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Color name
RGB 176 85 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 85 80 it is the complementary color RGB 79 170 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 85 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 85 80 shade: RGB 181 85 75, RGB 198 103 94, RGB 215 121 113, RGB 232 139 132 and RGB 249 157 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 85 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 85 80 shade: RGB 176 85 80, RGB 159 67 61, RGB 142 49 42, RGB 125 31 23 and RGB 108 13 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 85 80 shade: RGB 176 84 79 and RGB 176 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 85 80 shade: RGB 176 84 79, RGB 176 110 79, RGB 176 136 79, RGB 176 162 79 and RGB 163 176 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 85 80 shade matches the following richer shades: RGB 176 84 79, RGB 197 66 58, RGB 217 47 38 and RGB 238 29 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 85 80 shade: RGB 176 84 79, RGB 155 103 100, RGB 135 121 120, RGB 114 140 141 and RGB 93 158 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 85 80 shade: RGB 176 79 126, RGB 176 79 100, RGB 176 84 79, RGB 176 110 79 and RGB 176 136 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 85 80 shade: RGB 119 57 53, RGB 147 70 66, RGB 176 84 79, RGB 189 112 108 and RGB 202 139 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 85 80 shade: RGB 176 85 80, RGB 152 176 79 and RGB 79 113 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 85 80 shade: RGB 176 85 80, RGB 79 176 84 and RGB 84 79 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 85 80 shade: RGB 176 85 80, RGB 152 176 79, RGB 79 171 176 and RGB 103 79 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 85 80 shade: RGB 176 85 80, RGB 123 176 79, RGB 79 171 176 and RGB 132 79 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 55 / 31

HEX #B05550

RGB 176 85 80

HSL 3.13, 0.38%, 0.5%

LAB 47.37, 36.6, 20.42

 

Complementary color

CMYK 55 / 3 / 0 / 31

HEX #4FAAAF

RGB 79 170 175

HSL 183.13, 0.38%, 0.5%

LAB 64.57, -25.49, -10.82

 

CMYK 0 / 53 / 59 / 29

HEX #B5554B

RGB 181 85 75

HSL 5.66, 0.42%, 0.5%

LAB 48.04, 38.1, 24.4

 

CMYK 0 / 48 / 53 / 22

HEX #C6675E

RGB 198 103 94

HSL 5.19, 0.48%, 0.57%

LAB 54.57, 36.86, 22.32

 

CMYK 0 / 44 / 47 / 16

HEX #D77971

RGB 215 121 113

HSL 4.71, 0.56%, 0.64%

LAB 61.06, 35.69, 20.54

 

CMYK 0 / 40 / 43 / 9

HEX #E88B84

RGB 232 139 132

HSL 4.2, 0.68%, 0.71%

LAB 67.49, 34.6, 18.98

 

CMYK 0 / 37 / 39 / 2

HEX #F99D97

RGB 249 157 151

HSL 3.67, 0.89%, 0.78%

LAB 73.86, 33.6, 17.59

 

CMYK 0 / 52 / 55 / 31

HEX #B05550

RGB 176 85 80

HSL 3.13, 0.38%, 0.5%

LAB 47.37, 36.6, 20.42

 

CMYK 0 / 58 / 62 / 38

HEX #9F433D

RGB 159 67 61

HSL 3.67, 0.45%, 0.43%

LAB 40.77, 37.82, 22.74

 

CMYK 0 / 65 / 70 / 44

HEX #8E312A

RGB 142 49 42

HSL 4.2, 0.54%, 0.36%

LAB 34.22, 38.96, 25.59

 

CMYK 0 / 75 / 82 / 51

HEX #7D1F17

RGB 125 31 23

HSL 4.71, 0.69%, 0.29%

LAB 27.85, 39.75, 29.05

 

CMYK 0 / 88 / 96 / 58

HEX #6C0D04

RGB 108 13 4

HSL 5.19, 0.93%, 0.22%

LAB 21.89, 39.57, 31.26

 

CMYK 0 / 52 / 55 / 31

HEX #B0544F

RGB 176 84 79

HSL 3.09, 0.38%, 0.5%

LAB 47.15, 37.04, 20.72

 

CMYK 0 / 55 / 55 / 31

HEX #B04F4F

RGB 176 79 79

HSL 0, 0.38%, 0.5%

LAB 46.16, 39.59, 19.4

 

CMYK 0 / 52 / 55 / 31

HEX #B0544F

RGB 176 84 79

HSL 3.09, 0.38%, 0.5%

LAB 47.15, 37.04, 20.72

 

CMYK 0 / 38 / 55 / 31

HEX #B06E4F

RGB 176 110 79

HSL 19.18, 0.38%, 0.5%

LAB 52.89, 22.95, 28.16

 

CMYK 0 / 23 / 55 / 31

HEX #B0884F

RGB 176 136 79

HSL 35.26, 0.38%, 0.5%

LAB 59.35, 8.4, 36.18

 

CMYK 0 / 8 / 55 / 31

HEX #B0A24F

RGB 176 162 79

HSL 51.34, 0.38%, 0.5%

LAB 66.24, -5.8, 44.39

 

CMYK 7 / 0 / 55 / 31

HEX #A3B04F

RGB 163 176 79

HSL 68.04, 0.38%, 0.5%

LAB 69.04, -18.57, 47.35

 

CMYK 0 / 52 / 55 / 31

HEX #B0544F

RGB 176 84 79

HSL 3.09, 0.38%, 0.5%

LAB 47.15, 37.04, 20.72

 

CMYK 0 / 66 / 71 / 23

HEX #C5423A

RGB 197 66 58

HSL 3.45, 0.55%, 0.5%

LAB 47.07, 51.63, 33.71

 

CMYK 0 / 78 / 82 / 15

HEX #D92F26

RGB 217 47 38

HSL 3.02, 0.7%, 0.5%

LAB 48.16, 63.79, 46.92

 

CMYK 0 / 88 / 93 / 7

HEX #EE1D11

RGB 238 29 17

HSL 3.26, 0.87%, 0.5%

LAB 50.8, 73.16, 59.65

 

CMYK 0 / 52 / 55 / 31

HEX #B0544F

RGB 176 84 79

HSL 3.09, 0.38%, 0.5%

LAB 47.15, 37.04, 20.72

 

CMYK 0 / 34 / 35 / 39

HEX #9B6764

RGB 155 103 100

HSL 3.27, 0.22%, 0.5%

LAB 48.99, 20.52, 10.25

 

CMYK 0 / 10 / 11 / 47

HEX #877978

RGB 135 121 120

HSL 4, 0.06%, 0.5%

LAB 52.04, 5.19, 2.5

 

CMYK 19 / 1 / 0 / 45

HEX #728C8D

RGB 114 140 141

HSL 182.22, 0.11%, 0.5%

LAB 56.34, -8.96, -3.6

 

CMYK 43 / 2 / 0 / 36

HEX #5D9EA2

RGB 93 158 162

HSL 183.48, 0.27%, 0.5%

LAB 61.12, -19.67, -8.61

 

CMYK 0 / 55 / 28 / 31

HEX #B04F7E

RGB 176 79 126

HSL 330.93, 0.38%, 0.5%

LAB 47.4, 44.78, -7.33

 

CMYK 0 / 55 / 43 / 31

HEX #B04F64

RGB 176 79 100

HSL 347.01, 0.38%, 0.5%

LAB 46.63, 41.61, 7.33

 

CMYK 0 / 52 / 55 / 31

HEX #B0544F

RGB 176 84 79

HSL 3.09, 0.38%, 0.5%

LAB 47.15, 37.04, 20.72

 

CMYK 0 / 38 / 55 / 31

HEX #B06E4F

RGB 176 110 79

HSL 19.18, 0.38%, 0.5%

LAB 52.89, 22.95, 28.16

 

CMYK 0 / 23 / 55 / 31

HEX #B0884F

RGB 176 136 79

HSL 35.26, 0.38%, 0.5%

LAB 59.35, 8.4, 36.18

 

CMYK 0 / 52 / 55 / 53

HEX #773935

RGB 119 57 53

HSL 3.64, 0.38%, 0.34%

LAB 32.05, 26.67, 15.11

 

CMYK 0 / 52 / 55 / 42

HEX #934642

RGB 147 70 66

HSL 2.96, 0.38%, 0.42%

LAB 39.54, 32.03, 17.71

 

CMYK 0 / 52 / 55 / 31

HEX #B0544F

RGB 176 84 79

HSL 3.09, 0.38%, 0.5%

LAB 47.15, 37.04, 20.72

 

CMYK 0 / 41 / 43 / 26

HEX #BD706C

RGB 189 112 108

HSL 2.96, 0.38%, 0.58%

LAB 55.57, 29.98, 15.36

 

CMYK 0 / 31 / 33 / 21

HEX #CA8B88

RGB 202 139 136

HSL 2.73, 0.38%, 0.66%

LAB 64, 23.63, 11.32

 

CMYK 0 / 52 / 55 / 31

HEX #B05550

RGB 176 85 80

HSL 3.13, 0.38%, 0.5%

LAB 47.37, 36.6, 20.42

 

CMYK 14 / 0 / 55 / 31

HEX #98B04F

RGB 152 176 79

HSL 74.85, 0.38%, 0.5%

LAB 68.23, -23.08, 46.21

 

CMYK 55 / 36 / 0 / 31

HEX #4F71B0

RGB 79 113 176

HSL 218.97, 0.38%, 0.5%

LAB 47.76, 6.69, -37.24

 

CMYK 0 / 52 / 55 / 31

HEX #B05550

RGB 176 85 80

HSL 3.13, 0.38%, 0.5%

LAB 47.37, 36.6, 20.42

 

CMYK 55 / 0 / 52 / 31

HEX #4FB054

RGB 79 176 84

HSL 123.09, 0.38%, 0.5%

LAB 64.45, -47.63, 38.35

 

CMYK 52 / 55 / 0 / 31

HEX #544FB0

RGB 84 79 176

HSL 243.09, 0.38%, 0.5%

LAB 38.92, 29.14, -51.33

 

CMYK 0 / 52 / 55 / 31

HEX #B05550

RGB 176 85 80

HSL 3.13, 0.38%, 0.5%

LAB 47.37, 36.6, 20.42

 

CMYK 14 / 0 / 55 / 31

HEX #98B04F

RGB 152 176 79

HSL 74.85, 0.38%, 0.5%

LAB 68.23, -23.08, 46.21

 

CMYK 55 / 3 / 0 / 31

HEX #4FABB0

RGB 79 171 176

HSL 183.09, 0.38%, 0.5%

LAB 64.9, -25.71, -10.88

 

CMYK 41 / 55 / 0 / 31

HEX #674FB0

RGB 103 79 176

HSL 254.85, 0.38%, 0.5%

LAB 40.59, 33.45, -48.55

 

CMYK 0 / 52 / 55 / 31

HEX #B05550

RGB 176 85 80

HSL 3.13, 0.38%, 0.5%

LAB 47.37, 36.6, 20.42

 

CMYK 30 / 0 / 55 / 31

HEX #7BB04F

RGB 123 176 79

HSL 92.78, 0.38%, 0.5%

LAB 66.39, -34.31, 43.59

 

CMYK 55 / 3 / 0 / 31

HEX #4FABB0

RGB 79 171 176

HSL 183.09, 0.38%, 0.5%

LAB 64.9, -25.71, -10.88

 

CMYK 25 / 55 / 0 / 31

HEX #844FB0

RGB 132 79 176

HSL 272.78, 0.38%, 0.5%

LAB 43.7, 40.8, -43.4

 

Description

Color code: RGB 176 85 80 | qconv.com Color code: RGB 176 85 80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 85 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 85 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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