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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 231 34 it is the complementary color RGB 79 24 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 231 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 231 34 shade: RGB 181 231 29, RGB 198 249 48, RGB 215 255 67, RGB 232 255 86 and RGB 249 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 231 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 231 34 shade: RGB 176 231 34, RGB 159 213 15, RGB 142 195 0, RGB 125 177 0 and RGB 108 159 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 231 34 shade: RGB 176 231 35, RGB 229 231 35, RGB 231 180 35, RGB 231 127 35 and RGB 231 74 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 231 34 shade: RGB 176 231 35, RGB 123 231 35, RGB 70 231 35, RGB 35 231 52 and RGB 35 231 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 231 34 shade matches the following richer shades: RGB 176 231 35 and RGB 185 250 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 231 34 shade: RGB 176 231 35, RGB 167 211 54, RGB 158 191 74, RGB 150 171 94 and RGB 141 151 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 231 34 shade: RGB 231 178 35, RGB 231 231 35, RGB 178 231 35, RGB 126 231 35 and RGB 74 231 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 231 34 shade: RGB 124 164 18, RGB 152 202 22, RGB 176 231 35, RGB 189 235 72 and RGB 203 239 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 231 34 shade: RGB 176 231 34, RGB 35 231 126 and RGB 204 35 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 231 34 shade: RGB 176 231 34, RGB 35 178 231 and RGB 231 35 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 231 34 shade: RGB 176 231 34, RGB 35 231 126, RGB 87 35 231 and RGB 231 35 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 231 34 shade: RGB 176 231 34, RGB 35 231 185, RGB 87 35 231 and RGB 231 35 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 85 / 9

HEX #B0E722

RGB 176 231 34

HSL 76.75, 0.8%, 0.52%

LAB 85.25, -41.68, 78.99

 

Complementary color

CMYK 64 / 89 / 0 / 13

HEX #4F18DD

RGB 79 24 221

HSL 256.75, 0.8%, 0.48%

LAB 33, 68.3, -87.3

 

CMYK 22 / 0 / 87 / 9

HEX #B5E71D

RGB 181 231 29

HSL 74.85, 0.81%, 0.51%

LAB 85.54, -39.89, 80.29

 

CMYK 20 / 0 / 81 / 2

HEX #C6F930

RGB 198 249 48

HSL 75.22, 0.94%, 0.58%

LAB 91.67, -40.74, 81.91

 

CMYK 16 / 0 / 74 / 0

HEX #D7FF43

RGB 215 255 67

HSL 72.77, 1%, 0.63%

LAB 94.47, -36.11, 79.56

 

CMYK 9 / 0 / 66 / 0

HEX #E8FF56

RGB 232 255 86

HSL 68.17, 1%, 0.67%

LAB 95.73, -28.5, 74.7

 

CMYK 2 / 0 / 59 / 0

HEX #F9FF69

RGB 249 255 105

HSL 62.4, 1%, 0.71%

LAB 97.1, -20.62, 69.07

 

CMYK 24 / 0 / 85 / 9

HEX #B0E722

RGB 176 231 34

HSL 76.75, 0.8%, 0.52%

LAB 85.25, -41.68, 78.99

 

CMYK 25 / 0 / 93 / 16

HEX #9FD50F

RGB 159 213 15

HSL 76.36, 0.87%, 0.45%

LAB 79.04, -40.73, 76.56

 

CMYK 27 / 0 / 100 / 24

HEX #8EC300

RGB 142 195 0

HSL 76.31, 1%, 0.38%

LAB 72.75, -39.58, 72.79

 

CMYK 29 / 0 / 100 / 31

HEX #7DB100

RGB 125 177 0

HSL 77.63, 1%, 0.35%

LAB 66.37, -38.23, 67.48

 

CMYK 32 / 0 / 100 / 38

HEX #6C9F00

RGB 108 159 0

HSL 79.25, 1%, 0.31%

LAB 59.87, -36.85, 62.07

 

CMYK 24 / 0 / 85 / 9

HEX #B0E723

RGB 176 231 35

HSL 76.84, 0.8%, 0.52%

LAB 85.25, -41.65, 78.79

 

CMYK 1 / 0 / 85 / 9

HEX #E5E723

RGB 229 231 35

HSL 60.61, 0.8%, 0.52%

LAB 88.89, -20.37, 83.29

 

CMYK 0 / 22 / 85 / 9

HEX #E7B423

RGB 231 180 35

HSL 44.39, 0.8%, 0.52%

LAB 75.92, 6.3, 72.73

 

CMYK 0 / 45 / 85 / 9

HEX #E77F23

RGB 231 127 35

HSL 28.16, 0.8%, 0.52%

LAB 63.58, 34.3, 62.52

 

CMYK 0 / 68 / 85 / 9

HEX #E74A23

RGB 231 74 35

HSL 11.94, 0.8%, 0.52%

LAB 54.04, 58.9, 54.51

 

CMYK 24 / 0 / 85 / 9

HEX #B0E723

RGB 176 231 35

HSL 76.84, 0.8%, 0.52%

LAB 85.25, -41.65, 78.79

 

CMYK 47 / 0 / 85 / 9

HEX #7BE723

RGB 123 231 35

HSL 93.06, 0.8%, 0.52%

LAB 82.64, -59.93, 75.51

 

CMYK 70 / 0 / 85 / 9

HEX #46E723

RGB 70 231 35

HSL 109.29, 0.8%, 0.52%

LAB 81.06, -72.69, 73.52

 

CMYK 85 / 0 / 77 / 9

HEX #23E734

RGB 35 231 52

HSL 125.2, 0.8%, 0.52%

LAB 80.6, -76.38, 68.53

 

CMYK 85 / 0 / 55 / 9

HEX #23E769

RGB 35 231 105

HSL 141.43, 0.8%, 0.52%

LAB 81.03, -71.06, 48.21

 

CMYK 24 / 0 / 85 / 9

HEX #B0E723

RGB 176 231 35

HSL 76.84, 0.8%, 0.52%

LAB 85.25, -41.65, 78.79

 

CMYK 26 / 0 / 94 / 2

HEX #B9FA0F

RGB 185 250 15

HSL 76.6, 0.96%, 0.52%

LAB 91.11, -46.84, 86.73

 

CMYK 24 / 0 / 85 / 9

HEX #B0E723

RGB 176 231 35

HSL 76.84, 0.8%, 0.52%

LAB 85.25, -41.65, 78.79

 

CMYK 21 / 0 / 74 / 17

HEX #A7D336

RGB 167 211 54

HSL 76.82, 0.64%, 0.52%

LAB 79.08, -35.46, 68

 

CMYK 17 / 0 / 61 / 25

HEX #9EBF4A

RGB 158 191 74

HSL 76.92, 0.48%, 0.52%

LAB 72.91, -28.4, 53.86

 

CMYK 12 / 0 / 45 / 33

HEX #96AB5E

RGB 150 171 94

HSL 76.36, 0.31%, 0.52%

LAB 66.84, -19.83, 37.1

 

CMYK 7 / 0 / 25 / 41

HEX #8D9772

RGB 141 151 114

HSL 76.22, 0.15%, 0.52%

LAB 60.79, -10.26, 18.34

 

CMYK 0 / 23 / 85 / 9

HEX #E7B223

RGB 231 178 35

HSL 43.78, 0.8%, 0.52%

LAB 75.42, 7.35, 72.32

 

CMYK 0 / 0 / 85 / 9

HEX #E7E723

RGB 231 231 35

HSL 60, 0.8%, 0.52%

LAB 89.05, -19.54, 83.48

 

CMYK 23 / 0 / 85 / 9

HEX #B2E723

RGB 178 231 35

HSL 76.22, 0.8%, 0.52%

LAB 85.37, -40.89, 78.94

 

CMYK 45 / 0 / 85 / 9

HEX #7EE723

RGB 126 231 35

HSL 92.14, 0.8%, 0.52%

LAB 82.76, -59.02, 75.66

 

CMYK 68 / 0 / 85 / 9

HEX #4AE723

RGB 74 231 35

HSL 108.06, 0.8%, 0.52%

LAB 81.14, -71.96, 73.62

 

CMYK 24 / 0 / 89 / 36

HEX #7CA412

RGB 124 164 18

HSL 76.44, 0.8%, 0.36%

LAB 62.41, -32.38, 61.75

 

CMYK 25 / 0 / 89 / 21

HEX #98CA16

RGB 152 202 22

HSL 76.67, 0.8%, 0.44%

LAB 75.44, -38.44, 72.48

 

CMYK 24 / 0 / 85 / 9

HEX #B0E723

RGB 176 231 35

HSL 76.84, 0.8%, 0.52%

LAB 85.25, -41.65, 78.79

 

CMYK 20 / 0 / 69 / 8

HEX #BDEB48

RGB 189 235 72

HSL 76.93, 0.8%, 0.6%

LAB 87.34, -36.85, 70.39

 

CMYK 15 / 0 / 54 / 6

HEX #CBEF6D

RGB 203 239 109

HSL 76.62, 0.8%, 0.68%

LAB 89.64, -30.64, 58.1

 

CMYK 24 / 0 / 85 / 9

HEX #B0E722

RGB 176 231 34

HSL 76.75, 0.8%, 0.52%

LAB 85.25, -41.68, 78.99

 

CMYK 85 / 0 / 45 / 9

HEX #23E77E

RGB 35 231 126

HSL 147.86, 0.8%, 0.52%

LAB 81.3, -67.85, 38.51

 

CMYK 12 / 85 / 0 / 9

HEX #CC23E7

RGB 204 35 231

HSL 291.73, 0.8%, 0.52%

LAB 51.62, 83, -61.85

 

CMYK 24 / 0 / 85 / 9

HEX #B0E722

RGB 176 231 34

HSL 76.75, 0.8%, 0.52%

LAB 85.25, -41.68, 78.99

 

CMYK 85 / 23 / 0 / 9

HEX #23B2E7

RGB 35 178 231

HSL 196.22, 0.8%, 0.52%

LAB 68, -17.74, -36.62

 

CMYK 0 / 85 / 23 / 9

HEX #E723B2

RGB 231 35 178

HSL 316.22, 0.8%, 0.52%

LAB 53.39, 80.5, -28.29

 

CMYK 24 / 0 / 85 / 9

HEX #B0E722

RGB 176 231 34

HSL 76.75, 0.8%, 0.52%

LAB 85.25, -41.68, 78.99

 

CMYK 85 / 0 / 45 / 9

HEX #23E77E

RGB 35 231 126

HSL 147.86, 0.8%, 0.52%

LAB 81.3, -67.85, 38.51

 

CMYK 62 / 85 / 0 / 9

HEX #5723E7

RGB 87 35 231

HSL 255.92, 0.8%, 0.52%

LAB 35.98, 68.07, -88.05

 

CMYK 0 / 85 / 40 / 9

HEX #E7238B

RGB 231 35 139

HSL 328.16, 0.8%, 0.52%

LAB 51.9, 76.37, -7.46

 

CMYK 24 / 0 / 85 / 9

HEX #B0E722

RGB 176 231 34

HSL 76.75, 0.8%, 0.52%

LAB 85.25, -41.68, 78.99

 

CMYK 85 / 0 / 20 / 9

HEX #23E7B9

RGB 35 231 185

HSL 165.92, 0.8%, 0.52%

LAB 82.39, -55.65, 9.7

 

CMYK 62 / 85 / 0 / 9

HEX #5723E7

RGB 87 35 231

HSL 255.92, 0.8%, 0.52%

LAB 35.98, 68.07, -88.05

 

CMYK 0 / 85 / 65 / 9

HEX #E72350

RGB 231 35 80

HSL 346.22, 0.8%, 0.52%

LAB 50.42, 72.11, 26.22

 

Description

Color code: RGB 176 231 34 | qconv.com Color code: RGB 176 231 34 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 231 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 231 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 85 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 85% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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