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177.1 54.8 37 shade: RGB 176 55 37 and RGB 176 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177.1 54.8 37 shade: RGB 176 55 37, RGB 176 92 37, RGB 176 130 37, RGB 176 167 37 and RGB 148 176 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177.1 54.8 37 shade matches the following richer shades: RGB 176 55 37, RGB 194 42 20 and RGB 211 29 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177.1 54.8 37 shade: RGB 176 55 37, RGB 159 68 54, RGB 142 81 72, RGB 124 93 89 and RGB 107 106 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177.1 54.8 37 shade: RGB 176 37 95, RGB 176 37 58, RGB 176 53 37, RGB 176 90 37 and RGB 176 127 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177.1 54.8 37 shade: RGB 108 33 23, RGB 142 44 30, RGB 176 55 37, RGB 210 66 45 and RGB 217 96 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177.1 54.8 37 shade: RGB 177.1 54.8 37, RGB 132 176 37 and RGB 37 76 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177.1 54.8 37 shade: RGB 177.1 54.8 37, RGB 37 176 53 and RGB 53 37 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177.1 54.8 37 shade: RGB 177.1 54.8 37, RGB 132 176 37, RGB 37 160 176 and RGB 81 37 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177.1 54.8 37 shade: RGB 177.1 54.8 37, RGB 90 176 37, RGB 37 160 176 and RGB 123 37 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 79 / 31

HEX #B13625

RGB 177.1 54.8 37

HSL 7.62, 0.65%, 0.42%

LAB 41.54, 48.6, 38.4

 

Complementary color

CMYK 64 / 8 / 0 / 15

HEX #4DC8DA

RGB 77.9 200.2 218

HSL 187.62, 0.65%, 0.58%

LAB 74.87, -28.31, -18.91

 

CMYK 0 / 70 / 82 / 29

HEX #B63620

RGB 182.1 54.8 32

HSL 9.11, 0.7%, 0.42%

LAB 42.42, 50.13, 42.2

 

CMYK 0 / 63 / 74 / 22

HEX #C74833

RGB 199.1 72.8 51

HSL 8.83, 0.59%, 0.49%

LAB 48.43, 49.13, 39.27

 

CMYK 0 / 58 / 68 / 15

HEX #D85A46

RGB 216.1 90.8 70

HSL 8.54, 0.65%, 0.56%

LAB 54.56, 47.92, 36.55

 

CMYK 0 / 53 / 62 / 9

HEX #E96C59

RGB 233.1 108.8 89

HSL 8.24, 0.77%, 0.63%

LAB 60.74, 46.66, 34.12

 

CMYK 0 / 49 / 57 / 2

HEX #FA7E6C

RGB 250.1 126.8 108

HSL 7.94, 0.94%, 0.7%

LAB 66.94, 45.4, 31.98

 

CMYK 0 / 69 / 79 / 31

HEX #B13625

RGB 177.1 54.8 37

HSL 7.62, 0.65%, 0.42%

LAB 41.54, 48.6, 38.4

 

CMYK 0 / 77 / 89 / 37

HEX #A02412

RGB 160.1 36.8 18

HSL 7.94, 0.8%, 0.35%

LAB 35.67, 49.16, 41.44

 

CMYK 0 / 87 / 100 / 44

HEX #8F1200

RGB 143.1 18.8 0

HSL 7.88, 1%, 0.28%

LAB 30.18, 48.8, 43.34

 

CMYK 0 / 99 / 100 / 51

HEX #7E0000

RGB 126.1 0.8 0

HSL 0.38, 1%, 0.25%

LAB 25.14, 47.39, 37.53

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109.1 0 0

HSL 0, 1%, 0.21%

LAB 21.05, 42.87, 32.06

 

CMYK 0 / 69 / 79 / 31

HEX #B03725

RGB 176 55 37

HSL 7.77, 0.65%, 0.42%

LAB 41.37, 48.14, 38.16

 

CMYK 0 / 79 / 79 / 31

HEX #B02525

RGB 176 37 37

HSL 0, 0.65%, 0.42%

LAB 39.05, 54.56, 35.76

 

CMYK 0 / 69 / 79 / 31

HEX #B03725

RGB 176 55 37

HSL 7.77, 0.65%, 0.42%

LAB 41.37, 48.14, 38.16

 

CMYK 0 / 48 / 79 / 31

HEX #B05C25

RGB 176 92 37

HSL 23.74, 0.65%, 0.42%

LAB 48.28, 30.22, 45.06

 

CMYK 0 / 26 / 79 / 31

HEX #B08225

RGB 176 130 37

HSL 40.14, 0.65%, 0.42%

LAB 57.39, 9.14, 53.71

 

CMYK 0 / 5 / 79 / 31

HEX #B0A725

RGB 176 167 37

HSL 56.12, 0.65%, 0.42%

LAB 67.28, -10.91, 62.7

 

CMYK 16 / 0 / 79 / 31

HEX #94B025

RGB 148 176 37

HSL 72.09, 0.65%, 0.42%

LAB 67.64, -27.52, 62.2

 

CMYK 0 / 69 / 79 / 31

HEX #B03725

RGB 176 55 37

HSL 7.77, 0.65%, 0.42%

LAB 41.37, 48.14, 38.16

 

CMYK 0 / 78 / 90 / 24

HEX #C22A14

RGB 194 42 20

HSL 7.59, 0.81%, 0.42%

LAB 43.03, 58.06, 49.16

 

CMYK 0 / 86 / 99 / 17

HEX #D31D02

RGB 211 29 2

HSL 7.75, 0.98%, 0.42%

LAB 45.26, 65.88, 58.1

 

CMYK 0 / 69 / 79 / 31

HEX #B03725

RGB 176 55 37

HSL 7.77, 0.65%, 0.42%

LAB 41.37, 48.14, 38.16

 

CMYK 0 / 57 / 66 / 38

HEX #9F4436

RGB 159 68 54

HSL 8, 0.49%, 0.42%

LAB 40.85, 36.84, 27.05

 

CMYK 0 / 43 / 49 / 44

HEX #8E5148

RGB 142 81 72

HSL 7.71, 0.33%, 0.42%

LAB 41.38, 24.47, 16.36

 

CMYK 0 / 25 / 28 / 51

HEX #7C5D59

RGB 124 93 89

HSL 6.86, 0.16%, 0.42%

LAB 42.51, 12.03, 7.21

 

CMYK 0 / 1 / 1 / 58

HEX #6B6A6A

RGB 107 106 106

HSL 0, 0%, 0.42%

LAB 44.91, 0.39, 0.13

 

CMYK 0 / 79 / 46 / 31

HEX #B0255F

RGB 176 37 95

HSL 334.96, 0.65%, 0.42%

LAB 40.21, 58.2, 1.2

 

CMYK 0 / 79 / 67 / 31

HEX #B0253A

RGB 176 37 58

HSL 350.94, 0.65%, 0.42%

LAB 39.34, 55.49, 23.42

 

CMYK 0 / 70 / 79 / 31

HEX #B03525

RGB 176 53 37

HSL 6.91, 0.65%, 0.42%

LAB 41.07, 48.95, 37.86

 

CMYK 0 / 49 / 79 / 31

HEX #B05A25

RGB 176 90 37

HSL 22.88, 0.65%, 0.42%

LAB 47.85, 31.29, 44.64

 

CMYK 0 / 28 / 79 / 31

HEX #B07F25

RGB 176 127 37

HSL 38.85, 0.65%, 0.42%

LAB 56.63, 10.81, 53

 

CMYK 0 / 69 / 79 / 58

HEX #6C2117

RGB 108 33 23

HSL 7.06, 0.65%, 0.26%

LAB 24.76, 32.73, 24.74

 

CMYK 0 / 69 / 79 / 44

HEX #8E2C1E

RGB 142 44 30

HSL 7.5, 0.65%, 0.34%

LAB 33.23, 40.62, 31.63

 

CMYK 0 / 69 / 79 / 31

HEX #B03725

RGB 176 55 37

HSL 7.77, 0.65%, 0.42%

LAB 41.37, 48.14, 38.16

 

CMYK 0 / 69 / 79 / 18

HEX #D2422D

RGB 210 66 45

HSL 7.64, 0.65%, 0.5%

LAB 49.24, 55.41, 43.91

 

CMYK 0 / 56 / 64 / 15

HEX #D9604F

RGB 217 96 79

HSL 7.39, 0.64%, 0.58%

LAB 55.77, 46.32, 33.01

 

CMYK 0 / 69 / 79 / 31

HEX #B13625

RGB 177.1 54.8 37

HSL 7.62, 0.65%, 0.42%

LAB 41.54, 48.6, 38.4

 

CMYK 25 / 0 / 79 / 31

HEX #84B025

RGB 132 176 37

HSL 78.99, 0.65%, 0.42%

LAB 66.59, -34.03, 60.85

 

CMYK 79 / 57 / 0 / 31

HEX #254CB0

RGB 37 76 176

HSL 223.17, 0.65%, 0.42%

LAB 35.39, 23.49, -57.17

 

CMYK 0 / 69 / 79 / 31

HEX #B13625

RGB 177.1 54.8 37

HSL 7.62, 0.65%, 0.42%

LAB 41.54, 48.6, 38.4

 

CMYK 79 / 0 / 70 / 31

HEX #25B035

RGB 37 176 53

HSL 126.91, 0.65%, 0.42%

LAB 63.1, -59.6, 50.58

 

CMYK 70 / 79 / 0 / 31

HEX #3525B0

RGB 53 37 176

HSL 246.91, 0.65%, 0.42%

LAB 27.34, 48.98, -70.35

 

CMYK 0 / 69 / 79 / 31

HEX #B13625

RGB 177.1 54.8 37

HSL 7.62, 0.65%, 0.42%

LAB 41.54, 48.6, 38.4

 

CMYK 25 / 0 / 79 / 31

HEX #84B025

RGB 132 176 37

HSL 78.99, 0.65%, 0.42%

LAB 66.59, -34.03, 60.85

 

CMYK 79 / 9 / 0 / 31

HEX #25A0B0

RGB 37 160 176

HSL 186.91, 0.65%, 0.42%

LAB 60.49, -26.61, -17.64

 

CMYK 54 / 79 / 0 / 31

HEX #5125B0

RGB 81 37 176

HSL 258.99, 0.65%, 0.42%

LAB 29.93, 52.1, -65.99

 

CMYK 0 / 69 / 79 / 31

HEX #B13625

RGB 177.1 54.8 37

HSL 7.62, 0.65%, 0.42%

LAB 41.54, 48.6, 38.4

 

CMYK 49 / 0 / 79 / 31

HEX #5AB025

RGB 90 176 37

HSL 97.12, 0.65%, 0.42%

LAB 64.45, -49, 58.09

 

CMYK 79 / 9 / 0 / 31

HEX #25A0B0

RGB 37 160 176

HSL 186.91, 0.65%, 0.42%

LAB 60.49, -26.61, -17.64

 

CMYK 30 / 79 / 0 / 31

HEX #7B25B0

RGB 123 37 176

HSL 277.12, 0.65%, 0.42%

LAB 35.34, 58.57, -56.92

 

Description

Color code: RGB 177.1 54.8 37 | qconv.com Color code: RGB 177.1 54.8 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177.1 red, 54.8 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177.1 54.8 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 79 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 79% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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